The Cartel (3 page)

After breakfast he cleans his cell for inspection at 7:30. By nature an almost obsessively orderly person, he keeps his space neat and clean anyway—one of his few comforts.

At 8:00, the guards start the morning count of the prisoners, which takes about an hour. Then he’s free until 10:30, when they slip lunch—a bologna sandwich and some apple juice—through the door. He has “leisure time activities,” which for him means sitting and reading, or taking a nap, until 12:30, when they do another count. Then he has three and a half more hours of tedium until another count at 4:00.

Dinner—“mystery meat” with potatoes or rice and some overcooked vegetables—is at 4:30, then he’s “free” until 9:15, when the guards count yet again.

The lights are turned off at 10:30.

For one hour a day—they vary the schedule for fear of snipers—guards lead him handcuffed out to a wired pen on the roof for fresh air and a “walk.” Every third day he’s taken for a ten-minute shower, sometimes tepid, more often cold. Occasionally he goes to a small meeting room to consult with his attorney.

He’s sitting in his cell, filling out his order on the commissary form—a six-pack of bottled water, ramen noodles, oatmeal cookies—when the guard opens the door. “Attorney visit.”

“I don’t think so,” Adán says. “I have nothing scheduled.”

The guard shrugs—he does what he’s told to do.

Adán leans and presses his hands against the wall as the guard shackles his ankles. An unnecessary humiliation, Adán thinks, but then again, that’s probably the point. They get into an elevator and ride down to the fourth floor, where the guard unlocks the door and lets him into a consultation room. He unshackles Adán’s ankles but chains him to the chair that’s bolted to the floor. Adán’s lawyer stands across the table. One look at Ben Tompkins and Adán knows something is wrong.

“It’s Gloria,” Tompkins says.

Adán knows what Tompkins is going to say before he says it.

His daughter is dead.

Gloria was born with cystic lymphangioma, a deformation of the head, face, and throat that is eventually fatal. And incurable—all Adán’s millions, all of his power, could not buy his daughter a normal life.

A little over four years ago, Gloria’s health took a turn for the worse. With Adán’s blessing, his then wife, Lucía, an American citizen, took their twelve-year-old daughter to San Diego, to the Scripps clinics that housed the best specialists in the world. A month later Lucía phoned him at his safe house in Mexico. Come
now,
she said. They say she has days, maybe only hours…

Adán smuggled himself—like his own product—across the border, in the trunk of a specially outfitted car.

Art Keller was waiting for him in the hospital parking lot.

“My daughter,” Adán said.

“She’s fine,” Keller said. Then the DEA agent jabbed a needle into Adán’s neck and the world went black.

—

They were friends once, he and Art Keller.

Hard to believe, but the truth often is.

But that was another life, another world, really.

That was back when Adán was (is it possible to have been that young?) twenty, an accounting student and wannabe boxing promoter (
Dios mío,
the foolish ambitions of youth) and not even thinking of joining his uncle in the
pista secreta
—the drug trade that flourished then in the poppy fields of their Sinaloan mountains.

Then the Americans came, and with them Art Keller—idealistic, energetic, ambitious—a true believer in the war on drugs. He walked into the gym that Adán and his brother Raúl ran, sparred a few rounds, and they became friends. Adán introduced him to their uncle, then the top cop in Sinaloa and its second biggest
gomero
—opium grower.

Keller, so naïve then, knew Tío’s first role and was blissfully ignorant (a notable trait of Americans, so dangerous to themselves and those within their flailing arms’ reach) of the latter.

Tío used him. In all fairness, Adán has to admit that Tío made Keller his
monigote,
his puppet, manipulated him into taking out the top tier of the
gomeros,
clearing the way for Tío’s rise.

Keller could never forgive that—the betrayal of his ideals. Take faith from the faithful, belief from the believer, and what do you have?

The bitterest of enemies.

For,
más o menos,
thirty years now.

Thirty years of war, betrayals, killings.

Thirty years of deaths—

His uncle.

His brother.

Now his daughter.

Gloria died in her sleep, her breath cut off by the weight of her heavy, misshapen head. Died without me there, Adán thinks.

For which he blames Keller.

The funeral will be in San Diego.

“I’m going,” Adán says.

