“Thank you. While you finish your meal, I’ll check on your room.”
She left him there by the fire for two reasons. First, she’d offered him quite enough of her confidences for one night and had failed utterly to wring any from him—professional or personal.
The second reason Jenny fled into the cold, dark corridor was that she liked standing close to Elijah Harrison far too much.
As Elijah accompanied his hostess through the chilly, dimly lit house, fatigue hit him like a runaway freight wagon. This was what came of trying to make a winter’s journey when sane people were holed up with one another, tippling brandy and making gingerbread.
No, not sane people. Sentimental people.
“Your room is here,” Lady Jenny said, opening a door. She led him into a blessedly, gloriously cozy space, into a bit of heaven for a man who’d considered he might end both the day and his life shivering in a snowy ditch.
“Lady Kesmore takes her hospitality seriously,” he said. The appointments were in a cheery blue and cream with green accents—again, not quite the green of Lady Jenny’s eyes—giving the chamber a feminine air even by candlelight. A fat, black cat kitted out as if in formal evening attire—black fur tailcoat and knee breeches; white fur cravat, boots, and gloves—rose from the bed and strolled for the door, tail held high.
When a room was truly clean, light filled it easily. A beam of sunshine or flicker of candlelight could bounce from a sparkling mirror, to a gleaming hardwood floor, to a polished lamp chimney or sconce mirror.
The room was very clean, and in the hearth, a wood fire crackled merrily.
“I have never regarded the scent of wood smoke as a fragrance,” he said, “though tonight, I certainly do.”
“You were quite cold, weren’t you?” she asked, lighting the candles by his bedside tables. “I forgot to get you a book.”
“I would not read a single paragraph before succumbing to the charms of Morpheus.” Where, if God were merciful, Elijah would dream of Lady Jenny illuminated by candlelight.
Another scent came to him as she moved around the room, a light, spicy perfume that started off with jasmine and ended with feminine mysteries.
“I’ll have one of Lord Kesmore’s dressing gowns brought to you,” she said, peering into the pitcher on the hearth. “A footman remains on duty at the end of the hall until midnight, and then we rely on the porter through the night.”
“I’m sure I won’t waken in the night, and I might have to be roused to break my fast as well.”
Small talk. She ought not to be in this room with him, though for present purposes, she was his hostess and had left the door a few inches ajar as a nod to propriety.
“I’ll bid you pleasant dreams, then.” She bobbed a curtsy and withdrew, leaving Elijah alone in his heaven.
Somebody had brought his things in from the stable and set his bag on the chest at the foot of the bed. Lest his worldly goods rot by morning, Elijah took out each damp, wrinkled article of clothing and draped it over the furniture, making sure at least a clean shirt and cravat were in proximity to the fire. As he saw to his wardrobe, he munched on one of the three pieces of gingerbread he’d filched from his supper.
The last order of business on this difficult and interesting day was to wash off before climbing into the fluffy blue-and cream-wonder that was his bed. He peeled his damp shirt and waistcoat from his body, hung them from the open doors of the wardrobe, and set about using the water left considerately near the hearth.
The water was scented with something bracing—lavender and rosemary?—and was small compensation for the lack of a steaming hot bath. Elijah had just finished with his ablutions when a knock sounded on his door.
That would be the footman with a nice, cozy dressing gown, no doubt, courtesy of the absent Lord Kesmore. “Come in.”
“I’ve brought—”
Lady Jenny closed the door behind her and stood across the room, clutching a green velvet dressing robe that would probably wrap around her three times.
“My dressing gown.”
He’d long since grown comfortable sporting about in the altogether for inspection by others, provided the surrounds were comfortably warm. Around Genevieve Windham, his state of partial undress slammed into him like
two
freight wagons galloping at each other from opposite directions.
The practical part of him spoke up:
She’s seen you in less than this. You’re exhausted. Take the bloody dressing gown and bid her good night.
But that sensible, familiar voice could barely be heard for the greater din created by what he saw in her gaze.
She was visually consuming him, taking in every muscle and sinew, cataloguing joints and textures even as she clutched the dressing gown to her like a shield.
“Were I modeling,” he said as he approached her, “my exposed skin would probably be oiled, or, when needs must, coated with butter, the better to catch the light, particularly if the scene depicted is dark. I apologize for the lack of attire, my lady.”
He tugged on the dressing gown. She didn’t give it up.
“What kind of oil?”
“I prefer…” His brain became befogged with…
her.
Yes, he wanted to sketch her, wanted to unearth all the artistic and female confidences she’d denied him, but he also wanted
her
to sketch
him
.
Though he’d have to keep his breeches on.
Bid
her
good
night.
“What kind of oil?” she asked again.
“Fragrant, soothing scents.” Jasmine appealed strongly. “When one must hold the same position for a length of time, the more relaxed one is, the more successful the exercise.”
She ought to tell him she hadn’t known he modeled—small talk relied heavily on polite untruths—and then he could tell her he hadn’t provided that service to anybody for years, which was not an untruth. He no longer needed the money, and he no longer had the time.
More to the point, the woman ought to be running from the room in high dudgeon or at least sporting a furious blush.
Lady Jenny handed over the dressing gown and watched him shrug into it with something like grief in her eyes.
