The Best of Joe R. Lansdale (9 page)

In the seat of the wheelchair was the paint sprayer, filled with rubbing alcohol, and beside it, a cigarette lighter and a paper folder of matches. Jack handed Elvis the paint sprayer. A strap made of a strip of torn sheet had been added to the device. Elvis hung the sprayer over his shoulder, reached inside his belt and got out a flattened, half-smoked stogie he had been saving for a special occasion. An occasion he had begun to think would never arrive. He clenched the cigar between his teeth, picked the matches from the seat of the wheelchair, and lit his cigar. It tasted like a dog turd, but he puffed it anyway. He tossed the folder of matches back on the chair and looked at Jack, said, “Let’s do it, amigo.”

Jack put the matches and the lighter in his suit pocket. He sat down in the wheelchair, kicked the foot stanchions into place and rested his feet on them. He leaned back slightly and flicked a switch on the arm rest. The electric motor hummed, the chair eased forward.

“Meet you there,” said Jack. He rolled down the concrete ramp, on out to the circular drive, and disappeared around the edge of the building.

Elvis looked at his watch. It was nearly 2:45. He had to hump it. He clenched both hands on the walker and started truckin’.

Fifteen exhaustive minutes later, out back, Elvis settled in against the door, the place where Bubba Ho-Tep had been entering and exiting. The shadows fell over him like an umbrella. He propped the paint gun across the walker and used his scarf to wipe the sweat off his forehead.

In the old days, after a performance, he’d wipe his face with it and toss it to some woman in the crowd, watch as she creamed on herself. Panties and hotel keys would fly onto the stage at that point, bouquets of roses.

Tonight, he hoped Bubba Ho-Tep didn’t use the scarf to wipe his ass after shitting him down the crapper.

Elvis looked where the circular concrete drive rose up slightly to the right, and there, seated in the wheelchair, very patient and still, was Jack. The moonlight spread over Jack and made him look like a concrete yard gnome.

Apprehension spread over Elvis like a dose of the measles. He thought:
Bubba Ho-Tep comes out of that creek bed, he’s going to come out hungry and pissed, and when I try to stop him, he’s going to jam this paint gun up my ass, then jam me and that wheelchair up Jack’s ass
.

He puffed his cigar so fast it made him dizzy He looked out at the creek bank, and where the trees gaped wide, a figure rose up like a cloud of termites, scrabbled like a crab, flowed like water, chunked and chinked like a mass of oil field tools tumbling downhill.

Its eyeless sockets trapped the moonlight and held it momentarily before permitting it to pass through and out the back of its head in irregular gold beams. The figure that simultaneously gave the impression of shambling and gliding, appeared one moment as nothing more than a shadow surrounded by more active shadows, then it was a heap of twisted brown sticks and dried mud molded into the shape of a human being, and in another moment, it was a cowboy-hatted, booted thing taking each step as if it were its last.

Halfway to the rest home it spotted Elvis, standing in the dark framework of the door. Elvis felt his bowels go loose, but he was determined not to shit his only good stage suit. His knees clacked together like stalks of ribbon cane rattling in a high wind. The dog turd cigar fell from his lips.

He picked up the paint gun and made sure it was ready to spray. He pushed the butt of it into his hip and waited.

Bubba Ho-Tep didn’t move. He had ceased to come forward. Elvis began to sweat more than before. His face and chest and balls were soaked. If Bubba Ho-Tep didn’t come forward, their plan was fucked. They had to get him in range of the paint sprayer. The idea was he’d soak him with the alcohol, and Jack would come wheeling down from behind, flipping matches or the lighter at Bubba, catching him on fire.

Elvis said softly, “Come and get it, you dead piece of shit.”

Jack had nodded off for a moment, but now he came awake. His flesh was tingling. It felt as if tiny ball bearings were being rolled beneath his skin. He looked up and saw Bubba Ho-Tep paused between the creek bank, himself, and Elvis at the door.

