Authors: Helen Macinnes
He went out onto the balcony. Beyond the Roman wall, the pine trees in the Borghese Gardens waited quietly for the dawn. And there it was, the first pale streak of grey, washing
along the east rim of distant hills. A house swallow sounded its unmusical notes. Soon, others would form a vague chorus: they would start skimming over the mushroom-shaped, trees, filling the air with the sound of their twittering and the swoop of their wings. And soon, too, the automobiles and the motor bicycles and the scooters and the horns and the unmuffled exhausts and the screeching brakes...
He closed both the shutters, the windows, the heavy velvet curtains. Perhaps that would give him a chance to sleep. But long after he had had a quick shower and lay stretched on top of the heavy linen bedspread, he kept thinking of the girl who had said “Thank you” as if she had meant it. Eventually, to save himself from suffocation, he rose and opened all the layers of protection that covered his windows. The pale grey edge on the horizon had spread and changed to a fringe of green and gold. Above the renewed traffic, the swallows, in hundreds, were diving and soaring with their loud screams of frenzied delight.
“Idiots!” he told them angrily. And yet he had to smile. Bad-tempered as he was with lack of sleep and a surfeit of noise, the swallows were a comic mixture of graceful flight and ugly sound. “See, see, see!” they screeched in their thin scratched notes as they skimmed the tall pine trees, the old Roman wall, the hotel roof. “I’ll leave Rome today,” he told himself wearily. “I’ll go up to an Umbrian hill town, and catch myself some quiet and some coolness.” He had been saying that for, two weeks, but now he knew he meant it. And either the pleasantness of the idea or his rediscovered powers of decision lulled him into sleep. Daylight or swallows or traffic or not, he didn’t awaken until nine.
Early, while it was still cool, he began to pack. He was travelling light: one two-suiter case and one grip besides his typewriter and camera. Yet, foot-free as he was, it was odd how he seemed to have taken root in this hotel room—every small drawer and corner turned up another belonging, or something he had bought since he arrived four weeks ago. He was trying to fit some typing paper into the typewriter’s neat case when the room waiter arrived to clear away the breakfast. It was the one Lammiter liked least, the small thin man, middle-aged, morose, who was never interested in anything except the size of the tip lying on the tray. But this morning he suddenly turned almost vivacious as he looked at the luggage. “The signore is leaving today?” The dull eyes were extremely clever, Lammiter noticed with some surprise.
“Yes,” Lammiter said, and went on packing.
“The signore is a writer?”
Lammiter nodded. If you could call a man a writer who had written exactly one play. True, it had been successful enough, and that was something both unexpected and pleasant. But if he didn’t write a second one pretty soon, and have another success, too, he would have to go back to Madison Avenue and advertising. In the last ten days or so, he had begun to wonder if he had resigned too rapidly from the steady job, the steady money, the rent and the butcher’s bill and the dry Martinis all definitely paid for.
“The signore likes Rome?”
Lammiter nodded.
“The signore stayed a long time here. He has many friends in Rome?”
“The signore,” Lammiter said firmly, “has no friends in Rome, at all.” That was accurate enough. Eleanor Halley was in Rome, but after their last disagreement two weeks ago— Disagreement? Let’s face it, he told himself: Eleanor and you have had your ultimate quarrel.
What had she called him? A man too jealous to be able to accept with any kind of grace the fact that she had decided to marry someone else. A man too narrow-minded to approve of her marrying a foreigner. A man too much of a snob-in-reverse (it had taken him a few seconds to puzzle that phrase out) to like anyone who had a title. “Look,” he had told her, “I don’t care whether this new fellow of yours has a title or not. I don’t hate him because he calls himself a count. I just want to know more about him.” But this phrase (calculated, he had to admit now)—“this new fellow of yours”—had had a most final effect. Afterwards, he had phoned Eleanor twice at the Embassy, twice at the apartment she shared with two other women secretaries. Miss Halley was not at her desk. Miss Halley was not at home. And three days ago he had loitered round the Embassy entrance, hoping to have a few minutes’ talk with her. But either she had left early or she had seen him and taken another exit.
