“Damn it all,” he whispered aloud, wetting his hands in the damp and running them through his hair. “Next year I work!” Yet he knew that where now the spirit of spires and towers made him dreamily acquiescent, it would then overawe him. Where now he realized only his own inconsequence, effort would make him aware of his own impotency and insufficiency.
The college dreamed on-awake. He felt a nervous excitement that might have been the very throb of its slow heart. It was a stream where he was to throw a stone whose faint ripple would be vanishing almost as it left his hand. As yet he had given nothing, he had taken nothing.
A belated freshman, his oilskin slicker rasping loudly, slushed along the soft path. A voice from somewhere called the inevitable formula, “Stick out your head!” below an unseen window. A hundred little sounds of the current drifting on under the fog pressed in finally on his consciousness.
“Oh,
God!”
he cried suddenly, and started at the sound of his voice in the stillness. The rain dripped on. A minute longer he lay without moving, his hands clinched. Then he sprang to his feet and gave his clothes a tentative pat.
“I’m very damn wet!” he said aloud to the sun-dial.
Historical
The war began in the summer following his freshman year. Beyond a sporting interest in the German dash for Paris the whole affair failed either to thrill or interest him. With the attitude he might have held toward an amusing melodrama he hoped it would be long and bloody. If it had not continued he would have felt like an irate ticket-holder at a prize-fight where the principals refused to mix it up.
That was his total reaction.
‘Ha-Ha Hortense!“
m
“All right, ponies!” “Shake it up!”
“Hey, ponies—how about easing up on that crap game and shaking a mean hip?”
“Hey,
poniesr’
The coach fumed helplessly, the Triangle Club president, glowering with anxiety, varied between furious bursts of authority and fits of temperamental lassitude, when he sat spiritless and wondered how the devil the show was ever going on tour by Christmas.
“All right. We’ll take the pirate song.”
The ponies took last drags at their cigarettes and slumped into place; the leading lady rushed into the foreground, setting his hands and feet in an atmospheric mince; and as the coach clapped and stamped and tumped and da-da’d, they hashed out a dance.
A great, seething ant-hill was the Triangle Club. It gave a musical comedy every year, travelling with cast, chorus, orchestra, and scenery all through Christmas vacation. The play and music were the work of undergraduates, and the club itself was the most influential of institutions, over three hundred men competing for it every year.
Amory, after an easy victory in the first sophomore
Princetonian
competition, stepped into a vacancy of the cast as
Boiling Oil, a Pirate Lieutenant.
Every night for the last week they had rehearsed “Ha-Ha Hortense!” in the Casino, from two in the afternoon until eight in the morning, sustained by dark and powerful coffee, and sleeping in lectures through the interim. A rare scene, the Casino. A big, barnlike auditorium, dotted with boys as girls, boys as pirates, boys as babies; the scenery in course of being violently set up; the spotlight man rehearsing by throwing weird shafts into angry eyes; over all the constant tuning of the orchestra or the cheerful tumpty-tump of a Triangle tune. The boy who writes the lyrics stands in the corner, biting a pencil, with twenty minutes to think of an encore; the business manager argues with the secretary as to how much money can be spent on “those damn milkmaid costumes”; the old graduate, president in ninety-eight, perches on a box and thinks how much simpler it was in his day.
How a Triangle show ever got off was a mystery, but it was a riotous mystery, anyway, whether or not one did enough service to wear a little gold Triangle on his watch-chain. “Ha-Ha Hortense!” was written over six times and had the names of nine collaborators on the programme. All Triangle shows started by being “something different—not just a regular musical comedy,” but when the several authors, the president, the coach and the faculty committee finished with it, there remained just the old reliable Triangle show with the old reliable jokes and the star comedian who got expelled, or sick or something just before the trip, and the dark-whiskered man in the pony-ballet, who “absolutely won’t shave twice a day, dog-gone it!”
