Read Miss Marple and Mystery Online

Authors: Agatha Christie

Miss Marple and Mystery (20 page)

‘Wondering why I hide my beauty, dear? He, he, he. Afraid it may tempt you, eh? But you shall see – you shall see.’

She drew aside the scarf and the lawyer recoiled involuntarily before the almost formless blur of scarlet. She replaced the scarf again.

‘So you’re not wanting to kiss me, dearie? He, he, I don’t wonder. And yet I was a pretty girl once – not so long ago as you’d think, either. Vitriol, dearie, vitriol – that’s what did that. Ah! but I’ll be even with em –’

She burst into a hideous torrent of profanity which Mr Mayherne tried vainly to quell. She fell silent at last, her hands clenching and unclenching themselves nervously.

‘Enough of that,’ said the lawyer sternly. ‘I’ve come here because I have reason to believe you can give me information which will clear my client, Leonard Vole. Is that the case?’

Her eye leered at him cunningly.

‘What about the money, dearie?’ she wheezed. ‘Two hundred quid, you remember.’

‘It is your duty to give evidence, and you can be called upon to do so.’

‘That won’t do, dearie. I’m an old woman, and I know nothing. But you give me two hundred quid, and perhaps I can give you a hint or two. See?’

‘What kind of hint?’

‘What should you say to a letter? A letter from
her
. Never mind now how I got hold of it. That’s my business. It’ll do the trick. But I want my two hundred quid.’

Mr Mayherne looked at her coldly, and made up his mind.

‘I’ll give you ten pounds, nothing more. And only that if this letter is what you say it is.’

‘Ten pounds?’ She screamed and raved at him.

‘Twenty,’ said Mr Mayherne, ‘and that’s my last word.’

He rose as if to go. Then, watching her closely, he drew out a pocket book, and counted out twenty one-pound notes.

‘You see,’ he said. ‘That is all I have with me. You can take it or leave it.’

But already he knew that the sight of the money was too much for her. She cursed and raved impotently, but at last she gave in. Going over to the bed, she drew something out from beneath the tattered mattress.

‘Here you are, damn you!’ she snarled. ‘It’s the top one you want.’

It was a bundle of letters that she threw to him, and Mr Mayherne untied them and scanned them in his usual cool, methodical manner. The woman, watching him eagerly, could gain no clue from his impassive face.

He read each letter through, then returned again to the top one and read it a second time. Then he tied the whole bundle up again carefully.

They were love letters, written by Romaine Heilger, and the man they were written to was not Leonard Vole. The top letter was dated the day of the latter’s arrest.

‘I spoke true, dearie, didn’t I?’ whined the woman. ‘It’ll do for her, that letter?’

Mr Mayherne put the letters in his pocket, then he asked a question.

‘How did you get hold of this correspondence?’

‘That’s telling,’ she said with a leer. ‘But I know something more. I heard in court what that hussy said. Find out where
she
was at twenty past ten, the time she says she was at home. Ask at the Lion Road Cinema. They’ll remember – a fine upstanding girl like that – curse her!’

‘Who is the man?’ asked Mr Mayherne. ‘There’s only a Christian name here.’

The other’s voice grew thick and hoarse, her hands clenched and unclenched. Finally she lifted one to her face.

‘He’s the man that did this to me. Many years ago now. She took him away from me – a chit of a girl she was then. And when I went after him – and went for him too – he threw the cursed stuff at me! And she laughed – damn her! I’ve had it in for her for years. Followed her, I have, spied upon her. And now I’ve got her! She’ll suffer for this, won’t she, Mr Lawyer? She’ll suffer?’

‘She will probably be sentenced to a term of imprisonment for perjury,’ said Mr Mayherne quietly.

‘Shut away – that’s what I want. You’re going, are you? Where’s my money? Where’s that good money?’

Without a word, Mr Mayherne put down the notes on the table. Then, drawing a deep breath, he turned and left the squalid room. Looking back, he saw the old woman crooning over the money.

