Tearing her eyes from the sight of this depravity, Kirsty crawled up to the head of the stairs.
The second floor offered no real hiding place, of course, nor was there any escape route, except to leap from one of the windows. But having seen the cold comfort Frank had just offered his mistress, jumping was clearly the preferable option. The fall might break every bone in her body, but it would at least deprive the monster of further sustenance.
The fireworks were fizzling out, it seemed; the landing was in smoky darkness. She stumbled along it rather than walked, her fingertips moving along the wall.
Downstairs, she heard Frank on the move again. He was finished with Julia.
Now he spoke as he began up the stairs, the same incestuous invitation:
"Come to Daddy. "
It occurred to her that the Cenobites were probably viewing this chase with no little amusement, and would not act until there was only one player left: Frank. She was forfeit to their pleasure.
"Bastards..." she breathed, and hoped they heard.
She had almost reached the end of the landing. Ahead lay the junk room. Did it have a window sizable enough for her to climb through? If so, she would jump, and curse them as she fell-curse them all. God and the Devil and whatever lay between, curse them and as she dropped, hope for nothing but that the concrete be quick with her.
Frank was calling her again, and almost at the top of the stairs. She turned the key in the lock, opened the junk room door, and slipped through.
Yes, there was a window. It was uncurtained, and moonlight fell through it in shafts of indecent beauty, illuminating a chaos of furniture and boxes. She made her way through the confusion to the window. It was wedged open an inch or two to air the room. She put her fingers under the frame, and tried to heave it up far enough for her to climb out, but the sash in the window had rotted, and her arms were not the equal of the task.
She quickly hunted for a makeshift lever, a part of her mind coolly calculating the number of steps it would take her pursuer to cover the length of the landing. Less than twenty, she concluded, as she pulled a sheet off one of the tea chests, only to find a dead man staring up at her from the chest, eyes wild. He was broken in a dozen places, arms smashed and bent back upon themselves, legs tucked up to his chin. As she went to cry out, she heard Frank at the door.
"Where are you?" he inquired.
She clamped her hand over her face to stop the cry of revulsion from coming. As she did so, the door handle turned. She ducked out of sight behind a felled armchair, swallowing her scream.
The door opened. She heard Frank's breath, slightly labored, heard the hollow pad of his feet on the boards. Then the sound of the door being pulled to again. It clicked. Silence.
She waited for a count of thirteen, then peeped out of hiding, half expecting him to still be in the room with her, waiting for her to break cover. But no, he'd gone.
Swallowing the breath her cry had been mounting upon had brought an unwelcome side effect: hiccups. The first of them, so unexpected she had no time to subdue it, sounded gun-crack loud. But there was no returning step from the landing. Frank, it seemed, was already out of earshot. As she returned to the window, skirting the tea-chest coffin, a second hiccup startled her. She silently reprimanded her belly, but in vain. A third and fourth came unbidden while she wrestled once more to lift the window. That too was a fruitless effort; it had no intention of compliance.
Briefly, she contemplated breaking the glass and yelling for help, but rapidly discarded the idea. Frank would be eating out her eyes before the neighbors had even shaken off sleep. Instead she retraced her steps to the door, and opened it a creaking fraction. There was no sign of Frank, so far as her eyes were
able to interpret the shadows. Cautiously, she opened the door a little wider, and stepped onto the landing once again.
The gloom was like a living thing; it smothered her with murky kisses. She advanced three paces without incident, then a fourth. On the fifth (her lucky number) her body took a turn for the suicidal. She hiccuped, her hand too tardy to reach her mouth before the din was out.
This time it did not go unheard.
"There you are," said a shadow, and Frank slipped from the bedroom to block her path. He was faster for his meal-he seemed as wide as the landing-and he stank of meat.
With nothing to lose, she screamed blue murder as he came at her. He was unashamed by her terror. With inches between her flesh and his knife she threw herself sideways and found that the fifth step had brought her abreast of Frank's room. She stumbled through the open door. He was after her in a flash, crowing his delight.