There was one brilliant place in “Ha-Ha Hortense!” It is a Princeton tradition that whenever a Yale man who is a member of the widely advertised “Skull and Bones” hears the sacred name mentioned, he must leave the room. It is also a tradition that the members are invariably successful in later life, amassing fortunes or votes or coupons or whatever they choose to amass. Therefore, at each performance of “Ha-Ha Hortense!” half-a-dozen seats were kept from sale and occupied by six of the worst-looking vagabonds that could be hired from the streets, further touched up by the Triangle make-up man. At the moment in the show where
Firebrand, the Pirate Chief,
pointed at his black flag and said, “I am a Yale graduate—note my Skull and Bones!”—at this very moment the six vagabonds were instructed to rise
conspicuously
and leave the theatre with looks of deep melancholy and an injured dignity. It was claimed though never proved that on one occasion the hired Elis were swelled by one of the real thing.
They played through vacation to the fashionable of eight cities. Amory liked Louisville and Memphis best: these knew how to meet strangers, furnished extraordinary punch, and flaunted an astonishing array of feminine beauty. Chicago he approved for a certain verve that transcended its loud accent—however, it was a Yale town, and as the Yale Glee Club was expected in a week the Triangle received only divided homage. In Baltimore, Princeton was at home, and every one fell in love. There was a proper consumption of strong waters all along the line; one man invariably went on the stage highly stimulated, claiming that his particular interpretation of the part required it. There were three private cars; however, no one slept except in the third car, which was called the “animal car,” and where were herded the spectacled wind-jammers of the orchestra. Everything was so hurried that there was no time to be bored, but when they arrived in Philadelphia, with vacation nearly over, there was rest in getting out of the heavy atmosphere of flowers and grease-paint, and the ponies took off their corsets with abdominal pains and sighs of relief.
When the disbanding came, Amory set out posthaste for Minneapolis, for Sally Weatherby’s cousin, Isabelle Borgé, was coming to spend the winter in Minneapolis while her parents went abroad. He remembered Isabelle only as a little girl with whom he had played sometimes when he first went to Minneapolis. She had gone to Baltimore to live—but since then she had developed a past.
Amory was in full stride, confident, nervous, and jubilant. Scurrying back to Minneapolis to see a girl he had known as a child seemed the interesting and romantic thing to do, so without compunction he wired his mother not to expect him ... sat in the train, and thought about himself for thirty-six hours.
“Petting”
On the Triangle trip Amory had come into constant contact with that great current American phenomenon, the “petting party.”
n
None of the Victorian mothers—and most of the mothers were Victorian—had any idea how casually their daughters were accustomed to be kissed.
“Servant-girls
are that way,” says Mrs. Huston-Carmelite to her popular daughter. “They are kissed first and proposed to afterward.”
But the Popular Daughter becomes engaged every six months between sixteen and twenty-two, when she arranges a match with young Hambell, of Cambell & Hambell, who fatuously considers himself her first love, and between engagements the P. D. (she is selected by the cut-in system at dances, which favors the survival of the fittest) has other sentimental last kisses in the moonlight, or the firelight, or the outer darkness.
Amory saw girls doing things that even in his memory would have been impossible: eating three-o’clock, after-dance suppers in impossible cafés, talking of every side of life with an air half of earnestness, half of mockery, yet with a furtive excitement that Amory considered stood for a real moral let-down. But he never realized how wide-spread it was until he saw the cities between New York and Chicago as one vast juvenile intrigue.
Afternoon at the Plaza, with winter twilight hovering outside and faint drums down-stairs ... they strut and fret in the lobby, taking another cocktail, scrupulously attired and waiting. Then the swinging doors revolve and three bundles of fur mince in. The theatre comes afterward; then a table at the Midnight Frolic—of course, mother will be along there, but she will serve only to make things more secretive and brilliant as she sits in solitary state at the deserted table and thinks such entertainments as this are not half so bad as they are painted, only rather wearying. But the P. D. is in love again ... it was odd, wasn’t it?—that though there was so much room left in the taxi the P. D. and the boy from Williams were somehow crowded out and had to go in a separate car. Odd! Didn’t you notice how flushed the P. D. was when she arrived just seven minutes late? But the P. D. “gets away with it.”
The “belle” had become the “flirt,” the “flirt” had become the “baby vamp.” The “belle” had five or six callers every afternoon. If the P. D., by some strange accident, has two, it is made pretty uncomfortable for the one who hasn’t a date with her. The “belle” was surrounded by a dozen men in the intermissions between dances. Try to find the P. D. between dances, just
try
to find her.
