Secret of the Slaves (2 page)

For a moment it stared straight into Silva's eyes. He tried to jam the fresh magazine home. Trembling hands could not find the opening. But he could not tear his eyes from that golden gaze.

The serpent opened its mouth. It was like some kind of trap opening. A pink trap, edged with yellow-white.

Silva screamed and tried to swing his otherwise useless Uzi like a club.

The anaconda darted its head forward and crushed Silva's face with a single grip of its jaws.

Pain jabbed the muscle of Annja Creed's right forearm as she slammed it into the hardwood limb jutting from the trunk-like pole before her.

Good, she thought savagely. She slammed a palm into the slick-polished wood of the trunk itself even as her left forearm blocked into another protrusion.

Faster and faster her hands moved, in and out, over and under the blunt wooden posts stuck in sockets on the central pole. She practiced blocks, traps, strikes with stiffened fingers and fists and palms. A drum-beat rose as muscle and bone met wood with jarring impact.

Annja was a tall, fit woman in her midtwenties. She wore a green sports bra and gray shorts. The humming air conditioner kept her Brooklyn loft cool.

She paused to brush away a vagrant strand of chestnut hair that had worked loose from the bun she had pinned it in. Her scowl deepened.

The stout wooden apparatus rocked to a palm-heel thrust, despite the fact its wide base was weighed down by heavy sandbags. Annja's sparring partner was a training dummy used as an adjunct to
wing chun
–style
gongfu.
She had taken up the study because it was supposed to be highly effective and easy to learn, while giving her another option for nonlethal use of force.

She had plenty of lethal options available. The deadliest was currently invisible to the naked eye. But it was not intangible, not like her rapier-quick intellect or boundless resourcefulness, which she knew could be as deadly as any physical weapons.

She whipped the back of her right hand against a wooden arm. She let the hand flop over it in a trapping move, fired a punch that made the post rock. As she worked into a blinding-fast pattern of blocks and strikes, all oriented toward the centerline of the post, as they would be to the centerline of an opponent's torso, she found herself worrying about the turn her life had taken.

She thought about the sword—her sword.

She had learned that it had once belonged to Joan of Arc. And that she was the inheritor of the long-ago martyr's mantle. On a research trip to France she had, seemingly by chance, found the final piece of St. Joan's sword, broken to pieces by the English captors who burned her. At more or less the same time she had met the man named Roux. He was spry for his gray beard—and even sprier for the fact he claimed Joan had been protégée. He and his apprentice Garin Braden had failed to rescue her from execution. As a result they had been cursed—or blessed—with agelessness.

Roux had spent the half millennium since Joan's death trying to reassemble the saint's shattered sword. At first he'd regarded Annja as an interloper and tried to steal the final fragment from her. Yet when she came into the presence of the other pieces, in Roux's chateau in France, the sword had spontaneously reforged itself at her touch.

It was a bitter pill for a lifelong rationalist to swallow. Especially one who made most of her income as the resident skeptic on the notably credulous cable series
Chasing History's Monsters
, on the Knowledge Channel.

Her arms and hands now moved too fast for the eye to follow. The tough, seasoned hardwood creaked and strained to the mounting fury of her blows. Human bone would give way long before that old wood did.

The sword. It had come to dominate her life.

It rested now in its accustomed location—what she thought of as the otherwhere. It was not present in this world, except at her command. To summon it, she had learned, all she needed was to form a hand as if to grasp its hilt, and exert her will. And her hand was filled.

But her life, it seemed, had correspondingly emptied since the sword came into it.

Sweat soaked her hair and flew from her face. Her wrists and knuckles and elbows sounded like machine-gun fire as they struck the
muk-jong.

Orphaned at an early age, raised at an orphanage in New Orleans, Annja had always been alone. She was always apart, somehow, different, although she never tried to be. And it didn't often bother her.

She had never felt as if she couldn't enjoy companionship. But she didn't actively seek it. She'd had close friends at college, on digs, among the crew of
Chasing History's Monsters
. She had had lovers. But, she had to admit, no truly lasting loves.

