“Would the childhood trauma that's at the root of a person's criminal activities as an adult need to be so overt? In other words, as traumatic as molestation?”
“Not necessarily. It could be rooted in more traditional emotional stress placed on a child. The awesome pressure to succeed in a parent's eyes, coupled with other things. It is hard to discuss this in a hypothetical context because there are so many dimensions of human sexuality.”
Belk followed up with a few more general questions about Locke's studies before ending. Chandler asked a couple more questions on redirect but Bosch had lost interest. He knew that Edgar would not have come to the courtroom unless he had something important. Twice he glanced back at the clock on the wall and twice he looked at his watch. Finally, when Belk said he had nothing further on cross, Judge Keyes called it a day.
Bosch watched Locke step down and head out through the gate and toward the door. A couple of the reporters followed him. Then the jury stood and filed out.
Belk turned to Bosch as they watched and said, “Better be ready tomorrow. My guess is that it's going to be your turn in the sun.”
“What've you got, Jerry?” Bosch asked when he caught up with Edgar in the hallway leading to the escalator.
“Your car over at Parker Center?”
“Yeah.”
“I'm there, too. Let's walk that way.”
They got on the escalator but didn't talk because it was crowded with spectators from the courtroom. Out on the sidewalk, when they were alone, Edgar pulled a folded white form out of his coat pocket and handed it to Bosch.
“All right, we got it confirmed. The prints Mora dug up on Rebecca Kaminski match the hand mold we made on the concrete blonde. I also just came from the autopsy and the tattoo is there, above the ass. Yosemite Sam.”
Bosch unfolded the paper. It was a photocopy of a standard missing person report.
“That's a copy of the report on Rebecca Kaminski, also known as Magna Cum Loudly. Missing twenty-two months and three days.”
Bosch was looking at the report.
“Doesn't look like any doubt to me,” he said.
“Nope, no doubt. It was her. The autopsy also confirms manual strangulation as the cause. The knot pulled tight on the right side. Most likely a lefty.”
They walked without talking for half a block. Bosch was surprised by how warm it was for so late in the day. Finally, Edgar spoke.
“So, obviously, we've got it confirmed; this may look like one of Church's dolls but there's no way in the world he did it unless he came back from the dead …
“So I did some checking at the bookstore over by Union Station. Bremmer's book,
The Dollmaker,
with all the details a copycat would need, was published in hardback seventeen months after you put Church in the dirt. Becky Kaminski goes missing about four months after the book came out. So our killer could've bought the book and then used it as a sort of blueprint on what to do to make it look like that Dollmaker.”
Edgar looked over at him and smiled.
“You're in the clear, Harry.”
Bosch nodded, but didn't smile. Edgar didn't know about the videotape.
They walked down Temple to Los Angeles Street. Bosch didn't notice the people around him, the homeless shaking their cups on the corners. He almost crossed Los Angeles in front of traffic until Edgar put a hand on his arm. While waiting for the
walk
sign, he looked down and scanned the report again. It was bare bones. Rebecca Kaminski had simply gone out on a “date” and not returned. She was meeting the unnamed man at the Hyatt on Sunset. That was it. No follow-up, no additional information. The report had been made by a man named Tom Cerrone, who was identified in the report as Kaminski's roommate in Studio City. The light changed and they walked across Los Angeles Street and then right toward Parker Center.
“You going to talk to this Cerrone guy, the roommate?” he asked Edgar.
“I don't know. Probably get around to it. I'm more interested in what you think about all of this, Harry. Where do we go from here? Bremmer's book was a fuckin' bestseller. Anybody who read it is a suspect.”
Bosch said nothing until they got to the parking lot and stopped near the entrance booth before separating. Bosch looked down at the report in his hands and then up at Edgar.
“Can I keep this? I might take a run by the guy.”
“Be my guest… . Another thing you should know, Harry.”
Edgar reached in his inside coat pocket and pulled out another piece of paper. This one was yellow and Bosch knew it was a subpoena.
