Authors: Helen Dunmore
She’s next to nowhere, feeling no cold
in her white sluther of bubbles.
She comes to a point like a seal
in his deep dive, she is sleek.
As her nostrils close
she’s at home. See how salt water slides
as she opens her eyes.
There is the word
naked
but she’s not spelled by it.
Look at her skin’s steel glint
and the knife of her fins.
With the basking shark
with the minke whale
and the grey seal
she comes up to breathe
ten miles offshore.
I never stop listening to you sing
long enough to know what I think.
All I do is let it go on.
The bubble of song bounces towards me
over the wet surfaces of the kitchen
and you with your arms folded
in that tiny immemorial way you’ve observed,
your soft, small arms folded
over your chest where your breath
flows and unflows easily,
don’t need to look at me.
The bubble of your song bounces towards me
its surface tension strong
as it shudders, recovers.
You let the song go where it wants.
When you’ve fallen asleep, or I think you’ve fallen
I withdraw, still singing
or perhaps still listening to you sing,
but you feel me going. Why am I going
always going, instead of listening to you sing?
Your hand knows better than mine
and with authority
of touch I cannot match
wraps me round you again.
Viking cat in the dark
is paw-licked velvet, sinew of shadow,
a thread of smoke bitterly burning,
a quiver of black like a riddle.
The huts lie low
a hoard half-hidden
a clutch of eggs
in the dune’s hollow
and horned helmets
are nightmares to wake from
shapes cut from dreams
– but the cat leaps.
Like rain falling faster
the shadows whisper
and rain spatters
like death’s downpour:
‘
Fight for me, dawn-slayer,
wake with me, sleep-sower,
keeper of dreams,
the dream we came for
.’
There is no noise.
Only the quick
paws of the cat in the dark
like feet on the stairs,
but the cold grey hands of the sea clap
on the beached long-ships,
and a shape pours itself flat
to the chink of sword music.
Viking cat in the dark
is paw-licked velvet, sinew of shadow.
A thread of smoke, bitterly burning
quivers her body like a riddle.
’s
not like any other
day sleep night sleep
long drive sleep
too cold too hot sleep
What’s that window doing shut?
sleep
get a bit of peace sleep
hungry thirsty
need to pee
sleep,
baby sleep’s
all over the shop sleep
new nappy and babygro poppers
done up to the neck sleep
fat fingers
starfishing
damp feathers
on neck curling
baby lotion and talc sleep
sleep in Mum and Dad’s bed sleep
cry in sleep and then sleep sleep
sleep while the big peop
le wash and dress sleep
baby sleep
When you grow tired of the flame
wumping to life in the central heating boiler,
and the duvet sweats like obstinate flesh
in the middle of winter,
don’t finger the lightswitch. Leave the coil
of electricity sleeping. Go down
tread after tread by the draught
of heat coming upward. The voice
of the house is warning.
Get out
it breathes,
Leave us alone
to our shuffling of dust-mites, our sorting
of smell and shadow into home
.
First the bolt, then the chain, then the Chubb.
You’re outside, but even in a nightdress
that comes to the thighs, you can’t rub the warmth off.
With his hands he teaches wind to move –
not this shuffle of leaves
from rows of pollarded trees
but the salt-laden, incoming
breath of the Indies.
He’s six foot seven,
liquid in dull grey track suit,
his trainers undone.
There’s a small keen boy
at his heels, yapping
for ball-time, air-time.
It’s playtime in the gardens
with children sagely going round
on patient horses they strike with small
privileged hands.
Behind him, gravelly sand,
a guitarist picking
the bones of a tune
mournful as Sunday,
the empty horses
of carousels turning.
Tell the basketball player how tight
time is, how he’s reached perfection
at the same time as the man with his rake
puts the gravel straight on something.
Tell him this is the moment
the arrow of his life flew out of
to return into his breastbone.
Or say nothing.
Refrigerator days.
Ours is the size of a walk-in larder,
casing everything.
One word
which has gone out of fashion
is
putrefaction
.
When Simmonds fell from his tiger lookout
it was not the growl
nor the stripes
that said
tiger
.
It was the tiger’s breath.
All that old, bad meat
furring its teeth.
For a moment Simmonds was critical,
sniffing the exhalation of corpses,
the walk-in larder where he was going.
Two spines curve in
as the sisters face on a gate
in their matching cardigans.
They are looking into something –
a stolen Swan Vesta box
plump with green privet,
and there’s one match left
with which to poke it –
their marvellous possession.
