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Authors: J. G. Farrell

The Empire Trilogy (73 page)

BOOK: The Empire Trilogy
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“Soon I make daguerrotype but first I show you my pater. Come with me please. At this hour when it is so very much hot he is usually to be found ‘in arms of Morpheus' which means, I understand, that he is asleeping. It is best time to look at pater when he is asleeping...Correct!” and Hari, laughing cheerfully, led the way.

As they walked on through breathless mud corridors and climbed narrow stone steps Fleury found himself thinking again of Kartikeya, what a charming story, after all! Six babies pressed by love into one, there was surely no harm in such a pleasant fairy story.

They were now progressing through windowless inner apartments, dimly lit by blazing rags soaked in linseed or mustard oil and stuck on five-pronged torches. In the distance an oil lamp of blue glass cast a sapphire glow over a small, fat gentleman sprawled on a bed and clad only in a loin cloth; above the bed an immense jewelled and tasselled punkah swept steadily back and forth. A bearer stood beside the bed holding an armful of small cushions.

“Father is asleeping,” Hari explained softly. “He has blue light for asleeping, green light for awaking, red light for entertaining ladies, and so on and so forth. To make comfortable he has cushion under every joint of body...bearer watch him to place cushion under joint when he move.”

Hardly had Hari given this explanation when the Maharajah with a grunt kicked out one of his short, plump legs. Instantly cushions appeared under knee and ankle. Fleury could now see that the Maharajah's face was yet another copy of the portraits he had seen earlier and of Hari himself. As he watched, the Maharajah's mouth opened, stained red with betel, and he belched resonantly. “Father is breaking wind,” commented Hari. “Now come with me please, my dear Mr Fleury, and I shall show you many wonderful things. First and foremost, you would like perhaps to see abominable pictures?”

“Well...”

Hari spoke to one of the bearers who advanced with a cup containing blazing, oil-soaked rags on the end of a long, silver pole. He held this close to the wall and a large and disgusting oil-painting sprang out of the gloom. But Fleury found that the picture was such an intricate mass of limbs that he was quite unable to fathom what it was all about (though it was clearly very lewd indeed).

“Sir, shall I show you more disgraceful pictures? Very disgraceful indeed?”

“No thank you,” said Fleury, and then, not wanting to sound ungrateful, he added gruffly: “I'm afraid I'm not very well up in this sort of thing.”

“Correct! For a gentleman ‘well up' in science and progress it is not in the least rather interesting. Come, I show you many other things.”

Suddenly there came what sounded like the lowing of a cow from the adjoining apartment; Hari frowned and spoke sharply to one of the servants, evidently to tell him to steer the animal in another direction, but already it was clattering towards them. “This is most backward,” muttered Hari. “I am sorry you have witnessed such a thing, Mr Fleury. My father should not be permitting it. Always in India cow here, cow there, cow everywhere!” The cow, alarmed by the servants, hastened forward and was only diverted at the last moment from charging the sleeping Maharajah. An elderly servant hurried after it with a large silver bowl.

“To catch dropping,” explained Hari as they moved on. “Here march of science is only just beginning, you understand.”

They now found themselves in the armoury, which turned out to contain not only arms of every imaginable sort but many other things as well. But Fleury could only stare with indifference and wish they could discuss religion or science or some such topic. He had some spying to do, too, on the Maharajah's troops, better not forget that! He was unaware of Hari's sensitive and vulnerable eyes devouring his every reaction to the objects he was being shown.

“This is not rather interesting at all,” apologized Hari with intensity. “This is spear-pistol. Shoot and stab one gentleman at the same time. When sharp point stabs gentleman breast, mechanism releases trigger, shoots gentleman also.”

“Good heavens,” said Fleury languidly.

“This big knife open out into four small knife, stab person four times.”

“Well...”

“And here is brass cannon which can be mounted on camel saddle. This is rather very dull also, don't you think?” And Hari began to look rather annoyed.

“I think, Fleury, that you will not find this absorbing, too,” he pursued relentlessly, indicating a rack of flint-lock guns with extraordinarily long barrels which could be re-loaded from horseback without dismounting, a sporting rifle by Adams with a revolving magazine, a cap in the shape of a cow pat with a feather of gold tinsel sprouting from it which had belonged to Hari's grandfather, and an ostrich egg.

