The Moviegoer (19 page)

“We've got to get Kate out of here and to do it, I need your help.”

Sam comes bursting through Kate's new shutters and starts pacing up and down the tiny courtyard where I sit hunched over and bemused by the malaise. I notice that Kate has begun peeling plaster from the wall of the basement, exposing more plantation brick. “Here's the story. She's going to New York and you're going to take her there. Take her there today and wait for me—I'll be back in ten days. She is to see Etienne Suë—you know who he is: one of those fabulous continental geniuses who is as well known for his work in Knossan antiquities as his clinical researches. The man is chronically ill himself and sees no more than a handful of patients, but he'll see Kate. I've already called him. But here is the master stroke. I've already made arrangements for her to stay with the Princess.”

“The Princess?”

There is a noise above us. I blink up into the thin sunlight. Bessie Coe—so called to distinguish her from Bessie Baham the laundress—a speckle-faced Negress with a white lip, leans out from the servants' walk to shake a mop. Since she is kitchen help, she can allow herself to greet me in the old style. “Mist Binx,” she declares hoarsely, hollering it out over my head to the neighborhood in a burlesque of a greeting yet good-naturedly and even inviting me to join in the burlesque.

“She is seventy five years old, a little bitty dried-up old thing and next to Em the most charming, the wittiest and the wisest woman I ever knew. She has been of more service to us in the U.N. than the entire American delegation. Her place is always electric with excitement. Kate—who in my opinion is already a great lady—would find herself for the first time. The long and the short of it is she needs a companion. The very night I left New York she said to me: now you listen here—while you are in your American South, you make it your business to find me a nice Southern girl—you know the kind I have in mind. Of course the kind she had in mind is the Southerner who is so curiously like the old-style Russian gentry. I thought no more about it until last night as I watched Kate go up the steps. My God, I said, there goes Natasha Rostov. Have you ever noticed it?”

“Natasha?” I say blinking. “What has happened? Has something happened to Kate?”

“I am not sure what happened.” Sam places heel to toe and, holding his elbow in his hand and his arm straight up and down in front of him—himself gathered to a point, aimed—puffs a cigarette. “Certainly there was nothing wrong when Kate went to bed at two o'clock this morning. On the contrary. She was exalted. We had had, she and I and Em, four hours of the best talk I ever had anywhere. She was the most fascinating woman in New Orleans and she damn well knew it.”

(Aye, sweet Kate, and I know too. I know your old upside-down trick: when all is lost, when they despair of you, then it is, at this darkest hour, that you emerge as the gorgeous one.)

“Emily and I talked for a little while longer and went up to bed. It was not later than two thirty. At four o'clock something woke me. What it was I can't for the life of me recall but I awoke with the most importunate sense of something wrong. I went into the hall. There was a light under Kate's door but I heard nothing. So I went back to bed and slept until eight.” Sam speaks in a perfunctory voice, listing items rapidly and accurately in a professional style. “When Kate had not appeared for breakfast by ten o'clock, Emily sent Mercer up with a tray. Meanwhile Jules had left for church. Mercer knocked at Kate's door and called out loudly enough to be heard downstairs and received no answer. Now Emily was visibly alarmed and asked me to come up with her. For ten minutes we knocked and called (do you know how very long ten minutes is?). So what the hell, I kicked the door down. Kate was in bed and deeply asleep, it seemed to me. But her breathing was quite shallow and there was a bottle of capsules open on the table. But it was by no means empty—I judge that it was just over one third filled. Anyhow, Emily could not wake her up. Whereupon she, Emily, became extremely agitated and asked me to call Dr Mink. By the time he arrived, of course, Kate had waked up and was lashing out with a particularly malevolent and drunken sort of violence. Toward Emily she exhibited a cold fury which was actually frightening. When she told us to get the hell out, I can assure you that I obeyed at once. Dr Mink lavaged her stomach and gave her a stimulant—” Sam looks at his watch, “—that was an hour ago. Now that fellow has pretty good nerve. He wouldn't put her in the hospital which would have been the cagey thing to do. Emily asked him what he proposed to do. He said Kate had promised to see him Monday and that was good enough for him—and as for the pentobarbital, no one could really keep anybody else from swallowing any number any time he wanted to. He's a great admirer of Suë, by the way. We did manage to get the bottle, however—”

“Sam!” My aunt's voice, low and rich in overtones of meaning, comes down to us.

