Read The Manor House School Online

Authors: Angela Brazil

The Manor House School (21 page)

"Then he would have to be ready to hurry away into some safer retreat still, in case his first place of concealment were discovered. At the end of the farther attic there is a small cupboard most cunningly hidden in the wall. In front of it there is a shaft, a great, horrible, yawning chasm, several feet wide and very deep, going quite to the basement of the house. It was intended as a trap to baffle pursuers, who would fall down it in the dark when chasing their fugitive."

"Is the shaft still there?" asked Cicely.

"Yes, it is quite untouched and open. It is in such a far-away part of the attic that nobody has considered it worth while to go to the trouble of having it covered in. Now you can understand how alarmed Mrs. Wilson was when she found that some of you had been in the lantern room. She didn't believe you would really be able to find your way through the cupboard; still, she was never easy when she thought of the danger you might perhaps run into. She couldn't rest until Scott had padlocked the door."

"We were very near it," said Cicely, with a shiver.

"It was the greatest mercy you didn't venture any farther. I can't be too thankful that the cistern made a noise just at that moment, and frightened you down again."

"Then you knew of this secret door, though not of the one in the picture gallery?" said Lindsay.

"Yes; it was discovered two centuries ago, in the reign of Queen Anne, I believe. In many old manor houses there are equally clever contrivances for hiding-places. They are often called 'priests' holes'. I've heard of one under the steps of the stairs, and another in a window-seat, or up a chimney, or even behind a picture."

"Like ours," said Cicely.

"No doubt the one under the settle may have been a 'priests' hole' too, and perhaps had the second entrance for extra security. Very sad stories are told about some of the hiding-places. Sometimes the poor fugitive couldn't find an opportunity to get away, and the person who knew the secret, and should have brought him food, was killed or taken prisoner. Then he either had to come out, and deliver himself up to the soldiers, or to remain and die a slow, lingering death of starvation."

"I thought we were going to do that when we were locked in with the treasure," remarked Cicely.

"How much did Merle find out in the lantern room?" interposed Lindsay.

"She happened to pull at the lantern, and had just the same surprise as you," replied Monica. "She had gone a few steps into the passage when I came down from looking at the cistern, and met her, much to her astonishment. Of course I explained everything, and begged her not to tell, because we didn't want any more schoolgirls to start exploring."

"Then it was to you she gave that mysterious promise?"

"Certainly it was to me. I'm glad to hear she kept it so well."

"But I still don't half understand," said Lindsay. "We thought Mrs. Wilson and Scott were hiding the treasure up there. We saw them take a sack into the garden one night and bury something."

"You managed to give poor Scott a great fright," laughed Monica. "He told me about it the next day. He was doing nothing more dreadful than digging out a wasps' nest. Mrs. Wilson had discovered it in the bank, and she went with him to show him the place and help him. Of course it could not be done by daylight, when the wasps were flying about; but at dark, when they were all safely inside their hole, Scott burnt tobacco to stupefy them, and then took the nest. He said two of the young ladies had suddenly tumbled down the bank while he was at work, and startled him terribly."

"So he and Mrs. Wilson weren't burying the treasure after all? They didn't even try to steal it?"

"No, indeed! I feel sorry to think they should have been suspected for a moment of such bad intentions. Mrs. Wilson may be rather gruff and blunt in her manners, but she is a faithful old soul, and devoted to Mother and me. I believe she would have starved rather than touch a penny that belonged to us. And Scott too is absolutely honest. I assure you he keeps nothing stowed away inside the cucumber frames! Naturally Mrs. Wilson had often looked for the hiding-place, but it was all on my behalf, and nobody rejoiced more heartily than she did when it was found."

"We were on a completely wrong track," said Lindsay. "The only right clue was the enigma. I'm glad we puzzled that out, though we didn't win any prizes in the competition."