He wasted no time. He found the cinema in Lion Road easily enough, and, shown a photograph of Romaine Heilger, the commissionaire recognized her at once. She had arrived at the cinema with a man some time after ten o’clock on the evening in question. He had not noticed her escort particularly, but he remembered the lady who had spoken to him about the picture that was showing. They stayed until the end, about an hour later.

Mr Mayherne was satisfied. Romaine Heilger’s evidence was a tissue of lies from beginning to end. She had evolved it out of her passionate hatred. The lawyer wondered whether he would ever know what lay behind that hatred. What had Leonard Vole done to her? He had seemed dumbfounded when the solicitor had reported her attitude to him. He had declared earnestly that such a thing was incredible – yet it had seemed to Mr Mayherne that after the first astonishment his protests had lacked sincerity.

He
did
know. Mr Mayherne was convinced of it. He knew, but had no intention of revealing the fact. The secret between those two remained a secret. Mr Mayherne wondered if some day he should come to learn what it was.

The solicitor glanced at his watch. It was late, but time was everything. He hailed a taxi and gave an address.

‘Sir Charles must know of this at once,’ he murmured to himself as he got in. The trial of Leonard Vole for the murder of Emily French aroused widespread interest. In the first place the prisoner was young and good-looking, then he was accused of a particularly dastardly crime, and there was the further interest of Romaine Heilger, the principal witness for the prosecution. There had been pictures of her in many papers, and several fictitious stories as to her origin and history.

The proceedings opened quietly enough. Various technical evidence came first. Then Janet Mackenzie was called. She told substantially the same story as before. In cross-examination counsel for the defence succeeded in getting her to contradict herself once or twice over her account of Vole’s association with Miss French, he emphasized the fact that though she had heard a man’s voice in the sitting-room that night, there was nothing to show that it was Vole who was there, and he managed to drive home a feeling that jealousy and dislike of the prisoner were at the bottom of a good deal of her evidence.

Then the next witness was called.

‘Your name is Romaine Heilger?’

‘Yes.’

‘You are an Austrian subject?’

‘Yes.’

‘For the last three years you have lived with the prisoner and passed yourself off as his wife?’

Just for a moment Romaine Heilger’s eye met those of the man in the dock. Her expression held something curious and unfathomable.

‘Yes.’

The questions went on. Word by word the damning facts came out. On the night in question the prisoner had taken out a crowbar with him. He had returned at twenty minutes past ten, and had confessed to having killed the old lady. His cuffs had been stained with blood, and he had burned them in the kitchen stove. He had terrorized her into silence by means of threats.

As the story proceeded, the feeling of the court which had, to begin with, been slightly favourable to the prisoner, now set dead against him. He himself sat with downcast head and moody air, as though he knew he were doomed.

Yet it might have been noted that her own counsel sought to restrain Romaine’s animosity. He would have preferred her to be a more unbiased witness.

Formidable and ponderous, counsel for the defence arose.

He put it to her that her story was a malicious fabrication from start to finish, that she had not even been in her own house at the time in question, that she was in love with another man and was deliberately seeking to send Vole to his death for a crime he did not commit.

Romaine denied these allegations with superb insolence.

Then came the surprising denouement, the production of the letter. It was read aloud in court in the midst of a breathless stillness.

Max, beloved, the Fates have delivered him into our hands! He has been arrested for murder – but, yes, the murder of an old lady! Leonard who would not hurt a fly! At last I shall have my revenge. The poor chicken! I shall say that he came in that night with blood upon him – that he confessed to me. I shall hang him, Max – and when he hangs he will know and realize that it was Romaine who sent him to his death. And then – happiness, Beloved! Happiness at last!

There were experts present ready to swear that the handwriting was that of Romaine Heilger, but they were not needed. Confronted with the letter, Romaine broke down utterly and confessed everything. Leonard Vole had returned to the house at the time he said, twenty past nine. She had invented the whole story to ruin him.