And now she figured she never would. At least so long as she bore her illustrious predecessor's sacred sword.

She was an archaeologist. Her period of concentration was the later Middle Ages and Renaissance Europe. She spoke all the major modern Romance languages, and Latin, and studied any number of archaic forms—and weapons.

She wasn't sure why she was feeling a sudden gap in her life left by the lack of a lasting relationship. She had her mentor, Roux, and her sometime enemy, Garin. But she didn't really think those relationships counted. She didn't want them to.

Great, she thought as she slammed her forearms against the projecting limbs. She recognized the rare feeling she was experiencing.

“I'm lonely!” she said to her empty loft. She slammed an elbow smash into the upright on the last word. It broke free from its base and toppled backward.

“Nice,” she said in disgust. She rubbed her elbow, the pain corresponding to her mood. “Those things cost money.”

She stomped off to the shower.

A
NNJA EMERGED
from the bathroom wearing a long bathrobe swirled in patterns of green, yellow and blue. Her long hair was wrapped in a towel. She heated a cup of cocoa in the microwave and looked around her loft. While jobs were scarce for a freelance archaeologist, she had lucked into enough supplementary income from her television gig and some publishing deals to afford the space.

With Roux's assistance she sometimes accepted commissions to do special archaeological assignments around the globe—always consistent with her strict sense of scientific ethics—for employers who wanted them kept discreet. They tended to be a lot more perilous than the usual university dig, and accordingly well compensated. Sometimes only just slightly over the considerable expense such missions tended to incur.

Flopping on her couch in the space left by several piles of manuscripts various contacts had sent her, mostly dealing with her side interest in fringe archaeology, she made the key mistake of clicking on the television.

She was hoping for a distraction. What she got was Kristie Chatham, on location with some kind of cockamamy Knowledge Channel crossover production in England. Annja was all too aware of not having been invited to take part.

“…standing here in front of Stonehenge,” Kristie was saying brightly, “which as we all know was built by the Druids…”

Annja emitted a strangled scream and threw a cushion at the screen. “No, you bimbo,” she shouted. “No, no, no. Stonehenge was built thousands of years before the Druids. Don't you bother to research anything?” A better question might've been, didn't the Knowledge Channel fact-check anything? But she knew the answer to that one, too.

“I'm here with Reggie Whitcomb of the South England Pagan Federation,” Kristie bubbled on, “who's going to explain how the Druids levitated the huge cross-pieces, called sarsen stones, into place using their advanced psychic powers.”

Annja grabbed the remote and clicked off the set just as Kristie turned her microphone toward a chinless guy wearing a white robe with a peaked hood that made him look as if he belonged to a middle-school auxiliary of the Ku Klux Klan. The skies were black over Salisbury Plain, and the wind cracked like wet sheets whipping on a clothesline. Annja hoped Kristie would get struck by lightning. Or at least soaked to the skin.

Of course that would make Kristie's sheer white blouse transparent. And Kristie would score another top-viewed video on You Tube. Unlike a lot of its media rivals, the Knowledge Channel never set its legal hounds to pull such videos down—the producers had noticed how ratings spiked for their repeats after one went online.

Annja slammed her remote on top of a stack of printouts on the couch beside her.

“It's not like I'm Ms. Establishment Science or anything,” she muttered, with her chin down to her clavicle. “It's just that I don't open my mind so wide my brain rolls out my mouth.”

Her cell phone rang and she frowned at it in suspicion. If that's Doug Morrell, his head's coming right off, she thought.

She picked it up, flipped it open. “Hello.”

“Annja Creed?”

Whomever the voice belonged to, it was not her producer from
Chasing History's Monsters.
The voice was like liquid amber poured over gravel—deep, rugged, yet somehow flowing.

Her eyes narrowed.
I know that voice,
she thought.
It sounds so familiar.

“Ms. Creed?” She was certain of the Irish accent.

