The Life And Times Of The Thunderbolt Kid: A Memoir (v5.0) (3 page)

“And they eat it with sticks, you know,” he added knowledgeably.

“Goodness!” said my mother.

“I would rather have gas gangrene than go through that again,” my father added grimly.

In our house we didn’t eat

         

• pasta, rice, cream cheese, sour cream, garlic, mayonnaise, onions, corned beef, pastrami, salami, or foreign food of any type, except French toast

• bread that wasn’t white and at least 65 percent air

• spices other than salt, pepper, and maple syrup

• fish that was any shape other than rectangular and not coated in bright orange bread crumbs, and then only on Fridays and only when my mother remembered it was Friday, which in fact was not often

• soups not blessed by Campbell’s and only a very few of those

• anything with dubious regional names like “pone” or “gumbo,” or foods that had at any time been an esteemed staple of slaves or peasants

         

All other foods of all types—curries, enchiladas, tofu, bagels, sushi, couscous, yogurt, kale, arugula, Parma ham, any cheese that was not a vivid bright yellow and shiny enough to see your reflection in—had either not yet been invented or was yet unknown to us. We really were radiantly unsophisticated. I remember being surprised to learn at quite an advanced age that a shrimp cocktail was not, as I had always imagined, a predinner alcoholic drink with a shrimp in it.

All our meals consisted of leftovers. My mother had a seemingly inexhaustible supply of foods that had already been to the table, sometimes repeatedly. Apart from a few perishable dairy products, everything in the fridge was older than I was, sometimes by many years. (Her oldest food possession of all, it more or less goes without saying, was a fruitcake that was kept in a metal tin and dated from the colonial period.) I can only assume that my mother did all of her cooking in the 1940s so that she could spend the rest of her life surprising herself with what she could find under cover at the back of the fridge. I never knew her to reject a food. The rule of thumb seemed to be that if you opened the lid and the stuff inside didn’t make you actually recoil and take at least one staggered step backward, it was deemed okay to eat.

Both of my parents had grown up during the Great Depression and neither of them ever threw anything away if they could possibly avoid it. My mother routinely washed and dried paper plates, and smoothed out for reuse spare aluminum foil. If you left a pea on your plate, it became part of a future meal. All our sugar came in little packets spirited out of restaurants in deep coat pockets, as did our jams, jellies, crackers (oyster
and
saltine), tartar sauces, some of our ketchup and butter, all of our napkins, and a very occasional ashtray; anything that came with a restaurant table really. One of the happiest moments in my parents’ life was when maple syrup started to be served in small disposable packets and they could add those to the household hoard.

Under the sink, my mother kept an enormous collection of jars, including one known as the toity jar. “Toity” in our house was the term for a pee, and throughout my early years the toity jar was called into service whenever a need to leave the house inconveniently coincided with a sudden need by someone—and when I say “someone,” I mean of course the youngest child: me—to pee.

“Oh, you’ll have to go in the toity jar then,” my mother would say with just a hint of exasperation and a worried glance at the kitchen clock. It took me a long time to realize that the toity jar was not always—or even often—the same jar twice. Insofar as I thought about it at all, I suppose I guessed that the toity jar was routinely discarded and replaced with a fresh jar—we had hundreds after all.

So you may imagine my consternation, succeeded by varying degrees of dismay, when I went to the fridge one evening for a second helping of halved peaches and realized that we were all eating from a jar that had, only days before, held my urine. I recognized the jar at once because it had a Z-shaped strip of label adhering to it that uncannily recalled the mark of Zorro—a fact that I had cheerfully remarked upon as I had filled the jar with my precious bodily nectars, not that anyone had listened of course. Now here it was holding our dessert peaches. I couldn’t have been more surprised if I had just been handed a packet of photos showing my mother
in flagrante
with, let’s say, the guys at the gas station.

“Mom,” I said coming to the dining-room doorway and holding up my find, “this is the
toity
jar.”

“No, honey,” she replied smoothly without looking up. “The toity jar’s a
special
jar.”

“What’s the toity jar?” asked my father with an amused air, spooning peach into his mouth.

