with true grit. More recently, Robert Quackenbush, Who's That Girl with the Gun? A Story of Annie Oakley (New York: Prentice-Hall Books for Young Readers, 1988), also ties Oakley to the frontier. Ellen Levine, Ready, Aim, Fire! The Real Adventures of Annie Oakley (New York: Scholastic, 1989), interprets Oakley as a courageous, achieving woman, an admirable role model for girls of the late twentieth century. Oakley's niece Annie Fern Campbell Swartwout, Missie: An Historical Biography of Annie Oakley (Blanchester, Ohio: Brown Publishing Co., 1947), incorporates many legends into her account and is best when offering her personal recollections of Annie and Frank. Walter Havighurst, Annie Oakley of the Wild West (New York: Macmillan, 1954), presents a fictionalized, highly readable account that is generally accurate. Tom Tierney, Annie Oakley and Buffalo Bill: Paper Dolls in Full Color (New York: Dover Publications, 1991), reproduces some of the clothing Annie wore.
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More thoroughly researched statements are found in Isabelle S. Sayers: The Rifle Queen: Annie Oakley (Ostrander, Ohio: N.p., 1973) and Annie Oakley and Buffalo Bill's Wild West (New York: Dover Publications, 1981). The most recent biography, and one that makes extensive use of the Oakley scrapbooks, is Shirl Kasper, Annie Oakley (Norman: University of Oklahoma Press, 1992).
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In addition, a variety of popular articles interpret Oakley in differing ways: Peter P. Carney, "Greatest of Modern Dianas" (n.p., n.d., copy in author's possession); Louise Cheney, "Annie Oakley, Little Miss Sureshot," Real West 10 (November 1967): 5357; special issue on "Annie Oakley and the Wild West," Cobblestone Magazine , 12, no. 1 (January 1991); Patricia Croft, "Highlights of Annie Oakley,'' Winchester Repeater 1 (Fall 1984): 3738; "Annie Oakley" in Stewart H. Holbrook, Little Annie Oakley and Other Rugged People (New York: Macmillan Co., 1948); R. Douglas Hurt, ''Annie Oakley: An Enduring Western Legend," True West 36 (July 1989): 1419; and Mark Taylor, "Annie Oakley: A Shooting Legend," American Rifleman 131 (December 1983): 4446, 6869. In addition, Oakley's years in North Carolina are discussed in Claude R. Flory, "Annie Oakley in the South," North Carolina Historical Review 43, no. 3 (1966): 33343; her relationship with Frank is analyzed in Tracy C. Davis, "Annie Oakley and Her Ideal Husband of No Importance," in Janelle G. Reinelt and Joseph R. Roach, eds., Critical Theory and Performance (Ann Arbor: University of Michigan Press, 1992), 229312, and "Shotgun Wedlock: Annie Oakley's Power Politics in the Wild West," in Lawrence Senelick, Ed., Gender in Performance: The Presentation of Difference in the Performing Arts (Hanover, N.H.: University Press of New England, 1992), 14157.
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Although seemingly without factual base, a possible underside to Oakley's life is suggested in a novel by Marcie Heidish, The Secret of
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