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Authors: Ray Bradbury

The October Country (19 page)

BOOK: The October Country
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Jeffers interrupted. "If what you say is true, then every woman in the world would have to look on her baby as something to dread, something to wonder about."

"And why not? Hasn't the child a perfect alibi? A thousand years of accepted medical belief protects him. By all natural accounts he is helpless, not responsible. The child is born hating. And things grow worse, instead of better. At first the baby gets a certain amount of attention and mothering. But then as time passes, things change. When very new, a baby has the power to make parents do silly things when it cries or sneezes, jump when it makes a noise. As the years pass, the baby feels even that small power slip rapidly, forever away, never to return. Why shouldn't it grasp all the power it can have? Why shouldn't it jockey for position while it has all the advantages? In later years it would be too late to express its hatred.
Now
would be the time to strike."

Leiber's voice was very soft, very low.

"My little boy baby, lying in his crib nights, his face moist and red and out of breath. From crying? No. From climbing slowly out of his crib, from crawling long distances through darkened hallways. My little boy baby. I want to kill him."

The doctor handed him a water glass and some pills. "You're not killing anyone. You're going to sleep for twenty-four hours. Sleep'll change your mind. Take this."

Leiber drank down the pills and let himself be led upstairs to his bedroom, crying, and felt himself being put to bed. The doctor waited until he was moving deep into sleep, then left the house.

Leiber, alone, drifted down, down.

He heard a noise. "What's--what's
that?
" he demanded, feebly.

Something moved in the hall.

David Leiber slept.

Very early the next morning, Dr. Jeffers drove up to the house. It was a good morning, and he was here to drive Leiber to the country for a rest. Leiber would still be asleep upstairs. Jeffers had given him enough sedative to knock him out for at least fifteen hours.

He rang the doorbell. No answer. The servants were probably not up. Jeffers tried the front door, found it open, stepped in. He put his medical kit on the nearest chair.

Something white moved out of sight at the top of the stairs. Just a suggestion of a movement. Jeff ers hardly noticed it.

The smell of gas was in the house.

Jeffers ran upstairs, crashed into Leiber's bedroom.

Leiber lay motionless on the bed, and the room billowed with gas, which hissed from a released jet at the base of the wall near the door. Jeffers twisted it off, then forced up all the windows and ran back to Leiber's body.

The body was cold. It had been dead quite a few hours.

Coughing violently, the doctor hurried from the room, eyes watering. Leiber hadn't turned on the gas himself. He
couldn't
have. Those sedatives had knocked him out, he wouldn't have wakened until noon. It wasn't suicide. Or was there the faintest possibility?

Jeffers stood in the hall for five minutes. Then he walked to the door of the nursery. It was shut. He opened it. He walked inside and to the crib.

The crib was empty.

He stood swaying by the crib for half a minute, then he said something to nobody in particular.

"The nursery door blew shut. You couldn't get back into your crib where it was safe. You didn't plan on the door blowing shut. A little thing like a slammed door can ruin the best of plans. I'll find you somewhere in the house, hiding, pretending to be something you are not." The doctor looked dazed. He put his hand to his head and smiled palely. "Now I'm talking like Alice and David talked. But, I can't take any chances. I'm not sure of anything, but I can't take chances."

He walked downstairs, opened his medical bag on the chair, took something out of it and held it in his hands.

Something rustled down the hall. Something very small and very quiet. Jeffers turned rapidly.

I had to operate to bring you into this world, he thought. Now I guess I can operate to take you out of it.

He took half-a-dozen slow, sure steps forward into the hail. He raised his hand into the sunlight.

"See, baby! Something bright--something pretty!"

A scalpel.

The Crowd

Mr. Spallner put his hands over his face.

There was the feeling of movement in space, the beautifully tortured scream, the impact and tumbling of the car with wall, through wall, over and down like a toy, and him hurled out of it. Then--silence.

The crowd came running. Faintly, where he lay, he heard them running. He could tell their ages and their sizes by the sound of their numerous feet over the summer grass and on the lined pavement, and over the asphalt street, and picking through the cluttered bricks to where his car hung half into the night sky, still spinning its wheels with a senseless centrifuge.