Fleury stifled a yawn, which Hari unfortunately noticed but yet he continued as if unable to stop himself: “This is astrological clock, very complicated...The circle in centre shows zodiacal sign over which the sun pass once in year...From movement of this black needle which passes over circle in twenty-four hours the ascendant of horoscope can be ascertained. But I see that this miserable machine, which show also, I forget to add, phases of moon, sunrise and sunset, day of week, is not worthy of your attention also. Correct. It is all very humble and useless materials such as you do not have in London and Shrewsbury. Now, Fleury, I make daguerrotype.”

As soon as the landau had arrived at the opium factory the Collector handed Miriam over to Mr Rayne and vanished about his business in the neighbourhood. Mr Rayne then handed her over in turn to one of his deputies, Mr Simmons, and instructed him to show her the process by which opium is refined. Mr Simmons was a little younger, Miriam found, than her brother; he was a nice young man whose freckled skin was peeling seriously in several places. Not many ladies visited the factory and Mr Simmons, in any case, was unused to their company. His manner was excessively deferential and he blushed frequently for no apparent reason. In addition, he was very zealous in his explanations and allowed few details of the preparation of opium to escape Miriam's notice. He conducted her round immense iron vats and invited her to peer at mysterious fermenting liquids...mysterious because although Miriam was told all about them, she discovered that Mr Simmons's words slipped through her mind like fish through a sluice-gate the instant after he had spoken them...this was embarrassing and she had to be careful that he did not notice. But gradually it became clear that although Mr Simmons was overwhelmed by the superior qualities of the gentler sex, to the extent that a too personal smile or frown from her would have crushed him as easily as a moth beneath the sole of her shoe, he did not include the possibility of intelligence among these qualities. He did not expect to be understood or remembered from one instant to the next.

Miriam was content, however. The drowsy scent of the poppy hung everywhere in the hot darkness of the warehouses and lulled her senses. She felt wonderfully at peace and was sorry when at last the tour came to an end and she was taken to watch the workmen making the finished opium into great balls, each as big as a man's head, which would be packed forty to a chest and auctioned in Calcutta. Each of these head-sized balls, explained Mr Simmons quietly but with the air of someone speaking his words into a high wind, would fetch about seventy-six shillings, while to the
ryot
and his family the Government paid a mere four shillings a pound. As he talked he nervously scratched his peeling wrists and brow while Miriam, diverted, sleepily tried to think of a sensible question and watched the falling flakes of skin drift to the ground.

When the Collector returned, Miriam smuggled a last yawn into her gloved hand, said goodbye to Mr Simmons and climbed back into the landau, which now had its hood raised against the sun. Mr Simmons blushed again and a few more flakes of skin drifted away. Miriam raised her gloved hand to wave and the yawn it was holding seemed to float away on the poppy-scented air. She would have liked to recommend a certain pomade to Mr Simmons but was afraid that in doing so she might crush him like a moth beneath her shoe. How sleepy she felt! If the Collector began to talk to her she would never be able to stay awake.

Before they had properly emerged from the jungle of scrub on to the road an incident occurred to revive her. A naked man suddenly stepped out on to the track they were following. He was tall and well built; in one hand he carried the trident of the devotee of Siva, in the other a brass pot containing smouldering embers. His hair and beard hung in untidy yellowish ropes over his bronzed body, almost as far as his male parts. In a moment the landau had creaked and swayed past him; the path was deeply rutted and they kept rising and falling, as if in a small boat breasting a succession of unexpected waves. The Collector could not help turning to Miriam sternly, shocked on her behalf...but Miriam's cheeks had only pinkened slightly and she said with a faint smile: “You must tell me why such men do not wear clothes, Mr Hopkins. In winter they must surely feel the cold.”

“I believe that he must belong to a Hindu sect which has renounced the material world. Such men see their nakedness as a symbol of this renunciation and keep a fire constantly burning at their side to signify the burning up of earthly desires.” He added reluctantly: “One can't help but admire the rigour with which they pursue their beliefs.”

