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Authors: Debbie Howells

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BOOK: The Beauty of the End
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2
1991
 
I
was fourteen when I fell in love with a goddess. Goddesses have that effect, even on teenagers such as I was. Being plump or uncool has no bearing on the ability to fall in love—and my fate was sealed.
It was the beginning of my first term at Musgrove High. We'd moved to Musgrove at the start of the longest, hottest summer I could remember, when my father started a new job. The first I'd heard of it was when he proudly showed me the car he could now afford, a shiny, silver BMW 3 Series.
I'd climbed in excitedly, inhaling soft leather and a faint petrol smell. Things were changing, my father told me, as he got in and showed me how the seat adjusted. We were moving up. I didn't really understand what he meant. A job was a job as far as I could see, but I pretended to share his enthusiasm—until he told me we'd have to move.
The thought filled me with a horror I couldn't talk about, but the opinion of my fourteen-year-old self was of no consequence. In my small, sheltered, middle-class world, adults made decisions, children did as they were told. But that didn't stop me from dreading it.
I distinctly remember packing up my things—reluctantly, resentfully, overwhelmed by a need to hold on to the familiar, the childish, the outgrown. My mother's insistence, too, that this was a good time for clearing out clutter, whatever that meant, and that there was no sense paying the removal people to take what I didn't use. As if it wasn't enough dragging me away from my friends and my home, by the time she'd ruthlessly been through my books, my model car collection, my secret cache of action figures, half my childhood had been ripped away, too.
As we drove off from everything that defined me, my very identity seemed in question. I closed my ears to my parents' insistence that this was a new start for me. Swotty Noah Calaway, with his small, dark bedroom and nerdy friend next door was gone forever. I'd no idea who I was.
Musgrove was an uncomfortable four-hour drive away, four hours that I filled with imaginings of hostile new classmates and dread. My face turned to the open window, I fought off waves of nausea in the back of my father's new car, a car I'd come to hate as symbolic of unwanted change.
The first I saw of our new home was as we slowed down and turned up a wide, quiet road, and my father pulled up at the roadside. It wasn't unattractive, a red brick Victorian house surrounded by others that were similar, and after the modest, terraced street we'd left behind, it was big.
The first thing I did was run round the back to look at the garden, which disappointingly wasn't big at all but long and narrow, with a massive tree right at the end, which made up for it. But as I stared into its branches, so high they almost tangled with the clouds in the faintest hint of a breeze, I felt myself shiver.
What tortured me most was the thought of school. If only I could have changed my name—to reference someone important, perhaps, or a meaning that I could wear, like
strength
or
slayer of dragons
. But, I mean,
Noah
. . . What were my parents thinking? My mother said that they had liked its biblical connotations and that it meant rest or comfort, which was nice, she told me. Nice and solid and reassuring, which was no good at all when it made you a figure of fun.
Over the years, I'd lost count of the number of times so-called friends turned up in their waterproofs on my doorstep—even when the sun was shining and there wasn't a cloud in the sky. Crapping themselves laughing, while I was forced to endure yet another episode of ritual humiliation. I knew here it would be no different.
The first morning, I was so nervous I ate my breakfast then threw it all up. Inside, I was silently crying out for my parents to leave Musgrove and move back to our old house, for my father to give up the new car and return to his old job, to take me back to my old school because I knew from experience that the devil you knew was a whole lot easier to live with than the devil you didn't.
But in my heavy heart, I knew also it wasn't going to happen and instead somehow found myself keeping my eyes down and staying out of everyone's way, as I shuffled along the corridor to my classroom.
Being teenaged and awkward, with an odd name and old-fashioned hair to boot, my expectations were at an all-time low. Being a nerd further handicapped me. I was as incapable of not handing homework in as I was of keeping my arm from springing up whenever the teacher posed a question.
Today was no exception. It was my first math class here and short of nailing my hand to the desk, there was no stopping it.
“Yes? Your name, boy . . .”
