Authors: J.C. Burke
âNo, sir.'
âBut you're obviously ⦠involved with what's going on?'
âUm?' He turns to Evie. She nods. âYes, sir. I'm helping with ⦠it.'
âSeb, I'm sure you appreciate this is a ⦠tricky situation for us, Evie being â'
âSpecial,' Robin blurts. âShe ⦠she can't help it.'
âI know all about it,' Seb tells them. âLook, Mr Simmons, Evie hasn't done anything wrong. I know that for a fact.'
âSeb, I know she hasn't done anything wrong but if she gets others involved she has to be responsible for them and that's asking a lot from her. It makes her vulnerable.'
The phone starts ringing. âI'll get it.' Robin runs off leaving Nick, Evie and Seb staring at the floor in silence.
It's awkward. It's embarrassing. Evie wishes so badly it didn't have to be like this. How will Seb ever want to be involved with her when she's surrounded by such complications? Boys don't like complications, Evie thinks. They like things to be smooth and simple, like it is with other girls. Normal girls.
âI worry,' Nick softly says. âI worry one day this'll lead Evie into danger, and yet how can I protect her, Seb? How
can I protect my only daughter? This sets her up for so much and we won't be around forever.'
âI'd do anything for Evie,' Seb says in reply. âAnything.'
Evie leans against the wall. His words are making her legs turn to jelly. Maybe Seb can like her, even with everything she brings.
âThat's nice, Seb, but it ain't that simple,' her father answers.
Seb shrugs and goes back to staring at the floor.
âYou two, please take notice of what this lady's saying,' Nick tells them. âI know it's not justified. These sorts of people just have a knack for being difficult. So stay out of Nora Cuza's way; she's obviously a tricky customer.'
âShe's plain evil,' Evie hisses. âThat's what she is.'
âWell, regardless, Evie â¦'
âParis is missing,' Robin announces at the door of Evie's room.
âMissing?' Evie says. âShe can't be. I saw her this morning with that sleazy Ingy man.'
âThe family friend?'
âIf that's what you want to call him.'
Robin pulls a face. âWell, Victoria said he dropped Paris at some shopping centre where Nora was running a fashion parade, but she never turned up. Nora went home thinking she must've been there, but she wasn't. No one's seen her.'
Nick turns and faces his daughter. The questions are plastered all over his face.
âDad! I know nothing about it. Okay.'
âI told Victoria if we heard anything we'd ring her straight away.'
âWe won't hear anything, Mum.'
âAre you sure?'
âWe've never even spoken to each other. She wouldn't even know my surname.'
âOkay,' Nick nods. âThere's obviously a big problem in that family. Nothing to do with us.'
Evie is careful not to speak. She needs her parents to be calm. Calm and reassured so they will butt out.
âI'm sure whatever's happened to Paris has nothing to do with Evie,' Nick says. âBut be careful. Some people are unpredictable.'
âExcuse me, Seb; I'd better rescue the chicken,' Robin says, her face cracking as she attempts a smile. âI'd hate it to burn.'
Â
âWhat was that all about?' Seb asks when he's sure her oldies are downstairs and out of earshot. âYou're hiding something. I can tell.'
âI'm not,' Evie answers. âNot really but â¦'
âBut what?'
âBut I know Paris wanted to speak to me today. She couldn't, though, 'cause that Ingy sleazebag was hanging around. That's why she's run away. To get away from him.'
âYou're sure about him, aren't you?'
âYes.'
âEven though the anagram doesn't match his name.'
âThat's because we're missing something, and it's so close it's driving me crazy!'
âOkay,' Seb grins. âYou're the boss. I can hardly say I can't trust your instincts.'
Â
Theo is shouting Evie and her parents breakfast and showing off his new girlfriend. He's desperate for Evie to come and meet her. Evie doesn't want to meet her. She wants to be left alone at home so she can continue searching the anagram for something they've missed.
Last night after dinner, Seb and Evie dissected each message. Word by word, letter by letter, and found nothing new. But that doesn't stop Evie. She's convinced one of the messages holds the key. Holds the clue that'll make everything fall into place. She can feel it. She can almost touch it. But where is it? She can't see it for looking and yet why does she feel she's close.
