Midnight's Children (2 page)

The general opinion of Tai had been voiced long ago by Aadam Aziz's father the gemstone merchant: 'His brain fell out with his teeth.' (But now old Aziz sahib sat lost in bird tweets while Tai simply, grandly, continued.) It was an impression the boatman fostered by his chatter, which was fantastic, grandiloquent and ceaseless, and as often as not addressed only to himself. Sound carries over water, and the lake people giggled at his monologues; but with undertones of awe, and even fear. Awe, because the old halfwit knew the lakes and hills better than any of his detractors; fear, because of his claim to an antiquity so immense it defied numbering, and moreover hung so lightly round his chicken's neck that it hadn't prevented him from winning a highly desirable wife and fathering four sons upon her… and a few more, the story went, on other lakeside wives. The young bucks at the shikara moorings were convinced he had a pile of money hidden away somewhere-a hoard, perhaps, of priceless golden teeth, rattling in a sack like walnuts. Years later, when Uncle Puffs tried to sell me his daughter by offering to have her teeth drawn and replaced in gold, I thought of Tai's forgotten treasure… and, as a child, Aadam Aziz had loved him.

He made his living as a simple ferryman, despite all the rumours of wealth, taking hay and goats and vegetables and wood across the lakes for cash; people, too. When he was running his taxi-service he erected a pavilion in the centre of the shikara, a gay affair of flowered-patterned curtains and canopy, with cushions to match; and deodorised his boat with incense. The sight of Tai's shikara approaching, curtains flying, had always been for Doctor Aziz one of the defining images of the coming of spring. Soon the English sahibs would arrive and Tai would ferry them to the Shalimar Gardens and the King's Spring, chattering and pointy and stooped. He was the living antithesis of Oskar-Ilse-Ingrid's belief in the inevitability of change… a quirky, enduring familiar spirit of the valley. A watery Caliban, rather too fond of cheap Kashmiri brandy.

Memory of my blue bedroom wall: on which, next to the P.M.'s letter, the Boy Raleigh hung for many years, gazing rapturously at an old fisherman in what looked like a red dhoti, who sat on-what?-driftwood?-and pointed out to sea as he told his fishy tales… and the Boy Aadam, my grandfather-to-be, fell in love with the boatman Tai precisely because of the endless verbiage which made others think him cracked. It was magical talk, words pouring from him like fools' money, past Ms two gold teeth, laced with hiccups and brandy, soaring up to the most remote Himalayas of the past, then swooping shrewdly on some present detail, Aadam's nose for instance, to vivisect its meaning like a mouse. TMs friendship had plunged Aadam into hot water with great regularity. (Boiling water. Literally. While his mother said, 'We'll kill that boatman's bugs if it kills you.') But still the old soliloquist would dawdle in Ms boat at the garden's lakeside toes and Aziz would sit at Ms feet until voices summoned Mm indoors to be lectured on Tai's filthiness and warned about the pillaging armies of germs Ms mother envisaged leaping from that hospitably ancient body on to her son's starched white loose-pajamas. But always Aadam returned to the water's edge to scan the mists for the ragged reprobate's hunched-up frame steering its magical boat through the enchanted waters of the morning.

'But how old are you really, Taiji?' (Doctor Aziz, adult, redbearded, slanting towards the future, remembers the day he asked the unaskable question.) For an instant, silence, noisier than a waterfall. The monologue, interrupted. Slap of oar in water. He was riding in the shikara with Tai, squatting amongst goats, on a pile of straw, in full knowledge of the stick and bathtub waiting for him at home. He had come for stories-and with one question had silenced the storyteller.

