Murder is a Girl's Best Friend (7 page)

First I measured and placed all the pinup calendar, body-building, hair-thickening, rupture-easing, how-to-be-a-hypnotist ads, carefully marking them up on the layout sheets, then I trimmed the story runover galleys and put them in position—leaving room for the necessary continued lines, of course. After choosing, sizing, and placing several spicy cartoons to fill the leftover space, I finally taped all the trimmed galleys to the layout sheets—without an eighth of an inch to spare—as if they were the key pieces of a large, complicated jigsaw puzzle.

I was very lucky. I only had to cut eight lines of copy to make everything fit exactly. If the mock-up had come out a few lines too short, I would have had to write new copy to fill, and that would have taken longer. As it was, I finished the backyard paste-up in record time, and placed the complete forty-four-page package in the pickup basket a good five minutes before the printer’s messenger arrived.

This was
not
the world’s most exciting accomplishment, I realize, but at least it kept me from getting fired—and from fretting my fool head off about the diamond-stuffed shoebox buried, like a land mine, in the depths of my desk drawer.

My timely completion of the backyard paste-up wasn’t the only miracle that occurred that afternoon. Brandon Pomeroy’s drunken coma lasted a full hour longer than usual (he must have had an extra martini), Harvey Crockett was out of the office all day at a meeting with our distributor, and Mike and Mario were laboring so hard to meet their own pressing deadlines that they didn’t have the time or the inclination to torment me with coffee demands and crummy jokes.

As a result, I had the time to look for the newspaper clips about Judy Catcher’s death that I presumed were still in our files. And since I was in charge of all the filing (that’s woman’s work, you know!), I knew exactly where to look: in the folder labeled MURDERS—NOV. 1954.

There were numerous homicide reports in the folder, but just three short clips on the Catcher murder. And each gave the same few details: A young woman named Judy Catcher had been shot to death in her West 26th Street apartment on Saturday, November 27th. The shooting was estimated to have occurred between 5:00 and 8:00 P.M., during a random burglary. The victim’s purse and watch were stolen and her apartment was ransacked. Anyone with information relating to the crime should notify Detective Hugo Sweeny at the 10th Precinct.

I hoped to have that privilege soon.

Taking the clips out of the file folder and stuffing them in my skirt pocket, I marched back into the front workroom and carefully (okay,
sneakily
) transferred the clips from my pocket to my purse. Not that I really needed them. Aside from the actual date of the murder and the estimated time of death, they didn’t tell me anything I didn’t already know.

 

I looked at the clock on the wall and was surprised to discover I still had twenty minutes to waste (I mean
work!
) before closing time. I was able to clip all the crime stories from the afternoon newspapers and file a big stack of fake corpse photos before Pomeroy became fully conscious, and before the hands of the office clock hit 5:30—at which point I changed back into my boots, pulled on my beret, slipped into my coat, snatched the shoebox out of my drawer and tucked it tight under my arm, bid a hasty goodnight to Heckle and Jeckle, blew a quick kiss to Lenny, and made a smooth getaway.

Chapter 5

THE TRIP HOME WASN’T SO SMOOTH. Though I made the entire journey by subway and didn’t have to deal with the snow until I emerged at Sheridan Square, I still had to deal with the ragged, hairy, smelly creature who boarded the crowded train at 14th Street and decided the best way to keep himself warm was to snuggle up real close to me. If the creature had been a dog, instead of a man, I could have handled it—but of course I wasn’t that lucky. My stop was next though, and I got off the train in a hurry, leaving the shaggy beast to search for another source of body heat.

It was already dark outside, but the sky and the streets were twinkling, the former with stars, the latter with Christmas lights. Bright shiny bulbs were strung everywhere—across store windows, around lampposts, over the doorways of apartment buildings and the awnings of restaurants—casting their red, green, gold, and blue reflections on every glistening, snow-covered surface. It was still very cold, but the snowfall had slowed considerably. The flakes were floating lightly now, like scattered tufts of goose-down from a slightly torn pillowslip.

It was a beautiful scene, but I was much too distracted to do more than give it a quick, appreciative glance. I hurried down Seventh Avenue to Bleecker Street, slipping and scrunching with every step, gripping the shoebox under my arm as if it were a football and I were a crazed quarterback scrambling for the goal line. I couldn’t wait to get home, hide the diamonds in a safe place, and then go next door to talk to Abby. I needed to talk to Abby.

Abby Moscowitz, I should tell you, was the best friend I’d ever had in all the world. At the time, we’d known each other only one and a half short years, but I felt as though we’d spent our whole lives together; that we were twin sisters and had shared the same womb.

Not that we were
anything
alike.

At least not in the looks department. Abby was tall and buxom and bohemian-looking, with long black hair that hung, when loose, below her waist. Her deep brown eyes were huge and heavily lashed, her nose and cheekbones were proudly prominent, and her wide, smiley lips were as plump as throw cushions. I was tall and thin and normal-looking, with wavy brown hair that fell to my shoulders, and facial features that had, to the best of my knowledge, never caused a traffic jam. I’d been told that I was beautiful on occasion, but I wasn’t stupid enough to believe it.

Abby really
was
beautiful, though, and everybody knew it, Abby included.

When it came to likes and dislikes, personal beliefs and ideas, Abby and I agreed on some things, but certainly not all. We both liked jazz, cigarettes, whiskey sours (okay,
any
kind of cocktail), tight sweaters, and Halo shampoo—and we both wished Adlai had been elected president instead of Ike—but whenever the subject of sex came up, we had a parting of the ways: Abby believed in free love and would go to bed with any young man who struck her fancy (and her fancy was
very
easy to strike), while I was determined to sleep alone—as our current social conventions so cruelly commanded—until the day I got married again (or until the night Dan and I became so wildly overcome with drink and desire that I simply couldn’t help myself—whichever came first).

