is an astonishing tour de force by Andrea Levy. Juggling four voices, she illuminates a little known aspect of recent British history with wit and wisdom. A compassionate account of the problems of post war immigration, it cannot fail to have a strong modern resonance’ Sandi Toksvig, Orange Prize judge
‘What makes Levy’s writing so appealing is her even-handedness. All her characters can be weak, hopeless, brave, good, bad – whatever their colour. The writing is rigorous and the bittersweet ending, with its unexpected twist, touching . . . People can retain great dignity, however small their island’
Independent on Sunday
‘Moving, funny, honest’
‘A terrific book’ Alan Plater
‘An impressive break-through novel’
‘Soon you will be enchanted’ Jasper Gerard, News Review,
‘It conjures up so vividly the era of the 1940s and expresses so vividly through the lives of its four protagonists the conflicts and racist attitudes that existed at that time. A wonderful insight into a little understood period’ Joan Bakewell
‘An engrossing read – slyly funny, passionately angry and wholly involving’
‘It is a work of great imaginative power which ranks alongside Sam Selvon’s
The Lonely Londoners
, George Lamming’s
and Caryl Phillips’
The Final Passage
in dealing with the experience of migration’ Linton Kwesi Johnson
‘What a deserved winner she is. It was a very good shortlist but in my opinion
stood out at the longlist stage – for its writing, its wit and the impressively light touch she brought to the subject’ Minette Walters
‘With this funny, tender, intelligent fourth novel Andrea Levy looks set to become as commercially popular as she is critically acclaimed’
‘Levy’s story is a triumph in perspective . . . a triumph of poise, organisation and deep, deep character – the sort of work that can only be achieved by an experienced novelist’
. . . explores the Caribbean experience of immigration to Britain with great sensitivity’ Sue Baker,
‘A brilliantly deft and humane account of two ordinary couples in post-war London’
‘An involving saga about the changing face of Britain’
‘Levy has written one of those rare fictions that tells you things you didn’t know but feel you should have known . . . the writing is deft and striking, without being pretentious’
‘Here is the book I have been waiting for . . . a book in which the author, Andrea Levy, never once forgets she is telling a story, delighting us, improbably, in this nasty tale of race, with the effervescent style of Dickens’
Globe & Mail
‘For thoughtfulness and wry humour [
] cannot be faulted’
‘A beautifully crafted, compassionate novel, well worth reading’
‘A thoroughly good read which will inevitably lead to discussion on the problems of multicultural societies’
‘Everything about the plot, characters and clever end twist of
[is] beautifully drawn . . . This is an epic book that brings the patois of Jamaicans alive, fills the world of war-torn London with amazing detail and is a great history lesson about the era when England changed forever as migrants braved bitter racism to flood her shores’
chronicles an aspect of British history that literary fiction has not explored enough’ Christina Patterson,
‘[Hortense] has guts and this portrait of her world is created with strong feeling that is subtly and brilliantly, rendered’
Sydney Morning Herald
‘Funny, poignant and profoundly moving’
‘She weaves a wonderfully detailed and vibrant story’
Also by Andrea Levy
Every Light in the House Burnin’
Never Far from Nowhere
Fruit of the Lemon
Copyright © 2004 Andrea Levy
The right of Andrea Levy to be identified as the Author of the Work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988.
First published in Great Britain in 2004 by Review
First published in paperback in Great Britain in 2004 by Review
Apart from use permitted under UK copyright law, this publication may only be reproduced, stored, or transmitted, in any form, or by any means, with prior permission in writing of the publishers or, in the case of reprographic production, in accordance with the terms of licences issued by the Copyright Licensing Agency.
All characters in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.
Epub ISBN: 978 0 7553 5971 4
HEADLINE PUBLISHING GROUP
A division of Hachette Livre UK Ltd
338 Euston Road
London NW1 3BH
I thought I’d been to Africa. Told all my class I had. Early Bird, our teacher, stood me in front of the British flag – she would let no one call it the common Union Jack: ‘It’s the flag of Empire not a musical turn.’ And I stood there as bold as brass and said, ‘I went to Africa when it came to Wembley.’ It was then that Early Bird informed me that Africa was a country. ‘You’re not usually a silly girl, Queenie Buxton,’ she went on, ‘but you did not go to Africa, you merely went to the British Empire Exhibition, as thousands of others did.’
It was a Butchers’ Association trip. Every year there was an outing organised for the butchers, the butchers’ wives and children and even the butchers’ favourite workers. A day out. Mother liked to go. ‘It’s like a holiday,’ she would say to Father.
‘Bloody waste of time,’ he’d grumble. But he went all the same.
Some years nearly everyone from our farm went. The inside girls who helped Mother with the pies. The outside girls who fed the pigs and poultry. Even the stupid boys, who helped Father in the shed, changed out of their splattered aprons and into their ill-fitting, fraying best suits for the trip. We always got dressed in our best to paddle in the sea at Blackpool or ride a red bus round Piccadilly Circus or laugh at the monkeys in the zoo. Then it was time to go home again. The men would be dozing from too much beer and the children would be snivelling after being whacked for dirtying their clothes or getting a piece of rock stuck in their hair. As often as not one of the farm girls would go missing with one of the farm boys only to turn up later, looking sheepish and dishevelled.