'No, tell, Taiji, how old, truly? And now a brandy bottle, materialising from nowhere: cheap liquor from the folds of the great warm chugha-coat. Then a shudder, a belch, a glare. Glint of gold. And-at last!-speech. 'How old? You ask how old, you little wet-head, you nosey…' Tai, forecasting the fisherman on my wall, pointed at the mountains. 'So old, nakkoo!' Aadam, the nakkoo, the nosey one, followed his pointing finger. 'I have watched the mountains being born; I have seen Emperors die. Listen. Listen, nakkoo…'-the brandy bottle again, followed by brandy-voice, and words more intoxicating than booze-'… I saw that Isa, that Christ, when he came to Kashmir. Smile, smile, it is your history I am keeping in my head. Once it was set down in old lost books. Once I knew where there was a grave with pierced feet carved on the tombstone, which bled once a year. Even my memory is going now; but I know, although I can't read.' Illiteracy, dismissed with a flourish; literature crumbled beneath the rage of his sweeping hand. Which sweeps again to chugha-pocket, to brandy bottle, to lips chapped with cold. Tai always had woman's lips. 'Nakkoo, listen, listen. I have seen plenty. Yara, you should've seen that Isa when he came, beard down to his balls, bald as an egg on his head. He was old and fagged-out but he knew his manners. 'You first, Taiji,' he'd say, and 'Please to sit'; always a respectful tongue, he never called me crackpot, never called me tu either. Always aap. Polite, see? And what an appetite! Such a hunger, I would catch my ears in fright. Saint or devil, I swear he could eat a whole kid in one go. And so what? I told him, eat, fill your hole, a man comes to Kashmir to enjoy life, or to end it, or both. His work was finished. He just came up here to live it up a little.' Mesmerized by this brandied portrait of a bald, gluttonous Christ, Aziz listened, later repeating every word to the consternation of his parents, who dealt in stones and had no time for 'gas'.

'Oh, you don't believe?'-licking his sore lips with a grin, knowing it to be the reverse of the truth; 'Your attention is wandering?'-again, he knew how furiously Aziz was hanging on his words. 'Maybe the straw is pricking your behind, hey? Oh, I'm so sorry, babaji, not to provide for you silk cushions with gold brocade-work-cushions such as the Emperor Jehangir sat upon! You think of the Emperor Jehangir as a gardener only, no doubt,' Tai accused my grandfather, 'because he built Shalimar. Stupid! What do you know? His name meant Encompasser of the Earth. Is that a gardener's name? God knows what they teach you boys these days. Whereas I'… puffing up a little here ..'I knew his precise weight, to the tola! Ask me how many maunds, how many seers! When he was happy he got heavier and in Kashmir he was heaviest of all. I used to carry his litter… no, no, look, you don't believe again, that big cucumber in your face is waggling like the little one in your pajamas! So, come on, come on, ask me questions! Give examination! Ask how many times the leather thongs wound round the handles of the litter-the answer is thirty-one. Ask me what was the Emperor's dying word-I tell you it was 'Kashmir'. He had bad breath and a good heart. Who do you think I am? Some common ignorant lying pie-dog? Go, get out of the boat now, your nose makes it too heavy to row; also your father is waiting to beat my gas out of you, and your mother to boil off your skin.'

In the brandy bottle of the boatman Tai I see, foretold, my own father's possession by djinns… and there will be another bald foreigner… and Tai's gas prophesies another kind, which was the consolation of my grandmother's old age, and taught her stories, too… and pie-dogs aren't far away… Enough. I'm frightening myself. Despite beating and boiling, Aadam Aziz floated with Tai in his shikara, again and again, amid goats hay flowers furniture lotus-roots, though never with the English sahibs, and heard again and again the miraculous answers to that single terrifying question: 'But Taiji, how old are you, honestly?

From Tai, Aadam learned the secrets of the lake-where you could swim without being pulled down by weeds; the eleven varieties of water-snake; where the frogs spawned; how to cook a lotus-root; and where the three English women had drowned a few years back. There is a tribe of feringhee women who come to this water to drown,' Tai said. 'Sometimes they know it, sometimes they don't, but I know the minute I smell them. They hide under the water from God knows what or who-but they can't hide from me, baba!' Tai's laugh, emerging to infect Aadam-a huge, booming laugh that seemed macabre when it crashed out of that old, withered body, but which was so natural in my giant grandfather that nobody knew, in later times, that it wasn't really his (my uncle Hanif inherited this laugh; so until he died, a piece of Tai lived in Bombay). And, also from Tai, my grandfather heard about noses.

Tai tapped his left nostril. 'You know what this is nakkoo? It's the place where the outside world meets the world inside you. If they don't get on, you feel it here. Then you rub your nose with embarrassment to make the itch go away. A nose like that, little idiot, is a great gift. I say: trust it. When it warns you, look out or you'll be finished. Follow your nose and you'll go far.' He cleared his throat; his eyes rolled away into the mountains of the past. Aziz settled back on the straw. 'I knew one officer once-in the army of that Iskandar the Great. Never mind his name. He had a vegetable just like yours hanging between his eyes. When the army halted near Gandhara, he fell in love with some local floozy. At once his nose itched like crazy. He scratched it, but that was useless. He inhaled vapours from crushed boiled eucalyptus leaves. Still no good, baba! The itching sent him wild; but the damn fool dug in his heels and stayed with his little witch when the army went home. He became-what?-a stupid thing, neither this nor that, a half-and-halfer with a nagging wife and an itch in the nose, and in the end he pushed his sword into his stomach. What do you think of that?'

