Authors: W Somerset Maugham
It was then he met Stella. It was Évian, and the season was disastrous. She was a swimming instructress. She was Australian, and a beautiful diver. She gave exhibitions every morning and afternoon. At night she was engaged to dance at the hotel. They dined together at a little table in the restaurant apart from the guests, and when the band began to play they danced together to induce the customers to come on to the floor. But often no one followed them and they danced by themselves. Neither of them got anything much in the way of paying partners. They fell in love with one another, and at the end of the season got married.
They had never regretted it. They had gone through hard times. Even though for business reasons (elderly ladies didn't so much like the idea of dancing with a married man when his wife was there) they concealed their marriage, it was not so easy to get a hotel job for the pair of them, and Syd was far from being able to earn enough to keep Stella, even in the most modest pension, without working. The gigolo business had gone to pot. They went to Paris and learnt a dancing act, but the competition was fearful and cabaret engagements were very hard to get. Stella was a good ballroom dancer, but the rage was for acrobatics, and however much they practised she never managed to do anything startling. The public was sick of the apache turn. They were out of a job for weeks at a time. Syd's wrist-watch, his gold cigarette-case, his platinum ring, all went up the spout. At last they found themselves in Nice reduced to such straits that Syd had to pawn his evening clothes. It was a catastrophe. They were forced to enter for the Marathon that an enterprising manager was starting. Twenty-four hours a day they danced, resting every hour for fifteen minutes. It was frightful. Their legs ached, their feet were numb. For long periods they were unconscious of what they were doing. They just kept time to the music, exerting themselves as little as possible. They made a little money, people gave them sums of a hundred francs, or two hundred, to encourage them, and sometimes to attract attention they roused themselves to give an exhibition dance. If the public was in a good humour this might bring in a decent sum. They grew terribly tired. On the eleventh day Stella fainted and had to give up. Syd went on by himself, moving, moving without pause, grotesquely, without a partner. That was the worst time they had ever had. It was the final degradation. It had left with them a recollection of horror and misery.
But it was then that Syd had his inspiration. It had come to him while he was slowly going round the hall by himself. Stella always said she could dive in a saucer. It was just a trick.
'Funny how ideas come,' he said afterwards. 'Like a flash of lightning.'
He suddenly remembered having seen a boy set fire to some petrol that had been spilt on the pavement, and the sudden blaze-up. For of course it was the flames on the water and the spectacular dive into them that had caught the public fancy. He stopped dancing there and then; he was too excited to go on. He talked it over with Stella, and she was enthusiastic. He wrote to an agent who was a friend of his; everyone liked Syd, he was a nice little man, and the agent put up the money for the apparatus. He got them an engagement at a circus in Paris, and the turn was a success. They were made. Engagements followed here and there, Syd bought himself an entire outfit of new clothes, and the climax came when they got a booking for the summer casino on the coast. It was no exaggeration of Syd's when he said that Stella was a riot.
'All our troubles are over, old girl,' he said fondly. 'We can put a bit by now for a rainy day, and when the public's sick of this I'll just think of something else.'
And now, without warning, at the top of their boom, Stella wanted to chuck it. He didn't know what to say to her. It broke his heart to see her so unhappy. He loved her more now even than when he had married her. He loved her because of all they'd gone through together; after all, for five days once they'd had nothing to eat but a hunk of bread each and a glass of milk, and he loved her because she'd taken him out of all that; he had good clothes to wear again and his three meals a day. He couldn't look at her; the anguish in her dear grey eyes was more than he could bear. Timidly she stretched out her hand and touched his. He gave a deep sigh.
'You know what it means, honey. Our connexion in the hotels has gone west, and the business is finished, anyway. What there is'll go to people younger than us. You know what these old women are as well as I do; it's a boy they want, and besides, I'm not tall enough really. It didn't matter so much when I was a kid. It's no good saying I don't look my age because I do.'
'Perhaps we can get into pictures.'
He shrugged his shoulders. They'd tried that before when they were down and out.
'I wouldn't mind what I did. I'd serve in a shop.'
'D'you think jobs can be had for the asking?'
She began to cry again.
'Don't, honey. It breaks my heart.'
'We've got a bit put by.'
'I know we have. Enough to last us six months. And then it'll mean starvation. First popping the bits and pieces, and then the clothes'll have to go, same as they did before. And then dancing in lowdown joints for our supper and fifty francs a night. Out of a job for weeks together. And Marathons whenever we hear of one. And how long will the public stand for them?'
