Light on Lucrezia (20 page)

And, mused Alexander, it is now necessary to find another bridegoom for Lucrezia; but this will have to be delayed until some of the more virulent rumors have died down.

But who would ever forget that disgrace of Lucrezia’s first husband, the murder of her second?

The old Alexander would have blamed Cesare for his rash action in having had his brother-in-law murdered in such a way that it was obvious who was the murderer. The new Alexander did no such thing; he used his shrewd mind to fabricate excuses for his son.

He called Cesare to him, and they discussed the matter.

“We are being watched by every state and kingdom in the land,” he began. “It is being said that there was no plot against us, and the murder was one of spite and hate, and that Alfonso was an innocent man.”

“What care we for their opinions?”

“It is always better to lay a cloak of benevolent intentions and sound good sense over one’s actions, my son. Alfonso was a foolish boy but he was a Prince of Naples.”

Cesare snapped his fingers. “That for Naples and their bastard princelings!”

“We have the future to think of, Cesare. Do not let it be said that a Prince of Naples … or Milan … or Venice … may visit us here in Rome, displease us in some way, and then lose his life. That may mean that, when we wish to receive such Princes in Rome, they will be chary of coming … which could be an inconvenience. No. These people must understand that Alfonso was plotting here against you … and you merely had him killed before he could kill you. You have imprisoned members of his household?”

“They are in Castel St. Angelo now.”

“There let them stay. Now you must make an inquiry into these plots and send some account of it to Naples … to Milan. Circulate it throughout Italy.”

“The matter is done with,” growled Cesare.

“Nay. No such matter is ever done with while there are men and women to remember that it took place.”

“Very well. I will do it … in good time.”

“That is well, my son. And do it promptly, for before long you will be leaving us to rejoin your armies.”

Cesare stood up suddenly and began hitting the palm of his left hand
with the clenched fist of his right. “And to think,” he said, “that my own sister should be making this more difficult for us!”

“She is a wife who loved her husband.”

“She loved our enemy!” cried Cesare.

“It is sad to contemplate that she can forget our interests in her grief for his loss,” admitted the Pope.

Cesare looked artfully at his father. A short while ago Lucrezia was his favorite child, and Cesare could have sworn that she had enjoyed more favor at the Vatican than any. Now the Pope was less pleased with his daughter. It was strange that Cesare should have had to commit a murder in order to oust his sister from first place in their father’s esteem. Foolish Lucrezia! She had ruled by her love for her father—her gentle disinterested love. Now she had been unwise enough to show that her grief in the loss of her husband overshadowed her love for her father; and Alexander, who always turned from the unpleasant, disliked to see the grief of his daughter, and was irritated at the signs of tears on her face.

“This husband of hers, it seems, bewitched her,” went on Cesare. “We were of little consequence to her when he was alive. Now that she has lost him she mourns him so bitterly that all Rome knows it. She has not appeared in public since it happened, but servants carry tales, and it may be that passers-by have seen her in loggias or on the balconies—a white-faced grieving widow. The people—the stupid sentimental people—are ready to weep with her and cry vengeance on those who rid Rome of a traitor because in so doing they brought tears to his widow’s eyes!” Cesare’s voice had risen to a scream. “Sanchia and she … they are together all the time, talking of his perfections, lashing each other to more displays of grief, crying out against his murderers. And this, oh my father, is Lucrezia Borgia—my sister, your daughter—so far forgetting that she is one of us that she—if only in her secret heart—calls down vengeance on her brother.”

“She would never cry for vengeance on you, Cesare. She loves you dearly … no matter what passing fancies afflict her.”

“I tell you at this time she has no thought for any but her dead husband. Separate them, Father, because they brew mischief. Send Sanchia back to Naples. And Lucrezia—send her away from Rome. No good can come of keeping her here.”

The Pope was silent for a few seconds.

He was thinking: There is good sense in this. Let her go away from us. Let her quietly brood on her sorrow. She is a Borgia at heart. She is one of us. She will not long mourn him who cannot be brought back, however many tears are shed. A short stay in a quiet place, and she will pine for the pleasures of Rome, the affection of her family. Has she ever been happy for long without them?

Then he spoke: “You are right, my son. Sanchia shall go back to Naples. As for Lucrezia, she also shall leave Rome. I think a short stay in the castle of Nepi would be beneficial to her health.”

So Lucrezia came
out of Rome and traveled north along the Via Cassia through Isola Farnese, Baccano, Monterosi, to the dismal castle of Nepi.

Nepi, bleakly situated on a plateau surrounded by deep ravines through which flowed little streams, seemed the appropriate place in which to nurse a sorrow. Lucrezia however was unimpressed by its air of aloof solitude; she had no wish but to be alone.

From the peperino casements she would be able to look out across that strange country from the city walls of dark red tufa to the rushing water in the deep chasms, to the oak forests, black and forbidding on the horizon. From the topmost turret of the castle she could see the great volcanoes and the mountains of Viterbo; she could see Soracte and the sloping plateau which led down to the gleaming Tiber; and beyond, in a mist of blue haze, the Sabine mountains.

There was one comfort in her life now—her little Roderigo; and she rejoiced that he was too young to appreciate his loss.