Where the crowd came from he didn't know. He struggled to remain aware and then the crowd faces hemmed in upon him, hung over like the large glowing leaves of down-bent trees. They were a ring of shifting, compressing, changing faces over him, looking down, looking down, reading the time of his life or death by his face, making his face into a moon-dial, where the moon cast a shadow from his nose out upon his cheek to tell the time of breathing or not breathing any more ever.

How swiftly a crowd comes, he thought, like the iris of an eye compressing in out of nowhere.

A siren. A police voice. Movement. Blood trickled from his lips and he was being moved into an ambulance. Someone said, "Is he dead?" And someone else said, "No, he's not dead." And a third person said, "He won't die, he's not going to die." And he saw the faces of the crowd beyond him in the night, and he knew by their expressions that he wouldn't die. And that was strange. He saw a man's face, thin, bright, pale; the man swallowed and bit his lips. very sick. There was a small woman, too, with red hair and too much red on her cheeks and lips. And a little boy with a freckled face. Others' faces. An old man with a wrinkled upper lip, an old woman, with a mole upon her chin. They had all come from-- where? Houses, cars, alleys, from the immediate and the accidentshocked world. Out of alleys and out of hotels and out of streetcars and seemingly out of nothing they came.

The crowd looked at him and he looked back at them and did not like them at all. There was a vast wrongness to them. He couldn't put his finger on it. They were far worse than this machine-made thing that happened to him now.

The ambulance doors slammed. Through the windows he saw the crowd looking in, looking in. That crowd that always came so fast, so strangely fast, to form a circle, to peer down, to probe, to gawk, to question, to point, to disturb, to spoil the privacy of a man's agony by their frank curiosity.

The ambulance drove off. He sank back and their faces still stared into his face, even with his eyes shut.

The car wheels spun in his mind for days. One wheel, four wheels, spinning, spinning, and whirring, around and around.

He knew it was wrong. Something wrong with the wheels and the whole accident and the running of feet and the curiosity. The crowd faces mixed and spun into the wild rotation of the wheels.

He awoke.

Sunlight, a hospital room, a hand taking his pulse.

"How do you feel?" asked the doctor.

The wheels faded away. Mr. Spallner looked around.

"Fine--I guess."

He tried to find words. About the accident. "Doctor?"

"Yes?"

"That crowd--was it last night?"

"Two days ago. You've been here since Thursday. You're all right, though. You're doing fine. Don't try and get up."

"That crowd. Something about wheels, too. Do accidents make people, well, a--little off?"

"Temporarily, sometimes."

He lay staring up at the doctor. "Does it hurt your time sense?"

"Panic sometimes does."

"Makes a minute seem like an hour, or maybe an hour seem like a minute?"

"Yes."

"Let me tell you then." He felt the bed under him, the sunlight on his face. "You'll think I'm crazy. I was driving too fast, I know. I'm sorry now. I jumped the curb and hit that wall. I was hurt and numb, I know, but I still remember things. Mostly--the crowd." He waited a moment and then decided to go on, for he suddenly knew what it was that bothered him. "The crowd got there too quickly. Thirty seconds after the smash they were all standing over me and staring at me . . . it's not right they should run that fast, so late at night. . . ."

"You only think it was thirty seconds," said the doctor. "It was probably three or four minutes. Your senses--"

"Yeah, I know--my senses, the accident. But I was conscious! I remember one thing that puts it all together and makes it funny, God, so damned funny. The wheels of my car, upside down. The wheels were still spinning when the crowd got there!"

The doctor smiled.

The man in bed went on. "I'm positive! The wheels were spinfling and spinning fast--the front wheels! Wheels don't spin very long, friction cuts them down. And these were really spinning!"

"You're confused," said the doctor.

"I'm not confused. That street was empty. Not a soul in sight. And then the accident and the wheels still spinning and all those faces over me, quick, in no time. And the way they looked down at me, I
knew
I wouldn't die. . . ."

"Simple shock," said the doctor, walking away into the sunlight.

They released him from the hospital two weeks later. He rode home in a taxi. People had come to visit him during his two weeks on his back, and to all of them he had told his story, the accident, the spinning wheels, the crowd. They had all laughed with him concerning it, and passed it off.