“I got served at the coroner's office. I don't know how she knew I was there.”
“When d'you have to be in court?”
“Tomorrow at ten. I had nothing to do with the Dollmaker task force so we both know what she's going to ask about. The concrete blonde.”
Bosch threw his cigarette into the fountain that was part of the memorial to officers killed in the line of duty and walked through the glass doors into Parker Center. He badged one of the cops behind the front desk and walked around to the elevators. There was a red line painted on the black tile floor. That was the route visitors were told to take if they were going to the Police Commission hearing room. There was also a yellow line for Internal Affairs and a blue for applicants who wanted to become cops. It was a tradition for cops standing around waiting for elevators to stand on the yellow line, thereby making any citizens who were going to IAD—usually to file complaints—walk around them. This maneuver was usually accompanied by a baleful stare from cop to citizen.
Every time Bosch waited for an elevator he remembered the prank he had been partially responsible for while still in the academy. He and another cadet had come into Parker Center at four one morning, drunk and hiding paint brushes and cans of black and yellow paint in their windbreakers. In a quick and daring operation, his partner had used the black paint to obliterate the yellow line on the tile floor while Bosch painted a new yellow line which went past the elevators, down the hall, into a men's room and right to a urinal. The prank had given them near legendary status in their class, even among the instructors.
He got off the elevator on the third floor and walked back to the Robbery-Homicide Division. The place was empty. Most RHD cops worked a strict seven-to-three shift. That way the job didn't get in the way of all the moonlighting gigs they had lined up. RHD dicks were the cream of the department. They got all the best gigs. Chauffeuring visiting Saudi princes, security work for studio bosses, body-guarding Vegas high rollers—LVPD did not allow its people to moonlight, so the high-paying jobs fell to LAPD.
When Bosch had first been promoted to RHD there were still a few detective-threes around who had worked bodyguard duty for Howard Hughes. They had spoken of the experience as if that was what the RHD job was all about, a means to an end, a way to get a job working for some deranged billionaire who didn't need any bodyguards because he never went anywhere.
Bosch walked to the rear of the room and turned on one of the computers. He lit a cigarette while the tube warmed up and took the report Edgar had given him out of his coat pocket. The report was nothing. It had never been looked at, acted on, cared about.
He noticed it was a walk-in—Tom Cerrone had come into the North Hollywood Division station and made the report at the front desk. That meant it had probably been written up by a probationary rookie or a burned-out vet who didn't give a shit. In either case, it was not taken for what it was: a cover-your-ass report.
Cerrone said he was Kaminski's roommate. According to the brief summary, two days before the report was made she had told Cerrone she was going on a blind date, meeting an unnamed man at the Hyatt on the Sunset Strip and that she hoped the guy wasn't a creep. She never came back. Cerrone got worried and went to the cops. The report was taken, passed through North Hollywood detectives where it didn't make a blip on anyone's screen and then sent to Missing Persons in downtown where four detectives are charged with finding the sixty people reported missing on average each week in the city.
In reality, the report was put in a stack of others like it and was not looked at again until Edgar and his pal, Morg, found it. None of this bothered Bosch, though anyone who spent two minutes reading the report should have known that Cerrone wasn't what he said he was. But Bosch figured Kaminski was dead and in the concrete long before the report was made. So there was nothing anyone could have done anyway.
He punched the name Thomas Cerrone into the computer and ran a search on the California Department of Justice information network. As he expected, he got a hit. The computer file on Cerrone, who was forty years old, showed he had been popped nine times in as many years for soliciting for prostitution and twice for pandering.
He was a pimp, Bosch knew. Kaminski's pimp. Harry noticed that Cerrone was on thirty-six months' probation for his last conviction. He got out his black telephone book and rolled his chair over to a desk with a phone. He dialed the after-hours number for the county probation department and gave the clerk who answered Cerrone's name and DOJ number. She gave back Cerrone's current address. The pimp had come down in the world, from Studio City to Van Nuys, since Kaminski had gone to the Hyatt and not come back.