…Doctor Aziz in 1915, whom rubies and diamonds have turned into a half-and-halfer, remembers this story as Tai enters hailing distance. His nose is itching still. He scratches, shrugs, tosses his head; and then Tai shouts.

'Ohe! Doctor Sahib! Ghani the landowner's daughter is sick.'

The message, delivered curtly, shouted unceremoniously across the surface of the lake although boatman and pupil have not met for half a decade, mouthed by woman's lips that are not smiling in long-time-no-see greeting, sends time into a speeding, whirligig, blurry fluster of excitement…

…'Just think, son,' Aadam's mother is saying as she sips fresh lime water, reclining on a takht in an attitude of resigned exhaustion, 'how life does turn out. For so many years even my ankles were a secret, and now I must be stared at by strange persons who are not even family members.'

…While Ghani the landowner stands beneath a large oil painting of Diana the Huntress, framed in squiggly gold. He wears thick dark glasses and his famous poisonous smile, and discussed art. 'I purchased it from an Englishman down on his luck, Doctor Sahib. Five hundred rupees only-and I did not trouble to beat him down. What are five hundred chips? You see, I am a lover of culture.'

… 'See, my son,' Aadam's mother is saying as he begins to examine her, 'what a mother will not do for her child. Look how I suffer. You are a doctor… feel these rashes, these blotchy bits, understand that my head aches morning noon and night. Refill my glass, child.'

… But the young Doctor has entered the throes of a most un-hippocratic excitement at the boatman's cry, and shouts, 'I'm coming just now! Just let me bring my things!' The shikara's prow touches the garden's hem. Aadam is rushing indoors, prayer-mat rolled like cheroot under one arm, blue eyes blinking in the sudden interior gloom; he has placed the cheroot on a high shelf on top of stacked copies of Vorwarts and Lenin's What Is To Be Done? and other pamphlets, dusty echoes of his half-faded German life; he is pulling out, from under his bed, a second-hand leather case which his mother called his 'doctori-attache', and as he swings it and himself upwards and runs from the room, the word heidelberg is briefly visible, burned into the leather on the bottom of the bag. A landowner's daughter is good news indeed to a doctor with a career to make, even if she is ill. No: because she is ill.

… While I sit like an empty pickle jar in a pool of Anglepoised light, visited by this vision of my grandfather sixty-three years ago, which demands to be recorded, filling my nostrils with the acrid stench of his mother's embarrassment which has brought her out in boils, with the . vinegary force of Aadam Aziz's determination to establish a practice so successful that she'll never have to return to the gemstone-shop, with the blind mustiness of a big shadowy house in which the young Doctor stands, ill-at-ease, before a painting of a plain girl with lively eyes and a stag transfixed behind her on the horizon, speared by a dart from her bow. Most of what matters in our lives takes place in our absence: but I seem to have found from somewhere the trick of filling in the gaps in my knowledge, so that everything is in my head, down to the last detail, such as the way the mist seemed to slant across the early morning air… everything, and not just the few clues one stumbles across, for instance by opening an old tin trunk which should have remained cobwebby and closed.

… Aadam refills his mother's glass and continues, worriedly, to examine her. Tut some cream on these rashes and blotches, Amma. .. For the headache, there are pills. The boils must be lanced. But maybe if you wore purdah when you sat in the store… so that no disrespectful eyes could… such complaints often begin in the mind…'

… Slap of oar in water. Plop of spittle in lake. Tai clears his throat and mutters angrily, 'A fine business. A wet-head nakkoo child goes away before he's learned one damn thing and he comes back a big doctor sahib with a big bag full of foreign machines, and he's still as silly as an owl. I swear: a too bad business.'

… Doctor Aziz is shifting uneasily, from foot to foot, under the influence of the landowner's smile, in whose presence it is not possible to feel relaxed; and is waiting for some tic of reaction to his own extraordinary appearance. He has grown accustomed to these involuntary twitches of surprise at his size, his face of many colours, his nose… but Ghani makes no sign, and the young Doctor resolves, in return, not to let his uneasiness show. He stops shifting his weight. They face each other, each suppressing (or so it seems) his view of the other, establishing the basis of their future relationship. And now Ghani alters, changing from an art-lover to tough-guy. 'This is a big chance for you, young man,' he says. Aziz's eyes have strayed to Diana. Wide expanses of her blemished pink skin are visible.