“Noah. Calaway. Sir,” Pulling my arm down and waiting for the titter. I wasn't disappointed.
“Noah, eh? Don't think we've had one of those before,” boomed Mr. Matthews. Completely unnecessarily, I remember thinking. “Well, speak up, boy. Better still, get up here and write it on the board.”
How I hated that arm. I hated feeling everyone's eyes boring into me. I'm sure I detected a sadistic gleam in the teacher's eyes as he relished my discomfort. As I scrawled scratchily on the board, my hands clammy, my heart thumping in my chest, the piece of chalk snapped in two. I reached down to pick it up, completely mortified, but as I stood up again, something extraordinary happened.
The classroom door opened and a girl walked in. She was slender, with this way of walking, her head held high, her long, red hair falling in heavy waves down her back. I felt my jaw drop open as I stared at her.

Boy!
” roared Mr. Matthews, completely ignoring her. “
In your own time
. . .”
I felt my cheeks turn scarlet as the sniggers and mutterings behind me started up, but I didn't care. Suddenly my head was filled with the image of that girl. I'd never seen anyone like her. Quite simply, she was a goddess.
3
2016
 
I
don't notice the silence, or the past as it creeps ever closer. Instead, I'm thinking that even now April can still do this, exert an invisible pull across hundreds of miles.
After throwing another log on the fire and closing the curtains, I walk along the narrow hallway to the kitchen, wondering why Will really called me, because it wasn't out of the goodness of his heart. His heart is rotten. But if he's right, if April's a murder suspect, there's no question she needs a lawyer.
I float the idea of leaving April at the mercy of a system that will assign her a lawyer when she comes round. Maybe a good one, who'll believe in her—or maybe not, because I know the system. I'd come to hate the complicated game playing of both defense and prosecution, with their twisted words and questionable rights and wrongs that should have been black and white, but were in fact every shade of grey; the lines that seemed to blur and move every time your back was turned.
But the more I think of Will's words, heavy with the weight of his cynicism, and then of April, unconscious, the more the memories creep back, of the girl who was my first love, now defenseless, needing a voice to speak for her. I sweep my reluctance to one side because I know she needs someone who absolutely believes in her.
My heart sinks slightly as I realize what this means, because it would be so much easier not to get involved. To stay here, in Devon, and let the legal system run its course. To leave the past silenced under the multiple layers of years. To never speak to Will again.
4
1991
 
I
glimpsed the goddess after school again, outside in the stifling heat as we blinked in the sunlight. She was with two other girls, one with fair hair, the other mousy brown with a bleached streak in it, their socks rolled down and skirts hitched up, whispering to each other before pointing and giggling loudly.
“Oy! Tosser!” yelled the brown-haired one above the general level of chitchat. Across the road, a group of boys turned round, terrified. “Yeah, that's right, you! 'As it dropped off yet? Yer
cock
. . .”
Everyone must have heard. Though I stared in awe at the girls, at the red-haired one, who looked astonished, I couldn't help my heart going out to Tosser, who'd turned a shade of beetroot, wondering what he'd done to deserve such a public lashing. The girls, meanwhile, were teetering up the road on their wedge-heeled shoes, still giggling.
“I'd stay out of their way if I were you.” The voice, friendly, came from beside me.
Surprised, I turned to see that he was talking to me.
“Farrington,” said the boy. Slightly shorter than me, he had ginger hair and freckles. I'd noticed him in my English class. “William. You can call me Will. Those are scary chicks, believe me. There's this rumor they're witches—well, except for the long-haired one. She's new. But the others meet on Reynard's Hill after dark and cast spells and shit. I've seen them.”
I was even more enthralled. Spells and shit sounded awesome, and as I walked home, already I'd conjured up this picture of the three of them sitting in the woods, lit by an eerie, greenish light as they stirred a cauldron and muttered incantations, unleashing their mighty powers across the whole of Musgrove. Of course, the goddess with hair the color of autumn leaves, she'd turn out to be the chief witch. I could tell she was no ordinary mortal. Already I was under her spell.
