The Lonely Dead (19 page)

It was dark inside. Odd again. The door should have been locked, of course, self-locking doors being basic security in a modern hotel. Not to mention it having a latch, which at the very least should have kept it closed.

She rapped on it, quietly. There was no response.

She didn't know if the room was supposed to be occupied. Along with her radio she should have brought up a list. She'd never seen the point. People either wanted breakfast or they didn't. What was she going to do: wake them up to see if they'd forgotten?

She reached inside the door and flipped the light switch. Nothing happened. Ah. Suddenly this was looking more explicable. Obviously there was a problem with Room 511, circuits burned out or something. It happened. The sign was on the door was most likely there to remind someone to get on to fixing it.

But why hadn't she been told? This was exactly the kind of thing that should be on her schedule. If people didn't take her seriously how the hell was she supposed to do her job?

Katelyn's mouth set in a tight straight line. Not being taken seriously was something she absolutely couldn't bear.

She pushed the door open further and took a step into the dark interior corridor. Stood and listened. Couldn't hear anything.

She walked into the room. It was stuffy. The air around her seemed to ebb and flow, stirred tidally with the breath of all those sleeping around her. Normally street and ambient light would have kept it light enough to make out shapes easily, but the drapes at the far end had been left drawn. She could make out that the bed was empty and unused, but little more than that.

She felt her way over to the desk and tried turning on the light.

It didn't work either. Okay, so the power was definitely screwed. She didn't really understand how that could happen in one room alone, but…

Suddenly the room seemed darker still, and there was a soft click. She turned. The rectangle of yellow light from the corridor had disappeared.

She heard something that might have been the sound of feet on carpet. She took a step back, banged into the edge of the desk.

She swallowed. 'Is someone there?'

He didn't answer, but there was. He stepped out of the deepest shadow, face a softness in the sparkling gloom.

Katelyn tried to move backwards, but there was nowhere to go. He took another smooth step towards her, and she caught a glint down by his hand.

She gathered herself to scream, but just then his face passed through a dim beam of filtered light, a cloud coming out from behind another, darker cloud. Something about his features stopped her mouth, and she stared at him.

'No,' he said firmly. 'You don't know me. Nobody does.'

And then he came at her, up through time, with a speed nothing could have stopped.

—«»—«»—«»—

Nobody got their eggs or toast or steel-cut oats on time the next morning. There were a lot of complaints, especially from the top two floors, where the menus had inexplicably disappeared. It was early afternoon before a guest checked into Room 511 and found menus spread over the floor of a room that was otherwise empty, and where the lights didn't work.

The hotel kept the disappearance as quiet as it could. The police questioned Burt first, of course, but he was as bewildered as anyone and more upset than most. He'd liked Miss Katelyn. Last night he'd nearly said something when they met at the elevator, tried to say 'hi' in a way that was a bit more personal, case she thought he was being standoffish or something just 'cause she was the boss or white or something. Now she was gone. Most people seemed to think she'd just wigged out and would be back in a few days with her tail between her legs. A lady night manager meant 'no one back at home', so they said, and women like that were all one stop from the funny farm or Prozac Beach.

Burt knew Miss Katelyn wasn't like that, and when the elevator doors opened the following night and she wasn't standing there, he believed she was gone forever, and gone nowhere good.

18

When Nina woke at just before five she knew there was no point trying to sleep again. She and Ward had been up for two hours after Monroe's call, trying to work out what it meant and what it didn't mean. So far as she could see, it could be only one thing. Somehow, somewhere, Zandt had managed to tread heavily on the toes of someone close to the Straw Men. They hadn't been able to get to him direct, so they'd set him up. She'd tried throughout the night to get hold of him. His phone was turned off.

Ward had sobered up quickly, and in the end made a suggestion she knew she had to take seriously. She had to get Monroe somewhere private, and tell him some things. Not on the phone. Face to face. If she was going to try to convince him that there was a group of men and women operating behind the face of what most people understood as America, that they killed and lied and now had her ex-lover in their sights, they were going to have to be in the same room to do it. It probably should have been done three months ago, but — racked with paranoia and with several deaths on their hands — none of them had believed it the right thing to do.

Right now, that seemed like a mistake.

She drank five cups of coffee, working out what she was going to say. How much could be revealed about what had happened up at The Halls, without putting any of them in jail. She waited until seven, when she knew that he would be awake and on his feet. If she could catch him before he left for work, perhaps they could meet. She was walking over to the phone when it rang.

It was Monroe. He was already in the office. He instructed her to meet him there immediately, and he didn't sound like someone she could tell anything at all.

—«»—«»—«»—

He was waiting for her outside the elevator on the sixth floor. His face looked like stone.

'Charles,' she said, quickly. 'I need to talk to you.'

He shook his head curtly and turned to walk down the corridor. A little way along he threw open a door and stood back, waiting for her. She made up the distance hurriedly, stepped inside.

