Read The New York Review Abroad Online
Authors: Robert B. Silvers
Perhaps most of all Saigon is like a stewing Los Angeles, shading into Hollywood, Venice Beach, and Watts. The native stall markets are still in business, along Le Loi and Nguyen Hue Streets, but the merchandise, is, for Asia, exotic. There is hardly anything native to buy, except flowers and edibles and fire-crackers at Tet time and—oh yes—souvenir dolls. Street vendors and children are offering trays of American cigarettes and racks on racks of Johnnie Walker, Haig & Haig, Black & White (which are either black market, stolen from the PX, or spurious, depending on the price); billboards outside car agencies advertise Triumphs, Thunderbirds, MG’s, Corvettes, “For Delivery here or Stateside, Payment on Easy Terms”; non-whites, the less affluent ones, are mounted on Hondas and Lambrettas. There are photo-copying services, film-developing services, Western tailoring and dry-cleaning services, radio and TV repair shops, air-conditioners, Olivetti typewriters, comic books,
Time, Life
, and
Newsweek
, airmail paper—you name it, they have it. Toys for Vietnamese children (there are practically no American kids in Vietnam) include US-style
jackknives, pistols, and simulated-leather belts, with holsters—I did not see any cowboy suits or Indian war-feathers. Pharmaceuticals are booming, and a huge billboard all along the top of a building in the central marketplace shows, for some reason, a smiling Negro with very white teeth advertising a toothpaste called Hynos.
If Saigon by day is like a PX, at night, with flares overhead, it is like a World’s Fair or Exposition in some hick American city. There are Chinese restaurants, innumerable French restaurants (not surprising), but also La Dolce Vita, Le Guillaume Tell, the Paprika (a Spanish restaurant on a rooftop, serving paella and sangría). The national cuisine no American wants to sample is the Vietnamese. In February, a German circus was in town. “French” wine is made in Cholon, the local Chinatown. In the nightclubs, if it were not for the bar girls, you would think you were on a cruise ship: a
chanteuse
from Singapore sings old French, Italian, and American favorites into the microphone; an Italian magician palms the watch of a middleaged Vietnamese customer; the band strikes up “Happy Birthday to You,” as a cake is brought in. The “vice” in Saigon—at least what I was able to observe of it—has a pepless
Playboy
flavor.
As for virtue, I went to church one Sunday in the Cathedral (a medley of Gothic, Romanesque, and vaguely Moorish) on John F. Kennedy Square, hoping to hear the mass in Vietnamese. Instead, an Irish-American priest preached a sermon on the hemline to a large male white congregation of soldiers, construction-workers, newspaper correspondents; in the pews were also some female secretaries from the Embassy and other US agencies and a quotient of middle-class Vietnamese of both sexes. The married men present, he began, did not have to be told that the yearly rise or fall in skirt lengths was a “traumatic experience” for a woman, and he likened the contemporary style centers—New York, Chicago, San Francisco—to the
ancient “style centers” of the Church—Rome, Antioch, Jerusalem. His point seemed to be that the various rites of the Church (Latin, Coptic, Armenian, Maronite—he went into it very thoroughly) were only
modes
of worship. What the Sunday-dressed Vietnamese, whose hemline remains undisturbed by changes emanating from the “style centers” and who were hearing the Latin mass in American, were able to make of the sermon, it was impossible to tell. Just as it was impossible to tell what some very small Vietnamese children I saw in a home for war orphans were getting out of an American adult TV program they were watching at bedtime, the littlest ones mother-naked. Maybe TV too is catholic, and the words do not matter.
Saigon has a smog problem, like New York and Los Angeles, a municipal garbage problem, a traffic problem, power failures, inflation, juvenile delinquency. In short, it meets most of the criteria of a modern Western city. The young soldiers do not like Saigon and its clip joints and high prices. Everybody is trying to sell them something or buy something from them. Six-year-old boys, cute as pins, are plucking at them: “You come see my sister. She Number One fuck.” To help the GI resist the temptations of merchants—and soak up his buying power—diamonds and minks are offered him in the PX, tax free. (There were no minks the day I went there, but I did see a case of diamond rings, the prices ranging up to 900-odd dollars.) Unfortunately, the PX presents its own temptation—that of resale. The GI is gypped by taxidrivers and warned against Cyclo men, (probably VC) and he may wind up in a Vietnamese jail, like some of his buddies, for doing what everybody else does—illegal currency transactions. If he walks in the center after nightfall, he has to pick his way among whole families who are cooking their unsanitary meal or sleeping, right on the street, in the filth. When he rides in from the airport, he has to cross a bend of the river, bordered by shanties, that he has named, with rich American humor, Cholera Creek.
To the servicemen, Saigon stinks. They would rather be in base camp, which is clean. And the JUSPAO press officer has a rote speech for arriving correspondents: “Get out of Saigon. That’s my advice to you. Go out into the field.” As though the air were purer there, where the fighting is.