“Adán…”

“Make it happen.”

—

Tompkins, aka “Minimum Ben,” goes to see federal attorney Bob Gibson, an ambitious ballbuster who prefers to be known as a “hard charger.”

The sobriquet “Minimum Ben” reflects Tompkins’s success as a “drug lawyer”—his job isn’t to get his clients acquitted, because that usually isn’t going to happen. His job is to get them the shortest possible sentence, which is less about his skills as a lawyer than it is about his skills as a negotiator.

“I’m sort of a reverse agent,” Tompkins once told a journalist. “I get my clients less than they deserve.”

Now he relays Adán’s request to Gibson.

“Out of the question,” Gibson says. Gibson’s nickname isn’t “Maximum Bob,” but he wishes it were and is a little envious of Tompkins. The defense attorney has a macho handle and makes a lot more money. Add to that the fact that Tompkins is a cool-looking dude with raffish silver hair, a surfer’s tan, a house on Del Mar beach, and an office that overlooks the ocean up in Cardiff, and it’s obvious why the civil servants in the prosecutor’s office hate Minimum Ben.

“The man wants to bury his
daughter,
for Christ’s sake,” Tompkins says.

“The man,” Gibson answers, “is the biggest drug kingpin in the world.”

“Presumption of innocence,” Tompkins counters. “He’s been convicted of nothing.”

“If I recall,” Gibson says, switching tack, “Barrera wasn’t too squeamish about killing
other
people’s kids.”

Two of his rival’s small children, thrown off a bridge.

“Old wives’ tales and unsubstantiated rumors,” Tompkins says, “passed around by his enemies. You can’t be serious.”

“As a midnight phone call,” Gibson says.

He refuses the request.

Tompkins goes back and tells Adán, “I’ll take this in front of a judge and we’ll win. We’ll offer to pay for federal marshals, the cost of security…”

“There isn’t time,” Adán says. “The funeral is on Sunday.”

It’s already Friday afternoon.

“I can get to a judge tonight,” Tompkins says. “Johnny Hoffman would issue an order—”

“I can’t take the chance,” Adán says. “Tell them I’ll talk.”

“What?”

“If they let me attend Gloria’s funeral,” Adán says, “I’ll give them everything they want.”

Tompkins blanches. He’s had clients snitch before for lighter sentences—in fact, it’s SOP—but the information they gave was always carefully prearranged with the cartels to minimize damage.

This is a death sentence, a suicide pact.

“Adán, don’t do this,” Tompkins begs. “We’ll win.”

“Make the deal.”

—

Fifty thousand red roses fill St. Joseph’s Cathedral in downtown San Diego just blocks from the Correctional Center.

Adán ordered them through Tompkins, who arranged the funds through clean bank accounts in La Jolla. Thousands more flowers, in bouquets and wreaths—sent by all the major narcos in Mexico—line the steps outside.

As do the DEA.

Agents walk up and down past the floral arrangements and take notes on who sent what. They’re also tracking the hundreds of thousands of dollars in Gloria’s name contributed to a foundation for research into cystic lymphangioma.

The church is filled with flowers, but not mourners.

If this were Mexico, Adán thinks, it would be overflowing, with hundreds of others waiting outside to show their respect. But most of Adán’s family is dead, and the others couldn’t cross the border without risking arrest. His sister, Elena, phoned to express her grief, her support, and her regret that a U.S. indictment prevented her from attending. Others—friends, business associates, and politicians on both sides of the border—didn’t want to be photographed by the DEA.

Adán understands.

So the mourners are mostly women—narco-wives who are American citizens already known to the DEA, but who have no reason to fear arrest. These women send their children to school in San Diego, come here to do their Christmas shopping, have spa days, or vacation at the beach resorts in La Jolla and Del Mar.

Now they stride bravely up the steps of the cathedral and stare down the agents who take their photos. Dressed elegantly and expensively in black, most walk angrily past; a few stop, strike a pose, and make sure the agents spell their names correctly.

The other mourners are Lucía’s family—her parents, her brothers and sisters, some cousins, and a few friends. Lucía looks drawn—grief-stricken, obviously—and frightened when she sees Adán.