The same girl ... deep in an atmosphere of jungle music and the questioning of moral codes. Amory found it rather fascinating to feel that any popular girl he met before eight he might quite possibly kiss before twelve.
“Why on earth are we here?” he asked the girl with the green combs one night as they sat in some one’s limousine, outside the Country Club in Louisville.
“I don’t know. I’m just full of the devil.”
“Let’s be frank—we’ll never see each other again. I wanted to come out here with you because I thought you were the best-looking girl in sight. You really don’t care whether you ever see me again, do you?”
“No—but is this your line for every girl? What have I done to deserve it?”
“And you didn’t feel tired dancing or want a cigarette or any of the things you said? You just wanted to be—”
“Oh, let’s go in,” she interrupted, “if you want to
analyze.
Let’s not
talk
about it.”
When the hand-knit, sleeveless jerseys were stylish, Amory, in a burst of inspiration, named them “petting shirts.” The name travelled from coast to coast on the lips of parlor-snakes and P D.’s.
Descriptive
Amory was now eighteen years old, just under six feet tall and exceptionally, but not conventionally, handsome. He had rather a young face, the ingenuousness of which was marred by the penetrating green eyes, fringed with long dark eyelashes. He lacked somehow that intense animal magnetism that so often accompanies beauty in men or women; his personality seemed rather a mental thing, and it was not in his power to turn it on and off like a water-faucet. But people never forgot his face.
Isabelle
She paused at the top of the staircase. The sensations attributed to divers on spring-boards, leading ladies on opening nights, and lumpy, husky young men on the day of the Big Game, crowded through her. She should have descended to a burst of drums or a discordant blend of themes from “Thais” and “Carmen.” She had never been so curious about her appearance, she had never been so satisfied with it. She had been sixteen years old for six months.
“Isabelle!” called her cousin Sally from the doorway of the dressing-room.
“I’m ready.” She caught a slight lump of nervousness in her throat.
“I had to send back to the house for another pair of slippers. It’ll be just a minute.”
Isabelle started toward the dressing-room for a last peek in the mirror, but something decided her to stand there and gaze down the broad stairs of the Minnehaha Club. They curved tantalizingly, and she could catch just a glimpse of two pairs of masculine feet in the hall below. Pump-shod in uniform black, they gave no hint of identity, but she wondered eagerly if one pair were attached to Amory Blaine. This young man, not as yet encountered, had nevertheless taken up a considerable part of her day—the first day of her arrival. Coming up in the machine from the station, Sally had volunteered, amid a rain of question, comment, revelation, and exaggeration:
“You remember Amory Blaine, of
course.
Well, he’s simply mad to see you again. He’s stayed over a day from college, and he’s coming to-night. He’s heard so much about you—says he remembers your eyes.”
This had pleased Isabelle. It put them on equal terms, although she was quite capable of staging her own romances, with or without advance advertising. But following her happy tremble of anticipation, came a sinking sensation that made her ask:
“How do you mean he’s heard about me? What sort of things?”
Sally smiled. She felt rather in the capacity of a showman with her more exotic cousin.
“He knows you’re—you’re considered beautiful and all that”—she paused—“and I guess he knows you’ve been kissed.”
At this Isabelle’s little fist had clinched suddenly under the fur robe. She was accustomed to be thus followed by her desperate past, and it never failed to rouse in her the same feeling of resentment; yet—in a strange town it was an advantageous reputation. She was a “Speed,” was she? Well—let them find out.
Out of the window Isabelle watched the snow glide by in the frosty morning. It was ever so much colder here than in Baltimore; she had not remembered; the glass of the side door was iced, the windows were slurred with snow in the corners. Her mind played still with one subject. Did
he
dress like that boy there, who walked calmly down a bustling business street, in moccasins and winter-carnival costume? How very
Western!
Of course he wasn’t that way: he went to Princeton, was a sophomore or something. Really she had no distinct idea of him. An ancient snap-shot she had preserved in an old kodak book had impressed her by the big eyes (which he had probably grown up to by now). However, in the last month, when her winter visit to Sally had been decided on, he had assumed the proportions of a worthy adversary. Children, most astute of matchmakers, plot their campaigns quickly, and Sally had played a clever correspondence sonata to Isabelle’s excitable temperament. Isabelle had been for some time capable of very strong, if very transient emotions....