Authors: Javier Sierra
In this context, I became familiar with the report on the death of our adversary, Donna Beatrice d’Este. I can still see the faces of our brothers celebrating the news. Fools! They thought that Nature had saved us the trouble of having to kill her. Their enthusiasm showed how simply their minds worked, always resorting to the gallows, to the verdict of the Holy Office or to the hands of a paid cutthroat. But that was not the case with me. Unlike the rest of the brethren, I was far from certain that the departure of the Duchess of Milan meant the end of a long chain of irregularities, conspiracies and threats against the faith that had seemed to lurk in Ludovico il Moro’s court and had for months caused unease among our network of informants.
Certainly, it was enough to mention her name at one of the general chapter gatherings of Bethany for rumors to overrun the rest of the debates. Everyone knew her. Everyone knew of her un-Christian activities, but no one had ever dared denounce her. Such was the terror that Donna Beatrice inspired in Rome, that not even the report we received from the duke’s chaplain—who was also the loyal prior of our new monastery of Santa Maria delle Grazie—had referred in any way to her unorthodox doings. The Father Prior Vicenzo Bandello, reputed theologian and learned leader of the Milanese Dominicans, merely described to us the event that had taken place and kept a safe distance from any political question that might have compromised him.
Nor did anyone in Rome reproach him for his prudence.
According to the report signed by the Father Prior, everything had seemed quite normal until the day before the tragedy. Up to that date, the young Beatrice was said to possess everything a woman might want: a powerful husband, an overflowing vitality and an infant about to be born who would perpetuate its father’s noble name. Drunk with happiness, she had spent her last afternoon nearly dancing from room to room and chattering with her favorite lady-in-waiting in the Rochetta Palace. The duchess lived unconcerned by the worries that would have troubled any other mother in her land. She had decided that she would not even feed her child so as to keep unspoiled her small, delicate breasts: a carefully selected nurse would be in charge of overseeing the child’s upbringing, would teach it to eat and to walk, would rise with the dawn to lift it out of its cot, wash it and wrap it in warm cloths. Both baby and nurse would live in the Rochetta, in a room that Donna Beatrice had decorated with care. For Beatrice d’Este, maternity was to be a delightful and unexpected game, free of responsibilities and concern.
But it was precisely there, in the small paradise she had imagined for her scion, that tragedy overtook her. According to the Father Prior, just before the Eve of Saint Basil, Donna Beatrice fainted on one of the couches of the palace. When she awoke, she felt ill. Her head was turning, and her stomach fought to empty itself with long and fruitless retchings. Not knowing what sickness had overcome her, the strong cramps in her bowels following the vomiting led her to fear the worst. Ludovico il Moro’s child had decided to advance its arrival in the world without anyone foreseeing such a contingency. For the first time in her life, Beatrice was frightened.
The doctors took longer than expected to reach the palace that day. The midwife had to be fetched from outside the city walls, and when all the staff needed to assist the duchess finally congregated at her side, it was too late. The umbilical cord that fed the future Leon Maria Sforza had wrapped itself around the baby’s fragile neck. Little by little, neat as a rope, it tightened until it throttled him. Immediately, Beatrice noticed that something was amiss. It seemed to her as if the baby, who seconds earlier had been pushing vigorously to emerge from her belly, had all of a sudden stopped his attempts to come into the world. First he trembled violently and then, as if the effort had drained him, he lost all strength and became stone still. Seeing this, the doctors cut the mother open from side to side, while she writhed in anguish, biting into a vinegar-soaked cloth. But their gesture was useless. Horrified, they discovered a bluish, lifeless baby, his eyes glassy, hideously strangled in his mother’s womb.
And that is how, in terrible pain, without even a moment to come to terms with the loss, Beatrice herself breathed her last a few hours later.
In his report the Father Prior said that he arrived in time to see her agony. Bloody, with her innards exposed and drenched in an unbearable pestilence, she seemed delirious with the torment, crying out for confession and extreme unction. Fortunately for our brethren, Beatrice d’Este died before receiving the sacraments.