There was a window in this room, she knew; she'd broken it herself, mere hours before. But the darkness was so profound she might have been blindfolded, not even a glimmer of moonlight to feed her sight. Frank was equally lost, it seemed. He called after her in this pitch; the whine of his knife accompanying his call as he slit the air. Back and forth, back and forth. Stepping away from the sound, her foot caught in the tangle of the bandaging on the floor. Next moment she was toppling. It wasn't the boards she fell heavily upon, however, but the greasy bulk of Rory's corpse. It won a howl of horror from her.
"There you are," said Frank. The knife slices were suddenly closer, inches from her head. But she was deaf to them. She had her arms about the body beneath her, and approaching death was nothing beside the pain she felt now, touching him.
"Rory," she moaned, content that his name be on her lips when the cut came.
"That's right," said Frank, "Rory."
Somehow the theft of Rory's name was as unforgivable as stealing his skin; or so her grief told her. A skin was nothing. Pigs had skins; snakes had skins. They were knitted of dead cells, shed and grown and shed again. But a name? That was a spell, which summoned memories. She would not let Frank usurp it.
"Rory's dead," she said. The words stung her, and with the sting, the ghost of a thought
"Hush, baby..." he told her.
-suppose the Cenobites were waiting for Frank to name himself. Hadn't the visitor in the hospital said something about Frank confessing?
"You're not Rory..." she said.
"We know that," came the reply, "but nobody else does..."
"Who are you then?"
"Poor baby. Losing your mind, are you? Good thing too..."
"Who, though?"
"...it's safer that way."
"Who?"
"Hush, baby," he said. He was stooping to her in the darkness, his face within inches of hers.
"Everything's going to be as right as rain."
"Yes?"
"Yes. Frank's here, baby."
"Frank?"
"That's right. I'm Frank."
So saying, he delivered the killing blow, but she heard it coming in the darkness and dodged its benediction. A second later the bell began again, and the bare bulb in the middle of the room flickered into life. By it she saw Frank beside his brother, the knife buried in the dead man's buttock. As he worked it out of the wound he set his eyes on her afresh.
Another chime, and he was up, and would have been at her...but for the voice.
It said his name, lightly, as if calling a child out to play.
"Frank."
His face dropped for the second time that night. A look of puzzlement flitted across it, and on its heels, horror.
Slowly, he turned his head round to look at the speaker. It was the Cenobite, its hooks sparkling. Behind it, Kirsty saw three other figures, their anatomies catalogues of disfigurement.
Frank threw a glance back at Kirsty.
"You did this," he said.
She nodded.
"Get out of here," said one of the newcomers. "This isn't your business now."
"Whore!" Frank screeched at her. "Bitch! Cheating, fucking bitch!"
The hail of rage followed her across the room to the door. As her palm closed around the door handle, she heard him coming after her, and turned to find that he was standing less than a foot from her, the knife a hair's breadth from her body. But there he was fixed, unable to advance another millimeter.
They had their hooks in him, the flesh of his arms and legs, and curled through the meat of his face. Attached to the hooks, chains, which they held taut. There was a soft sound, as his resistance drew the
barbs through his muscle. His mouth was dragged wide, his neck and chest plowed open.
The knife dropped from his fingers. He expelled a last, incoherent curse at her, his body shuddering now as he lost his battle with their claim upon him. Inch by inch he was drawn back toward the middle of the room.
"Go, " said the voice of the Cenobite. She could see them no longer; they were already lost behind the blood-flecked air. Accepting their invitation, she opened the door, while behind her Frank began to scream.
As she stepped onto the landing plaster dust cascaded from the ceiling; the house was growling from basement to eaves. She had to go quickly, she knew, before whatever demons were loose here shook the place apart.
But, though time was short, she could not prevent herself from snatching one look at Frank, to be certain that he would come after her no longer.
He was in extremis, hooked through in a dozen or more places, fresh wounds gouged in him even as she watched. Spread-eagled beneath the solitary bulb, body hauled to the limits of its endurance and beyond, he gave vent to shrieks that would have won pity from her, had she not learned better.