“You can come and swim in our pool, if you like,” he continued cheerfully. “I'll get my mum to phone yours. What's your number?”
I scribbled it on a scrap of paper, hardly believing my luck. This was turning out way better than I'd expected.
With a new friend and a major crush to take my mind off things, I settled in quite quickly after that. Will and I started hanging out and I was thrown into a whole other world, where money was plentiful and success seemingly effortless. Will's parents held flawlessly orchestrated parties in their large, elegant home. There was the lure, too, of their pool, with its crystalline depths, into which we'd plummet to the bottom, holding our breath, the blood rushing in our ears, until one of us raced to the surface gasping for air.
It was a world I wanted a piece of. And meanwhile, each day I lived in hope of catching another glimpse of that living, breathing deity with the long red hair, though she proved somewhat elusive. I would go several, desolate days without seeing her, and then suddenly, she'd be there, round every corner.
In my head I'd constructed her entire life story. On the downside, I was sure she hadn't even noticed me; there wasn't really anything that set me apart. Until one extraordinary, magical day the following week, she walked into my chemistry class and looked directly at me—or so it seemed at the time.
“Good of you to join us, Miss Moon,” our teacher, Dr. Jones, said dryly. “For your information, class started five minutes ago. Kindly take a seat over there.”
At last . . . I had her name. Her surname, at least. Out of the corner of my eye, I watched her as she arranged herself on a chair, as I breathed in the alien spicy scent that seemed to come from her general direction as if it were the most sublime perfume on this earth.
“You got a cold or something?” Will muttered at me. “Your breathing's gone funny.”
I shook my head and tried my hardest to concentrate on the lesson. When Dr. Jones finished and a low-level, general mumbling started up, Will stared at me.
“What is wrong with you?”
“What do you mean?” I could feel my cheeks growing hot under his scrutiny.
“Usually,” said Will, who, unlike me, was completely unabashed at being in the presence of a goddess, “you're, like, jumping up and getting shit organized before I've even worked out what we're doing. Something's weird.”
‘It's not,' I said hastily, leaping up to prove him wrong and promptly knocking over a tripod, which clattered noisily to the floor. Picking it up, I tried to pull myself together.
But as Will titrated sodium hydroxide with hydrochloric acid, for the first time I let him get on with it, instead eavesdropping shamelessly on the conversation going on behind me. As I listened to the goddess's soft voice, finally I learned her name. April. Her friends were Beatrice and Emily.
By now, I was totally in awe, not just of her beauty, but her confidence, which was surely yet another manifestation of her otherworldly status. And as for her name . . . It seemed the most exotic, most beautiful name I could imagine.
April Moon.
And as I whispered it over and over, I knew I was madly, irrevocably in love.
5
A
pril Moon, April Moon, April Moon . . .
Over and over I silently repeated her name, in time with my footsteps as I walked home after school, not caring about the rain that was soaking into me, nor almost getting knocked over by a car.
After that, she appeared in more of my classes, near enough for the spicy scent of her to torture me, but always with others seated between us, and so I learned to be content to worship her from afar. Such was the lot of lowly creatures like myself, I decided, wallowing in my misery. It was enough to know she was there.
I was wildly curious to see what April and her friends did in the woods. It made perfect sense that April was a witch—a good one, of course. I knew they existed, but when I pushed Will on the subject, I got nowhere.
“You've seen what they're like,” he said, looking at me as though I was mad. “What if they put a curse on you?”
I couldn't tell him that I'd been under April's spell since the first day I saw her. That was a secret, even from Will. In the end I took matters into my own hands.
It was autumn, dusk falling earlier by the day, the air rich with the scent of wood smoke, when I decided to follow them. Just as Will had told me, they were headed toward the woods below Reynard's Hill.