“It’s the jar I toity in,” I explained. “And this is it.”

“Billy toities in a jar?” said my father, with very slight difficulty, as he was no longer eating the peach half he had just taken in, but resting it on his tongue pending receipt of further information concerning its recent history.

“Just occasionally,” my mother said.

My father’s mystification was now nearly total, but his mouth was so full of unswallowed peach juice that he could not meaningfully speak. He asked, I believe, why I didn’t go upstairs to the bathroom like a normal person. It was a fair question in the circumstances.

“Well, sometimes we’re in a hurry,” my mother went on, a touch uncomfortably. “So I keep a jar under the sink—a special jar.”

I reappeared from the fridge, cradling more jars—as many as I could carry. “I’m pretty sure I’ve used all these, too,” I announced.

“That can’t be right,” my mother said, but there was a kind of question mark hanging off the edge of it. Then she added, perhaps a touch self-destructively: “Anyway, I always rinse all jars thoroughly before reuse.”

My father rose and walked to the kitchen, inclined over the waste bin, and allowed the peach half to fall into it, along with about half a liter of goo. “Perhaps a toity jar’s not such a good idea,” he suggested.

                  

SO THAT WAS THE END
of the toity jar, though it worked out for the best, as these things so often do. After that, all my mother had to do was mention that she had something good in a jar in the fridge and my father would get a sudden urge to take us to Bishop’s, a cafeteria downtown, which was the best possible outcome, for Bishop’s was the finest restaurant that ever existed.

Everything about it was divine—the food, the understated decor, the motherly waitresses in their gray uniforms who carried your tray to a table for you and gladly fetched you a new fork if you didn’t like the look of the one provided. Each table had a little light on it that you could switch on if you needed service, so you never had to crane around and flag down passing waitresses. You just switched on your private beacon and after a moment a waitress would come along to see what she could help you with. Isn’t that a wonderful idea?

The restrooms at Bishop’s had the world’s only atomic toilets—at least the only ones I have ever encountered. When you flushed, the seat automatically lifted and retreated into a seat-shaped recess in the wall, where it was bathed in a purple light that thrummed in a warm, hygienic, scientifically advanced fashion, then gently came down again impeccably sanitized, nicely warmed, and practically pulsing with atomic thermoluminescence. Goodness knows how many Iowans died from unexplained cases of buttock cancer throughout the 1950s and ’60s, but it was worth every shriveled cheek. We used to take visitors from out of town to the restrooms at Bishop’s to show them the atomic toilets and they all agreed that they were the best they had ever seen.

But then most things in Des Moines in the 1950s were the best of their type. We had the smoothest, most mouth-pleasing banana cream pie at the Toddle House and I’m told the same could be said of the cheesecake at Johnny and Kay’s, though my father was much too ill-at-ease with quality, and far too careful with his money, ever to take us to that outpost of fine dining on Fleur Drive. We had the most vividly delicious neon-colored ice creams at Reed’s, a parlor of cool opulence near Ashworth Swimming Pool (itself the handsomest, most elegant public swimming pool in the world, with the slimmest, tannest female lifeguards) in Greenwood Park (best tennis courts, most decorous lagoon, comeliest drives). Driving home from Ashworth Pool through Greenwood Park, under a flying canopy of green leaves, nicely basted in chlorine and knowing that you would shortly be plunging your face into three gooey scoops of Reed’s ice cream is the finest feeling of well-being a human can have.

We had the tastiest baked goods at Barbara’s Bake Shoppe; the meatiest, most face-smearing ribs and crispiest fried chicken at a restaurant called the Country Gentleman; the best junk food at a drive-in called George the Chilli King. (And the best farts afterward; a George’s chilli burger was gone in minutes, but the farts, it was said, went on forever.) We had our own department stores, restaurants, clothing stores, supermarkets, drugstores, florists, hardware stores, movie theaters, hamburger joints, you name it—every one of them the best of its kind.

