Silences (56 page)

It was market day. The narrow windows of the jail looked down directly on the carts and wagons drawn up in a long line, where they
had unloaded. He could see, too, and hear distinctly the clink of money as it changed hands, the busy crowd of whites and blacks shoving, pushing one another, and the chaffering and swearing at the stalls. Somehow, the sound, more than anything else had done, wakened him up,—made the whole real to him. He was done with the world and the business of it. He let the tin fall, and looked out, pressing
his face close to the rusty bars. How they crowded and pushed! And he,—he should never walk that pavement again! There came Neff Sanders, one of the feeders at the mill, with a basket on his arm. Sure enough, Neff was married the other week. He whistled, hoping he would look up; but he did not. He wondered if Neff remembered he was there,—if any of the boys thought of him up there, and thought that
he never was to go down that old cinder-road again. Never again! He had not quite understood it before; but now he did. Not for days or years, but never!—that was it.

How clear the light fell on that stall in front of the market! and how like a picture it was, the dark-green heaps of corn, and the crimson beets, and golden melons! There was another with game: how the light flickered on that pheasant’s
breast, with the purplish blood dripping over the brown feathers! He could see the red shining of the drops, it was so near. In one minute he could be down there. It was just a step. So easy, as it seemed, so natural to go! Yet it could never be—not in all the thousands of years to come—that he should put his foot on that street again! He thought of himself with a sorrowful pity, as of some
one else. There was
a dog down in the market, walking after his master with such a stately, grave look!—only a dog, yet he could go backwards and forwards just as he pleased: he had good luck! Why, the very vilest cur, yelping there in the gutter, had not lived his life, had been free to act out whatever thought God had put into his brain; while he—No, he would not think of that! He tried to put
the thought away, and to listen to a dispute between a countryman and a woman about some meat; but it would come back. He, what had he done to bear this?

Then came the sudden picture of what might have been, and now. He knew what it was to be in the penitentiary,—how it went with men there. He knew how in these long years he should slowly die, but not until soul and body had become corrupt and
rotten,—how, when he came out, if he lived to come, even the lowest of the mill-hands would jeer him,—how his hands would be weak, and his brain senseless and stupid. He believed he was almost that now. He put his hand to his head, with a puzzled, weary look. It ached, his head, with thinking. He tried to quiet himself. It was only right, perhaps; he had done wrong. But was there right or wrong
for such as he? What was right? And who had ever taught him? He thrust the whole matter away. A dark, cold quiet crept through his brain. It was all wrong; but let it be! It was nothing to him more than the others. Let it be! . . .

“It is best, Deb. I cannot bear to be hurted any more.”

“Hur knows,” she said, humbly.

“Tell my father good-bye; and—and kiss little Janey.”

She nodded, saying
nothing, looked in his face again, and went out of the door. As she went, she staggered.

“Drinkin’ to-day?” broke out Haley, pushing her before him. “Where the Devil did you get it? Here, in with ye!” and he shoved her into her cell, next to Wolfe’s, and shut the door.

Along the wall of her cell there was a crack low down by the floor, through which she could see the light from Wolfe’s. She
had discovered it days before. She hurried in now, and, kneeling down by it, listened, hoping to hear some sound. Nothing but the rasping of the tin on the bars. He was at his old amusement again. Something in the noise jarred on her ear, for she shivered as she heard it. Hugh rasped away at the bars. A dull old bit of tin, not fit to cut korl with.

He looked out of the window again. People were
leaving the market now. A tall mulatto girl, following her mistress, her basket on her head, crossed the street just below, and looked up. She was laughing; but, when she caught sight of the haggard face peering out through the bars, suddenly grew grave, and hurried by. A free, firm step, a clear-cut olive face, with a scarlet turban tied on one side, dark, shining eyes, and on the head the basket
poised, filled with fruit and flowers, under which the scarlet turban and bright eyes looked out half-shadowed. The picture caught his eye. It was good to see a face like that. He would try to-morrow, and cut one like it.
To-morrow!
He threw down the tin, trembling, and covered his face with his hands. When he looked up again, the daylight was gone.

Deborah, crouching near by on the other side
of the wall, heard no noise. He sat on the side of the low pallet, thinking. Whatever was the mystery which the woman had seen on his face, it came out now slowly, in the dark there, and became fixed,—a something never seen on his face before. The evening was darkening fast. The market had been over for an hour; the rumbling of the carts over the pavement grew more infrequent: he listened to each,
as it passed, because he thought it was to be for the last time. For the same reason, it was, I suppose, that he strained his eyes to catch a glimpse of each passer-by, wondering who they were, what kind of homes they were going to, if they had children,—listening eagerly to every chance word in the street, as if—. . .—as if he never should hear human voices again.

It was quite dark at last.
The street was a lonely one. The last passenger, he thought, was gone. No,—there was a quick step: Joe Hill, lighting the lamps. Joe was a good old chap; never passed a fellow without some joke or other. He remembered once seeing the place where he lived with his wife. “Granny Hill” the boys called her. Bedridden she was; but so kind as Joe was to her! kept the room so clean!—and the old woman, when
he was there, was laughing at “some of t’ lad’s foolishness.” The step was far down the street; but he could see him place the ladder, run up, and light the gas. A longing seized him to be spoken to once more.