With the collapse of Romaine Heilger, the case for the Crown collapsed also. Sir Charles called his few witnesses, the prisoner himself went into the box and told his story in a manly straightforward manner, unshaken by cross-examination.

The prosecution endeavoured to rally, but without great success. The judge’s summing up was not wholly favourable to the prisoner, but a reaction had set in and the jury needed little time to consider their verdict.

‘We find the prisoner not guilty.’

Leonard Vole was free!

Little Mr Mayherne hurried from his seat. He must congratulate his client.

He found himself polishing his pince-nez vigorously, and checked himself. His wife had told him only the night before that he was getting a habit of it. Curious things habits. People themselves never knew they had them.

An interesting case – a very interesting case. That woman, now, Romaine Heilger.

The case was dominated for him still by the exotic figure of Romaine Heilger. She had seemed a pale quiet woman in the house at Padding-ton, but in court she had flamed out against the sober background. She had flaunted herself like a tropical flower.

If he closed his eyes he could see her now, tall and vehement, her exquisite body bent forward a little, her right hand clenching and unclenching itself unconsciously all the time. Curious things, habits. That gesture of hers with the hand was her habit, he supposed. Yet he had seen someone else do it quite lately. Who was it now? Quite lately –

He drew in his breath with a gasp as it came back to him.
The woman in Shaw’s Rents
. . .

He stood still, his head whirling. It was impossible – impossible – Yet, Romaine Heilger was an actress.

The KC came up behind him and clapped him on the shoulder.

‘Congratulated our man yet? He’s had a narrow shave, you know. Come along and see him.’

But the little lawyer shook off the other’s hand.

He wanted one thing only – to see Romaine Heilger face to face.

He did not see her until some time later, and the place of their meeting is not relevant.

‘So you guessed,’ she said, when he had told her all that was in his mind. ‘The face? Oh! that was easy enough, and the light of that gas jet was too bad for you to see the makeup.’

‘But why – why –’

‘Why did I play a lone hand?’ She smiled a little, remembering the last time she had used the words.

‘Such an elaborate comedy!’

‘My friend – I had to save him. The evidence of a woman devoted to him would not have been enough – you hinted as much yourself. But I know something of the psychology of crowds. Let my evidence be wrung from me, as an admission, damning me in the eyes of the law, and a reaction in favour of the prisoner would immediately set in.’

‘And the bundle of letters?’

‘One alone, the vital one, might have seemed like a – what do you call it? – put-up job.’

‘Then the man called Max?’

‘Never existed, my friend.’

‘I still think,’ said little Mr Mayherne, in an aggrieved manner, ‘that we could have got him off by the – er – normal procedure.’

‘I dared not risk it. You see, you
thought
he was innocent –’

‘And you
knew
it? I see,’ said little Mr Mayherne.

‘My dear Mr Mayherne,’ said Romaine, ‘you do not see at all. I knew – he was guilty!’

Chapter 11
Wireless

‘Wireless’ was first published in the Sunday Chronicle Annual 1925, September 1925.

‘Above all, avoid worry and excitement,’ said Dr Meynell, in the comfortable fashion affected by doctors.

Mrs Harter, as is often the case with people hearing these soothing but meaningless words, seemed more doubtful than relieved.

‘There is a certain cardiac weakness,’ continued the doctor fluently, ‘but nothing to be alarmed about. I can assure you of that.

‘All the same,’ he added, ‘it might be as well to have a lift installed. Eh? What about it?’

Mrs Harter looked worried.

Dr Meynell, on the contrary, looked pleased with himself. The reason he liked attending rich patients rather than poor ones was that he could exercise his active imagination in prescribing for their ailments.

‘Yes, a lift,’ said Dr Meynell, trying to think of something else even more dashing – and failing. ‘Then we shall avoid all undue exertion. Daily exercise on the level on a fine day, but avoid walking up hills. And above all,’ he added happily, ‘plenty of distraction for the mind. Don’t dwell on your health.’