Well, actually, who could say if they were the best of their kind? To know that, you’d have had to visit thousands of other towns and cities across the nation and tasted all their ice cream and chocolate pie and so on because every place was different then. That was the glory of living in a world that was still largely free of global chains. Every community was special and nowhere was like everywhere else. If our commercial enterprises in Des Moines weren’t the best, they were at least ours. At the very least, they all had things about them that made them interesting and different. (And they were the best.)

Dahl’s, our neighborhood supermarket, had a feature of inspired brilliance called the Kiddie Corral. This was a snug enclosure, built in the style of a cowboy corral and filled with comic books, where moms could park their kids while they shopped. Comics were produced in massive numbers in America in the 1950s—one billion of them in 1953 alone—and most of them ended up in the Kiddie Corral. It was
filled
with comic books. To enter the Kiddie Corral you climbed onto the top rail and dove in, then swam to the center. You didn’t care how long your mom took shopping because you had an infinite supply of comics to occupy you. I believe there were kids who lived in the Kiddie Corral. Sometimes when searching for the latest issue of Rubber Man, you would find a child buried under a foot or so of comics fast asleep or perhaps just enjoying their lovely papery smell. No institution has ever done a more thoughtful thing for children. Whoever dreamed up the Kiddie Corral is unquestionably in heaven now; he should have been awarded a Nobel Prize.

Dahl’s had one other feature that was much admired. When your groceries were bagged (or “sacked” in Iowa) and paid for, you didn’t take them to your car with you, as in more mundane supermarkets, but rather you turned them over to a friendly man in a white apron who gave you a plastic card with a number on it and placed the groceries on a special sloping conveyor belt that carried them into the bowels of the earth and through a flap into a mysterious dark tunnel. You then collected your car and drove to a small brick building at the edge of the parking lot, a hundred or so feet away, where your groceries, nicely shaken and looking positively refreshed from their subterranean adventure, reappeared a minute or two later and were placed in your car by another helpful man in a white apron who took back the plastic card and wished you a happy day. It wasn’t a particularly efficient system—there was often a line of cars at the little brick building if truth be told, and the juddering tunnel ride didn’t really do anything except dangerously overexcite all carbonated beverages for at least two hours afterward—but everyone loved and admired it anyway.

It was like that wherever you went in Des Moines in those days. Every commercial enterprise had something distinctive to commend it. The New Utica department store downtown had pneumatic tubes rising from each cash register. The cash from your purchase was placed in a cylinder, then inserted in the tubes and fired—like a torpedo—to a central collection point, such was the urgency to get the money counted and back into the economy. A visit to the New Utica was like a trip to a future century.

Frankel’s, a men’s clothing store on Locust Street downtown, had a rather grand staircase leading up to a mezzanine level. A stroll around the mezzanine was a peculiarly satisfying experience, like a stroll around the deck of a ship, but more interesting because instead of looking down on empty water, you were taking in an active world of men’s retailing. You could listen in on conversations and see the tops of people’s heads. It had all the satisfactions of spying without any of the risks. If your dad was taking a long time being fitted for a jacket, or was busy demonstrating isometrics to the sales force, it didn’t matter.

“Not a problem,” you’d call down generously from your lofty position. “I’ll do another circuit.”

Even better in terms of elevated pleasures was the Shops Building on Walnut Street. A lovely old office building some seven or eight stories high and built in a faintly Moorish style, it housed a popular coffee shop in its lobby on the ground floor, above which rose, all the way to a distant ceiling, a central atrium, around which ran the building’s staircase and galleried hallways. It was the dream of every young boy to get up that staircase to the top floor.

Attaining the staircase required cunning and a timely dash because you had to get past the coffee shop manageress, a vicious, eagle-eyed stick of a woman named Mrs. Musgrove who hated little boys (and for good reason, as we shall see). But if you selected the right moment when her attention was diverted, you could sprint to the stairs and on up to the dark eerie heights of the top floor, where you had a kind of gun-barrel view of the diners far below. If, further, you had some kind of hard candy with you—peanut M&Ms were especially favored because of their smooth aerodynamic shape—you had a clear drop of seven or eight stories. A peanut M&M that falls seventy feet into a bowl of tomato soup makes one
heck
of a splash, I can tell you.

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