'I know you think I'm unreasonable, Syd.'
He turned and looked at her now. There were tears in her eyes. He smiled, and the smile he gave her was charming and tender.
'No, I don't, ducky. I want to make you happy. After all, you're all I've got. I love you.'
He took her in his arms and held her. He could feel the beating of her heart. If Stella felt like that about it, well, he must just make the best of it. After all, supposing she were killed? No, no, let her chuck it and be damned to the money. She made a little movement.
'What is it, honey?'
She released herself and stood up. She went over to the dressing-table.
'I expect it's about time for me to be getting ready,' she said.
He started to his feet.
'You're not going to do a show tonight?'
'Tonight, and every night till I kill myself. What else is there? I know you're right, Syd. I can't go back to all that other, stinking rooms in fifth-rate hotels and not enough to eat. Oh, that Marathon. Why did you bring that up? Being tired and dirty for days at a time and then having to give up because flesh and blood just couldn't stand it. Perhaps I can go on another month and then there'll be enough to give you a chance of looking round.'
'No, darling. I can't stand for that. Chuck it. We'll manage somehow. We starved before; we can starve again.'
She slipped out of her clothes, and for a moment stood naked but for her stockings, looking at herself in the glass. She gave her reflection a hard smile.
'I mustn't disappoint my public,' she sniggered.
All this happened two or three years before the outbreak of the war.
The Peregrines were having breakfast. Though they were alone and the table was long they sat at opposite ends of it. From the walls George Peregrine's ancestors, painted by the fashionable painters of the day, looked down upon them. The butler brought in the morning post. There were several letters for the colonel, business letters,
The Times
and a small parcel for his wife Evie. He looked at his letters and then, opening
The Times,
began to read it. They finished breakfast and rose from the table. He noticed that his wife hadn't opened the parcel.
'What's that?' he asked.
'Only some books.'
'Shall I open it for you?'
'If you like.'
He hated to cut string and so with some difficulty untied the knots.
'But they're all the same,' he said when he had unwrapped the parcel. 'What on earth d'you want six copies of the same book for?' He opened one of them. 'Poetry.' Then he looked at the title page.
When Pyramids Decay,
he read, by E. K. Hamilton. Eva Katherine Hamilton: that was his wife's maiden name. He looked at her with smiling surprise. 'Have you written a book, Evie? You are a slyboots.'
'I didn't think it would interest you very much. Would you like a copy?'
'Well, you know poetry isn't much in my line, but – yes, I'd like a copy; I'll read it. I'll take it along to my study. I've got a lot to do this morning.'
He gathered up
The Times,
his letters and the book, and went out. His study was a large and comfortable room, with a big desk, leather arm-chairs and what he called 'trophies of the chase' on the walls. On the bookshelves were works of reference, books on farming, gardening, fishing and shooting, and books on the last war in which he had won an MC and a DSO. For before his marriage he had been in the Welsh Guards. At the end of the war he retired and settled down to the life of a country gentleman in the spacious house, some twenty miles from Sheffield, which one of his forebears had built in the reign of George III: George Peregrine had an estate of some fifteen hundred acres which he managed with ability; he was a Justice of the Peace and performed his duties conscientiously. During the season he rode to hounds two days a week. He was a good shot, a golfer and though now a little over fifty could still play a hard game of tennis. He could describe himself with propriety as an all-round sportsman.
He had been putting on weight lately, but was still a fine figure of a man; tall, with grey curly hair, only just beginning to grow thin on the crown, frank blue eyes, good features and a high colour. He was a public-spirited man, chairman of any number of local organizations and, as became his class and station, a loyal member of the Conservative party. He looked upon it as his duty to see to the welfare of the people on his estate and it was a satisfaction to him to know that Evie could be trusted to tend the sick and succour the poor. He had built a cottage hospital on the outskirts of the village and paid the wages of a nurse out of his own pocket. All he asked of the recipients of his bounty was that at elections, county or general, they should vote for his candidate. He was a friendly man, affable to his inferiors, considerate with his tenants and popular with the neighbouring gentry. He would have been pleased and at the same time slightly embarrassed if someone had told him he was a jolly good fellow. That was what he wanted to be. He desired no higher praise.