“Joe!” he called, out of the grating. “Good-bye, Joe!”

The old man stopped a moment, listening uncertainly; then hurried on. The prisoner thrust his hand out of the window, and
called
again, louder; but Joe was too far down the street. It was a little thing; but it hurt him,—this disappointment.

“Good-bye, Joe!” he called, sorrowfully enough.

“Be quiet!” said one of the jailers, passing the door, striking on it with his club.

Oh, that was the last, was it?

There was an inexpressible bitterness on his face, as he lay down on the bed, taking the bit of tin, which he had rasped
to a tolerable degree of sharpness, in his hand. . . .

. . . I think in that one hour that came then he lived back over all the years that had gone before. I think that all the low, vile life, all his wrongs, all his starved hopes, came then, and stung him with a farewell poison that made him sick unto death. . . .

The hour was over at last. The moon, passing over her nightly path, slowly came
nearer, and threw the light across his bed on his feet. He watched it steadily, as it crept up, inch by inch, slowly. It seemed to him to carry with it a great silence. He had been so hot and tired there always in the mills! The years had been so fierce and cruel! There was coming now quiet and coolness and sleep. His tense limbs relaxed, and settled in a calm languor. The blood ran fainter and
slow from his heart. He did not think now with a savage anger of what might be and was not; he was conscious only of deep stillness creeping over him. At first he saw a sea of faces: the mill-men,—women he had known, drunken and bloated,—Janeys timid and pitiful,—poor old Debs: then they floated together like a mist, and faded away, leaving only the clear, pearly moonlight. . . .

Nothing remains
to tell that the poor Welsh puddler once lived, but this figure of the mill-woman cut in korl. I have it here in a corner of my library. I keep it hid behind a curtain,—it is such a rough, ungainly thing. Yet there are about it touches, grand sweeps of outline, that show a master’s hand. Sometimes,—tonight, for instance,—the curtain is accidentally drawn back, and I see a bare arm stretched out
imploringly in the darkness, and an eager, wolfish face watching mine: a wan, woful face, through which the spirit of the dead korl-cutter looks out, with its thwarted life, its mighty hunger, its unfinished work. Its pale, vague lips seem to tremble with a terrible question. “Is this the
End?” they say,—“nothing beyond?—no more?” Why, you tell me you have seen that look in the eyes of dumb brutes,—horses
dying under the lash. I know.

The deep of the night is passing while I write. The gas-light wakens from the shadows here and there the objects which lie scattered through the room: only faintly, though; for they belong to the open sunlight. As I glance at them, they each recall some task or pleasure of the coming day. A half-moulded child’s head; Aphrodite; a bough of forest-leaves; music; work;
homely fragments, in which lie the secrets of all eternal truth and beauty. Prophetic all! Only this dumb, woful face seems to belong to and end with the night. I turn to look at it. Has the power of its desperate need commanded the darkness away? While the room is yet steeped in heavy shadow, a cool, gray light suddenly touches its head like a blessing hand, and its groping arm points through
the broken cloud to the far East, where, in the flickering, nebulous crimson, God has set the promise of the Dawn.

*
Rank salt pork.

*
Without lunch or step for it.

*
Even a quarter year in the free-school was exceptional. Most mill workers were illiterate.

*
Nineteen years was literally half a lifetime. Life expectancy for a white male in the 1850s was thirty-seven years. Hugh Wolfe is
nineteen years old, for all his “lifetime” in the mills, the “slow heavy years of constant hot work.” As was common at the time, he had probably been in the mills since he was nine or ten.

MISCELLANY

A Note on Clean Haired Yankee Mill-Girls; Mind Among the Spindles
^▴

A picture of New England cotton mills as a kind of industrial paradise was the lingering vision impressed on the public, primarily as the result of the widely distributed
Lowell Offering
of the early 1840s in which poems and stories by Lowell, Waltham, and Chicopee mill “girls” appeared. It brought
Dickens to visit Lowell—the chaperoned boarding houses where the girls lived, their study groups—and to make his oft quoted remark that “American factory girls are cared for more as pupils at a great seminary than as hands by whom industry profit is to be made.” In his
American Notes
, he hailed
Mind Among the Spindles
, a collection from the
Offering
, as “the first clear notes of real life in America,”—gave
it international renown.

When the Lowell mills were first established, they made possible the opportunity—never before available—for New England young women “wholly of good family” (i.e., native, not foreign-born) to leave home (usually an isolated farm), to live and work in the company of others of their own age, and to earn money independently. The opportunity was eagerly seized:

        
    
Not always to be here among the looms—

            
Scarcely a girl she knew expected that:

            
Means to an end their labor was,—to put

            
Gold nest-eggs in the bank, or to redeem

            
A mortgaged homestead, or to pay the way