“Oh. Yeah. Sorry. This is Annja.”

“Ms. Creed, my name is Iain Moran. I'm a musician. You may have heard of me.”

“
Sir
Iain Moran?” Annja asked. It couldn't be.

“The same.” Her mind's eye could see that famous smile, at once roguish and world-weary.

“Publico? Lead singer for T-34?”

“The very one.”

“Right,” Annja was in no mood for pranks.

“Don't hang up! Please. I really am Sir Iain Moran.”

“Sure. Multibillionaire rock stars call me every day. If Doug Morrell put you up to this, you're both way overdue for a good swift kick to the—”

“Please. I'd very much like to consult you on a professional matter, concerning your expertise. Would it help to assuage your doubts if my helicopter collected you on the roof of your flat in fifteen minutes?”

It
was
original, as pranks go. She had to give her caller that. “You're on,” Annja said, daring her caller to push this as far as it would go.

Fifteen minutes later she stared openmouthed into the brownish haze of a hot Brooklyn day. Her face and hair were whipped by the downblast as a Bell 429 helicopter descended to the roof.

A man with long dark blond hair blowing out behind his craggy face was striding toward the helicopter as its landing gear bumped down into the yellow painted circle of the skyscraper's helipad. He wore a tan suit with a dark chocolate tie blown back over his shoulder.

Two men stood flanking the doorway the long-haired man had emerged from. Their hands were folded before them and they looked like slabs in black suits. Even from a distance Annja got the impression their musculature was the force-fed beef characteristic of U.S. ground-force soldiers, not the torturously detailed sculpting of weight-room juicers.

The pleasant young Asian woman in a blue-gray business suit who had originally squired Annja aboard the helicopter, and smilingly evaded the questions Annja peppered her with, helped Annja into the heat of the Manhattan summer morning. The man in the pale suit neared. His face split in a smile.

“I'm Sir Iain,” he said, raising his voice to carry over the dying whine of the engine and the slowing blades. “Or Publico, if you prefer.” He took the hand Annja extended in a dry, strong grip.

“It was good of you to accept my invitation on such short notice,” he said. He put fingertips behind Annja's shoulder and applied gentle pressure. “I'm a huge fan of your work. Your writing, as well as your television career. Please, come with me.”

She found, as he guided her toward the doorway, that she did not resent the physical contact. He was around her height, five-ten maybe five-eleven. His shoulders and chest seemed massive, which seemed unusual for a rock musician; she had them pegged as mostly on the weedy side. But his sense of presence loomed like a skyscraper and warmed like the sun.

There was no mistaking that this really was the famous Publico. There were those blue eyes, pale as the northern Irish sky beneath which he'd grown up. There was the famous craggy profile, looking more like a prizefighter's than a rock and roller's, thanks to the nose famously smashed by a British paratrooper's rifle butt during a Dublin demonstration. The voice, gravelly yet the more compelling for it, was compliments of an Ulster policeman's baton that nearly crushed his larynx.

Unlike a lot of celebrities, neither Moran nor his two longtime bandmates had any whiff of the poseur about them. They had been there and done that, protesting the English occupation of Northern Ireland, as well as the bloody sectarian violence of both Catholics and Protestants. They'd earned the admiration of the world and the hatred of zealots on all three sides, and had paid their dues in real blood and pain.

The band's music reflected the socialist activism of its members as well as their fervent Christian convictions—decidedly less popular among their audience, which spanned the age range from preteens to baby boomers. But their sincerity won over even the most irreligious—as did their hard-rocking music.

Annja was intrigued. He seemed wholly aboveboard. Despite the unsolicited contact his manner was correct and friendly. Charisma emanated from him like heat from a forge.

“What exactly did you whisk me here for, Sir Iain?”

He offered a lopsided smile and bobbed his head once. “Fair enough question,” he said. “Permit me to answer with one. How would you like to save the world?”

“That's not an offer an archaeologist hears very often,” she said. “But I'm afraid I can't contribute much to any of your causes.”