It was hard luck that he had no children. He would have been an excellent father, kindly but strict, and would have brought up his sons as gentlemen's sons should be brought up, sent them to Eton, you know, taught them to fish, shoot and ride. As it was, his heir was a nephew, son of his brother killed in a motor accident, not a bad boy, but not a chip off the old block, no, sir, far from it; and would you believe it, his fool of a mother was sending him to a co-educational school. Evie had been a sad disappointment to him. Of course she was a lady, and she had a bit of money of her own; she managed the house uncommonly well and she was a good hostess. The village people adored her. She had been a pretty little thing when he married her, with a creamy skin, light brown hair and a trim figure, healthy too and not a bad tennis player; he couldn't understand why she'd had no children; of course she was faded now, she must be getting on for five-and-forty; her skin was drab, her hair had lost its sheen and she was as thin as a rail. She was always neat and suitably dressed, but she didn't seem to bother how she looked, she wore no make-up and didn't even use lipstick; sometimes at night when she dolled herself up for a party you could tell that once she'd been quite attractive, but ordinarily she was – well, the sort of woman you simply didn't notice. A nice woman, of course, a good wife, and it wasn't her fault if she was barren, but it was tough on a fellow who wanted an heir of his own loins; she hadn't any vitality, that's what was the matter with her. He supposed he'd been in love with her when he asked her to marry him, at least sufficiently in love for a man who wanted to marry and settle down, but with time he discovered that they had nothing much in common. She didn't care about hunting, and fishing bored her. Naturally they'd drifted apart. He had to do her the justice to admit that she'd never bothered him. There'd been no scenes. They had no quarrels. She seemed to take it for granted that he should go his own way. When he went up to London now and then she never wanted to come with him. He had a girl there, well, she wasn't exactly a girl, she was thirty-five if she was a day, but she was blonde and luscious and he only had to wire ahead of time and they'd dine, do a show and spend the night together. Well, a man, a healthy normal man had to have some fun in his life. The thought crossed his mind that if Evie hadn't been such a good woman she'd have been a better wife; but it was not the sort of thought that he welcomed and he put it away from him.
George Peregrine finished his
Times
and being a considerate fellow rang the bell and told the butler to take it to Evie. Then he looked at his watch. It was half past ten and at eleven he had an appointment with one of his tenants. He had half an hour to spare.
'I'd better have a look at Evie's book,' he said to himself.
He took it up with a smile. Evie had a lot of highbrow books in her sitting-room, not the sort of books that interested him, but if they amused her he had no objection to her reading them. He noticed that the volume he now held in his hand contained no more than ninety pages. That was all to the good. He shared Edgar Allan Poe's opinion that poems should be short. But as he turned the pages he noticed that several of Evie's had long lines of irregular length and didn't rhyme. He didn't like that. At his first school, when he was a little boy, he remembered learning a poem that began:
The boy stood on the burning deck,
and later, at Eton, one that started:
Ruin seize thee, ruthless king;
and then there was Henry V; they'd had to take that one half. He stared at Evie's pages with consternation.
'That's not what I call poetry,' he said.
Fortunately it wasn't all like that. Interspersed with the pieces that looked so odd, lines of three or four words and then a line of ten or fifteen, there were little poems, quite short, that rhymed, thank God, with the lines all the same length. Several of the pages were just headed with the word
Sonnet,
and out of curiosity he counted the lines; there were fourteen of them. He read them. They seemed all right, but he didn't quite know what they were all about. He repeated to himself:
Ruin seize thee, ruthless king.
'Poor Evie,' he sighed.
At that moment the farmer he was expecting was ushered into the study, and putting the book down he made him welcome. They embarked on their business.
'I read your book, Evie,' he said as they sat down to lunch. 'Jolly good. Did it cost you a packet to have it printed?'
'No, I was lucky. I sent it to a publisher and he took it.'
'Not much money in poetry, my dear,' he said in his good-natured, hearty way.
'No, I don't suppose there is. What did Bannock want to see you about this morning?'
Bannock was the tenant who had interrupted his reading of Evie's poems.
'He's asked me to advance the money for a pedigree bull he wants to buy. He's a good man and I've half a mind to do it.'
George Peregrine saw that Evie didn't want to talk about her book and he was not sorry to change the subject. He was glad she had used her maiden name on the title page; he didn't suppose anyone would ever hear about the book, but he was proud of his unusual name and he wouldn't have liked it if some damned penny-a-liner had made fun of Evie's effort in one of the papers.