He leaned forward and tapped on the taxi window.

"What's wrong?"

The cabbie looked back. "Sorry, boss. This is one helluva town to drive in. Got an accident up ahead. Want me to detour?"

"Yes. No. No! Wait. Go ahead. Let's--let's take a look."

The cab moved forward, honking.

"Funny damn thing," said the cabbie. "Hey,
you!
Get that fleatrap out the way!" Quieter, "Funny thing--more damn people. Nosy people."

Mr. Spallner looked down and watched his fingers tremble on his knee. "You noticed that, too?"

"Sure," said the cabbie. "All the time. There's always a crowd. You'd think it was their own mother got killed."

"They come running awfully fast," said the man in the back of the cab.

"Same way with a fire or an explosion. Nobody around. Boom. Lotsa people around. I dunno."

"Ever seen an accident--at night?"

The cabbie nodded. "Sure. Don't make no difference. There's always a crowd."

The wreck came in view. A body lay on the pavement. You knew there was a body even if you couldn't see it. Because of the crowd. The crowd with its back toward him as he sat in the rear of the cab. With its back toward him. He opened the window and almost started to yell. But he didn't have the nerve. If he yelled they might turn around.

And he was afraid to see their faces.

"I seem to have a penchant for accidents," he said, in his office. It was late afternoon. His friend sat across the desk from him, listening. "I got out of the hospital this morning and first thing on the way home, we detoured around a wreck."

"Things run in cycles," said Morgan.

"Let me tell you about my accident."

"I've heard it. Heard it all."

"But it was funny, you must admit."

"I must admit. Now how about a drink?"

They talked on for half an hour or more. All the while they talked, at the back of Spallner's brain a small watch ticked, a watch that never needed winding. It was the memory of a few little things. Wheels and faces.

At about five-thirty there was a hard metal noise in the street. Morgan nodded and looked out and down. "What'd I tell you? Cycles. A truck and a cream-colored Cadillac. Yes, yes."

Spailner walked to the window. He was very cold and as he stood there, he looked at his watch, at the small minute hand. One two three four five seconds
people running--eight nine ten eleven twelve--from all over, people came running--fifteen sixteen seventeen eighteen seconds--more people, more cars, more horns blowing. Curiously distant, Spallner looked upon the scene as an explosion in reverse, the fragments of the detonation sucked back to the point of impulsion. Nineteen, twenty, twenty-one seconds and the crowd was there. Spallner made a gesture down at them, wordless.

The crowd had gathered so fast.

He saw a woman's body a moment before the crowd swallowed it up.

Morgan said. "You look lousy. Here. Finish your drink."

"I'm all right, I'm all right. Let me alone. I'm all right. Can you see those people? Can you see any of them? I wish we could see them closer."

Morgan cried out, "Where in hell are you going?"

Spallner was out the door, Morgan after him, and down the stairs, as rapidly as possible. "Come along, and hurry."

"Take it easy, you're not a well man!"

They walked out on to the street. Spaliner pushed his way forward. He thought he saw a red-haired woman with too much red color on her cheeks and lips.

"There!" He turned wildly to Morgan. "Did you see her?"

"See
who?
"

"Damn it; she's gone. The crowd closed in!"

The crowd was all around, breathing and looking and shuffling and mixing and mumbling and getting in the way when he tried to shove through. Evidently the red-haired woman had seen him coming and run off.

He saw another familiar face! A little freckled boy. But there are many freckled boys in the world. And, anyway, it was no use, before Spallner reached him, this little boy ran away and vanished among the people.

"Is she dead?" a voice asked. "Is she dead?"

"She's dying," someone else replied. "She'll be dead before the ambulance arrives. They shouldn't have moved her. They shouldn't have moved her."

All the crowd faces--familiar, yet unfamiliar, bending over, looking down, looking down.

"Hey, mister, stop pushing."

"Who you shovin', buddy?"

Spailner came back out, and Morgan caught hold of him before he fell. "You damned fool. You're still sick. Why in hell'd you have to come down here?" Morgan demanded.

BOOK: The October Country
13.38Mb size Format: txt, pdf, ePub
ads

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