Sam looks down past his arm to see that his heel is aligned properly. I start up nervously, uneasy that Sam might have missed the warning in my aunt's voice.

“One more thing. Oscar and Edna are here. Now wouldn't you know they'd be? But perhaps it is just as well. For it is an awkward moment for Kate. The trick is for her to show herself. Here's what we hit upon: you show up, knowing nothing, come looking for her and fetch her down to dinner.”

My aunt catches my eye from the dining room and I go in to kiss her and speak to the Oscar Bollings. Things seem calm enough. Uncle Jules is laughing with Aunt Edna about something. Though Aunt Emily is abstracted, temple propped on three fingers, she speaks cheerfully, and I can't help but wonder if Sam's story is not exaggerated. Uncle Oscar and Aunt Edna have come down from Feliciana Parish for Carnival and the Spring Pilgrimage, an annual tour of old houses and patios. Aunt Edna is a handsome stoutish woman with snapping black eyes and a near-mustache. Though she is at least sixty five, her hair is still black and loops back over her ears in a way that makes me think of “raven tresses.” Uncle Oscar is all dressed up, but you can tell he is countrified. The fourth of the elder Bolling brothers, he elected to be neither soldier nor lawyer nor doctor but storekeeper—that is, until his recent success in exhibiting Lynwood to tourists at a dollar a head. In certain quirks of expression and waggings of head, he is startlingly like Judge Anse, but there is a flattening of the nosebridge and a softening of the forehead and a giddy light-blue amiability about the eyes. Upon the death of the brothers and the emigration of the girls, Uncle Oscar and Aunt Edna fell heir to the old place. It is not much of a showplace, to be honest (it never occurred to anyone to give it a name until Aunt Edna thought of Lynwood), being a big old rambling pile and having no special virtue save only its deep verandas and its avenue of oaks. But Uncle Oscar and Aunt Edna managed to fix it up wonderfully well and even win a permanent place on the Azalea Trail. Strangely enough, it was not Uncle Oscar, the old settler, who restored the house in the best Natchez style—adding a covered walk to the outkitchen, serving mint juleps where the Bollings had never drunk anything but toddies, and even dressing up poor old Shad in a Seagram's butler suit and putting him out on the highway with a dinner bell—it was not Uncle Oscar but Aunt Edna, the druggist's daughter from upstate New York whom Uncle Oscar met and married while she was training at Plattsburg in the first world war.

When I bend to kiss her, my aunt gives me no sign whatever, beyond her usual gray look and the usual two quick pats on the cheek—no sign, unless it is a certain depth of irony, a gray under gray.

There comes to me in the ascent a brief annunciatory syllable in the throat stopped in the scrape of a chair as if, having signaled me and repenting of it, it had then to pass itself off as but one of the small day noises of the house. Off the landing is a dark little mezzanine arranged as a room of furniture. It is a place one passes twenty times a day and no more thinks of entering than of entering a picture, nor even of looking at, but having entered, enters with all the oddness of entering a picture, a tableau in depth wherein space is untenanted and wherefrom the view of the house, the hall and dining room below, seems at once privileged and strange. Kate is there in the shadows. She sits beside the porcelain fireplace with its glassed-in cases of medals and tufted Bohemian slippers and gold-encrusted crystal and the ambrotype of Captain Alex Bolling of the 2nd Louisiana Infantry not merely locked in but sealed in forever by glass set into the wall, an immurement which used to provoke in me the liveliest speculation by virtue of its very permanence—to think of the little objects closeted away forever in the same sequestered air of 1938—Kate sits, herself exempt from the needs and necessaries of all passers-by, and holds her arms in her hands and cheerfully makes room for me in the love seat. Not until later do I think why it is she looks so well: she is all dressed up, for the first time since Christmas. It is the scent of her perfume, her nylon-whispering legs, the white dress against her dark skin, a proper dress fluted and flounced and now gathered by her and folded away from me.

The angle is such that we can see the dining room and its company, except my aunt. There is only her right wrist and hand curving out and under the chair arm to rub the lion's face with its cloven leprous nose.