Room 623 was the kind of anonymous corporate space which exists in every good-sized company in America. Under business conditions it says 'Look: we can afford the best stuff out of the catalogue. We're not afraid of you.' What it was supposed to convey in law enforcement Nina had no idea. A large wooden table loomed in the middle, polished to a high reddish gloss and surrounded by the most expensive and least used chairs in the building. One wall of windows looked down over the back parking lot; the others were panelled to waist height but otherwise bare. There was a poorly framed photograph of someone receiving a commendation, not recently, and nothing else.

A man in a dark suit sat in a chair that had been positioned so that it stuck out from the top left corner of the table. He was above average height and had the kind of skin which makes a man of a certain age look like he's been injection-moulded in very hard plastic. His hair was neatly cut. His eyes were a flat, pale blue. His lashes were long. He was not wearing a tie and everything about his shirt said this was because he didn't have to. He was in his mid fifties. Despite being put together with due regard for all the conventional aesthetic beats, Nina thought he was one of the most unmemorable-looking men she'd ever seen. Nothing specifically said he wasn't an agent, but he wasn't. He certainly wasn't the SAC from Portland, whom she'd met.

'Good morning,' she said, holding out her hand.

He didn't shake. He neither introduced himself nor smiled. Nina left her hand in place for five seconds, then dropped it. She stood her ground a few moments more, giving him the chance to stop being an asshole. He didn't take it. She held his gaze as long as felt necessary, then looked away.

She could play that game. 'Whatever,' she said.

'Sit down and be quiet,' Monroe snapped. 'You're here to listen. You're asked a direct question then you may and should answer it. Otherwise zip it. Understood?'

Nina knew then that something was badly wrong. Monroe had faults. He had a tendency to think he was smarter than he was, and to believe that criminals — and other agents — would respond to the same management techniques as appliance salesmen. But he was above all else professional, and yet his tone spoke of anger and personal grievance.

He was still staring at her. 'Understood?'

'Sure,' she said, spreading her hands. 'What's…'

'The Sarah Becker case,' he said, and Nina's heart sank further. Even though this related to hat she needed to tell him, this was not the way could happen. Not in front of someone else, and especially not in front of the guy in the corner. Why not sit on one side or the other, incidentally? He had made himself impossible to ignore and yet Monroe had not introduced him. He seemed unwilling to even acknowledge his presence. It was as if there was a ghost at the end of the table, one Nina could see and he could not.

'Okay', she said. Monroe opened his folder, There were neat notes on the paper within, but he didn't refer to them.

'The Becker family claims their daughter simply turned up on their doorstep,' he said. 'Out of the blue, after being missing for a week. Says she was released near her abduction location, which she claims was in Santa Monica, and walked home by herself. A neighbour says otherwise, claims she saw the girl brought to the Beckers' doorstep by a man and a woman and that a car driven by a third man waited for them across the street. This neighbour is elderly and I wouldn't normally be interested except that a teenage girl of Sarah's description and condition received emergency treatment at a hospital in Salt Lake City the night before. She was admitted at the same time as a woman who was suffering from a gunshot wound to the upper right side of her chest. Both patients disappeared early the next morning. And all this at pretty much exactly the time that you sustained just such an injury, apparently in a hunting accident in Montana.'

Nina's head hurt and her heart felt as heavy as stone. She shrugged, knowing she was not going to be able to tell Monroe anything at all. Not now, not ever.

'The hospital sighting engages my interest,' he continued, 'because between there and a town called Dyersburg in Montana — the town near to which you flew, only the night before — used to be a development called The Halls, now a hole in the ground that everyone from the local cops to the NSA would like to have explained. The cops are particularly interested because they have a missing officer, a dead realtor, and two other unexplained fatalities.'

Nina said nothing. Monroe stared at her. The man in the corner looked at her too. Finally it had begun to piss her off.

She turned to him and asked: 'Who
are
you, exactly?'

The man gazed back at her as if she was the vacation roster for a company he didn't work for.

When she looked back, Monroe's eyes were cold. 'You think I'm an idiot, Nina? Is that what it is?'

'No, Charles, of course not,' she said. 'This is old ground. I don't know anything more about Sarah Becker's return than you do.' He kept silent, forcing her to continue. 'I was in Montana visiting John, as I said at the time and several times since.'

'Right,' he said, blankly affable, and Nina began to feel even more disconcerted. Something about his abrupt switch in tone made her understand there was more going on than she'd realized, and that she was about to find out what it was.

It wasn't Monroe who spoke next. It was Corner Man. His voice was dry and unaccented, somewhat nasal.

'This would be John Zandt, correct?'

'Yes.' Nina kept her eyes on Monroe, bleakly realizing that her boss might be more subtle than she'd thought. He'd just fed her to this guy. He didn't appear discomfited by her gaze.

'The former Los Angeles homicide detective now connected to a murder in Portland. Whose daughter was abducted in May 2000, and never found. Who left the police force and disappeared, before re-emerging three months ago as, I understand, your lover.'