Now he would never be given the chance to make the apology he ought to have offered in the first place, instead of letting his hurt pride sharpen his tongue. He ought to have said, “You were right. I was letting the theatre swallow me up, I was turning into the re-write machine, the rehearsal haunter, the director’s little helper, the willing autograph-signer, the luncheon speaker, the man who wanted to prove success hadn’t gone, to his head; the man who couldn’t say ‘no’, trying to oblige everybody, failing the only person who really mattered.” For a moment he was startled by the picture he had drawn of himself. Was it just his eloquence, or had he been as neglectful of Eleanor as all that?
The waiter coughed discreetly and arranged the breakfast tray’s dishes once more. Lammiter searched automatically for a tip, but he was still thinking about Eleanor. If only she had complained. Why hadn’t she spoken out, given him some warning? Instead, just as he was about to leave for six weeks in Hollywood last spring, she had taken off quietly for Rome. He ought to have followed her, right then; but the Hollywood assignment was important: it was his own play, wasn’t it, that was being turned into a film script? Then the job was postponed. Then it was scheduled for May. Then it was delayed again. Then arranged eventually for the end of June. By that time, he was ready to say, “The hell with all this, anyway,” and join Eleanor in Rome. But by that time, he had got her letter about Luigi, Count Pirotta. Goddammit, he thought in sudden anger,
did she think I had arranged all these postponements, these delays? Did she imagine I enjoyed waiting in New York, when she was in Italy? She knew I loved her, didn’t she? My career was hers, too: didn’t she know that?
“Oh, forget it,” he told himself. “Forget Eleanor.” But how?
The waiter had left, quickly and suddenly, as if he had decided that the fifteen-per-cent tip on the tray was all that was forthcoming. Add to that the fifteen per cent that the management charged for all services rendered, and the waiter had a thirty-per-cent tip for one small jug of coffee, one small jug of tepid milk with skin on, two rolls (one stale), two transparent slivers of butter, and one small jar of dark brown strawberry jam.
I wish, Lammiter thought bitterly, someone would reach into a pocket and add thirty per cent on to all my royalties. Then, by God, I perhaps could afford to stay a summer in Rome, and argue Eleanor out of her titled dreams. Argue? That was a false hope: everything was beyond arguing now.
His annoyance with the waiter, he realised, was simply because the man had stirred up memories of his trouble with Eleanor. Wasn’t it enough that his mind had gone blank of creative ideas, that the play he was about to begin when he arrived in Rome had vanished into thin air? How could he work? He could neither think nor concentrate. He could only look at ruins (for he was standing at the window again) and speculate about the past—a pleasant way of spending the present to avoid thoughts about the future.
He went back to his packing. It was then that he remembered his photographs. He had six rolls of film being developed and printed at that photography shop just off the Via Veneto. He
was to collect them just before eight o’clock this evening, when the shop closed. How could he have been so inept as to forget all about them? He’d have to stay one more night in Rome, after all.
He called down to the hotel desk, and told them that he would not be checking out that afternoon, that he’d stay one more night. The voice replying to him was genuinely perturbed. It was sorry, extremely sorry, but his room had been assigned to someone else. All rooms were occupied. This was July, busiest month...
A sudden revulsion seized him, a quick reaction to cut all losses. “The hell with it,” he said aloud. He called the porter’s desk with instructions to get him a seat on a plane, any plane, any flight leaving Rome tonight for New York.
The chambermaid appeared as he ended his call. Without even seeing his suitcase and grip, she said smiling, “The signore is leaving today?”
“Yes.” How quickly the news got around! It was a matter of protocol in hotel work: Room 307 is checking out, get in line for the tips, pass the word along. But he had liked this middle-aged woman with the warm smile and kindly phrases. “I’m going home,” he told her.
“To America?” She looked a little startled. She came from Perugia and had known he meant to visit there some time. Then, quickly, “The signore likes Italy?”
“Yes, yes,” he told her reassuringly. It wasn’t Italy that was out of joint. It wasn’t the times, either. It was himself. If the whole trip had been a mistake, it was simply that he had been unwilling to admit failure. He was admitting it now. He had been over-confident, too sure of Eleanor. He had let her slip away from him months ago, in New York. At last, he was
really facing the truth. He had lost the girl, and had deserved to lose.