Staying far enough back to remain unnoticed by them, I didn't see how it happened, just that a car sped past, too fast, sending a cloud of feathers into the air as something somersaulted onto the pavement. I heard April's cry, saw her run, then crouch slowly, reaching toward a small bird.
Careful not to move its awkwardly outstretched wing, she picked it up. After that, their pace slowed and the chatter became quiet. Suddenly I realized what they were doing, and that as witches, they were taking the little bird to their magical place, where they'd weave a spell and heal it. I knew also this was something I had to see.
I followed in the shadows, as far behind as I dared without risking losing them, trying not to think about the rumors that for centuries Reynard's woods had been grassland, until a tragedy had befallen the village, wiping out most of the children with a terrible disease. It was then the woods were said to have sprung up. It was said also that those trees were the spirits of the dead.
Now, darting among their shadows, I shivered, wondering if it was true, imagining wraith-like beings that I couldn't see, hearing the wind catch the leaves, keeping April and her friends in my sight, until in a split-second moment of distraction, they slipped down a path and disappeared.
In a panic, I ran. I couldn't come this far and not see what they did here. But just as suddenly, I heard their voices again, close by; felt myself freeze. Then through some bushes, in the last glimmer of daylight, I saw them.
Edging closer, I crouched under a bush, listening to the hiss and crackle of twigs as they lit a small fire. On the other side of it, I could make out April's face, the bird still cupped in her hands. Her voice was gentle, as with one finger she stroked it. Then resting its head in her other hand, she closed her fingers around it. I held my breath. This was what I'd come to see. The moment she'd weave a spell and heal the wounded creature. I waited, my heart thudding in my chest, for the extraordinary magic that was about to happen here.
There was a brief pause in which none of them spoke. Then the birds' wings fluttered and I gasped. From across the fire April looked up, seeming to look straight at me, before she turned her attention back to the bird, laying it carefully on the ground in front of her. Then the three of them started chanting, a soft, eerie sound, and as I watched, transfixed, it soared up toward the sky.
* * *
That night, in my bed, I worked out I'd seen a miracle. That April had healed a mortally wounded bird. I wondered how many others there'd been, that the trees had been witness to, thrilled that it was proof of what before I'd only guessed at. I now inhabited a world where anything could happen, where April had a power, a magical connection with the universe that most people didn't have. And my fantasies intensified. Away from her, I dreamed of the day she'd open her eyes and for the first time see beyond my name to the real Noah Calaway, fellow slayer of dragons. She'd hold her hand out to me and together we'd save the world or whatever our higher purpose was. And once it was done, we'd share a kiss, as myriad stars swooped down on us to take us with them, together for all eternity.
It didn't happen, of course. Several times after that, I crept back to the same part of the woods, but I never saw them. The last time, however, a murky afternoon that cast the woods in a persistent state of twilight, something nearby caught my eye.
As I turned, my eyes were drawn to a young tree set on its own. It was about twice as tall as I was, and even in the half darkness, a strange movement I couldn't identify drew me closer.
As my eyes started to focus, I heard myself gasp, unable to believe what I was looking at, feeling my eyes widen, fixed on the slow rotation of a squirrel, hung from a branch by the length of ribbon around its neck.
Horrified, I stepped back, my shock intensifying as the more I looked, the more tiny, desiccated bodies strung there came into focus. There were birds, the leg of what I guessed had been a rabbit, and butterflies, too, as if they'd settled on the branches and never again moved.
It was gruesome. A kind of hangman's Christmas tree, especially when a feather fluttered down in front of me, followed by another. Looking up, I spotted a magpie hanging from wire looped around its neck.
I stood there, transfixed, then out of the corner of my eye saw the body of a kitten, its eyes fixed open in death, as they had been in life.
The silence was broken by the squawk from a nearby crow, followed by the crashing of its wings through branches. I turned and ran, not wanting to imagine how they'd all got there, banishing unwanted images from my head. It was only much later, when the initial horror had receded, that I worked out that the death tree, as I thought of it, had to be a monument. It was the only reasonable explanation. A place where April and the others could bring innocent victims of the carelessness of man, to finally rest.
