The Caves of Périgord (5 page)

As he sang, he knelt before the small fire glowing at his feet. To his left hand lay the feather, the most perfect and precise of his painting tools. To his right hand lay the moss, the most crude of them. Beyond the fire lay the small piece of dung from the holiest of animals. He had rolled it himself, mixed it, moist and warm and fresh, with the colors that he would use. Blowing on the fire as he chanted, he waited for the precise words to place at the fire’s heart first the feather, then the moss. He smelled the acrid burning of the feather, waited for the billow of smoke from the damp moss, and then he reverently placed one red and one yellow ball of dung into the flames. He stood, stretching his arms wide, ending the chant as the sun burned through the mists and sent glints of sparkling yellow fire along the river. Closing his eyes and bowing his head, he thought of the great haunches that he would paint this day, of their power and their solidity, feeling in his head the swelling shapes that he would use to portray their force. Awake, and purified, he dreamed of the bulls. But then came the voice.

“Father, you must come.” The voice was high and piping, almost squeaky with nervousness. Or perhaps fear. The Keeper of the Bulls tried to think clearly through his shock, his anger that the boy would be foolish and disrespectful enough even to come to this place, which he had no right to see. At least the child had waited until the chant was complete. He understood that much of the ritual, although he could
not take his place among the workers in the cave until he had grown to manhood and killed his beast. He was a good boy, the Keeper of the Bulls thought proudly, always scratching shapes and drawings in the mud with a stick, born to the work. “The women …” the boy squeaked on. “It’s Mother.”

“Go,” shouted the Keeper of the Bulls, his anger suddenly overcoming his concern that the birth was going badly. “I cannot come now. I am purified. I must do my work. I will come after.”

He heard a scurrying down in the rocks, and suddenly saw the boy’s back as he ran downhill toward the fire close to the river where the women gathered. Childbirth so often went ill. This was his second wife, who had given him two sons since his first wife died in childbirth. Now perhaps he might be able to take another. He turned and marched solemnly to the cave, ducking under the low roof of the entrance, and then standing motionless while his eyes became accustomed to the darkness. There were too many poles supporting the scaffolding to risk blundering ahead until his eyes adjusted to the light of the small lamps with their wicks of juniper. He heard the scuffling above him of other painters, crouched on the scaffolding as they worked, and the first sight that came to him clearly was the Keeper of the Horses, the other priest whose work he most admired after his own. The Keeper of the Horses had a young daughter, who would soon be old enough to wed. A girl, young and fresh, and awed by his status as the Keeper of the Bulls. He smiled to himself as his sight improved and the head of the greatest of the bulls began to emerge in the dim light of the lamps.

This was his work, the commemoration of the bulls. And he studied as if for the first time his greatest achievement—the way he had caught movement and a sense of distance by varying the shape of the horns. The farther horn was always a simple curve. The nearer horn began the same way, but then toward the tip he changed the line of the curve, almost reversing it, so that the head appeared suddenly to be moving, to be portrayed not simply in profile like the deer and horses always were
but as great beasts that might almost be charging out into the cave itself. He sighed in satisfaction, and nodded gravely as he looked down to the last work he had done, on the chest of the bull when it sank to the forelegs.

Yes, it had worked. Just as the different shape of the horns had seemed to turn the bull’s head toward him, so the separation of the forelegs maintained the effect. The rear foreleg thrust out forward, at a down-sloping angle to show that the bull was moving. Then before he began sketching the front foreleg he had drawn thickly the deep sagging muscle of the lower chest. Then the foreleg itself, marked off from the chest and belly by pure white space, to make the leg stand out and seem almost to move. It was perfect. Every trick that he had learned here, in the months and years in the semidarkness of the cave, they were all coming to fruition with this bull. It moved, and its movement was not simply forward but at an angle.

“This is the greatest of your work,” said the Keeper of the Horses. He was standing easily on the scaffolding, each foot braced on a different pole, as he worked in the curve where the cave wall sank to become the wall. He was close to the head of the great bull, sketching lightly in the place between the two horns. “I shall pay tribute to your work with my own.”

The Keeper of the Bulls squinted to see the faint shape of a horse’s head emerging from between the horns. He picked up one of the lamps and moved closer, climbing easily up the scaffolding poles to stand behind his fellow priest.

“You see, my work will be here, the finest I have ever drawn, a noble creature who will be imprisoned by the horns, but staring down to honor what you have done,” said the Keeper of the Horses. He was a slim, wiry man, with thinning gray hair bound back from his face with a leather ring. Smaller than the Keeper of the Bulls, and quick in his ways as befitted a Keeper of the Horses, he had the finest teeth in the valley. They were white and even, and had not a single gap. The Keeper of the Bulls
tried to remember the face of the man’s daughter. He thought perhaps her teeth were as perfect as her father’s. He enjoyed the thought.

“He will have a mane of black, a skin of chestnut, a head that is neat and alert, his ears pricked forward as he shows his respect to the greatness that confronts him,” the Keeper of the Horses went on. “Is this well, my friend?”

The Keeper of the Bulls squeezed his friend’s shoulder and grunted approval. He climbed down, making way for the young apprentice who was waiting to clamber up with two small wooden bowls of freshly mixed red and black clay. The Keeper of the Horses had completed his sketch with charcoal, and with feathers and smoothed blunt sticks in his belt, was ready to begin the real work. His own apprentice was sitting, cross-legged and patient, the colors already mixed on flat stones before him and with a lump of almost black clay soaking in a bowl under a heap of damp moss. There were two lamps ready to illuminate his work. This was good, and the Keeper of the Bulls nodded approval. The youth looked relieved. The Keeper of the Bulls had a strong arm and beat the apprentices who displeased him, or even exiled them from the work.

