Authors: Wislawa Szymborska
For others, Death was mad and monumentalâ
not for these citizens of a sepia past.
Their griefs turned into smiles, their days flew fast,
Laughtertheir vanishing was due to influenza.
Â
Â
The little girl I wasâ
I know her, of course.
I have a few snapshots
from her brief life.
I feel good-natured pity
for a couple of little poems.
I remember a few events.
Â
But
to make the man who's with me
laugh and hug me,
I dig up just one silly story:
the puppy love
of that ugly duckling.
Â
I tell him
how she fell in love with a college boy;
that is, she wanted him
to look at her.
Â
I tell him
how she once ran out to meet him
with a bandage on her unhurt head,
so that he'd ask, oh just ask her
what had happened.
Â
Funny little thing
How could she know
that even despair can work for you
if you're lucky enough
to outlive it.
Â
I'd give her some change: go buy a cookie.
I'd give her more: go see a show.
Go away, I'm busy now.
Â
Can't you see
the lights are out?
Don't you get it,
the door is locked?
Stop fiddling with the knobâ
the man who laughed
and hugged me
is not your college boy.
Â
It'd be better if you
went back where you came from.
I don't owe you anything,
I'm just an ordinary woman
who only knows
when to betray
another's secret.
Â
Don't keep staring at us
with those eyes of yours,
open too wide
The Railroad Stationlike the eyes of the dead.
Â
Â
My nonarrival in the city of N.
took place on the dot.
Â
You'd been alerted
in my unmailed letter.
Â
You were able not to be there
at the agreed-upon time.
Â
The train pulled up at Platform 3.
A lot of people got out.
Â
My absence joined the throng
as it made its way toward the exit.
Â
Several women rushed
to take my place
in all that rush.
Â
Somebody ran up to one of them.
I didn't know him,
but she recognized him
immediately.
Â
While they kissed
with not our lips,
a suitcase disappeared,
not mine.
Â
The railroad station in the city of N.
passed its exam
in objective existence
with flying colors.
Â
The whole remained in place.
Particulars scurried
along the designated tracks.
Â
Even a rendezvous
took place as planned.
Â
Beyond the reach
of our presence.
Â
In the paradise lost
of probability.
Â
Somewhere else.
Somewhere else.
AliveHow these little words ring.
Â
Â
These days we just hold him.
Hold him living.
Only the heart
still pounces on him.
Â
To the dismay
of our distaff cousin, the spider,
he will not be devoured.
Â
We permit his head,
pardoned centuries ago,
to rest upon our shoulder.
Â
For a thousand tangled reasons
it's become our practice
to listen to him breathe.
Â
Hissed from our mysteries.
Broken of our bloody ways.
Stripped of female menace.
Â
Only the fingernails
still glitter, scratch, and retract.
Do they know,
can they guess
that they're the last set of silverware
from the family fortune?
Â
He's already forgotten
he should flee us.
He doesn't know the wide-eyed fear
that grabs you by the short hairs.
Â
He looks as if
he'd just been born.
All out of us.
All ours.
Â
On his cheek,
an eyelash's imploring shadow.
Between his shoulder blades,
a touching trickle of sweat.
Â
That's what he is now,
and that's how he'll nod off.
Truthful.
Hugged by a death
Bornwhose permit has elapsed.
Â
Â
So this is his mother.
This small woman.
The gray-eyed procreator.
Â
The boat in which, years ago,
he sailed to shore.
Â
The boat from which he stepped
into the world,
into un-eternity.
Â
Genetrix of the man
with whom I leap through fire.
Â
So this is she, the only one
who didn't take him
finished and complete.
Â
She herself pulled him
into the skin I know,
bound him to the bones
that are hidden from me.
Â
She herself raised
the gray eyes
that he raised to me.
Â
So this is she, his Alpha.
Why has he shown her to me.
Â
Born.
So he was born, too.
Born like everyone else.
Like me, who will die.
Â
The son of an actual woman.
A new arrival from the body's depths.
A voyager to Omega.
Â
Subject to
his own absence,
on every front,
at any moment.
Â
He hits his head
against a wall
that won't give way forever.
Â
His movements
dodge and parry
the universal verdict.
Â
I realized
that his journey was already halfway over.
Â
But he didn't tell me that,
no.
Â
“This is my mother”
Censuswas all he said.
Â
Â
On the hill where Troy once stood,
they've dug up seven cities.
Seven cities. Six too many
for a single epic.
What's to be done with them? What?
Hexameters burst,
nonfictional bricks appear between the cracks,
ruined walls rise mutely as in silent films,
charred beams, broken chains,
bottomless pitchers drained dry,
fertility charms, olive pits,
and skulls as palpable as tomorrow's moon.
Â
Our stockpile of antiquity grows constantly,
it's overflowing,
reckless squatters jostle for a place in history,
hordes of sword fodder,
Hector's nameless extras, no less brave than he,
thousands upon thousands of singular faces,
each the first and last for all time,
in each a pair of inimitable eyes.
How easy it was to live not knowing this,
so sentimental, so spacious.
Â
What should we give them? What do they need?
Some more or less unpeopled century?
Some small appreciation for their goldsmiths' art?
We three billion judges
have problems of our own,
our own inarticulate rabble,
railroad stations, bleachers, protests and processions,
vast numbers of remote streets, floors, and walls.
We pass each other once for all time in department stores
shopping for a new pitcher.
Homer is working in the census bureau.
Soliloquy for CassandraNo one knows what he does in his spare time.
Â
Â
Here I am, Cassandra.
And this is my city under ashes.
And these are my prophet's staff and ribbons.
And this is my head full of doubts.
Â
It's true, I am triumphant.
My prophetic words burn like fire in the sky.
Only unacknowledged prophets
are privy to such prospects.
Only those who got off on the wrong foot,
whose predictions turned to fact so quicklyâ
it's as if they'd never lived.
Â
I remember it so clearlyâ
how people, seeing me, would break off in midword.
Laughter died.
Lovers' hands unclasped.
Children ran to their mothers.
I didn't even know their short-lived names.