She betrayed him to Keller to keep herself out of jail, to keep Gloria from being taken by the state, and she knew that Adán would never have done anything to harm his daughter’s mother.

But with Gloria gone, there’s nothing to stay his hand. Lucía could simply disappear one day and never be found. Now she glances anxiously at Adán and he turns his face away.

Lucía is dead to him.

Adán sits in the third row of pews, flanked by five U.S. marshals. He wears a black suit that Tompkins bought at Nordstrom’s, where Adán’s measurements are on file. His hands are cuffed in front of him, but at least they had the decency not to shackle him, so he kneels, stands, and sits as the service requires as the bishop’s words echo in the mostly empty cathedral.

The Mass ends and Adán waits as the other mourners file out. He’s not allowed to speak to anyone except the marshals and his lawyer. Lucía glances at him again as she passes by, then quickly lowers her head, and Adán makes a mental note to have Tompkins get in touch with her to tell her that she’s in no danger.

Let her live out her life, Adán thinks. As for financial support, she’s on her own. She can keep the La Jolla house, if the Treasury Department doesn’t find a way to take it from her, but that’s it. He’s not going to support a woman who betrayed him; who is, in effect, stupid enough to cut off her own lifeline.

When the church clears, the marshals walk Adán out to a waiting limousine and put him in the backseat. The car follows Lucía’s behind the hearse out to El Camino Memorial Park in Sorrento Valley.

Watching his daughter lowered into the earth, Adán lifts cuffed hands in prayer. The marshals are kind—they let him stoop down, scoop up a handful of dirt, and toss it on Gloria’s casket.

It’s all over now.

The only future is the past.

To the man who has lost his only child, all that will be is what already was.

Straightening up from his daughter’s grave, Adán says quietly to Tompkins, “Two million dollars. Cash.”

To the man who kills Art Keller.

Abiquiú, New Mexico

2004

The beekeeper watches the two men come down the gravel path toward the apiary.

One is a
güero
with silver hair and a slightly stiff gait that comes with age. But he moves well, a professional, experienced. The other is Latino, brown-skinned and younger—graceful, confident. They walk a few feet apart, and even from a hundred yards, the beekeeper can discern the bulges under their jackets. Stepping back to the hives, he takes the Sig Sauer from its hiding place, jacks a round into the chamber, and, using the arroyo as cover, starts moving down toward the river.

He doesn’t want to kill anyone unless he has to, and if he has to, he wants to do it as far from the monastery as possible.

Kill them at the river’s edge.

The Chama is swollen, and he can pull the bodies into the water and let the current take them away. Sliding down the muddy bank, he turns over on his stomach, peers over the edge, and watches the two men cautiously make their way toward the beehives.

He hopes that they stop there, and that they don’t damage the hives out of carelessness or spite. But if they keep coming, he’ll let them into pistol range. More out of habit than thought, his hand swings back and forth, rehearsing the first two-shot burst, and then the second.

He’ll take the younger man first.

The older one won’t have the reflexes to react in time.

But now the two men spread out, widening the angle as they approach the hives, making his four-shot pattern harder. So they’re professionals, as he would have expected, and now they pull their weapons and approach the hives with their guns pointed out in front of them, in the two-handed grip that they’re all taught.

The younger one juts his chin at the ground and the older one nods. They’ve seen his footprints that lead down to the river. But fifty yards of flat ground with only ankle-high brush for cover leading to a sheltered riverbank where a shooter could hit them at will?

They don’t want it.

Then the silver-haired man yells, “Keller! Art Keller! It’s Tim Taylor!”

Taylor was Keller’s boss back in the day in Sinaloa. “Operation Condor” in 1975, when they burned and poisoned the Sinaloan poppy fields. After that he was in charge of Mexico when Keller was shredding it up in Guadalajara, becoming a superstar. He watched as Keller’s trajectory shot right over him.

Keller thought he’d be retired from DEA by now.

He keeps the Sig trained on Taylor’s chest and tells him to holster his weapon and put his hands up.

Taylor does it and the younger man follows suit.

Keller gets up and, pistol pointed, moves toward them.

The younger man has jet-black hair, fierce black eyes, the cocky look of a street kid. The kind of agent they recruit from the barrio for undercover work. Just like they recruited me, Keller thinks.