Turning left on Bleecker, I forged through the snow and up one and a half blocks to the tiny, three-story brick building I lived in. There were just two apartments in the whole building—Abby’s and mine—and both sat atop small street-level storefronts. Abby’s little duplex was perched above Angelo’s Fruit and Vegetable Market, while mine was mounted on top of Luigi’s Fish Store. I guess I don’t have to tell you which apartment smelled better.

I took out my keys, opened the door between the two storefronts, and tore up to the top of the dark, narrow stairwell leading to the living quarters. Abby’s place was on the left, mine was on the right. Panting as hard and fast as DiMaggio must have done after dashing across home plate (or getting to third base with Marilyn), I stood on the tiny landing between the two apartments, madly jiggling the keys on my overloaded chain, searching for the one that would open the gate to my safe haven.

But before I could find it, Abby’s door flew wide open.

“Boom chicky boom!” she said, stepping into the portal and leaning her left shoulder against the jamb. She was wearing her tight black capris and her color-streaked white painter’s smock. Her long, pitch-black hair was pulled back from her glowing face and wound into a braid the length and breadth of an elephant’s trunk. “It’s about time you got home,” she said. “I was getting ready to send out a pack of Saint Bernards—with little casks of booze on their collars, of course—to look for you. It is, after all, the cocktail hour.” To prove it, she raised the pale pink drink in her right hand to lip level and took a noisy sip. “I’m making pink ladies tonight,” she said. “Can you dig it?”

My anxiety melted away and my cold feet turned toasty. This was the kind of effect Abby usually had on me—and most other people, too. She was as warm and welcoming as a potbellied stove. “You heard my prayers,” I said, deciding to go straight into Abby’s apartment—shoebox and all—and worry about hiding the diamonds later. Why get in a dither about thirty thousand dollars’ worth of secret (possibly
stolen
) jewelry, when you can sit yourself down, light up an L&M filter tip, and have a pink lady?

The minute I stepped inside, however, I wanted to turn around and go home. The lights were low, the smoke was thick, and the hi-fi was playing Miles Davis at a deep, vibrating volume. A short, dark, beefy young man—dressed in nothing but a purple loincloth and sitting cross-legged on the living room floor—was thrumming his fingers on a set of bongo drums and giving me the kind of look that said, “If you come in here and wreck this wild thing I’ve got going with this unbelievably hot, groovy babe, I’ll have to kill you.”

I didn’t feel so welcome anymore.

“Oops!” I yelped, “I’m intruding.”

“Oh, don’t mind him!” Abby chirped, hopping over to her round oak kitchen table to pour me a drink. “That’s just Tony Figaro, from the bakery down the street. He’s been posing for me today. I got a new cover assignment from
Lusty Male Adventures
. ”

In case you haven’t already guessed, Abby was an artist. Not your average flower-vase-and-fruit-bowl kind of artist, but the kind who painted bold, dramatic pictures of bold, dramatic people in exotic (okay,
erotic
) scenes and situations. In other words, she was a
commercial
artist. A freelance magazine illustrator, to be exact.

And that’s how we happened to meet—the day Abby came up to the
Daring Detective
office to show Mario some samples of her work. She was sitting in the guest chair near my desk, waiting for Mario to see her, and we struck up a conversation. I mentioned that I was looking for a new, cheap place to live, and she told me the “pad” next door to hers was available. I went to see the apartment right after work and rented it that very same evening.

Mario’s reaction to Abby had also been immediate. He was so knocked out by her artistic flair (okay,
figure
) that he gave her three full-page illustration assignments on the spot. As Abby was fond of saying, “If the skills don’t get ’em, then the sweater will.”

Carrying a cocktail in each hand, Abby sauntered over to where I was standing, next to the little red loveseat that separated the kitchen area from the living area (actually the
painting
area, since Abby had always used the living room as her studio). “When the
Lusty Male
art director called me this morning,” she said, “and begged me to do a rush illustration of a brawny, bare-chested snake charmer, I immediately thought of Tony. I knew he would look cool in the costume.”

(Translation: She wanted to see him without any clothes on. Abby was the only person I knew who could call a purple diaper a
costume,
and still keep a straight face.)

“And he does, doesn’t he?” she added. “Look cool, I mean. The bongos are a stand-in for the snake basket. I’ll paint a turban on his head eventually, but I didn’t see any reason to make him actually
wear
one. Sitting cross-legged on the floor for three hours is enough punishment for one day, wouldn’t you say?”

“Uh . . . yes,” I said, feeling very uncomfortable. I wasn’t used to standing in front of a near-naked man and talking about him as if he weren’t there. (And trying, but failing, to keep my eyes off his bulging loincloth.)

“You know, I never even called the model agency this time,” Abby blithely continued. “I figured why hire a high-priced professional yo-yo when I can get the world’s hippest, sexiest baker to pose for free? Right, Tony?” Smiling from ear to ear, she gave me a knowing wink, then handed me my drink.

“Right!” Tony proudly replied, straightening his spine and expanding his brawny bare chest to the limit. Then, beating his fingers lightly over the bongos, he gazed deep into my eyes and sent me another mental message. This one said, “Whoever you are, please leave now. If you go home and leave us alone, I’m gonna get laid. I know it! I can feel it! Please don’t spoil it for me!”

I gazed at Abby for a second or two, wondering if she wanted me to stay or go, trying to gauge if she was feeling amorous or not. But I quickly realized what a silly waste of time
that
was. Abby was
always
feeling amorous. And as much as I wanted to tell her about everything that had happened to me that day, I did
not
want to tell the whole story—or even one itsy bitsy little part of it—to Tony Figaro.