To the old lady’s nephew, Charles Ridgeway, the doctor was slightly more explicit.

‘Do not misunderstand me,’ he said. ‘Your aunt may live for years, probably will. At the same time shock or over-exertion might carry her off like that!’ He snapped his fingers. ‘She must lead a very quiet life. No exertion. No fatigue. But, of course, she must not be allowed to brood. She must be kept cheerful and the mind well distracted.’

‘Distracted,’ said Charles Ridgeway thoughtfully.

Charles was a thoughtful young man. He was also a young man who believed in furthering his own inclinations whenever possible.

That evening he suggested the installation of a wireless set.

Mrs Harter, already seriously upset at the thought of the lift, was disturbed and unwilling. Charles was fluent and persuasive.

‘I do not know that I care for these new-fangled things.’ said Mrs Harter piteously. ‘The waves, you know – the electric waves. They might affect me.’

Charles in a superior and kindly fashion pointed out the futility of this idea.

Mrs Harter, whose knowledge of the subject was of the vaguest, but who was tenacious of her own opinion, remained unconvinced.

‘All that electricity,’ she murmured timorously. ‘You may say what you like, Charles, but some people
are
affected by electricity. I always have a terrible headache before a thunderstorm. I know that.’

She nodded her head triumphantly.

Charles was a patient young man. He was also persistent.

‘My dear Aunt Mary,’ he said, ‘let me make the thing clear to you.’

He was something of an authority on the subject. He delivered now quite a lecture on the theme; warming to his task, he spoke of bright-emitter valves, of dull-emitter valves, of high frequency and low frequency, of amplification and of condensers.

Mrs Harter, submerged in a sea of words that she did not understand, surrendered.

‘Of course, Charles,’ she murmured, ‘if you really think –’

‘My dear Aunt Mary,’ said Charles enthusiastically. ‘It is the very thing for you, to keep you from moping and all that.’

The lift prescribed by Dr Meynell was installed shortly afterwards and was very nearly the death of Mrs Harter since, like many other old ladies, she had a rooted objection to strange men in the house. She suspected them one and all of having designs on her old silver.

After the lift the wireless set arrived. Mrs Harter was left to contemplate the, to her, repellent object – a large ungainly-looking box, studded with knobs.

It took all Charles’ enthusiasm to reconcile her to it.

Charles was in his element, he turned knobs, discoursing eloquently the while.

Mrs Harter sat in her high-backed chair, patient and polite, with a rooted conviction in her own mind that these new fangled notions were neither more nor less than unmitigated nuisances.

‘Listen, Aunt Mary, we are on to Berlin, isn’t that splendid? Can you hear the fellow?’

‘I can’t hear anything except a good deal of buzzing and clicking,’ said Mrs Harter.

Charles continued to twirl knobs. ‘Brussels,’ he announced with enthusiasm.

‘Is it really?’ said Mrs Harter with no more than a trace of interest.

Charles again turned knobs and an unearthly howl echoed forth into the room.

‘Now we seem to be on to the Dogs’ Home,’ said Mrs Harter, who was an old lady with a certain amount of spirit.

‘Ha, ha!’ said Charles, ‘you will have your joke, won’t you, Aunt Mary? Very good that!’

Mrs Harter could not help smiling at him. She was very fond of Charles. For some years a niece, Miriam Harter, had lived with her. She had intended to make the girl her heiress, but Miriam had not been a success. She was impatient and obviously bored by her aunt’s society. She was always out, ‘gadding about’ as Mrs Harter called it. In the end, she had entangled herself with a young man of whom her aunt thoroughly disapproved. Miriam had been returned to her mother with a curt note much as if she had been goods on approval. She had married the young man in question and Mrs Harter usually sent her a handkerchief case or a table-centre at Christmas.