“Just leave everything,” he told the maid. “I’ll be around until this afternoon, at least.” He found a thousand-lire note. She was pleased by that, and more than pleased by the careful speech of thanks he made in Italian. Then he was left in his room to wait for word about his flight to New York.
He sat down to write some letters. The first was to the man who had produced Lammiter’s play and now was eager to read a second script. Provided, of course, it was the same as the first, only different. He doesn’t want a playwright, Lammiter thought bitterly; all he wants is little Mr. Echo, who’ll be a sure investment; he doesn’t want a piece of creative work, he wants a piece of property. First, he decided, I shall write him the letter I’d like to write. Then I’ll tear that up, smother all indignation, resentment, accurate descriptions of his mentality (I.Q. probably a high 80) and of his education (progressive to the point of being perpetually retarded). And I’ll write a note saying his observations were interesting (he’ll never know how) and that I’m sorry I cannot agree with him.
How did a man like that ever get into a position of power in the world of art? He had money. But so had cigarette advertisers and buttonhole manufacturers. At least, New York wasn’t yet plagued by the problems of the London theatre, where it was almost compulsory to belong to the esoteric clique if you wanted to be produced or recognised at all.
The telephone rang.
He glanced at his watch. Only half an hour since he had ordered his ticket. His ill temper vanished. Quick work, he thought approvingly. He picked up the phone, expecting the
porter’s voice. Instead, it was a woman who was speaking.
“Hallo,” the voice said in English. “Mr. Lammiter?”
“Yes,” he said, puzzled at first.
“I wanted to say thank you again.”
There was no doubt who it was. The way she said thank you made him think of last night and a pretty face turned urgently, almost pathetically, to him under the cold lights of the Pincian Gate.
“Oh, it’s you—” he recovered himself. “Glad to know you got home safely.”
She laughed. “I have allies as well as enemies.”
“So I saw. But I thought your friends were a little late in arriving last night.”
“That’s why I’d like to thank you.”
“Oh, forget it. Glad I was there to shout at the nasty men. Who were they, anyhow?”
“I told you. The enemy.” She laughed softly. He had to admit that he had rarely heard a more attractive sound. She said, “Please—could we meet?”
Startled, he blurted out, “Meet? Where? Here?”
“Oh, no! That would be dangerous.”
“At your place?”
“Still more dangerous. Meet me at Doney’s. At noon.”
“But I can’t. I’ve got to wait here until—”
“Please. At noon. I must see you before you leave.”
That made him suddenly wary. “Who
are
you?” he asked. How could she know he was planning to leave today? Did she or her friends have some kind of intelligence service working among the hotels? What was all this, anyway? “Who are you, what are you?” he asked.
“Someone who needs help. Badly.” Her voice was. low, fearful, but determined. Very quietly she added, “When you see me, pretend our meeting is accidental. Completely accidental. And with that tense warning, she ended the call abruptly.
After a minute’s thought, he asked the hotel switchboard to inquire where that call had just come from—was it possible to trace the number, or had the operator any idea of the district in Rome from where the call was made? At first, he thought it was his Italian that created the confusion, and then—after several long outbursts of explanation ranging from the polite to the irritated (he must have sounded incredibly stupid)— he suddenly realised it was his question. Because no one had telephoned him.
He began to argue about that, and then (as he saw the futility of all this questioning) he broke it off hastily with a “Sorry, sorry. Please excuse me,” disentangling himself from a conversation that was now beyond his powers to control. “And thank you, signorina. Thank you for your help,” he added. Politeness in Italy, politeness was the key to everything—for the annoyance in the operator’s voice vanished, and he could imagine the smile spreading over her face as she said, “Thank
you,
signore. And is it possible than another guest was calling you from his room?”
Yes, it could have been possible. Or the girl could have walked through the lobby to the row of house telephones near the elevator, and used one of them. But how had she known his room number? He might as well ask how she had known his plans for leaving Rome.
He went downstairs at a quarter to twelve. He hadn’t quite decided if he were going to walk past the café called Doney’s. Or not. It was just like that. He was interested, yes; and curious, definitely curious, but he was still wary. What was this girl? A confidence trickster, a prostitute as the police had suggested last night, a possible blackmailer? Somehow—perhaps he was too gullible—somehow he didn’t believe any of that. He kept remembering the pleading note in her voice. “Someone who needs help. Badly.”