I say “fortunately” advisedly.
The duchess was barely twenty-two years old when she left our world. Bethany was well aware that she had led a sinful life. Since the days of Pope Innocent VIII, I myself had had occasion to study and store a number of documents concerning her debauchery. The thousand eyes of the Secretariat of Keys of the Papal States knew well the kind of person the Duke of Ferrara’s daughter had been. Within the walls of our general quarters on Mount Aventino, we could boast that no important document issued from the European courts was unknown to our institution. In the House of Truth, dozens of readers examined daily missives in all languages, some of them encrypted by means of the most abstruse devices. We would decipher them, classify them according to their importance and store them in the archives. Not all, however. Those which referred to Beatrice d’Este had long held a priority in our duties and were kept in a room to which few of us were allowed access. These irreproachable documents showed that Beatrice d’Este was possessed by the demon of occult science. And, worse still, many alluded to her as the principal instigator of the magic arts practiced in Ludovico il Moro’s court. In a country traditionally prone to the most sinister heresies, this piece of information should have been weighed very carefully. But no one did so at the time.
The Dominicans of Milan—among them, the Father Prior—had several times held in their hands proof that Donna Beatrice, as well as her sister Isabella in Mantua, collected amulets and pagan idols, and that both women professed an immoderate passion toward the prophecies of astrologers and dissemblers of every kind. But the Dominicans never did anything about it. The teaching that Isabella received from those deceivers was so wicked that the poor woman spent her last days convinced that our Holy Mother Church would soon disappear forever. Often she would say that the Papal Court would be dragged to the Last Judgment and there, among archangels, saints and pure men, the Eternal Father would condemn us all with no pity.
No one in Rome was more aware than I of the activities of the Duchess of Milan. Reading the reports that arrived concerning her, I learned how devious women can be, and I discovered to what extent, in barely four years of marriage, Donna Beatrice had changed the behavior and the aims of her powerful husband. Her personality began to fascinate me. Superstitious, addicted to profane literature and seduced by whatever exotic notion circulated in her fiefdom, her obsession was to bring to Milan the former splendor of Florence under the Medici.
I believe it was this that put me on my guard. Though the Church had managed gradually to undermine the pillars of that powerful Florentine family, weakening the support they lent to thinkers and artists fond of unorthodox notions, the Vatican was not prepared to face a resurgence of such ideas in the great northern city of Milan. The Medici villas, the memory of the Academy that Cosimo the Elder had founded to rescue the wisdom of the ancient Greeks, the exaggerated protection he had given to architects, painters and sculptors, filled not only the fertile imagination of the duchess but mine as well. Except that she allowed these things to guide her own beliefs and infect the duke himself with their poisonous allure.
Since the day when Alexander VI ascended to Peter’s throne, in 1492, I kept sending messages to my superiors to warn them of what might happen. No one paid any attention to my advice. Milan, so close to the French frontier and with a political tradition of rebellion against Rome, was the perfect candidate to nurse what might become an important schism within the Church. Nor did Bethany believe me. And the Pope, lukewarm toward heretics (barely a year after having donned the tiara, he had already begged forgiveness for having hounded such kabbalists as Pico della Mirandola), lent deaf ears to my warnings.
“That friar, Agostino Leyre,” my brothers in the Secretariat of Keys used to say about me, “pays too much heed to the messages from the Soothsayer. He’s bound to end up just as mad.”
3
The Soothsayer.
He is the only piece missing to finish the puzzle.
His presence merits an explanation. The fact is that, besides my own warnings to the Holy Father and to the highest powers in the Dominican Order concerning the Duchy of Milan’s errant path, there were others that issued from a quite different source, thereby confirming my worst fears. He was an anonymous witness, well informed, who every week would send to our House of Truth minutely detailed letters denouncing the beginnings of a vast sorcerer’s operation in the lands of Ludovico il Moro.
