Read Parker 02 - The Guilty Online

Authors: Jason Pinter

Parker 02 - The Guilty (43 page)

grave site of Billy the Kid. Even though it wasn't where the true

Kid was buried, it was where his legacy lived. And that legacy,

that myth, I'd learned, was far more important than the truth.

Most argued a murderer didn't deserve such a burial. Those

in power argued what was good enough for one killer was

good enough for another, that evil should be contained.

After running the hostage crisis on page one the next day,

the next day
Dispatch
relegated the Roberts story to page

seven, where it was given quarter-page treatment in deference

to a color picture of a senator's wife who had an allergic

reaction to her Botox injection. After that, William Henry

Roberts wasn't mentioned again.

Paulina Cole was suspended for three weeks. But I knew

that her suspension was merely window dressing. Ted Allen

was forcing her to fly under the radar until everything quieted

down. Besides, with Costas Paradis looking to dig up Brushy

Bill Roberts, the Kid's defenders had bigger fish to fry than

a newspaper reporter.

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On page three of the
Dispatch
was a small item about the

custody fight for the Winchester rifle Roberts had used on his

rampage. Rex Sheehan claimed it was still the legal property

of the museum in Fort Sumner. Costas Paradis wanted to buy

the gun to smelt the metal and burn the wood. Despite my

desire for Costas to get some sort of closure and to see the

rifle destroyed, part of me felt the gun was a relic of American

history and should be treated as such. Provided, this time, Rex

got a security system worth a damn.

When I finished reading the day's papers, I put them in a

neat pile underneath the chair. It was only then when I noticed

the steady beeping, the humming. It came from Mya's bedside.

Staring at her small, frail body, a far cry from the strong,

vibrant girl I once knew, something inside me had burst. I

couldn't leave. Didn't want to. I told Wallace and Jack I needed

a few days off, that the trauma from the week's events combined

with the new sutures in my hand made it difficult to write, difficult to work. This was all bullshit, but it sounded better than

the truth. A lot of things were sounding better than the truth.

Mya came and went. Her eyes fluttering open and shut.

The doctors said she would make it. She would recover.

Physically. Mentally, it would take time. It would be hard.

And I would be there for her. Like I hadn't been before.

I called you, Henry.

And I wasn't there.

No more.

Cindy Loverne entered, holding a cup of coffee. She sat

down, blew some steam off the top and crossed her legs.

"How are you, Henry?"

I felt guilty even answering such a question.

"Feeling a bit better," I said.

"That's good. Listen, I want to thank you for being so

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good to Mya. I don't know what she's done to deserve such

a good friend, but--"

"Please," I said. "Don't finish that sentence. She deserves

much better than anything I've given her. And I want you to

know, I know she can't hear me right now, but I'll be there

for her and your family. It's the least I can do after everything."

Cindy smiled warmly. Then her eyes moved to the bed. She

looked back at me.

"I think somebody can hear you."

I looked over. Mya's eyes were open. They were filmy,

groggy, squinting to regain focus.

I nearly leapt off the chair, went over and knelt down by

her bedside.

"Hey you," I said.

"Henry," Mya said, her voice still weak.

"I'm here," I said. I took her hand in mine, gently stroked

her dry skin. "I'm here."

I waited outside the hospital. The sun had dipped below

the buildings, the sky turning a harsh gray. The air felt cold

and I cinched up my jacket. I'd asked Amanda to meet me

here, unsure why I chose this particular location, but in the

back of my mind I knew the reason full well.

I watched her as she walked toward me. Her eyes were

streaked with red, and I didn't have to ask why. She came

up to me. Her hands were in her pockets. She moved her toe

back and forth across the pavement, afraid or unwilling to

make eye contact.

"Hey, Amanda," I said.

"Hey" came the flat reply.

"Were you able to find--"

"Yes," she said, cutting me off. "A friend said I could sublet

The Guilty

367

her studio for a few months. Rent's not too bad. Commute is

kind of a killer. Guess you take what you can get."

"Yeah," I said. "Guess so."

She looked at me, the pain and hurt and confusion in her

eyes nearly tearing me apart, letting loose everything I wanted

to say but knew I couldn't.

"So what happens now?" she asked.

"I don't know," I replied. "I do want to see you again."

Amanda shook her head, and it was just then that I saw

she'd begun to cry.

"Nope," she said. "If we end this...I want to end it. I don't

want to have to think about this every time I see you. I just

want to pull it off. Like you said."

"Amanda." I never wondered, in all my life, what it would

feel like to tell the girl I loved, who loved me back, that I

couldn't be with her. Part of being in love, part of being a man

was putting your loved ones above yourself.

I didn't love Mya anymore. Not like that. But she'd paid

a price for my failures. I had a debt to pay her back.

To keep Amanda safe, to keep her alive, I had to leave. I

knew pulling away from her would tear open a wound that

would probably never heal. But at least at some point the

bleeding would stop; it would scar over.

I noticed her hand had left its pocket and was fidding with

her jeans absently.

"What's that?" I asked. She seemed surprised.

"Nothing," she said. "Just, you know...guess old habits die

hard."

"Show me," I said, but had a feeling in the pit of my

stomach that I knew what it was. She stared at me as she

brought it out. A small spiral notebook. Just like the kind she

wrote in back when we met. Back when she had nobody, and

every person she met was cataloged in one of those note-368

Jason Pinter

books. For a girl who'd grown up with no real family, no real

identity, those notebooks helped her hold on.

I hadn't seen her write in them in the year we'd been a

couple. And now that we were coming apart, she needed

them again.

It's for the best, I told myself. She's smart. She's beautiful. She has the world waiting to open itself for her. If you

stay with her, you selfish bastard, you could steal it all from

her.

And so I knew I had to end it.

"If you ever need anything," I said. "Someone to talk to..."

"I won't," she said. "But I appreciate the gesture."

"Right," I repeated blindly. "Gesture."

She wiped her nose, sniffed once.

"Well then, goodbye, Henry." She turned to leave.

"Amanda," I said. She turned back. The tears were flowing

from her eyes, and all I wanted to do was gather her in my

arms, kiss her and tell her everything would be all right. But

to do that would allow events like the other day to happen.

Jack was right. He'd been right all along. And Amanda nearly

paid for my ignorance with her life.

"If you want to say something, Henry, say it." My mouth

opened but nothing came out. So she said, "Goodbye, Henry."

Amanda walked away without saying another word. I

watched as her hand went to her pocket again, then wiped

at her eyes, and before I knew it she'd turned the corner and

disappeared.

I stared at the empty street for several minutes, half hoping

something would happen, the rest of me praying it wouldn't.

And when I was sure it wouldn't, I turned around and

went back inside.

(r)

ISBN: 978-1-4268-1341-2

THE GUILTY

Copyright (c) 2008 by Jason Pinter.

All rights reserved. Except for use in any review, the reproduction or

utilization of this work in whole or in part in any form by any electronic,

mechanical or other means, now known or hereafter invented, including

xerography, photocopying and recording, or in any information storage or

retrieval system, is forbidden without the written permission of the publisher,

MIRA Books, 225 Duncan Mill Road, Don Mills, Ontario, Canada M3B 3K9.

This is a work of fiction. Names, characters, places and incidents are

either the product of the author's imagination or are used fictitiously, and

any resemblance to actual persons, living or dead, business establishments,

events or locales is entirely coincidental.

MIRA and the Star Colophon are trademarks used under license and registered

in Australia, New Zealand, Philippines, United States Patent and Trademark

Office and in other countries.

www.MIRABooks.com

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