The year we went to the Empire Exhibition, the Great War was not long over but nearly forgotten. Even Father agreed that the Empire Exhibition sounded like it was worth a look. The King had described it as ‘the whole Empire in little’. Mother thought that meant it was a miniature, like a toy railway or model village. Until someone told her that they’d seen the real lifesize Stephenson’s Rocket on display. ‘It must be as big as the whole world,’ I said, which made everybody laugh.
We had to leave my brothers Billy, Harry and Jim behind. They were too small and everyone agreed with Father when he told the grizzling boys that they would get swallowed up by the crowd. ‘I’m not scared of being eaten,’ Billy whimpered. They sobbed and clung to Mother’s coat. So she had to promise to bring each of them back something nice – a model engine or soldiers. She left them with the inside girl Molly, who stood at the window sulking, giving us all a look that could curdle milk.
I was dressed in a white organza frock with blue ribbons that trailed loose down the front and my hair was set in pigtails adorned with big white bows. All the way there on the train Mother and Father chatted with other butchers and butchers’ wives about, of all things, the bother of humane killing over the poleaxe. Which left me sitting between two of our farm helpers, Emily and Graham, who spent the time giggling and flirting over my head.
Emily had been our outside girl for two months. She had a kindly foster-mother, who lived in Kent and made pictures from spring flowers, and a father and two uncles in London, who drank so much that they had not been awake long enough to take part in the war. Graham helped Father in the shed. He looked after the fire under the copper of pig swill, took the pork pies to the bakehouse when needed and generally ran round doing everything Father asked, only not quite quick enough. Father called Graham Jim. On Graham’s first day he had said his name to Father who looked him up and down and said, ‘I can’t be bothered with a fancy name like that – I’ll call you Jim.’ Consequently some people called him Jim and others Graham – he’d learned to answer to both. But Graham’s only ambition, as far as I could tell, was to get a feel of Emily’s bust.
Hundreds and hundreds of people were tramping in through the gates of the exhibition, past the gardens and the lakes. Or milling about, chatting. Little kids being dragged to walk faster. Women pointing, old men wanting a seat. ‘Over here! No, over here . . . Over here’s better.’ The Empire in little. The palace of engineering, the palace of industry, and building after building that housed every country we British owned. Some of them were grand like castles, some had funny pointed roofs and one, I was sure, had half an onion on the top. Practically the whole world there to be looked at.
‘Makes you proud,’ Graham said to Father.
At which Father looked his butcher’s boy up and down for a minute and said, ‘Will you listen to him?’
There was a lot of discussion about what we should see – the whole world and only one day to see it. Mother was not interested in the different woods of Burma or the big-game trophies of Malaya. She said, ‘Maybe later,’ to the coffee of Jamaica. ‘Ooh, no,’ to the sugar of Barbados. ‘What for?’ to the chocolate of Grenada. And ‘Where in heaven’s name is that?’ to Sarawak. In Canada there was a lifesize model of the Prince of Wales made in yellow butter. I had to struggle to the front to get a good look. I pressed my face close to the glass and Mother came and dragged me back. ‘You hold Emily’s hand,’ she told me. ‘I don’t want you getting lost.’ Then she moaned at Emily in front of the crowd, who strained to look past my mother and her blushing outside girl, everyone muttering, ‘Butter really? Butter? Never.’ Mother told Emily that she had only been brought along to look after me and that if she lost me then she would be in trouble – very big trouble indeed. So Emily attached herself to me like soot to a miner. And where Emily went Graham followed.
Australia smelt of apples. Ripe, green, crisp apples. A smell so sharp and sweet it made my teeth tingle. ‘We’ll have some of them,’ Father said, as he joined the queue to buy a small brown bag of the fruit. Mother saved hers until later, but I ate mine and gave the core to Emily. Graham then told us all that he was going to live in Australia. ‘Australia – you? You daft beggar,’ Father laughed.
I was promised that I would see a sheep being sheared in New Zealand but we only arrived in time to see the skinny shorn animal trotting round a pen with the fleece at the side. Hong Kong smelt of drains, and India was full of women brightly dressed in strange long colourful fabrics. And all these women had red dots in the middle of their forehead. No one could tell me what the dots were for. ‘Go and ask one of them,’ Emily said to me. But Mother said I shouldn’t in case the dots meant they were ill – in case they were contagious.
The smell of tea in Ceylon had Mother swallowing hard and saying, ‘I’m dying for a cuppa and a sit-down. My feet!’ At which Father began grumbling that he hadn’t seen the biscuit-making or cigarette-packing machines yet. I cried because I wanted to see more countries. Emily called me a little madam and Mother told her to watch her mouth. So Father gave instructions to Graham – which he had to repeat twice to make sure he was understood – to meet him and Mother later in the rest lounge of the gas exhibit. Mother and Father then went off to find modern machinery and refrigeration, while me, Emily and, of course, the soppy Graham carried on travelling the world alone.
That’s when we got lost in Africa. We wandered in, following the syrupy-brown smell of chocolate. Emily trailed behind Graham only looking at me every so often to shout, ‘Come on – hurry up.’ I wanted one of the cups of cocoa that everyone was sipping but instead Emily pulled me by one of my pigtails and told me to keep up. Then we found ourselves in an African village with Graham looking around himself, scratching his head and telling Emily he was wanting the toilet.