Inner thighs chafe on a crust of lichen.
Riding the gate is the best game
these two have ever come on.
The more bloody a ballad
they more they love it. Cigars,
betrayal, the flames of hell
and the slaughter of innocence
are what speaks, makes the gate creak.
Girls, give us a song
in your tidy cardigans. Your hair’s
deceptively sleek, you are
tangled, complicit, in on it.
Hungry Thames, I walk over the bridge
half-scared you’ll whittle me down
where the brown water is eager
and tipped with foam.
You sigh and suck. You lick at the steps
you would like to come up.
Hungry Thames, we feed you on concrete,
orange-peel, polystyrene cups,
we hold our kids by a handful of clothing
to let them look at your dimples,
your smiling waters. We should hold them tighter,
these are whirlpools, this is hunger
lashing its tail in the mud, deep down
where the river gets what it wants.
Now winter comes and I am half-asleep
crawling the hollow of an apple, my sound
a battery toy in a child’s cupped hand,
or I climb to a ledge and lie, dulled
by its half-warmth. Half-wasp, I’m still
helpless not to sting your exploring finger
helpless in the pulse of my body.
The paddle of your hand churns
as you find something to kill me.
I keep on stinging. I cannot learn
through my crispness, the coat of warning
that says what I am.
The man who gave little Ellie his forever
love was a timeshare salesman.
He let her look round the place
when the carpet was freshly steam-cleaned
and the teabag box was full to the brim,
but he left little Ellie for an instant
and she spied the used teabag jam-jar
sodden and rusty as iron.
Oh Ellie
, whispered little Ellie,
there have been many here before you.
But she was smiling at the door
when he gave her his hand, wet from the ballcock
he’d quickly fixed in the cistern.
In a serenade of gurgles and yawns
the plumbing talked itself down
and perfect Ellie was his dream.
How could he replace or kill her
with her genius for noticing nothing
but the nice day, the short walk to the pool
the view of the beach from the bathroom window?
Sweet Ellie never crossed the time-share salesman,
but tended her one week like a garden.
She did not keep a diary where the others
might be noted or brooded over.
Kindly she watches him run on the wheel
of his weeks till he gets back to nineteen
where she is always happy to wait for him.
Dusty geraniums come back to life
in the days where Ellie waters them,
and the time-share salesman slackens his smiles
at the sight of Ellie’s daring paëlla:
in week nineteen she is his forever.
(for Paul)
All the squares of trampoline are taken
by children leaping like chessmen
who won’t play the game. Up, flying.
from tiny freeholds, hitting the sky’s
elastic surprise, then down.
There’s a space for you always.
Two kids eating ice-cream
with careful darts of the tongue
watch as you start to climb
the icy November sky, hand over hand.
You hear the clap of the sea
and your bright blue trampoline applauding
with the dull fervour of rubber
each time you go down,
and the kids eating ice-cream
with wind in their teeth say nothing
as the time mounts and your turn
grows impossibly long.
On the white path at noon when the sun
burns through olive and eucalyptus
and the pale stones rattle
as if someone’s walking,
when the goat jumps and the sea shivers
like a dog turning its belly upward
to a hand that teases it,
and the sky is cloudless but suddenly
dark drops spatter the dust
and there, where no one is walking,
a line of wet footprints.
Crickets crackle in the dry maquis,
their sound unbroken.
No one is walking.
If you touch your finger to the dust, quickly,
you’ll catch the pressure just gone.
Small, silvery, slipping
from finger to finger,
beads for street corners,
beads for white noon
when shadows curl by the walls
and the dog in the square lolls
with his tongue unfurled,
beads for navy-blue evenings
when the smell of oranges
drifts to the fountain,
beads for waiting on the landing-stage,
for the heat that shimmers
from village to village,
for the boy guarding the goats
and the old woman hoeing in black,
beads for leaving to find work
and for the dream of coming back,
beads for remembering
and for forgetting,
wrapped round the wrists of babies
and the dying,
beads for the life we live in,
small, silvery, slipping
from finger to finger.
Music plays gently. Yesterday's morning paper
flutters at the end of its long emigration
from being news. This is the present,
but when? Coconut cake, a stained napkin,
a tea-glass bisected by long spoon.
Any minute now it's going to rain.
What kind of animal is the past?
A wooden screen makes two rooms of one.
On the other side, where I saw her last,
my baby girl. I'll wipe her nose with the napkin,
take her to the Ladies and change her,
blow the bubble of words towards her
that says,
This is the present, there is no other
.