"And yet the enigma was no real use," put in Cicely. "We shouldn't have gone through the bottom of the settle if we hadn't been playing hide-and-seek. Isn't it queer that when we tried so hard to find the secret room we couldn't, and then that we should come across it just by accident?"

To Monica the affair seemed no accident, but, as the Rector had said, a merciful arrangement of Providence. It enabled her to send for Sir William Garrett, and the great specialist arrived in the course of the next few days. After examining Mrs. Courtenay, he gave a more favourable report on her case than her own physician had dared to hope.

"You have consulted me in the nick of time," was his verdict. "I trust to be able to effect a complete cure. A winter in the south would work wonders, and, if my treatment is thoroughly carried out, she should return to Haversleigh in the spring with restored health."

It was an intense relief to be thus reassured. Monica felt as if a heavy weight had been lifted from her mind. When the doctors had finally taken their departure, she ran to share her good news with her friends at the Manor.

"Of course," she explained, "Mother will require the greatest care, but we can give her anything now that she needs. Sir William Garrett has promised to send a nurse from London who understands his special treatment, and who could go with us to Italy in the autumn. Oh, how splendid it will be when I can bring her back absolutely strong and well! I can hardly feel thankful enough. And it is all owing to you," she added, kissing Lindsay and Cicely with tears in her eyes.

It had come at length to the very end of the term; the girls were making up their minds to bid a reluctant good-bye to the beautiful old house where they had spent such a pleasant and eventful twelve weeks.

"If we weren't going home, I couldn't bear to leave it," said Cicely. "I've grown so fond of everything. Our dear bedroom, with its big four-poster (I love those yellow brocaded curtains), and the roses round the window that smell so delicious first thing when one wakes in the morning, and the dining-hall, and the picture gallery, and the library, and the oak parlour where we have lessons, and, above all, the garden. Oh dear, it makes me quite sad to think perhaps I may never see them again! What a change to settle down at Winterburn Lodge in September!"

"I suppose life can't be all honey; we shall have to go back to plain bread and butter now," replied Lindsay philosophically. "But I'll tell you a secret to cheer you up. Monica says her mother has promised that when they return from Italy she'll ask you and me to spend part of the summer holidays at the Manor. But she doesn't wish us to let any of the other girls know of the invitation just at present."

"How perfectly delightful!" exclaimed Cicely, with shining eyes.

"It's a whole year off yet."

"I don't mind, so long as I can think of coming here again some time, and being Monica's visitor. It's something to look forward to."

The last day arrived, as last days invariably do, whether one is longing for their advent or the reverse. Boxes had been brought down and packed, and Miss Russell's linen and silver had been collected and stowed away in great wicker baskets, which were already dispatched on their road to London. The girls, marshalled in order on the drive, were only waiting for the word "March!" to start for the railway station.

Monica stood on the steps to see them off, her pretty, fair face and rich chestnut hair framed in the oak doorway.

"I shall miss you all dreadfully," she said. "It has been a great pleasure for me to have you here. Please don't forget me."

"We're not likely to do that," replied Mildred Roper, speaking for herself and the rest. "We've spent a glorious three months. It's been more like holidays than school. I think every one of us, to the end of her life, will remember this summer term at the old Manor. Good-bye!"

End of the Project Gutenberg EBook of The Manor House School, by Angela Brazil

*** END OF THIS PROJECT GUTENBERG EBOOK THE MANOR HOUSE SCHOOL ***

***** This file should be named 28974-8.txt or 28974-8.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/8/9/7/28974/

Produced by Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net

Updated editions will replace the previous one--the old editions will be renamed.

Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.

*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at
http://gutenberg.net
/license).

Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net

1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9.

Other books

The Great Game by Lavie Tidhar
The Devil Next Door by Curran, Tim
Stations of the Tide by Michael Swanwick
Stark's War by John G. Hemry
Tender Love by Irene Brand
Cut Dead by Mark Sennen


readsbookonline.com Copyright 2016 - 2024