Jack took a deep breath. This was not the way they had planned it. The mummy was supposed to go for Elvis because he was blocking the door. But, no soap.

Jack got the matches and the cigarette lighter out of his coat pocket and put them between his legs on the seat of the chair. He put his hand on the gear box of the wheelchair, gunned it forward. He had to make things happen; had to get Bubba Ho-Tep to follow him, come within range of Elvis’ spray gun.

Bubba Ho-Tep stuck out his arm and clotheslined Jack Kennedy. There was a sound like a rifle crack (no question Warren Commission, this blow was from the front), and over went the chair, and out went Jack, flipping and sliding across the driveway, the cement tearing his suit knees open, gnawing into his hide. The chair, minus its rider, tumbled over and came upright, and still rolling, veered downhill toward Elvis in the doorway, leaning on his walker, spray gun in hand.

The wheelchair hit Elvis’ walker. Elvis bounced against the door, popped forward, grabbed the walker just in time, but dropped his spray gun.

He glanced up to see Bubba Ho-Tep leaning over the unconscious Jack. Bubba Ho-Tep’s mouth went wide, and wider yet, and became a black toothless vacuum that throbbed pink as a raw wound in the moonlight; then Bubba Ho-Tep turned his head and the pink was not visible. Bubba Ho-Tep’s mouth went down over Jack’s face, and as Bubba Ho-Tep sucked, the shadows about it thrashed and gobbled like turkeys.

Elvis used the walker to allow him to bend down and get hold of the paint gun. When he came up with it, he tossed the walker aside, eased himself around,

and into the wheelchair. He found the matches and the lighter there. Jack had done what he had done to distract Bubba Ho-Tep, to try and bring him down closer to the door. But he had failed. Yet by accident, he had provided Elvis with the instruments of mummy destruction, and now it was up to him to do what he and Jack had hoped to do together. Elvis put the matches inside his open chested outfit, pushed the lighter tight under his ass.

Elvis let his hand play over the wheelchair switches, as nimbly as he had once played with studio keyboards. He roared the wheelchair up the incline toward Bubba Ho-Tep, terrified, but determined, and as he rolled, in a voice cracking, but certainly reminiscent of him at his best, he began to sing “Don’t Be Cruel,” and within instants, he was on Bubba Ho-Tep and his busy shadows.

Bubba Ho-Tep looked up as Elvis roared into range, singing. Bubba Ho-Tep’s open mouth irised to normal size, and teeth, formerly non-existent, rose up in his gums like little, black stumps. Electric locusts crackled and hopped in his empty sockets. He yelled something in Egyptian. Elvis saw the words jump out of Bubba Ho-Tep’s mouth in visible hieroglyphics like dark beetles and sticks.

*

Elvis bore down on Bubba Ho-Tep. When he was in range, he ceased singing, and gave the paint sprayer trigger a squeeze. Rubbing alcohol squirted from the sprayer and struck Bubba Ho-Tep in the face.

Elvis swerved, screeched around Bubba Ho-Tep in a sweeping circle, came back, the lighter in his hand. As he neared Bubba, the shadows swarming around the mummy’s head separated and flew high up above him like startled bats.

The black hat Bubba wore wobbled and sprouted wings and flapped away from his head, becoming what it had always been, a living shadow. The shadows came down in a rush, screeching like harpies. They swarmed over Elvis’ face, giving him the sensation of skinned animal pelts — blood-side in — being dragged over his flesh.

Bubba bent forward at the waist like a collapsed puppet, bopped his head against the cement drive. His black bat hat came down out of the dark in a swoop, expanding rapidly and falling over Bubba’s body, splattering it like spilled ink. Bubba blob-flowed rapidly under the wheels of Elvis’ mount and rose up in a dark swell beneath the chair and through the spokes of the wheels and billowed over the front of the chair and loomed upwards, jabbing his ravaged, ever-changing face through the flittering shadows, poking it right at Elvis.