“Tell Mother that I am fine and that I will be down later. I am not hungry.” Then I will indeed be fine, Kate as good as says. It is her sense of their waiting upon her and that alone that intrudes itself into her mezzanine.

When I return (my aunt received me with a single grave nod), Kate is smoking, inhaling deeply and blowing plumes of lung smoke into the air. Her knees are crossed and she swings her leg and holds her Zippo and pack in her lap.

“Have you seen Sam?” she asks me.

“Yes.”

“What did he tell you?”

“That you had a bad night and that Merle had been here.” I tell her the truth because I have not the wit to tell her anything else. Kate knows it: I am the not-quite-bright one whom grown-ups take aside to question.

“Hm. Do you want to know the truth? I had a very good night. Possibly the best night of my life.”

Sam touches knife to goblet. As is his custom, he speaks down the table to my aunt but with a consciousness of the others as listeners-in. At his right, Uncle Jules is content to listen in and look on with an expression of almost besotted amiability. This is one of Em's “dinners,” Sam is speaking at the Forum, Em is president. Long ago he, Uncle Jules, and with the same shrewdness with which he recognizes signs of corporate illness and corporate health, made out a certain pattern in Emily's lectures. Persons of the most advanced views on every subject and of the most exquisite sensitivity to minorities (except Catholics, but this did not bother Uncle Jules), they were nevertheless observed by him to observe the same taboos and celebrate the same rites. Not so Uncle Oscar. Sitting there rared back and gazing up at the chandelier, he too is aware that he has fallen in with pretty high-flown company, but he will discover no such thing; any moment now he will violate a taboo and blaspheme a rite by getting off on niggers, Mrs Roosevelt, dagos and Jews, and all in the same breath. But Uncle Jules will neither trespass nor be trespassed upon. His armor is his unseriousness. It would never occur to him to take their, Aunt Emily's lecturers', irreverent sallies as an assault upon his own deep dumb convictions. The worst they can do is live up to themselves, behave just as he has come to expect “Em's people” to behave.

Sam tolls his goblet. “Last Thursday, Em, Eric got back from Geneva and I met him at the airport. His face was white as chalk—”

Kate, who has been sitting back and peering down her cheek at Sam like a theatergoer in the balcony, begins smoothing out the cellophane of her cigarette pack.

“We talked like that last night. I was very happy—”

Aunt Edna leans out to intercept Sam's monologue. She has not yet caught on to Sam's way of talking, so she is upset. “But what can a person
do
?”—and she actually wrings her hands. Aunt Edna is as nice as can be, but she is one of our kinfolks I avoid. Her soul is in her eyes and when we meet, she shoots me deep theosophical soul-glances, and though I shoot them back and am quite sympathetic on the whole, it is an uneasy business.

“Sam is a very gentle person and a very kind person,” says Kate.

“I know.”

“He is very fond of you. Are you going to hear his lecture?”

“I would like to, but I have to get up early tomorrow morning and go to Chicago.”

“What for?”

“Business.”

“We had a wonderful evening, but when I went to bed, I was somewhat apprehensive. You know how you have to guard against Sam's flights?”

“Yes.”

“Whatever goes up must come down and I was ten miles high.”

“I know.”

“But I was on guard and I did not fall. I went straight to bed and to sleep. Then some hours later I awoke suddenly. There was nothing wrong. I was wide awake and completely alert. I thought about your proposal and it seemed to me that it might be possible after all. If only I did not ruin everything.”

Mercer passes a dish of sweet potatoes. At each place he stops breathing, head thrown back and eyes popping out, then lets out his breath with a strangling sound.

Uncle Oscar has hiked an arm back over his chair and says something to Sam. I can't make it out but I recognize the voice, the easy garrulity wheezing off into a laughter which solicits your agreement and threatens reprisal if you withhold it. Yet I used to like Uncle Oscar's store in Feliciana—to hear his voice now is almost to smell the floorboards soured by wet Growena. But even then, to be there and to be solicited by him was a perilous thing. It was a perilous thing to see him do battle in the deadly arena of a country store, see him gird himself to annihilate his opponent and, to insure himself against counterattack, go wheezing off into easy laughter and so claim the victory.