That is true in a way. The Americanization process smells better out there, to Americans, even when perfumed by napalm. Out there, too, there is an enemy a man can respect. For many of the soldiers in the field and especially the younger officers, the Viet Cong is the only Vietnamese worthy of notice. “If we only had them fighting on our side, instead of the goddamned Arvin [Army of the Vietnamese Republic], we’d
win
this war” is a sentiment the newspapermen like to quote. I never heard it said in those words, but I found that you could judge an American by his attitude toward the Viet Cong. If he called them “Charlie” (cf. John Steinbeck), he was either an infatuated civilian, a low-grade primitive in uniform, or a fatuous military mouthpiece. Decent soldiers and officers called them “the VC.” The same code of honor applied in South Vietnamese circles; with the Vietnamese, who are ironic, it was almost a pet name for the enemy. Most of the American military will praise the fighting qualities of the VC, and the more intellectual (who are not necessarily the best) praise them for their “motivation.” Americans have become very incurious, but the Viet Cong has awakened the curiosity of the men who are fighting them. From within the perimeter of the camp, behind the barbed wire and the sandbags, they study their habits, half-amused, half-admiring; a gingerly relationship is established with the unseen enemy, who is probably carefully fashioning a booby trap a few hundred yards away. This relation does not seem to extend to the North Vietnamese troops, but in that case contact is rarer. The military are justly nervous of the VC, but unless they have been wounded
out on a patrol or have had the next man killed by a mine or a mortar, they do not show hatred or picture the black-pajama saboteur as a “monster,” a word heard in Saigon offices.
In the field, moreover, the war is not questioned: it is just a fact. The job has to be finished—that is the attitude. In Saigon, the idea that the war can ever be finished appears fantastic: the Americans will be there forever, one feels; if they go, the economy will collapse. What postwar aid program could be conceived—or passed by Congress—that would keep the air in the balloon? And if the Americans go, the middle-class Saigonese think, the Viet Cong will surely come back, in two years, five years, ten, as they come back to a “pacified” hamlet at Tet time, to leave, as it were, a calling card, a reminder—we are still here. But, at the same time, in Saigon the worth of the American presence, that is, of the war, seems very dubious, since the actual results, in uglification, moral and physical, are evident to all. The American soldier, bumping along in a jeep or a military truck, resents seeing all those Asiatics at the wheels of new Cadillacs. He knows about corruption, often firsthand, having contributed his bit to it, graft, theft of AID and military supplies from the port. He thinks it is disgusting that the local employees steal from the PX and then stage a strike when the manageress makes them line up to be searched on leaving the building. And he has heard that these “apes,” as some men call them, are salting away the profits in Switzerland or in France, where De Gaulle, who is pro-VC, has just run the army out.
Of course, all wars have had their profiteers, but it has not usually been so manifest, so inescapable. The absence of the austerity that normally accompanies war, of civilian sacrifices, rationing, shortages, blackouts (compare wartime London or even wartime New York, twenty-five years ago) makes this war seem singularly immoral and unheroic to those who are likely to die in it—for what? So that the Saigonese and other civilians can live high off the hog? The fact
that the soldier or officer is living pretty high off the hog himself does not reconcile him to the glut of Saigon; rather the contrary. Furthermore, an atmosphere of sacrifice is heady; that—and danger—is what used to make wartime capitals gay. Saigon is not gay. The peculiar thing is that with all those young soldiers wandering about, all those young journalists news-chasing, Saigon seems so middle-aged—inert, listless, bored. That, I suppose, is because everyone’s principal interest there is money, the only currency that is circulating, like the stale air moved by ceiling-fans and air-conditioners in hotels and offices.
The war, they say, is not going to be won in Saigon, nor on the battlefield, but in the villages and hamlets. This idea, by now trite (it was first discovered in Diem’s time and has been rebaptized under a number of names—New Life Hamlets, Rural Construction, Counter Insurgency, Nation-Building, Revolutionary Development, the Hearts and Minds Program), is the main source of inspiration for the various teams of missionaries, military and civilian, who think they are engaged in a crusade. Not just a crusade against Communism, but something
positive
. Back in the Fifties and early Sixties, the war was presented as an investment: the taxpayer was persuaded that if he stopped Communism
now
in Vietnam, he would not have to keep stopping it in Thailand, Burma, etc. That was the domino theory, which our leading statesmen today, quite comically, are busy repudiating before Congressional committees—suddenly nobody will admit to ever having been an advocate of it. The notion of a costly investment that will save money in the end had a natural appeal to a nation of homeowners, but now the assertion of an American “interest” in Vietnam has begun to look too speculative as the stake increases (“When is it going to pay off?”) and also too squalid as the war daily becomes more savage and destructive. Hence the “other”
war, proclaimed by Johnson in Honolulu, which is simultaneously pictured as a strategy for winning War Number One and as a top priority in itself. Indeed, in Vietnam, there are moments when the “other” war seems to be viewed as the sole reason for the American presence, and it is certainly more congenial to American officials, brimming with public spirit, than the war they are launching from the skies. Americans do not like to be negative, and the “other” war is constructive.