* * *
In the way these things do, over time it had grown less shocking, eventually melting into the background of my mind. Meanwhile, I was thrust back into the mundanity of everyday life, where it rained perpetually that autumn, day in and day out. The land became saturated, the roads flooded, until under the cover of darkness one night, the brown, swollen river invaded the town.
I awoke one morning to a watery hinterland. In my imagination, it was yet another manifestation of the universe's power, unleashed against some nameless victim—I'd no idea who. I wondered if this, too, was connected to April, but I didn't have a chance to find out.
An impromptu holiday was forced upon us, as school was forgotten, but my joy was fleeting as this break presented also an insurmountable barrier between me and April. Just as the excitement of the flood died down, winter blew in. Then before I knew it, Christmas loomed.
As the term drew to a close, I faced a new problem, finding myself reduced to a nervous, jabbering wreck as I endeavored to find the courage to give April the present I'd made.
It was a tape. One I'd poured every last, tortured drop of my teenage angst into. There were Madonna tracks, Berlin, the Human League, interspersed with emotive strains of Puccini and Debussy. It was a desperate, hopeless attempt to touch her heart and reveal my true self to her.
But however much I wanted to, I couldn't do it. I racked my brains for a way to give it to her anonymously, but found none. As the last chemistry lesson on the last morning came to an end, and with just minutes before the final bell of the term, I simply pretended to pick it up off the floor and, with my heart hammering in my chest, walked over to her.
“I think you must have dropped this,” I said, avoiding her eyes as I handed it to her. It was the closest we'd ever been. The effect was intoxicating.
She looked at it, puzzled, as she took it from me. “I don't think so—it must be someone else's.”
I shook my head. “It has your name on it.”
She turned it over and read it, and I saw her genuine look of surprise. Then her eyes lifted to meet mine.
“Thank you.” She said it softly. If she'd guessed, I couldn't tell.
* * *
Term ended, Will went skiing with his parents, Christmas came and went. Usually I loved this time of year, but not seeing April for so long was making me restless. I'd never much liked walking for walking's sake, but that winter I went for cold, meandering walks in the afternoons, hoping that I might randomly bump into her; that we'd fall into conversation, a meaningful one, of course. She'd have played my tape and really loved it, never for one second giving away that she'd guessed it was from me. Then I'd hold her hand and we'd carry on walking, together.
I even checked out Reynard's woods, seeking out the death tree, where, dusted with ice, the little bodies that still hung there had taken on a ghostly form. But there was no sign of her. Like the embers of the fire she'd made there, her presence had been washed away.
Several times I went back. Once I even lit my own small fire, sitting crouched beside it, warming my hands over the damp, smoldering wood, just waiting. Not once did I see her. Then the new year came blasting in with a fall of snow that stopped the world in its tracks, before melting just as rapidly to slush. And before I knew it, we were back at school.
The holiday had painfully magnified my feelings. I was condemned, it seemed at times, to drown in unrequited love. I consoled myself with the thought that I was in the company of many great lovers whose affections were unreturned, who must have suffered just as I was suffering. But comparisons with the likes of Romeo and Juliet, Tristan and Isolde, provided small comfort from my torture, which steadfastly refused to go away.
It was about that time I started to notice April's absences. A week, sometimes two, before she'd walk into school as if she'd never been away. A little pale, perhaps, which wasn't surprising, if, as I guessed, she'd been ill. But she gave no explanation, simply borrowing books to catch up on what she'd missed and acting as though nothing had happened.
Other than that, nothing changed. Another term passed. My fifteenth birthday arrived, a dull, unmemorable occasion, unlike the noisy parties my classmates bragged about. My parents bought me a camera—a little Kodak Instamatic, with several rolls of film, which I wasn't to use up too fast, they cautioned, because of the price of developing them. My mother took me and Will to see
The Naked Gun
. And then I realized we'd been in Musgrove an entire year.