The jeans she wore yesterday are hanging over the chair. She drags them on to go with a singlet she is wearing, dotted with coloured diamantes that spell âAngel'. As Evie gels and spikes her hair, she sees the word flash in the mirror. It makes her stop. âAngel?' She looks down at the sequins splattered across her chest. âAngel?'
Quickly she flicks through the book of messages. From downstairs, her father calls out that it's time to go.
âAngel, angel?' Her eyes and finger scan the words for a clue but there's nothing. âWhy is it making me feel like this?'
âEvie! Robin!' Nick calls again. âWe'll be late.'
Her dad watches her come down the stairs. âYou look nice.'
Evie rolls her eyes.
âWhat's wrong?'
âNothing.' Evie gives it a try. âBut do I really have to go, Dad?'
âCome on Evie, it won't kill you,' he answers. âTheo really wants you to meet Tracey.'
âHe always wants me to meet his girlfriends,' she complains. â“Evie,”' she mimics his voice. â“This is the one.” And it never is.'
âGive him a break. He's usually the one that's dumped.'
âHey, he's so fond of you,' Nick continues. âHe admires you so much. He talks about Adelaide and how amazing you were, all the time.'
âI hope he only talks to you about it.'
âEvie, he understands the deal. You know that.'
âWell, I'll meet girlfriend one hundred and seventy-one before she dumps him.' Evie takes a gloss-stick out of her pocket and smooths it across her lips.
âHas he ever thought that maybe if he cut down on the aftershave it'd help?'
âYou're his best friend, Dad. You should be the one to tell him.' Nick chuckles
âI've tried,' Robin says, coming down the stairs. âAt least a thousand times. And you know what he says.'
âWhat?'
âHe says, “You know, Robin, that's what my first wife used to say.”'
Â
Breakfast is bearable, but only just. Evie orders the Eggs Benedict. Seeing she's here, she may as well pig out at Theo's expense. Robin's obviously thinking the same. She orders waffles with honeycomb butter.
When Theo speaks, Tracey flashes her big white teeth and giggles. âHe's so funny, isn't he?' she says to Robin.
âMmm,' Robin replies. âHilarious.' And adjusts herself in the seat.
Evie laughs and nods too, pretending to be a part of it but really she's a thousand miles away. She's back in her bedroom with Seb. Hearing again the sound he made as they lay on the floor studying the puzzles. It's the tiniest of noises. A bit louder than a sigh, but not as loud as a moan. Even now, as Evie remembers it, the warmth rushes up her thighs. She covers her mouth to hide the smile that's sneaking up.
âEvie, I just looove your hair.' Tracey disturbs her daydream. âI just love it. It's outrageous.' Tracey is digging around in an enormous yellow handbag. âTheo's always talking about you.' She looks up and flashes her teeth. âWhat a fantastic artist you are, how clever you are, how ⦠I can't find my lipgloss. I'm sure I put it in here. Theo bought me this bag yesterday â don't you love it? I moved â¦'
Anything to shut her up, Evie produces the lip gloss from her back pocket and with it comes a tiny slip of paper. Evie stares at it, her fingers smoothing the edges. She turns up a corner just enough to see the words: âNora. Yes.'
Her heart catapults into her throat. It's the note Victoria gave her yesterday.
Quietly she unfolds the next corner to reveal the word âgirl'. Then, with utter clarity, Evie remembers the message as though she's still around the table with Nora and Victoria. How could she have forgotten Caz's words of pain and terror â âInnocent girl yells now. Now, now, now, now â¦' till the words spilt off the edge of the paper?
âExcuse me.' Evie gets up just as the breakfasts arrive. She
sees her father frown. âI just ⦠need ⦠to go to ⦠the loo.'
Twice she checks the bathroom lock before unfolding the bit of paper. Her hand is over her mouth. Her teeth are chewing at her knuckles. It's all there.
I Give You Nora. Genuine Information Nora Yes.
Immoral Nasty Guess Yes.
Innocent Girl Yells Now now now now now now now now.
The letters are there. Not nine of them. Just four. âI-N-G-Y.'
Evie rinses her face in the basin. Her fingers tremble as they push her hair back. Her breath races her heart. Her cheeks burn with anger and rage. And with as much coordination and poise as she can muster, Evie walks back out to the breakfast throng.