Having found nieces disappointing, Mrs Harter turned her attention to nephews. Charles, from the first, had been an unqualified success. He was always pleasantly deferential to his aunt, and listened with an appearance of intense interest to the reminiscences of her youth. In this he was a great contrast to Miriam, who had been frankly bored and showed it. Charles was never bored, he was always good-tempered, always gay. He told his aunt many times a day that she was a perfectly marvellous old lady.

Highly satisfied with her new acquisition, Mrs Harter had written to her lawyer with instructions as to the making of a new will. This was sent to her, duly approved by her and signed.

And now even in the matter of the wireless, Charles was soon proved to have won fresh laurels.

Mrs Harter, at first antagonistic, became tolerant and finally fascinated. She enjoyed it very much better when Charles went out. The trouble with Charles was that he could not leave the thing alone. Mrs Harter would be seated in her chair comfortably listening to a symphony concert or a lecture on Lucrezia Borgia or Pond Life, quite happy and at peace with the world. Not so Charles. The harmony would be shattered by discordant shrieks while he enthusiastically attempted to get foreign stations. But on those evenings when Charles was dining out with friends Mrs Harter enjoyed the wireless very much indeed. She would turn on two switches, sit in her high-backed chair and enjoy the programme of the evening.

It was about three months after the wireless had been installed that the first eerie happening occurred. Charles was absent at a bridge party.

The programme for that evening was a ballad concert. A well-known soprano was singing ‘Annie Laurie,’ and in the middle of ‘Annie Laurie’ a strange thing happened. There was a sudden break, the music ceased for a moment, the buzzing, clicking noise continued and then that too died away. There was dead silence, and then very faintly a low buzzing sound was heard.

Mrs Harter got the impression, why she did not know, that the machine was tuned into somewhere very far away, and then clearly and distinctly a voice spoke, a man’s voice with a faint Irish accent.


Mary
– can you hear me, Mary? It is Patrick speaking . . . I am coming for you soon. You will be ready, won’t you, Mary?’

Then, almost immediately, the strains of ‘Annie Laurie’ once more filled the room. Mrs Harter sat rigid in her chair, her hands clenched on each arm of it. Had she been dreaming? Patrick! Patrick’s voice! Patrick’s voice in this very room, speaking to her. No, it must be a dream, a hallucination perhaps. She must just have dropped off to sleep for a minute or two. A curious thing to have dreamed – that her dead husband’s voice should speak to her over the ether. It frightened her just a little. What were the words he had said?


I am coming for you soon, Mary. You will be ready, won’t you?

Was it, could it be a premonition? Cardiac weakness. Her heart. After all, she was getting on in years.

‘It’s a warning – that’s what it is,’ said Mrs Harter, rising slowly and painfully from her chair, and added characteristically:

‘All that money wasted on putting in a lift!’

She said nothing of her experience to anyone, but for the next day or two she was thoughtful and a little pre-occupied.

And then came the second occasion. Again she was alone in the room. The wireless, which had been playing an orchestral selection, died away with the same suddenness as before. Again there was silence, the sense of distance, and finally Patrick’s voice not as it had been in life – but a voice rarefied, far away, with a strange unearthly quality.
Patrick speaking to you, Mary, I will be coming for you very soon now
. . .’

Then click, buzz, and the orchestral selection was in full swing again.

Mrs Harter glanced at the clock. No, she had not been asleep this time. Awake and in full possession of her faculties, she had heard Patrick’s voice speaking. It was no hallucination, she was sure of that. In a confused way she tried to think over all that Charles had explained to her of the theory of ether waves.

Could it be Patrick had
really
spoken to her? That his actual voice had been wafted through space? There were missing wave lengths or something of that kind. She remembered Charles speaking of ‘gaps in the scale’. Perhaps the missing waves explained all the so-called psychological phenomena? No, there was nothing inherently impossible in the idea. Patrick had spoken to her. He had availed himself of modern science to prepare her for what must soon be coming.

