The same day, I received a visit from a young artist who had come to show me her work. Her name was Sandra Heksjtovoian, something like that, in any case some name that I was never going to remember. If I'd been her agent, I would have advised her to call herself Sandra Hallyday. She was a very young girl, wearing trousers and a T-shirt, fairly unremarkable, with a roundish face and short, curly hair; she had graduated from the Beaux Arts in Caen. She worked entirely on her body, she explained to me. As she opened her portfolio I looked at her anxiously, hoping she wasn't going to show me photos of plastic surgery on her toes or anything like that— I'd had it up to here with things like that. But no, she simply handed me some postcards that she had had made, with the imprint of her pussy dipped in different colors of paint. I chose a turquoise and a mauve, a little sorry I hadn't brought photos of my prick to return the favor. It was all very pleasant, but, well, as far as I could remember, Yves Klein had already done something similar more than forty years ago. I was going to have trouble championing her cause. Of course, of course, she agreed, you had to take it as an
exercice de style
.
She then took a more complex piece out of its cardboard packaging: it consisted of two wheels of unequal sizes linked by a thin strip of rubber, with a handle to operate the contraption. The strip of rubber was covered with small plastic protuberances that were more or less pyramid-shaped. I turned the handle and ran my finger along the moving ribbon. It produced a sort of friction that was not unpleasant to the touch. "They're casts of my clitoris," the girl explained. I immediately removed my finger. "While it was erect, I took photos using an endoscope, and put it all on a computer. Using 3-D software I reproduced the volume, modeling everything with 'ray tracing,' then I sent the coordinates to the factory." I got the feeling she was obsessing a little over the technical considerations. I turned the handle again, more or less unconsciously. "It cries out to be touched, doesn't it?" she went on with satisfaction. "I had thought of connecting it to a resistor so it could power a bulb. What do you think?" To be honest, I wasn't in favor of the idea. It seemed to detract from the simplicity of the object. She was quite sweet, this girl, for a contemporary artist. I almost felt like asking her to come to an orgy some night, I was sure she'd get along well with Valérie. I realized just in lime that, in my position, such a thing risked being construed as sexual harassment. I considered the contraption despondently. "You know," I said, "I'm really more involved in the financial aspects of the projects. For anything to do with the aesthetics, you'd be better off making an appointment to see Mlle. Durry." On a business card, I wrote down Marie-Jeanne's phone number and extension; after all, she must know a thing or two about this whole clitoris business. The girl looked a little disconcerted, but even so. she handed me a small bag filled with plastic pyramids. "I'll give you these casts," she said. "The factory made a lot of them." I thanked her and walked her back to the service entrance. Before saying goodbye, I asked her if the casts were life-size. Of course, she told me, it was all part of her artistic methodology.
That same evening, I examined Valerie's clitoris carefully. I had never really paid it any serious attention; whenever I had stroked or licked it, it was as part of a more overall plan, I had memorized the position, the angles, the rhythmic movement to adopt. But now I examined the tiny organ at length as it pulsed before my eyes. "What are you doing?" she asked, surprised, after five minutes spent with her legs apart. "It's an artistic methodology," I said, giving a little lick to soothe her impatience. The girl's cast lacked the taste and the smell, naturally, but otherwise there was an undeniable resemblance. My examination complete, I parted Valerie's pussy with both hands and licked her clitoris with short, precise thrusts of my tongue. Was it the waiting that had stimulated her desire? More precise, more attentive movements on my part? The fact remains that she came almost immediately. Actually, I decided, Sandra was a pretty talented artist; her work encouraged one to
see the world in a new light
.