His letters started arriving in autumn of 1496, four months before the death of Donna Beatrice. They were addressed to our order’s seat in Rome, at the monastery of Santa Maria sopra Minerva, where they were read and put away as the work of a poor devil obsessed with the presumed doctrinal strayings of the Sforza family. I do not blame them. We were living then in times of madness, and the letters of yet another fanatic did not overly worry any of our father superiors.
Except for one.
It was the archivist who, at Bethany’s latest general chapter meeting, spoke to me of the writings of this new prophet.
“You should read them,” he said. “As soon as I saw them I thought of you.”
“Indeed?”
I remember the archivist’s owlish eyes, blinking feverishly.
“They are a very curious thing. They have been written by someone who shares your same fears, Father Agostino. A prophet of the Apocalypse, cultivated, well versed in grammar, such a man as the Christian world has not seen since the times of Friar Tanchelmo de Amberes.”
“Friar Tanchelmo?”
“Yes. A crazy old man from the twelfth century who denounced the Church for having turned itself into a brothel, and who accused the priests of living in constant sin. Our Soothsayer does not go so far as that, even if, by the tone of his letters, I suspect he won’t be long in getting there.”
Leaning forward, the archivist added in a wheezing voice:
“Do you know what makes him different from other madmen?”
I shook my head.
“That he seems better informed than any of us. This Soothsayer is a fiend for the exact detail. He knows everything!”
The friar was right. The Soothsayer’s fine, bone-colored sheets of parchment, written in perfect calligraphy and now piled up in a wooden box sealed with the word riservato, referred with obsessive insistence to a secret plan to turn Milan into a new Athens. I had been suspecting something like this for a long time. Ludovico il Moro, like the Medici before him, was among those superstitious leaders who believed that the ancients had a knowledge of the world far more advanced than ours. He believed in a timeworn story according to which, before God punished the world with the Flood, humanity had enjoyed a prosperous Golden Age that first the Florentines—and now the Duke of Milan—wished to bring back at all costs. And to achieve this, these people would not hesitate to cast aside the Bible and the Church’s tenets, since, they argued, in those past days of glory, God had not yet created an institution to represent Him.
But there was more: the Soothsayer’s letters insisted that the cornerstone of the project was being laid down before our very noses. If what the Soothsayer had written was true, Ludovico il Moro’s cunning was beyond measure. His plan to convert his domain into the capital of this rebirth of the philosophy and science of the ancients was to rest on an astonishing foundation: on no less a place than our new monastery in Milan.
The Soothsayer had managed to surprise me. Whoever the man hiding behind such revelations might be, he had delved much further into the matter than I would have ever dared. As the archivist now warned me, he seemed to have eyes everywhere, not only in Milan but also in Rome, since several of his latest missives carried the disconcerting heading Augur dixit—“the Soothsayer hath spoken.” What kind of informer were we dealing with? Who, except someone well placed within the Curia, would know what name had been given to him by the clerks of Bethany?
Neither of us knew whom to accuse.
In those days, the monastery referred to in his messages—Santa Maria delle Grazie—was in the process of being built. The Duke of Milan had appointed the best architects of the day to work on it: Bramante was in charge of the church’s gallery, Cristoforo Solari, of the interior, and not a single ducat was spared to pay the finest artists for the decoration of every one of its walls. Ludovico il Moro wished to turn our temple into a mausoleum for his family, a place of eternal repose that would render his memory immortal for centuries to come.
And yet, what was for the Dominicans a privilege was for the author of these letters a terrible curse. He foresaw terrible calamities for the papacy if no one put a stop to the project, and he predicted a dark and fatal time for the whole of Italy. It was indeed in all fairness that the anonymous author of these messages had earned for himself the title of Soothsayer. His vision of Christendom could not have been bleaker.
4
No one paid any heed to the poor anonymous devil until the morning on which his fifteenth letter arrived.
On that day, Brother Giovanni Gozzoli, my assistant at Bethany, burst noisily into the scriptorium. He was waving in the air a new message from the Soothsayer, and oblivious to the reproachful glances of the studious monks, he walked straight up to my desk.
“Father Agostino, you must see this! You must read it at once!”