Mrs Harter rang the bell for her maid, Elizabeth.

Elizabeth was a tall gaunt woman of sixty. Beneath an unbending exterior she concealed a wealth of affection and tenderness for her mistress.

‘Elizabeth,’ said Mrs Harter when her faithful retainer had appeared, ‘you remember what I told you? The top left-hand drawer of my bureau. It is locked, the long key with the white label. Everything is there ready.’

‘Ready, ma’am?’

‘For my burial,’ snorted Mrs Harter. ‘You know perfectly well what I mean, Elizabeth. You helped me to put the things there yourself.’

Elizabeth’s face began to work strangely.

‘Oh, ma’am,’ she wailed, ‘don’t dwell on such things. I thought you was a sight better.’

‘We have all got to go sometime or another,’ said Mrs Harter practically. ‘I am over my three score years and ten, Elizabeth. There, there, don’t make a fool of yourself. If you must cry, go and cry somewhere else.’

Elizabeth retired, still sniffing.

Mrs Harter looked after her with a good deal of affection.

‘Silly old fool, but faithful,’ she said, ‘very faithful. Let me see, was it a hundred pounds or only fifty I left her? It ought to be a hundred. She has been with me a long time.’

The point worried the old lady and the next day she sat down and wrote to her lawyer asking if he would send her will so that she might look over it. It was that same day that Charles startled her by something he said at lunch.

‘By the way, Aunt Mary,’ he said, ‘who is that funny old josser up in the spare room? The picture over the mantelpiece, I mean. The old johnny with the beaver and side whiskers?’

Mrs Harter looked at him austerely.

‘That is your Uncle Patrick as a young man,’ she said.

‘Oh, I say, Aunt Mary, I am awfully sorry. I didn’t mean to be rude.’

Mrs Harter accepted the apology with a dignified bend of the head.

Charles went on rather uncertainly:

‘I just wondered. You see –’

He stopped undecidedly and Mrs Harter said sharply:

‘Well? What were you going to say?’

‘Nothing,’ said Charles hastily. ‘Nothing that makes sense, I mean.’

For the moment the old lady said nothing more, but later that day, when they were alone together, she returned to the subject.

‘I wish you would tell me, Charles, what it was made you ask me about that picture of your uncle.’

Charles looked embarrassed.

‘I told you, Aunt Mary. It was nothing but a silly fancy of mine – quite absurd.’

‘Charles,’ said Mrs Harter in her most autocratic voice, ‘I insist upon knowing.’

‘Well, my dear aunt, if you will have it, I fancied I saw him – the man in the picture, I mean – looking out of the end window when I was coming up the drive last night. Some effect of the light, I suppose. I wondered who on earth he could be, the face was so – early Victorian, if you know what I mean. And then Elizabeth said there was no one, no visitor or stranger in the house, and later in the evening I happened to drift into the spare room, and there was the picture over the mantelpiece. My man to the life! It is quite easily explained, really, I expect. Subconscious and all that. Must have noticed the picture before without realizing that I had noticed it, and then just fancied the face at the window.’

‘The end window?’ said Mrs Harter sharply.

‘Yes, why?’

‘Nothing,’ said Mrs Harter.

But she was startled all the same. That room had been her husband’s dressing-room.

That same evening, Charles again being absent, Mrs Harter sat listening to the wireless with feverish impatience. If for the third time she heard the mysterious voice, it would prove to her finally and without a shadow of doubt that she was really in communication with some other world.

Although her heart beat faster, she was not surprised when the same break occurred, and after the usual interval of deathly silence the faint far-away Irish voice spoke once more.


Mary
– you are prepared now . . . On Friday I shall come for you . . . Friday at half past nine . . . Do not be afraid – there will be no pain . . . Be ready . . .’

Then almost cutting short the last word, the music of the orchestra broke out again, clamorous and discordant.

Mrs Harter sat very still for a minute or two. Her face had gone white and she looked blue and pinched round the lips.

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