“Even though they follow an erroneous path?”

“One has to admit, Mrs Lang, that few Christians follow the true one with as much zeal. Indeed, this renders the conversion of the native very difficult for beside this ascetic fervour he sees the Christian priest living in a comfortable house with a wife and family...and I fear he's not impressed. Not only the clergyman but the whole Christian community must seem very dissolute to him, I'm afraid...What use is it if we bring the advantages of our civilization to India without also displaying a superior morality? I believe that we are all part of a society which by its communal efforts of faith and reason is gradually raising itself to a higher state...There are rules of morality to be followed if we are to advance, just as there are rules of scientific investigation...Mrs Lang, we are raising ourselves, however painfully, so that mankind may enjoy in the future a superior life which now we can hardly conceive! The foundations on which the new men will build their lives are Faith, Science, Respectability, Geology, Mechanical Invention, Ventilation and Rotation of Crops!...”

The Collector talked on and on but Miriam, soothed by the heat and the poppy fumes, cradled by the worn leather upholstery of the landau, found that her eyelids kept creeping down in spite of herself. Even when the Collector began to shout, as he presently did, about the progress of mankind, about the ventilation of populous quarters of cities, about the conquest of ignorance and prejudice by the glistening sabre of man's intelligence, she could not manage to keep her eyes properly open.

And so, as the landau creaked away into the distance, dust pouring back from the chimneys of its wheels, the Collector's shouts rang emptily over the Indian plain which stretched for hundreds of miles in every direction, and Miriam fell at last into a deep sleep.

In the meantime, although Fleury had not yet noticed it, Hari's good humour had deserted him. He continued to point things out to Fleury...some embroidered rugs and parasols, and a collection of sea-shells, but he did so carelessly, as if it were of no importance to him whether or not Fleury found them of interest.

“You know also how to make daguerrotype, I suppose.”

“I'm afraid not.”

“Not? Ah? But I thought all advance people...” Hari raised his eyebrows in surprise.

“Hari,” said Fleury presently, and from his tone it was hard to tell whether he was breathless with excitement or was simply having trouble keeping up with his host, who was now bounding along a dim inner corridor at the greatest speed. “I say, I hope you don't mind me calling you Hari, but I feel that we understand each other so well...”

The speed and gloom which attended their progress prevented Fleury from seeing Hari's frostily raised eyebrow.

“Would you mind if we went a little slower? It's fearfully hot.” But Hari appeared not to hear this request.

“Do we understand each other? Sit here, please.”

They had entered a whitewashed room giving on to the courtyard Fleury had seen earlier from above. No sooner had he stepped over the threshold than he was seized by a fit of coughing, for the air in here was laden with mercury vapour and a variety of other fumes no less toxic, emanating from crystals and solutions of chlorine, bromine, iodine, and potassium cyanide. On a table there was a mercury bath, a metal container in the shape of an inverted pyramid with a spirit lamp already burning beneath it. A camera box had been placed on an ornate metal stand, pointing at a chair by the window. Still coughing, Fleury was steered towards the chair and made to sit down; it had a rod at the back surmounted by an iron crescent for keeping the sitter's head still. Fleury's head was forced firmly back into it and some adjustments were made behind him, tightening two thin metal clamps which nestled in his hair above each ear.

“Of course we do, Hari,” said Fleury warmly, though rather stiffly because of the immobility of his head. “I can see you feel the same about all those not very useful things you have just been showing me as I feel about the sort of junk the Collector has in the Residency. What you and I object to is the
emptiness of the life behind
all these objects, their materialism in other words. Objects are useless by themselves. How pathetic they are compared with noble feelings! What a poor and limited world they reveal beside the world of the eternal soul!” Fleury paused, guiltily aware that he was indulging “feelings” once more. “As you were walking along just now pointing out how uninteresting everything was, I suddenly realized that it makes no difference that I was born in England and that you were born in India...Your ancestors have been taking an interest in just the same sort of irrelevant rubbish as mine have. D'you see what I mean?”

BOOK: The Empire Trilogy
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