During the few weeks that followed he thought it tactful not to ask Evie any questions about her venture into verse, and she never referred to it. It might have been a discreditable incident that they had silently agreed not to mention. But then a strange thing happened. He had to go to London on business and he took Daphne out to dinner. That was the name of the girl with whom he was in the habit of passing a few agreeable hours whenever he went to town.
'Oh, George,' she said, 'is that your wife who's written a book they're all talking about?'
'What on earth d'you mean?'
'Well, there's a fellow I know who's a critic. He took me out to dinner the other night and he had a book with him. "Got anything for me to read?" I said. "What's that?" "Oh, I don't think that's your cup of tea," he said. "It's poetry. I've just been reviewing it." "No poetry for me," I said. "It's about the hottest stuff I ever read," he said. "Selling like hot cakes. And it's damned good."'
'Who's the book by?' asked George.
'A woman called Hamilton. My friend told me that wasn't her real name. He said her real name was Peregrine. "Funny," I said, "I know a fellow called Peregrine." "Colonel in the army," he said. "Lives near Sheffield." '
'I'd just as soon you didn't talk about me to your friends,' said George with a frown of vexation.
'Keep your shirt on, dearie. Who d'you take me for? I just said: "It's not the same one."' Daphne giggled. 'My friend said: "They say he's a regular Colonel Blimp." '
George had a keen sense of humour.
'You could tell them better than that,' he laughed. 'If my wife had written a book I'd be the first to know about it, wouldn't I?'
'I suppose you would.'
Anyhow the matter didn't interest her and when the colonel began to talk of other things she forgot about it. He put it out of his mind too. There was nothing to it, he decided, and that silly fool of a critic had just been pulling Daphne's leg. He was amused at the thought of her tackling that book because she had been told it was hot stuff and then finding it just a lot of bosh cut up into unequal lines.
He was a member of several clubs and next day he thought he'd lunch at one in St James's Street. He was catching a train back to Sheffield early in the afternoon. He was sitting in a comfortable arm-chair having a glass of sherry before going into the dining-room when an old friend came up to him.
'Well, old boy, how's life?' he said. 'How d'you like being the husband of a celebrity?'
George Peregrine looked at his friend. He thought he saw an amused twinkle in his eyes.
'I don't know what you're talking about,' he answered.
'Come off it, George. Everyone knows E. K. Hamilton is your wife. Not often a book of verse has a success like that. Look here, Henry Dashwood is lunching with me. He'd like to meet you.'
'Who the devil is Henry Dashwood and why should he want to meet me?'
'Oh, my dear fellow, what do you do with yourself all the time in the country? Henry's about the best critic we've got. He wrote a wonderful review of Evie's book. D'you mean to say she didn't show it you?'
Before George could answer his friend had called a man over. A tall, thin man, with a high forehead, a beard, a long nose and a stoop, just the sort of man whom George was prepared to dislike at first sight. Introductions were effected. Henry Dashwood sat down.
'Is Mrs Peregrine in London by any chance? I should very much like to meet her,' he said.
'No, my wife doesn't like London. She prefers the country,' said George stiffly.
'She wrote me a very nice letter about my review. I was pleased. You know, we critics get more kicks than halfpence. I was simply bowled over by her book. It's so fresh and original, very modern without being obscure. She seems to be as much at her ease in free verse as in the classical metres.' Then because he was a critic he thought he should criticize. 'Sometimes her ear is a trifle at fault, but you can say the same of Emily Dickinson. There are several of those short lyrics of hers that might have been written by Landor.'
All this was gibberish to George Peregrine. The man was nothing but a disgusting highbrow. But the colonel had good manners and he answered with proper civility: Henry Dashwood went on as though he hadn't spoken.
'But what makes the book so outstanding is the passion that throbs in every line. So many of these young poets are so anaemic, cold, bloodless, dully intellectual, but here you have real naked, earthy passion; of course deep, sincere emotion like that is tragic – ah, my dear Colonel, how right Heine was when he said that the poet makes little songs out of his great sorrows. You know, now and then, as I read and re-read those heart-rending pages I thought of Sappho.'
This was too much for George Peregrine and he got up.
'Well, it's jolly nice of you to say such nice things about my wife's little book. I'm sure she'll be delighted. But I must bolt, I've got to catch a train and I want to get a bite of lunch.'
'Damned fool,' he said irritably to himself as he walked upstairs to the dining-room.
He got home in time for dinner and after Evie had gone to bed he went into his study and looked for her book. He thought he'd just glance through it again to see for himself what they were making such a fuss about, but he couldn't find it. Evie must have taken it away.