'A situation which is no longer the case. And in what sense would this be any of your business?'

The pause she left before this question had been supposed to make her sound strong. Even she heard it as evasive. It didn't matter much because she had evidently become inaudible. Neither of the men said anything.

She looked at Monroe, fighting to keep her voice calm. 'Is that what this is about? A slap on the wrist three years overdue? I kept John informed on the Delivery Boy case, which I shouldn't have done. You know this already. You know that I felt he deserved to know what we knew because his
daughter
was missing — and because he'd previously helped us nail a man who was killing black kids when we were getting nowhere at all and the media were kicking us all over town. You explained how my actions breached Bureau protocol and your own ideas of compartmentalization and you've never treated me quite the same since. I screwed up. I got the message. I thought we were done with it. Let's move on.'

Monroe glanced out of the window.

'We're not here to move on, Ms Baynam,' the Corner Man said. 'We're here to go back.'

'What the fuck are you talking about?'

'Nina

'Screw you, Charles. I'm tired of this. I don't know who the hell this guy is or why he thinks he's got the right to talk to me this way.'

Monroe pulled a briefcase onto the table, from which he slipped a standard-issue laptop. He opened it and angled the screen towards Nina. Neither he nor Corner Man made any attempt to move to a position where they could see, and Nina understood that they had already viewed whatever she was about to see.

The screen came on automatically, showing a black window in the centre. Monroe hit a key combination and the window changed from black to show rapidly moving colours. It took a moment to make out that it was a view from a video camera, shot across a road.

The street was empty for a second, revealing the backs of a row of houses on the other side. The view then pulled sharply forward to focus on one in particular. A two-storey house, wooden, painted a sandy colour with white trim, none of it very recently. It was caught in three-quarter view, revealing windows on the back and one side, all with drapes drawn, and a door in the back.

Nothing happened for a few moments. Cars passed, one from right to left, two in the other direction. There was no sound, but Nina couldn't tell whether this was because the file lacked it or if the laptop's volume was turned down.

The camera zoomed forward. It took a second to see what the cameraman had noticed. It was the house's back door. It had opened a few inches, revealing darkness inside. It closed again, for a second, and then opened enough for a man to come out. He was a little over medium height, with broad shoulders. He closed the door and walked along the back of the house. He was moving in such a way that a casual observer would have seen nothing of his face, and probably not even noticed his presence at all.

The person operating the camera had evidently not been such an observer, however, and pulled in hard. Nina bit her lip.

The man was John Zandt.

He walked out onto the road and the camera followed him to a car Nina recognized, a car he no longer owned but which had spent a few afternoons parked outside her house. He opened the driver's side door and just before he climbed in the camera caught a full-on view of his face over the top of the car. It was pale, his eyes hooded. He looked like many men she had seen photographed, walking with their hands cuffed together in front. He didn't look much like the man she had briefly thought she loved.

The video slowly pulled out to its widest view yet, one that showed half the street, and then stopped abruptly.

Her face carefully neutral, Nina sat back in her chair. 'Where did this come from?'

'It was emailed to us,' Monroe said. 'It arrived in the early hours of this morning.'

'What a weird coincidence,' she said. 'Coming right after the body in Portland, too.'

The two men were watching her carefully.
Screw you,
she thought.
You want this, you're going to have to do it yourselves.
'So what's your point?'

'Our point,' said the man in the corner, 'is that this video shows your boyfriend visiting the house of a man who was questioned in regard to the Delivery Boy abductions — an investigation you were intimately involved with. Stephen DeLong was interviewed, presented a tight alibi, and was eliminated from the investigation.'

'Circumstantial evidence from this scene enables it to be dated to around the time of the case,' Monroe said.

'I'll just bet it does,' Nina said. 'Just like that big pullback at the end means any idiot could work out exactly where it was shot.'

Monroe blinked. Corner Man ignored her. 'About a week later, neighbours reported an offensive odour coming from the house we've just seen. DeLong was found in his bedroom, dead from a single gunshot wound. There was evidence of sustained physical violence to his person. The house featured the paraphernalia of small-scale narcotic distribution, which led the scene officers to assume the death was the result of a deal gone bad. DeLong was written up and forgotten. Nobody cared, and nobody put his death together with the ongoing investigation.'

'Why should they?'

'No reason, then. But as you've seen, there's a compelling reason to do so now. We really only need your input on one matter, Ms Baynam,' the man said. 'We'd like to talk to John Zandt.'

He leaned forward. 'Where is he?'

—«»—«»—«»—

Fifteen minutes later Nina walked out of the building. Her back was straight and her strides were of equal length. She didn't turn to look up towards Room 623's window, though she strongly suspected Monroe would be standing watching her go. If she saw him there was a danger she would march back into the building, run straight up the stairs and attempt to do him harm. She was strong. She might even manage it. It would feel good, but she might as well take her career and throw that out the window while she was there. This might effectively have happened already, but it wasn't going to be her who wrote it in stone.