“Bring me water to drink,” he told the youth, and turned to consider the day’s work as the apprentice moved swiftly to the cave entrance, carefully avoiding the scaffolding. The previous week, the most senior apprentice had been banished from the cave for knocking away the supports of the higher platform in the narrow cave beyond where the Keeper of the Bison was at work. He had been a talented young man, who mixed a splendid auburn red and whose sketches had won admiration. But for the carelessness and disrespect, he had been sent off to work for the women. Even the hunters would not have him.

The Keeper of the Bulls pondered how to proceed. He wanted to depict those haunches, that weight and power that had come to him as he chanted over the holy fire. Holding the lamp close to his ear, he looked closely at the rock where the haunches would be painted. There was a jaggedness, a faint thrusting of a yellower rock coming through
the thin chalk skin that made the cave such a perfect surface for the work. He passed his fingers lightly over the line of the yellow rock, thinking he could use that line to add bulk to the haunch, to hint at the swell of muscle. The line of the back was already complete as far as the tail, a fine sweeping curve that established the power of the shoulder and then rose for the swell of the haunch. He would leave a space for the root of the tail, knowing that the absence of line could be more telling than the most perfectly drawn one, before starting the curve of the haunch. He would separate the rear legs again, just as he had done with the forelegs, to maintain that illusion of a half-turn. But how to distinguish between the legs, where there was no hanging muscle of chest. Suddenly, he smiled to himself. A beast as noble as this would have mighty genitals. He put his left hand to his own loins, cupping them gently, as his right hand began to sketch with charcoal. And as the thought of the daughter of the Keeper of the Horses came into his mind, he felt himself stirring under his hand. He had not thought of his woman, or of the birth, at all.

At the fire by the river, the banished apprentice sat tiredly in a brief moment of rest before the women ordered him to feed the fire again, or to get more wood or to bring more water. The screams of the woman lying on the great mat of sewn-together reindeer hides had faded to moans. He could see nothing of the birth. The other women huddled around her, some still holding down her shoulders and legs. Suddenly one turned to him, speaking coldly, and told him to run to the flint makers and bring back the sharpest piece they had.

“It must have a good gripping stone. Just a chip of flint won’t be enough. We’ll have to hold it firmly,” she said, and turned away to shout more instructions to a young girl.

He rose and began running along the river and then up the hill to
the quarry where the flint men worked, the sound of their constant tapping even louder than his labored breaths. He paused as he approached, catching his breath and looking carefully on the ground ahead. Even the most callused feet could still be sliced by the shards of flint that littered the earth. The flint men themselves wore leather moccasins with wooden soles bound to them. They were men he hardly knew, who kept to themselves almost as much as the Keepers who worked in the cave, and were just as strict in their hierarchy. The head of the flint men, whose main work was to teach the craft to the young apprentices, ignored the youth’s approach for a few moments before looking up. The youth explained what the women needed.

“For a bad childbirth?” the flint man asked. He was old and white-haired, with strips of hide tied around his hands to protect them from the stones. “I’ll have to make something.”

He rose and went to the pile of stones the youngest apprentices constantly brought down from the quarry. Sifting carefully though them, he picked out a smooth rock that was almost a perfect globe, only one end jagged and split. He came back to the circle of watching apprentices, picked up his knapper, held the globular stone firmly against the flat rock that served as his anvil, and explained what he intended to do, and where his first strikes would be. He lifted his right hand, and brought the knapper down sharply onto the stone, hitting at an angle and just above the first break in the smooth globe. A large sliver of stone broke off. He turned the globe and repeated his strike, and then handed it to an apprentice and told him to do the same. Within the time it took for the banished apprentice’s breathing to return to normal, a sharp flint knife, with a perfectly smooth and round haft to fit the hand, had been produced. The flint man tested the edge against the hair on his own arm, and nodded approval. He tossed it to the waiting youth, who turned and ran back to the women at the fire.

As he reached them the young girl who had been dispatched came running back, breathing easily, with two handfuls of fresh moss from
the riverbank. As they handed over their items, the young man caught the scent of fresh blood. There were no more moans coming from the woman lying on the reindeer hide, and the other women had ceased to hold down her legs and shoulders.

“Is she dead?” the girl asked. A tired woman, bloodstained to the elbow, nodded grimly and sighed. “The child still lives within her.”

The two young people squatted near the fire, and watched as the oldest-woman took the sharp flint and drew it firmly down the swollen belly of the dead mother into her groin. The girl gasped and turned her head aside. The youth watched intently as the blood welled, trickling slowly down the woman’s sides to the hide. The old woman repeated her stroke, muttering softly to herself, and then two more women began to peel the parted skin aside. The old woman began working with the flint knife inside the belly as yet another woman squatted over the dead one’s head, and began mopping up blood with the moss so that the old one could see to work. The young girl turned her head back to watch as the old one threw the flint aside, and reached deep within to draw out a small, still baby, a multicolored cord hanging from its belly and glistening in the sunlight. She looked at it carefully, poked her finger into its mouth to clear it, and then bent down to blow into its nostrils. She did this three times, squeezing the baby’s tiny chest each time, and then she slapped its rump quite hard, and the baby’s arms waved and it began to cry. It was a girl. The old one held the baby as another woman knotted the cord with a strip of leather, and then cut it. They wiped the baby clean with more of the moss, wrapped it in a reindeer skin, and then laid it by the fire.

“We helped to save it, then,” the young girl said. He noticed that she wore that plain leather neck cord of the not-yet-betrothed, and her hair was rich and glossy. She turned and smiled at him, and he saw that her teeth were white and perfect. Her eyes seemed very large to him. “But the mother died. Did you know who she was?”