All her attendants who accompanied her to Nepi were subdued, and behaved in accordance with the Spanish custom of mourning, which was more ceremonious than that of Italy.

Lucrezia dressed herself in black and took her meals off earthenware plates. She would shut herself into her apartment for hours and mentally reconstruct those happy two years which she had spent with Alfonso, reliving little details—the first time they had met, their wedding ceremony, the birth of Roderigo. And all the time she was trying not to remember that horrifying
moment when she and Sanchia had returned from the Pope’s apartment to find him lying across the bed … murdered.

But how could she shut out the memory? It was ever present. She would wake from sleep, thinking he was beside her. She would call his name and put out a hand to feel for him. The loneliness was unbearable.

The sorrow was with her every waking hour, and when she signed her letters she called herself The Unhappy Princess of Salerno.

Giovanni Sforza was
watching the march of events with horror. He knew that what had happened to Lucrezia’s second husband might so easily have happened to her first. Disgruntled as he was, continually cursing the Pope, who had placed upon him the stigma of impotence, he realized that he had some reason to rejoice, for at least his life had been spared.

But even so, it was in danger.

Cesare Borgia was intent on setting up the Dukedom of Romagna for himself, and one of his strongholds would be the town of Pesaro, of which Giovanni Sforza was the Lord.

He knew, that September day, that Cesare was marching relentlessly forward. He knew that he would be powerless against him. And what would await Giovanni Sforza when he came face to face with Cesare Borgia? Giovanni had been the husband of Cesare’s sister, and Cesare, who had murdered her second husband and had planned to murder her first, would not hesitate when he had that first husband within his power. And what sort of death could he expect at the hands of Cesare Borgia? The tales of the scandalous life led by the Borgias, many declared, had been started by Giovanni Sforza. It was true there had always been murmurings against them, but he had added plausibility to those tales.

If they had branded him as impotent, he had retaliated by branding them with the stigma of incestuous conduct.

Clearly, with Cesare’s armies closing in, Pesaro was no place for him.

Whither could he go?

To Milan? The French had recaptured Milan once more, and his relative, Ludovico Sforza, was Louis’ prisoner. He thought then of the Gonzagas
of Mantua, as his first wife had been the sister of Francesco Gonzaga, that Marquis of Mantua who had won the victory at Fornovo which had been responsible for driving the armies of Charles VIII out of Italy after the previous French invasion.

So to Mantua went Giovanni Sforza, and there he was welcomed by Isabella d’Este who was the wife of Francesco Gonzaga.

Francesco was a great soldier who had won renown for his bravery, but his wife Isabella was a strong-minded woman with such a high opinion of her family, the Estes, that she deemed all others inferior to them. She was clever, politically acute, cultured and handsome; but there was in her a cold determination to dominate all who came within her sphere of influence.

When she had married him ten years before, Francesco had adored her. She had seemed to him quite wonderful, combining handsome looks with a clever brain. As for herself, she tolerated him. She considered him far from prepossessing, for although he was tall and had a good figure he bore unmistakably the mark of his German ancestors; and the Hohenzollern features did not appeal to Isabella’s sense of beauty. His nose had the appearance of being flattened out; his eyes looked sleepy; his forehead immense. His charm did not touch Isabella, and she was surprised that other women should be deeply conscious of it.

It was necessary to Francesco to indulge in love affairs outside his marriage as he was a deeply sensual man and, in any case in his time, men who did not so indulge were often accused of impotence.

What did it matter what mistresses he took, Isabella asked herself, as long as she produced sons for the glorification of her family and his?

Rumor had it that when, immediately after the birth of one of her children, she discovered it to be a girl, she rose from her bed and removed it from the elaborate cradle which had been prepared, as she pointed out, for a male child.

She was a strong woman, accustomed to rule, sharp-tongued, witty, elegant, admired and respected, but loved by few.

She had heard much about the women who were beloved by the Pope, and she was envious of them; therefore she was ready to grant asylum to Giovanni Sforza, when he came riding to Mantua to beg it, and received him with as much warmth as he could expect from a woman of her character.

“My dear Marchesa,” he said, bowing over her hand, “I come to you as a beggar, knowing that the brother of my dear dead Maddalena would not turn me away.”

“Certainly he shall not turn you away,” said Isabella. “Certainly you shall have refuge here. There must be some place where those who have suffered at the hands of these outrageous Borgias should find rest.”

“How happy I am that I came!”

Isabella looked at him with some scorn, since he was a weak man and she despised weakness. On the other hand she was looking forward to talking with him at her little court, and drawing from him further scandalous stories concerning the infamous Borgias.

So Giovanni was made welcome, and he found the cultured court of Mantua to his taste. Here wars were not considered of the greatest importance. Literature was discussed; matters of the mind. The Duke, with his military glory, might be an outsider, but let him go to his stables where he was breeding those horses which were fast becoming known as not only the best in Italy but in the world.

There was nothing which delighted Isabella more than to gather about her the wittiest people of Mantua and many of those from all parts of Italy who visited her court. She wished to be known, not as the virtual governor of Mantua only, but as patroness of the arts.