* * *
The summer holidays arrived, which I could see only as an unwanted barrier keeping me from April. Their unbearable endlessness was broken only by long, hot days, which I spent at Will's, where the pool was a welcome distraction. Under the sun, my skin tanned, and as I set myself the goal of swimming an ever-increasing number of lengths, I imagined my body defined by the faint outline of muscle, which would transform my chances with the opposite sex.
It appeared to work. By the following autumn, when we returned to school, occasionally, miraculously, April and I would talk. It was mostly about school and homework, it has to be said. If she'd missed classes, she knew I'd lend her my notes. I knew how these things worked. That girls like April didn't go for boys called Noah. There were plenty of Daves, Johns, and Simons out there, with cool hair and cool clothes, who knew how to kiss without squashing your nose or cricking your neck. And, as it also turned out, there was a Pete.
Right from the start, I didn't like Pete. Not because he was older and smoked and wore leathers and gave April lifts on the back of his noisy motorbike, roaring off into the distance leaving a trail of noxious fumes. I'm sure he was a perfectly reasonable guy—if only he wasn't seeing April.
No matter that I never really had her; suddenly it was like I was losing her. I saw her out with him, once or twice—an extra shirt button undone to reveal the swell of pale skin beneath, her jeans skintight to her ankles, with black Cleopatra-style eyeliner that gave her a feline sexiness I was uncomfortable with. I wanted my schoolgirl goddess back, not this siren.
“Forget it, buddy,” Will told me one day, as I stood defeatedly watching her walk past hand in hand with Pete. “She's out of your league. I read somewhere that girls like guys they can look up to. Like Pete.”
“I don't know what you mean.” In my heart, I knew he was right but I couldn't bear to think of April and Pete like that. I turned and stalked off. Even now, no one else was allowed into the fantasy.
Early in the summer term as exams loomed, the atmosphere in our year changed, from one of false bravado to abject fear of failure. There was no more putting off the inevitable. The time had arrived. Heads were down, books were open, pockets were crammed with study notes.
Out of the blue, April vanished. But this time, she didn't come back.
Ella
I'm the beneficiary of my parents' unrelenting wisdom. They know everything, from how to run the world to exactly what's best for everyone. Including me.
“Are you looking forward to meeting her?”
She's talking about the latest in the long line of therapists she believes will unlock the person I really am, somewhere inside. This one's good. She has to be—why else would my mother spare the hour it takes along narrow East Sussex lanes before blasting round the M25 to get me there? Only my mother's questions aren't really questions. No Answers Required.
“Abigail's told me so much about her. She's helped Toby terribly.”
Twelve years old, six-foot-two, tidal waves of testosterone raging against his whiny, irritating mother. It's always poor Abigail, never poor Toby, who has to live with her. Ten out of ten for her choice of word, though. Terribly.
“Try not to be too long, though, darling, will you? I've an appointment at five.”
That'll be hair—or was that yesterday? Maybe it's nails—but there's always something far more important to her than I am.
“It isn't normally up to me.” Sarcastically polite, which she never gets.
“You know what I mean. Just be straightforward. Answer her questions.”
What she really means is no bullshitting—just tell the shrink what she wants to hear. Cool. Not like we're wasting anyone's time.
 
“Hi. It's Ella, isn't it? Come and take a seat.”
Therapists use a socially acceptable code. Out of a million ways to start a conversation, like let's cut to the chase because we both know there's something we need to talk about, they all use exactly the same words.
“Nice to meet you.” I hold out my hand, firstly, because of my upbringing and, secondly, because there's no reason not to be polite. Anyway, apart from the fact that she studied psychobabble at university, it's hardly her fault she has to talk to me.
She gestures toward a set of chairs arranged around a coffee table, which I kind of smile at, only in an ironic way, because it's the modern-day version of the shrink's couch. Her arm is really tanned—hasn't anyone told her about skin cancer?
