Augustus’s hands settled on her shoulders, massaging the tense muscles at the base of her neck. “Come with me, Emma.”
Come live with me and be my love / And we shall all the pleasures prove
. They had discussed that poem together, a very long time ago, all the shepherd’s seductive promises to his love.
“There’ll be a reward for this,” Augustus was saying. “Not a large one, but enough to set up that journal I’ve always wanted, maybe make a run for Parliament. There’ll be no more deceptions, no subterfuge, no playacting.” He looked down with a rueful grin. “No more shirts like these.”
He looked so much younger when he smiled like that. So much younger and more carefree, as though he were already sloughing off the weight of carting around a second identity, so much more wearing than a waistcoat.
Emma’s throat was tight. “And will you make me beds of roses and a thousand fragrant posies?”
Augustus’s expression softened. “A cap of flowers and a kirtle, embroidered all with fragrant myrtle, and silver dishes for thy meat, as fragrant as the gods do eat. Well, maybe not that,” he amended. “English cuisine isn’t known for its Lucullan qualities. But the flowers are lovely in the meadows in springtime, as lovely as the poet claims. I’ll make you crowns of daisy chains and beds of violets.”
“What about the frosts?” asked Emma. “It can’t be always summer.”
“Even better,” said Augustus. “There’ll be sleighing and skating and hot chocolate on cold days, with the steam rising to make patterns in the cold air. We can go down to the Thames and watch the apprentices skid on the frozen river or go out to the countryside and cut holly for the color of the berries. Or we can stay warm inside, with no place better to be than with each other. Outside, the winds will batter and blow, but we’ll have long nights in front of the fire, as the sparks fly and crackle, and crisp mornings buried beneath the quilts.”
Emma could picture it, their own little refuge against a cold world, with firelight brightening the windows against the winter dusk. A sofa—not a spindly, narrow French construction, but something comfortable and deep—and a good fire in a proper hearth, sending slicks of warm light pooling along the surfaces of the furniture and reflecting off the panes off
the windows. The winds would batter, but inside they would warm, curled up together on the couch, his papers on one side, her books on the other.
It wasn’t the shepherd’s promise of endless summer or Americanus’s pledge of boundless plenty. But Emma found it all the more seductive for all that.
“A new life in an old world,” said Emma, testing the concept.
“It’s a new life for me, too,” said Augustus. “It’s been a good decade since I’ve been back. We’ll learn it together, the two of us, our own demi-paradise.”
He was switching poets on her, from Marlowe to Shakespeare. But it wasn’t either of them who spoke to Emma. It was another one of those Elizabeth courtiers, whichever of them it was who had written the nymph’s reply to the shepherd.
If all the world and love were young and truth on every shepherd’s tongue, these pretty pleasures might me move to live with thee and be thy love
.…
If. It was a horrible and powerful if. She had felt that way nine years ago, with Paul, when the world and love were young, and look how wrong she’d got it then. The first hint of frost, and all his pretty flowers, all his vows and protestations had withered, and her love along with them. She was older now, and hardier, and there was no telling whether this might not be a sturdier plant, a tree rather than a shrub, but how could she possibly know? Especially with so little time?
No matter how honorable Augustus’s intentions might be at this particular moment, there were no guarantees.
It had hurt enough last time, watching love crumble to dust, picking up the pieces of her life and trying to go on, and that had been with the love and support of her old schoolfellows. She wasn’t sure she could do it again.
No matter how tempting.
“I…can’t,” Emma said, and watched Augustus’s face fall.
“Can’t?” he said carefully. “Or won’t?”
“What difference does it make?” asked Emma despairingly. “Can’t, won’t. I am willing to believe”—Emma glanced down at his waistcoat,
fighting with the words—“that you might actually care for me. That you might even think you love me.” She hurried on before he could interject. “But how can I know? What if this is only another matter of policy, too deep for me to understand?”
Augustus tucked a stray lock of hair behind her ear. “What policy would be served by taking you with me?”