Elvis, through gaps in the shadows, saw a face like an old jack-o’-lantern gone black and to rot, with jagged eyes, nose and mouth. And that mouth spread tunnel wide, and down that tunnel-mouth Elvis could see the dark and awful forever that was Bubba’s lot, and Elvis clicked the lighter to flame, and the flame jumped, and the alcohol lit Bubba’s face, and Bubba’s head turned baby-eye blue, flowed jet-quick away, splashed upward like a black wave carrying a blazing oil slick. Then Bubba came down in a shuffle of blazing sticks and dark mud, a tar baby on fire, fleeing across the concrete drive toward the creek. The guardian shadows flapped after it, fearful of being abandoned.

Elvis wheeled over to Jack, leaned forward and whispered: “Mr. Kennedy.”

Jack’s eyelids fluttered. He could barely move his head, and something grated in his neck when he did. “The President is soon dead,” he said, and his clenched fist throbbed and opened, and out fell a wad of paper. “You got to get him.”

Jack’s body went loose and his head rolled back on his damaged neck and the moon showed double in his eyes. Elvis swallowed and saluted Jack. “Mr. President,” he said.

Well, at least he had kept Bubba Ho-Tep from taking Jack’s soul. Elvis leaned forward, picked up the paper Jack had dropped. He read it aloud to himself in the moonlight: “You nasty thing from beyond the dead. No matter what you think and do, good things will never come to you. If evil is your black design, you can bet the goodness of the Light Ones will kick your bad behind.”

That’s it?
thought Elvis. That’s the chant against evil from the
Book of the Soul?
Yeah, right, boss. And what kind of decoder ring does that come with? Shit, it doesn’t even rhyme well.

Elvis looked up. Bubba Ho-Tep had fallen down in a blue blaze, but he was rising up again, preparing to go over the lip of the creek, down to wherever his sanctuary was.

Elvis pulled around Jack and gave the wheelchair full throttle. He gave out with a rebel cry. His white scarf fluttered in the wind as he thundered forward.

Bubba Ho-Tep’s flames had gone out. He was on his feet. His head was hissing grey smoke into the crisp night air. He turned completely to face Elvis, stood defiant, raised an arm and shook a fist. He yelled, and once again Elvis saw the hieroglyphics leap out of his mouth. The characters danced in a row, briefly —

*

— and vanished.

Elvis let go of the protective paper. It was dog shit. What was needed here was action.

When Bubba Ho-Tep saw Elvis was coming, chair geared to high, holding the paint sprayer in one hand, he turned to bolt, but Elvis was on him.

Elvis stuck out a foot and hit Bubba Ho-Tep in the back, and his foot went right through Bubba. The mummy squirmed, spitted on Elvis’ leg. Elvis fired the paint sprayer, as Bubba Ho-Tep, himself, and chair, went over the creek bank in a flash of moonlight and a tumble of shadows.

Elvis screamed as the hard ground and sharp stones snapped his body like a piñata. He made the trip with Bubba Ho-Tep still on his leg, and when he quit sliding, he ended up close to the creek.

Bubba Ho-Tep, as if made of rubber, twisted around on Elvis’ leg, and looked at him.

Elvis still had the paint sprayer. He had clung to it as if it were a life preserver. He gave Bubba another dose. Bubba’s right arm flopped way out and ran along the ground and found a hunk of wood that had washed up on the edge of the creek, gripped it, and swung the long arm back. The arm came around and hit Elvis on the side of the head with the wood.

Elvis fell backwards. The paint sprayer flew from his hands. Bubba Ho-Tep was leaning over him. He hit Elvis again with the wood. Elvis felt himself going out. He knew if he did, not only was he a dead sonofabitch, but so was his soul. He would be just so much crap; no afterlife for him; no reincarnation; no angels with harps. Whatever lay beyond would not be known to him. It would all end right here for Elvis Presley. Nothing left but a quick flush.