She sits opposite me. Out of the corner of my eye, I notice she's younger than they usually are, the edge of her left ear punched with sparkly studs.
“So.” She picks up her notebook. “Why don't you tell me a little about yourself.”
I shrug. “I'm fifteen. I live with both parents. Big house with land. In Ditchling. I go to school at the Lester Academy.”
I say “both parents” on purpose so she doesn't have to ask. I don't tell her it's a stupidly big house, because she doesn't need to know. I just watch the large silver ring on her right hand catch the light as she writes.
“You're into drama?”
Everyone's heard of the Lester Academy, known forraising future megastars of the stage and screen—and uber-wealthy parents.
I shake my head. “Music, mostly.”
She looks interested. “Which instrument do you play?”
“Guitar,” I tell her. “Electric and acoustic. I did keyboard for a bit. I dropped the saxophone last year.”
Figuratively, you understand. I dropped the keyboard, too, which pissed my mother off, because she has her own vision of how my dazzling future's supposed to blow practically the entire world away. I watch her pen hesitate, then write my words down, and I wait for the old joke about how I'm a regular one-girl band, but it doesn't come.
“Wow. I'd love to be able to play just one of those,” she says, looking wistful.
I sit back and fold my arms when she says that, warding her off, because icebreaking I'm used to. The dancing politely round each other, like we're on a first date. The walking on eggshells when it comes to the trickier stuff. Issues, you'd probably call them. But wistful makes her sound like a normal person.
“Do your parents enjoy music?” she adds.
I'm not sure how to answer that one. Actually enjoy? I don't really know.
I shrug. “I guess. My mother plays classical all the time. I don't really know about my father.”
She moves on. “So, tell me what else you like to do—when you're not at school.”
Okay. Only some of them ask this one, mostly because it's not on the checklist they tick off, before totting up my final score and telling me there's nothing wrong with me. Which I already know.
“Swim.” I shrug again. “We have a pool. And I read.”
Most of the books in the house are mine. My parents don't read, except for Sunday papers or interior design brochures. “And I write.”
That fell out without my meaning it to, because what happens then is people ask what I write.
“What do you write?” she asks, right on cue.
I look at my shoes. “Just stuff.”
I could lie and tell her I write bleak, dark love songs, such as therapists' dreams are made of, just to wind her up, but instead find myself gazing across her office at the large, abstract canvas hung on the wall. Trying to find something to like about it.
She watches my gaze. “Are you interested in art?”
“I don't really know anything about it,” I say.
“I think what matters is knowing what you like.” She glances at the canvas. “You like that?”
I look her straight in the eye. “Not really my thing.”
She bites her lip, says conspiratorially, “Not really mine, either.”
I feel us connect, briefly, kind of like a needle prick, before I get it. She's smart. She hangs the ugliest painting she can find to give her common ground with everyone but the guy who painted it.
Then she really does surprise me. She puts down her pen and notebook.
“Can I say something, Ella? I get the feeling you've done this before. Am I right?”
By “this” I'm guessing she means therapy. So the dancing thing's over already. I raise my eyebrows. “Quite a few times, actually.”
She looks puzzled. “Can I ask you why you think you need to come here?”
She says “you.” I sit back, hearing breath drawn out in a long sigh, wonder why she's doing that. Then realize it's mine.
“Well . . . It's complicated.”
“I have time.”
“Yeah . . .”
I know she has time. They're paid by the minute or something.
“It's like this. I don't personally think I need to be here. My mother does. We don't really get on. Mothers and daughters don't always, do they?” I glance at her, but she doesn't respond. “She thinks that a bit of psych-washing and I'll turn into the daughter she wants me to be. No offense, by the way. But that's about it.”
Skipping the part about how my mother doesn't get me because I don't slot into her neat and tidy life; how her plans for my future take no account of what I want, how nothing I say interests her. How that is the measure of my worth. There's more, like how even when I'm so tired my eyes close on their own, I can't sleep, and when I do, I have these dreams. Dreams so vivid, when I wake up, it's like they're real. Like I said, it's complicated.