“That’s just the problem,” said Emma. “I don’t know. I know nothing of this whole world of yours. I can’t imagine the rules by which you play, or the goals for which you scheme. It’s all foreign to me. Until yesterday, I had no idea any of this even existed. It’s all unfathomable.”
“You don’t have to fathom it,” said Augustus determinedly. “I’m getting out. There’ll be no more of this. No more lies. We’ll even make peace with my father. He’s a clergyman, you know. You can’t get much more straight and narrow than that.”
“So you say,” said Emma. “But how do I know what’s truth and what’s lies? How do I know even that?”
“Those are strong words,” he said slowly.
Emma tilted her head up to him. Tears blurred her vision, presenting him to her as through a glass darkly, the outlines and details vague and uncertain. “What you ask of me is no small thing.”
“Trust,” he said.
Emma nodded wordlessly. She didn’t need to enumerate his deceptions. They stood between them like a palpable thing.
“I have never,” he said, his voice low, “lied to you in anything to do with you. Nor about how I feel for you. The pretext might have been a lie, but the substance never was.”
“Say I believe you,” she said, and her voice wobbled. She forced herself to rush onward before she lost her ability to speak entirely. “Say I believe that you mean it, that you believe it to be true, what if you wake up two months from now to find you mistook your feelings? It’s happened before.”
With Jane. She didn’t say it and neither did he. She didn’t need to. He knew exactly what she meant.
“It is,” she said, “a great deal you ask of me.”
“What assurances can I give you?” His eyes searched her face. “What can I say to you that will make you believe?”
Emma bit down on her lower lip, caught in a struggle between common sense and desire. Nothing, her mind declared, there was nothing Augustus Whittlesby could say that could reassure her. How could there be? He was a proven liar, a deceiver by trade.
And yet.…Foolish as it was, stupid as she knew it to be, deep down, she believed him.
Did she believe him enough to stake her future on it? Emma’s teeth worried at her lower lip as she stared at him, torn, a storm of contradictory arguments whipping her now this way, now that.
Augustus took pity on her confusion. He touched his knuckle gently to her cheek, a gesture that almost undid her.
“After the masque,” he said. “We’ll talk after the masque.”
After the masque. Everything had been about the masque, until the masque, plans for the masque, and now the masque was upon them, and Emma felt as though she had reached the very end of the earth, the bit guarded by sea monsters, where the land ended in an abrupt drop.
“Will it make a difference?” she asked.
“That,” said Augustus, “is up to you.”
He stepped back, honoring their bargain, leaving her free to go.
His every instinct clamored to him to stop. Fool, he called himself. Fool, to embrace a belated and costly honor. How much more effective it would be to embrace away her indecision. He could quell her misgivings with caresses and stop her doubts with kisses. She wanted to be persuaded, his lesser self argued. She was practically begging for it. Why not take the decision out of her hands? It would be a kindness.
“Enjoy the performance,” he said, and reached past her to push open the back door of the theatre for her.
“Our performance,” Emma said, her voice low. Ducking her head, she hurried past him into the theatre.
Their performance. No matter what, they would always have that. Augustus stared at the closed door. Three acts of mediocre verse and a month of memories.
Damn
.
Augustus kicked the wall of the theatre and succeeded only in stubbing his toe. They had made it so much easier for Americanus, he and Emma. All Americanus had to do was rescue his lady from a band of rascally pirates. It wasn’t his persuasions that won her from her tower, but a chance abduction.
Augustus doubted that a band of pirates was going to come marauding through Malmaison just for his convenience.
In this version, he couldn’t prove his devotion with pretty speeches or daring feats of rescue. Instead, he had no choice but to wait for his Cytherea to come to him, flawed and false though she knew him to be. He had to trust to the strength of the strange rapport between them to overcome all the objections of reason and all the fears that came with making oneself vulnerable to another. No tricks, no gimmicks, no deceptions. All he could was hope that love would prove stronger than reason.
It was not a very comforting thought.
“Mr. Whittlesby!” Someone was bouncing towards him around the side of the theatre. It was Horace de Lilly, pink of face and green of waistcoat, looking disgustingly healthy and happy and far too eager to see Augustus. “What luck! I was hoping to have a chance to speak to you.”