âDad?' She hears the calmness in a voice that's hers. âDad, could I please use your phone for a second?'
âDon't tell me you still don't have a phone!' Theo bellows.
âWho do you need to call?' her parents say almost simultaneously.
âSeb,' Evie replies.
âSeb!' Theo slaps his thigh. âI remember him.'
âI forgot ⦠I was meant to meet him for a coffee this morning.'
Nick hands her his phone. Evie walks over to the kerbside and from memory presses the numbers she got from directory assistance yesterday. One hand holds the mobile. The other tries to steady the thumping in her chest.
âHello.' It sounds like Seb.
âSeb?' Evie can barely speak her mouth is so dry. âSeb?'
âHey. You got a progress report for me?'
âYes.'
âWhat?'
âNot now. I've got to be quick,' she whispers. âMum and Dad are watching me. I need you to meet me. Can you?'
âWhere? What's happened?'
âI've got it. I've really got it now. Can you meet me?'
âUm, yeah. Yeah.'
âPappa Reggio's?'
âAre you going back to the â'
âJust get there as soon as you can.'
Â
âI have to go,' Evie says, handing the phone back to her father. âSorry, Theo.'
âWhat? Now?' Robin pipes.
âYour breakfast?'
âI'm sorry, Theo, I'm ⦠I'm not hungry.'
Her parents stand up. âWhat's going on?' Nick says.
âEvie? Evie?' her mother echoes.
They follow her out of the café and onto the street.
She keeps walking. Counting each step as she goes. âI have to go and meet Seb. Okay?'
âNo, it's not okay,' Nick answers. His shoes pound behind her while her mother's click clack on the footpath. âEvie?' she calls. âEvie ⦠just tell us what's happening.'
âMum! Dad!' Evie stops at the corner, spinning around to
face them. âI have to do this!' Her voice is choking. Her eyes are stinging. She wants to scream and yell. She can't be stopped. Not now. She's so close. They have to understand. They have to let her go because she's going anyway.
âPlease, please understand. I can't get away from this. It ⦠she ⦠follows me everywhere I go. Do you know what that's like?' A tear slips down her mother's cheek. âI'm so sorry, Mum. But you can't stop me. If you do, she'll never go away. She'll never leave me alone. Never.'
âI don't want to stop you.' The tears keep spilling. âI just want you to be safe and ⦠and happy.'
âI want my life back,' Evie murmurs.
âIs Seb really meeting you, Evie?'
âYes, Dad. He is.'
For the second time that morning, he hands Evie his phone. âYou ring us every hour. No, every half-hour.'
Evie takes the phone and disappears around the corner. Her parents are still standing there. Her mother is weeping. Evie feels it. Her mother's tears spilling inside her as if they were her own.
Â
When Seb arrives at Pappa Reggio's, Evie hands him the bit of paper.
âWhat is it?'
âRead it,' Evie tells him.
She watches Seb's eyes scan the words as he reads the four messages. She then sees his eyes dart back and forth as he pieces the letters together. The knowledge, the realisation,
washes across his face. He looks up at Evie, his mouth open. He swallows then whispers, âI-N-G-Y. Ingy.'
âIngy.'
âShit, Evie. What are we going to do now?'
âShe's here.'
âWho? Caz?'
âNo. Paris.'
âParis?'
âYep. It all makes sense.'
âWhere? Where is she?' Seb looks around. âIs she meeting you ⦠us?'
âNot exactly. She's close though. I know that.' Evie takes a deep breath then slowly blows it out. âWe'll just sit here and wait. Just like I did the first time. The painter was over there with his little tin of gold paint. Carefully making ⦠God!' Evie jumps up from the table. âGod! I'm so stupid.'
âWhat? What?'
âLook the door! That's one of the first things Caz told me to do. Look the door. Seb, come on!'
Evie is off, running across the road, dodging the cars that are stopping at the traffic lights. Seb follows, still calling, âWhat? Evie!'
At the entrance to the Venus Cuza College, Evie stops. She closes her eyes and places her fist on the glass. For a second, it doesn't move. Then slowly her fingers begin to uncurl from her palm. One by one, they lie flat. Then down the door they start to slide until they reach the golden letters, still perfect and new.