“I see.”
She really doesn't, but then I haven't told the half of it. It'll take more than a crap painting before I do that.
“I ought to explain about my mother,” I add. Breaking the unwritten rule, answering questions she hasn't asked. Deflecting her while I still can. “Because everything she and my father do is, like, a-maz-ing.”
Giving it the full benefit of its three syllables, then rolling my eyes to make sure she gets it. “They have their amazing jobs, incredibly expensive clothes, and they're always traveling. . . .”
Only the problem is, I'm supposed to be amazing too and I'm not allowed to cut my hair and buy cool T-shirts from the market stall with Guns N' Roses on them.
“Really? Where do you go?”
“I said
they
,” I point out, frowning. “They don't take me with them. Half the time I'm in school, anyway. It kind of makes sense.”
Wondering if she'll work out the real reason, because it's obvious. They don't want me with them.
She looks faintly shocked.
“It's fine,” I tell her. “It really is,” I add, because she looks as though she doesn't believe me. “Anyway, they're probably not the kind of holidays you're picturing.”
“Oh,” she says, like a question. Oh?
“They go to cities, mostly. They like boutique hotels and shopping and art galleries and opera.” I add, shaking my head, “Boutique hotels . . .not my thing,” because if you've seen one of them, you've seen them all and because I'd rather be lying in our garden reading a book.
“So who looks after you?”
“Gabriela, our housekeeper.”
Her face wears a confused expression. Clearly I'm not her regular fruitcake. “It's cool. Actually, when my parents are away, I like it a lot.”
That bit's actually true, because I can wear shorts and the cheap clothes my mother doesn't know I have; because when they heave suitcases in the car their demands and expectations go with them.
She pauses, then looks at me again, quizzically. That's when I know she's sensed she's missing something.
“It sounds good.” She says it quietly, then puts her pen down. “Shall we leave it there? For now?”
I look at my watch, then sit there, nonplussed, as she gets up, because we've got another ten minutes. Is she a cheapskate, or is this a new therapist thing I haven't seen before?
She notices my hesitation. Pauses. “Or was there something you wanted to talk about, before you go?”
I shake my head. It's one of the rules. I have to remember that. You give them what they're expecting. Enough, that's all. No more.
 
On the way home, my mother plays
Madame Butterfly
turned up over the sound of the air con.
“How did you get on?” she shouts.
I reach forward to turn the volume down, just in case for once she actually listens.
“Okay.”
“Good,” says my mother. “We'll tell your father it went well. And I'll ask Gabriela to make another appointment . . .”
She turns the music up even louder, so that her voice is lost. Music's good for that. Gives her somewhere to hide.
“. . . for next week.” Shouting again. “Abigail told me she's supposed to be good.”
I don't know what good's supposed to mean, but she's okay. Different from the others. She really listens, to more than just my words.
I turn my eyes away, thinking of Toby, with his thick, tufted hair. He throws things and yells a lot, so my mother says. Mostly at Abigail. Poor Abigail. She says that a lot, too, because she only ever talks to Abigail. Not poor Toby. But not everyone can do that. Imagine being other people.
As we leave the motorway, I lean my head against the window, gazing through the trees at the iron-clad sky. I'm not sure what I'm feeling, or if I'm feeling anything at all. Then the trees clear and there are fields, fading into the distance until you can't tell where they end and the clouds begin.
“What is all this stuff?” she shouts. “You'd think they'd spray it. Don't open the windows. I don't want it all over the car.”
I watch the stuff she's talking about, the tiny, weightless willow seeds that float until they settle on the ground like beautiful, ethereal snowdrifts from another place. But in her orderly, designer world there is no room for such things.
I lean my head against the window, blocking out her voice and the music and the cold air whooshing in my face, thinking how there's so much I can never tell her, looking at the sky, which is heavy, muggy grey.
Waiting for the rain.
BOOK: The Beauty of the End
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