“Now is really not the time,” said Augustus quellingly.
The last thing he needed right now was another round of “I want to be just like you when I grow up.” Hell,
he
didn’t want to be just like him when he grew up. Horace de Lilly could just find another agent to idolize. He was done.
Horace, unfortunately, wasn’t. He bounced to a stop in front of Augustus, quivering with excitement. “You’ve done it! You’ve done it, haven’t you?”
“Shouldn’t you be reserving your seat for the masque?” Augustus said shortly. “I hear it’s to be the theatrical event of the summer.”
Horace wasn’t to be deterred. His boyish face shone with excitement. “You have them, don’t you? The plans? I knew you would do it!”
“Your confidence overwhelms me,” said Augustus. “Not now.”
Of all the ill-chosen agents, de Lilly was about as subtle as a cartload of monkeys. The concept of “not in public” appeared to have passed him by. At least after this week, he would no longer be Augustus’s problem.
But he would still be someone else’s.
Augustus took a deep breath. “A word of advice, de Lilly. Curb your enthusiasm. I know you’re terribly excited about the poetry you commissioned from me,” he placed heavy emphasis on the words, “but unless you want to tip your lady off to your purpose, I would advise a modicum of discretion. Hell hath no fury.” Like an Emperor betrayed.
De Lilly’s brow wrinkled. “Er, right. But you do have the, um, poetry? Where is it? Was it what we thought it was? Can I do anything to help?”
Augustus kept a careful rein on his temper. “If you want to make yourself useful, look into fast carriages. I look to leave in three days’ time.”
In fact, he looked to leave in one. It didn’t matter whether de Lilly’s erratic behavior was simply youth or something else; either way, he was a danger. Better to send him off on a useless errand, believing himself to have time to spare. If he were a double agent, he would wait to pounce until the last minute. They generally did. If he weren’t, his energies would be safely and uselessly expended examining horseflesh and racing curricles. Either way, by the time de Lilly moved, Augustus would be gone.
With or without Emma.
That was all he had. One day. One day to convince Emma of his good intentions and persuade her to leave behind everything she knew for an uncertain future in an unfamiliar country, all for love of him.
Put that way, it sounded pretty damn improbable. Improbable? Try impossible.
From inside the theatre, thunder rumbled.
All the world may not be young
Nor truth on every sailor’s tongue,
But this tongue, this truth, these I trust
Because my heart says I must.
—Emma Delagardie and Augustus Whittlesby,
Americanus: A Masque in Three Parts
F
or I shall bring you crimson leaves.”
On the stage, Kort was doing a credible, if not an inspired job as Americanus. From her tower, all that could be seen of Cytherea was her long blond wig as Kort declaimed to her the list of wonders that awaited her in the new world.
“And rippling wheat in golden sheaves.”
It wasn’t Kort’s fault that he sounded like he was reading off a ship’s inventory—which, when one came down to it, was rather what he was. Not everyone could take those words and make of them what Augustus had, imbuing them with magic far beyond their basic form. He had taken them and turned them from an inventory into an incantation.
Just as he had now. Emma’s fingers tightened on her fan, so hard she could feel the delicate wood slats begin to crack beneath the strain. Crowns of daisies and beds of violets. Warm fires on cold days. Apprentices skidding
on the frozen Thames. Like Americanus’s leaves and berries, they were humble and homey items, a far cry from the usual enticements of jewels and money, position and power.
Emma ached for that simple hearth as she never had for diamonds or status.
On the stage, Kort held up his hands to Cytherea, bearing in them a bowl laden with crimson fruit. “A cache of berries, red and sweet…”
Like pomegranate seeds. In the myth, the fruit lured Persephone to Hades. In their masque, Americanus dangled them in front of Cytherea to entice her to the new world, that new world that was Emma’s old world, so familiar and rich and well loved.
If she went with Augustus, it would be only to the other side of the Channel. There was no threat of strange diseases or Indian attack or any of the other fears that might have bedeviled her ancestors going from the Old World to the New.