After hanging up, he thought of calling Sylvia and wondered if he should tell her it was likely he would be called by Chandler to testify the next day. He was unsure if he wanted her to be there, to see him cornered on the witness stand by Money Chandler. He decided not to call.
Cerrone's home address was an apartment on Sepulveda Boulevard in an area where prostitutes were not too discreet about how they got their customers. It was still daylight and Bosch counted four young women spread apart over a two-block stretch. They wore halter tops and short shorts. They held their thumb out like hitchhikers when cars went by. But it was clear they were only interested in a ride around the corner to a parking lot where they could take care of business.
Bosch parked at the curb across from the Van-Aire Apartments, where Cerrone had told his probation officer he was living. A couple of the numbers from the address had fallen off the front wall but it was readable because the smog had left the rest of the wall a dingy beige. The place needed new paint, new screens, some plastering to fill in the cracks in the facade and probably new tenants.
Actually, it needed to be knocked down. Start over, Bosch thought as he crossed the street. Cerrone's name was on the residents list next to the front security door but no one answered the buzzer at apartment six. Bosch lit a cigarette and decided to hang around for a while. He counted twenty-four units on the residents list. It was six o'clock. People would be coming home for dinner. Someone would come along.
He walked away from the door and back out to the curb. There was graffiti on the sidewalk, all of it in black paint. The monikers of the local homeboys. There was also a scrip painted in block letters that asked, R U THE NEX RODDY KING? He wondered how someone could misspell a name that had been heard and printed so many times.
A woman and two young children came to the steel-grated door from the other side. Bosch timed his approach so that he was at the door just as she opened it.
“Have you seen Tommy Cerrone around?” he asked as he passed her.
She was too busy with the children to answer. Bosch walked into the courtyard to get his bearings and to look for a door with a six on it—Cerrone's apartment. There was graffiti on the concrete floor of the courtyard, a gang insignia Bosch couldn't make out. He found number six on the first floor toward the back. There was a rusted-out hibachi grill on the ground next to the door. There was also a child's bike with training wheels parked under the front window.
The bike didn't fit. Bosch tried to look in but the curtains were drawn, leaving only a three-inch band of darkness he could not see beyond. He knocked on the door and as was his practice, stepped to the side. A Mexican woman with what looked like an eight-month pregnancy beneath her faded pink bathrobe answered the door. Behind the small woman Bosch could see a young boy sitting on the living room floor in front of a black-and-white TV tuned to a Spanish language channel.
“Hola,”
Bosch said.
“Señor Tom Cerrone aquí?”
The woman stared at him with frightened eyes. She seemed to close in on herself, as if to get smaller before him. Her arms moved up from her side and closed over her swollen belly.
“No migra,”
Bosch said.
“Policía. Tomás Cerrone. Aquí?”
She shook her head no and began to close the door. Bosch put his hand out to stop it. Struggling with his Spanish he asked if she knew Cerrone and where he was. She said he only came once a week to collect the mail and the rent. She moved back a step and gestured to the card table where there was a small stack of mail. Bosch could see an American Express bill on top. Gold Card.
“Teléfono? Necesidad urgente?”
She looked down from his eyes and her hesitation told him she had a number.
“Por favor?”
She told him to wait and she left the doorway. While she was gone the boy sitting ten feet inside the door turned from the TV—Bosch could see it was some kind of game show—and looked at him. Bosch felt uncomfortable. He looked away, into the courtyard. When he looked back the boy was smiling. He had his hand up and was pointing a finger at Bosch. He made a shooting sound and giggled. Then the mother was back at the door with a piece of paper. There was a local phone number on it, that was all.
Bosch copied it down in a small notebook he carried and then told her he would take the mail. The woman turned and looked at the card table as if the answer to what she should do was sitting on it with the mail. Bosch told her it would be okay and she finally lifted the stack and handed it to him. The frightened look was in her eyes again.
He stepped back and was going to walk away when he stopped and looked back at her. He asked how much the rent was and she told him it was one hundred dollars a week. Bosch nodded and walked away.