“It's not money we want,” he said. “But your courage, your skills—your soul.”

She looked at him and he grinned.

“How would you like to see an authentic cursed tome?” he asked.

She grinned back. “You do know the way to a lady's heart, sir,” she said. “Lead on.”

“I
T'S IMPRESSIVE
,” she said.

With his two shadows drifting along behind—making little more noise than shadows—Moran had squired her down into the skyscraper and to a window he assured her was bulletproof polycarbonate, double paned.

It looked out, and down, on a cold room. In the middle of the sterile white floor, twelve feet below them, stood a large cylinder with what looked like a mirror-polished brass base and a similar cap. The cylinder itself was clear.

“It's Lexan, as well,” Sir Iain said. “Treated with a special coating inside and out that resists corrosion.”

On a gleaming chrome pedestal within the cylinder rested a book. It was certainly grand enough—the approximate size and shape of an unabridged dictionary. The cover was thick and cracked from what she could see on the open book. The pages were brown. She could just make out faded, crabbed brown writing on them.

“Nitrogen environment?” she asked.

“Of course.”

She tried not to thrill at that rolling deep baritone.

She turned a raised brow to him. “I'm surprised you're interested in rare books.”

“You think all rock 'n' rollers are illiterate, hell-raising dopers?” He shrugged. His shoulders rolled impressively inside his immaculately tailored coat. “I've been clean and sober since my well-publicized overdose. I've had to find something to do with my time since other than read the Bible.”

I
N A ROOM
down a flight of stairs he gestured toward a large flat-screen monitor, hung above a modern workstation of stainless steel. Several other computers were set up at other stations. On the big screen two pages were represented many times larger than life. Here the ink looked purplish rather than brown.

“It's the journal of an eighteenth-century Portuguese Jesuit,” Moran said, “recounting his journey up the far Amazon.”

“A lot of Jesuits made the trip in those days,” Annja said.

“Indeed. I rather suppose they did. Would you care to read it?”

“I generally prefer to read the original document when it's available,” she said. “The camera so seldom catches everything”

She was a hands-on sort of woman where historical artifacts were concerned. It was a major reason she'd chosen to be an archaeologist as opposed to a historian. She didn't just want to study history. She wanted to
feel
history. To see where it had taken place, to hold in her hands implements—or documents—that had changed the world. She wanted to breathe the same air the heroes and heroines of history—unknown and world famous—had breathed when they performed their great deeds. She wanted to be part of history.

And I am,
she thought. A lot more literally than I'm comfortable with.

“Not possible, I fear,” he said.

“I understand,” she said, unable to repress a little sigh of frustration. “Obviously it's in an extremely fragile state to require such extreme preservation measures.”

“You don't understand, Ms. Creed,” he said. “Everyone who handles this book dies. Horribly.”

She looked aside. A wall-sized window, waist high, opened into the cold room from the reading chamber. The book itself in its high-tech bell jar looked even more impressive closer up.

“I don't believe in curses, Sir Iain.”

His laugh was short. “There's nothing paranormal about it,” he said, “or not overtly so. The pages and binding are imbued with a hitherto unknown living organism that is not unlike slime molds. It attacks whoever touches it, both by means of airborne spores and by contact. The effect resembles a cross between flesh-eating bacteria and sarin gas. It isn't pretty. And it is extremely fast acting. As well as untreatable by any known means.”

“Nice.” She sucked in a sharp breath. The air was cool, smelled vaguely of ozone. “How did you get it back here?”

“Carefully. Very carefully.”

She went to the workstation and sat in the chair. Reading was dead easy. A black wireless mouse controlled a cursor on the screen. She could point to icons around the perimeter of the image. When she ran the cursor over them, text tips popped up.

“Interesting,” she said, frowning slightly in concentration at the huge high-definition screen. “Are these the pages it's currently open to?”

“Yes,” he said, “although you can page through it. The entire volume has been digitized.”