Suddenly, his cries stopped. There was a pause. And then, in one last act of defiance, he cranked up his heavy head and stared at her, meeting her gaze with eyes from which all bafflement and all malice had fled. They glittered as they rested on her, pearls in offal.
In response, the chains were drawn an inch tighter, but the Cenobites gained no further cry from him. Instead he put his tongue out at Kirsty, and flicked it back and forth across his teeth in a gesture of unrepentant lewdness.
Then he came unsewn.
His limbs separated from his torso, and his head from his shoulders, in a welter of bone shards and heat. She threw the door closed, as something thudded against it from the other side. His head, she guessed.
Then she was staggering downstairs, with wolves howling in the walls, and the bells in turmoil, and everywhere-thickening the air like smoke-the ghosts of wounded birds, sewn wing tip to wing tip, and lost to flight.
She reached the bottom of the stairs, and began along the hallway to the front door, but as she came within spitting distance of freedom she heard somebody call her name.
It was Julia. There was blood on the hall floor, marking a trail from the spot where Frank had abandoned her, through into the dining room.
"Kirsty..." she called again. It was a pitiable sound, and despite the wing-choked air, she could not help but go in pursuit of it, stepping through into the dining room.
The furniture was smoldering charcoal; the ash that she'd glimpsed was a foul-smelling carpet. And there, in the middle of this domestic wasteland, sat a bride.
By some extraordinary act of will, Julia had managed to put her wedding dress on, and secure her veil
upon her head. Now she sat in the dirt, the dress besmirched. But she looked radiant nevertheless, more beautiful, indeed, for the fact of the ruin that surrounded her.
"Help me," she said, and only now did Kirsty realize that the voice she heard was not coming from beneath the lush veil, but from the bride's lap.
And now the copious folds of the dress were parting, and there was Julia's head-set on a pillow of scarlet silk and framed with a fall of auburn hair. Bereft of lungs, how could it speak? It spoke nevertheless-
"Kirsty..." it said, it begged-and sighed, and rolled back and forth in the bride's lap as if it hoped to unlodge its reason.
Kirsty might have aided it-might have snatched the head up and dashed out its brains-but that the bride's veil had started to twitch, and was rising now, as if plucked at by invisible fingers. Beneath it, a light flickered and grew brighter, and brighter yet, and with the light, a voice.
"I am the Engineer, " it sighed. No more than that.
Then the fluted folds rose higher, and the head beneath gained the brilliance of a minor sun.
She did not wait for the blaze to blind her. Instead she backed out into the hallway-the birds almost solid now, the wolves insane-and flung herself at the front door even as the hallway ceiling began to give way.
The night came to meet her-a clean darkness. She breathed it in greedy gulps as she departed the house at a run. It was her second such departure. God help her, her sanity that there ever be a third.
At the corner of Lodovico Street, she looked back. The house had not capitulated to the forces unleashed within. It stood now as quiet as a grave. No, quieter.
As she turned away somebody collided with her. She yelped with surprise, but the huddled pedestrian was already hurrying away into the anxious murk that preceded morning. As the figure hovered on the outskirts of solidity, it glanced back, and its head flared in the gloom, a cone of white fire. It was the Engineer. She had no time to look away; it was gone again in one instant, leaving its glamour in her eye.
Only then did she realize the purpose of the collision. Lemarchand's box had been passed back to her, and sat in her hand.
Its surfaces had been immaculately resealed, and polished to a high gloss. Though she did not examine it, she was certain there would be no clue to its solution left. The next discoverer would voyage its faces without a chart. And until such time, was she elected its keeper? Apparently so.
She turned it over in her hand. For the frailest of moments she seemed to see ghosts in the lacquer. Julia's face, and that of Frank. She turned it over again, looking to see if Rory was held here: but no. Wherever he was, it wasn't here. There were other puzzles, perhaps, that if solved gave access to the place where he lodged. A crossword maybe, whose solution would lift the latch of the paradise garden, or a jigsaw in the completion of which lay access to Wonderland.