“I see. Well, it's open to a very dramatic passage. Our author's talking about what seems to be the end of his journey, of both the wonders and hazards he encountered—a colossal snake—had to be an anaconda. They're one of the world's largest. And, whoa, a golden
onza.
Hmm.”

“You can read that? That easily?”

“I specialize in archaic Romance languages, Sir Iain.”

“But the handwriting—it's all just spider tracks to my eyes. Worse than my handwriting, and that's saying a packet.”

She smiled. “As I guess I hinted earlier, this isn't the first old Portuguese Jesuit diary I've looked at.”

“What's a ‘golden
onza
'?” he asked. “It seemed to strike you as significant.”

“An
onza
is a jaguar. A golden
onza
is a particularly impressive specimen. Larger than life, you might say. Legend imbues them, some of them anyway, with incredible intelligence and sometimes outright supernatural powers.”

“Indeed.”

“Okay. Apparently our priest was captured by Indians, blindfolded and taken to something called
quilombo dos sonhos,
” Annja said as she continued reading.

She sat back. “
Dos sonhos
translates as, ‘of dreams,'” she said. “But what's a
quilombo?
”

He pulled a chair over next to hers and sat, leaning slightly forward, with his elbows on his thighs. “Have you heard of the Maroons, then?”

She turned to face him. “If I recall correctly, that was a name for escaped New World slaves who fought guerrilla campaigns against recapture—sometime with pretty significant success. Toussaint-Louverture ran the French colonial overlords clean out of Haiti. Of course, I suspect they'd be called
terrorists
today.”

“These
quilombos,
I'm told, were settlements the Brazilian Maroons formed in the wilds, mostly along the coast,” he said. “Some eventually became republics powerful enough to stand off their erstwhile oppressors for centuries. A few actually maintained their independence until the Brazilian empire became the republic in 1889. Several are still around today as townships.”

He sat back and draped an arm over the back of his chair.

“The most famous of all was the Quilombo dos Palmares in northeastern Brazil. It held out against Dutch attacks, as well as Portuguese, until it was reduced by artillery in 1694.” He frowned. “Curious, really. My researchers inform me they also traded quite frequently with the Dutch and the English, for arms to use against their former masters.”

“Alliances were elastic in those days,” Annja said, drawn irresistibly back to the big screen. “As well as these days, and all other days I've ever read about. This
quilombo
the good Father describes—”

“Father Joaquim,” he said.

“The settlement was a sizable domain including rich farmland—which I thought was actually pretty rare in the Amazon Basin. It surrounded a fabulous city called Promessa—the Promise. There he describes himself as being treated as an honored guest by the inhabitants, whom he says are mostly intermarried Africans—those escaped slaves, I'm guessing, although they seem to have wandered pretty far from the Atlantic Ocean—and Amazonian Indians. He says the people are ‘well-versed in all arts and philosophy.'”

The rock star said nothing. His gaze was so intent she could feel it on her cheek like sunlight. But she was engrossed in the ancient manuscript.

She read through several more virtual pages before surfacing, more to draw a breath than to report. “He speaks of meeting savants whom he claims come from Asia. He might actually know what he was talking about. The Jesuits loved the Orient almost as much as they did South America. He could have spent time in Asia himself. Claims to have witnessed miracles from artificial light to almost instantaneous wound healing and treatment for all manner of disease. And here he writes, ‘Moreover the citizens know not aging, nor die, save by misadventure, or foul murder, or their own choice—wherein, sadly, they flout the Divine Will.'”

She gazed up at the screen a moment more. Then she sighed heavily.

“Okay,” she said, turning around to face her host again. This time there was an edge in her voice as chilly as the air in the room. “So this is a treasure hunt, right?”

The rough-hewed face split in a smile that had thrilled tens of millions of concertgoers—not to mention scores of CEOs and world rulers whom he addressed in his self-assumed capacity of global humanitarian activist.

“Imagine a world,” he said in a low, compelling voice, “in which there's no disease, no suffering. No death.

“That would be a treasure worth hunting, wouldn't you say, Ms. Creed?”