“My lady, I bid you good night, and my compliments to Kesmore on the quality of his wardrobe.” The garment was lined with silk, and yet, Elijah wanted to drop it to the floor so Lady Jenny might continue to regard him so ravenously.
“Will you model for me, Mr. Harrison?”
She might have challenged him to a duel, so fiercely had she thrown down the question. He’d once had the same kind of determination, willing to travel through war zones to see an obscure Caravaggio.
“My lady, you flatter me, but my journey will take me away…” No true gentleman would have obliged her request. No true artist who understood the limitations of her station and the relentless clamoring of her artistic inclination would refuse her. Among all the dilettantes and dabblers to pass through old Antoine’s studios, Lady Jenny was one of few students to possess a germ of real talent.
“You said you had only a few more miles to go, Mr. Harrison. Give me half an hour in the morning—the nursery has excellent light, being at the top of the house.”
“I cannot be private with you when I am
en
dishabille
.” He should not be private with her when in a coma, and they both knew it.
“I did not expect that you would be. Fleur and Amanda would find it most curious were you to appear unclothed. After breakfast, then?”
The prospect of traveling even a few more miles in miserable weather had no appeal, and she’d taken him in when he might have perished for his stubbornness. Then, too, given how fiercely she’d regarded Kesmore’s daughters, Lady Jenny wouldn’t be focusing for long on a sketch when the children were underfoot.
“A half hour then. My thanks for the dressing gown.”
She left, and this time didn’t bother with a curtsy, nor he with a bow. He ran the warmer over the sheets then hung the sumptuous dressing gown in the wardrobe, where the scent of jasmine was even stronger.
When he laid down on the lovely warm sheets, the same fragrance assailed him.
Elijah’s last waking thought was that Lady Genevieve had given up her bed for him and taken a colder, more humble chamber elsewhere in the house. This eased his last, lingering hesitance about giving her a half hour of his time in the nursery.
A half hour lounging about in the morning sun was small recompense to the lady who’d provided a virtual stranger food, clothing, shelter, and a night surrounded by her fragrance.
***
While tossing and turning in a strange bed, Jenny had given considerable thought to which part of Elijah Harrison she’d capture for her own on paper. His hands appealed—his big, elegant, so talented hands. With those hands, he’d done a portrait of the regent even Prinny himself was said to like. She considered those hands as Fleur and Amanda galloped around the hearth rug in the nursery.
“And where shall you pose me, my lady?” Mr. Harrison asked.
Jenny glanced at the eight-day clock in the corner of the nursery. He’d be leaving soon…
“Will you pose me too?” Amanda asked.
“And me,” Fleur chorused. The girls turned big, beseeching eyes on Jenny, eyes that promised best behavior for at least five entire—though not consecutive—minutes. The nursery maids had decamped for a spot of tea, which Jenny suspected would be chased with a headache powder or two.
“In the light,” Jenny said, taking Mr. Harrison by the arm and directing him to a rocking chair by the windows. “Amanda, can you fetch your sketch pad, and, Fleur, yours too?”
They thundered off, while Jenny regarded her subject. “I’m going to focus on your hands, Mr. Harrison. Hands can be complicated.”
He smiled as if she’d just explained to the Archbishop of Canterbury that Christmas often fell on the twenty-fifth of December.
“I like hands,” he said, taking his seat. “They can be windows to the soul too. What shall I do with these hands you intend to immortalize?”
She hadn’t thought that far ahead, it being sufficient challenge to choose a single aspect of him to sketch. Fleur and Amanda came skipping back into the room, each clutching a sketch pad.
“You will sketch the girls, and I will sketch you, while the girls sketch whomever they please.” The plan was brilliant; everybody had an assigned task.
Amanda’s little brows drew down. “I want to watch Mr. Harrison. Fleur can sketch you, Aunt Jen. You have to sit very still, though.”
“An unbroken chain of artistic indulgence,” Mr. Harrison said, accepting a sketch pad and pencil from Fleur. “Miss Fleur, please seat yourself on the hearth, though you might want a pillow to make the ordeal more comfortable.”
Amanda grabbed two burgundy brocade pillows off the settee, tossed one at Fleur, and dropped the other beside Elijah’s rocker. Jenny took the second rocking chair and flipped open her sketch pad.
Her subject sat with the morning sun slanting over his shoulder, one knee crossed over the other, the sketch pad on his lap. Amanda watched from where she knelt at his elbow, and Fleur…
Fleur crossed one knee over the other—an unladylike pose, but effective for balancing a sketch pad—and glowered at Jenny as if to will Jenny’s image onto the page by visual imperative.
“Your sister has beautiful eyebrows,” Mr. Harrison said to his audience. “They have the most graceful curve. It’s a family trait, I believe.”
Amanda crouched closer. “Does that mean I have them too?”
He glanced over at her, his expression utterly serious. “You do, though yours are a touch more dramatic. When you make your bows, gentlemen will write sonnets to the Carrington sisters’ eyebrows.”
“Papa’s horse is Sonnet. Tell me some more.”
While he spoke, his pencil moved over the page in short, light bursts of activity. “Notice the way Miss Fleur’s eyes, as beautiful as they are, aren’t pitched at exactly the same angle. Nobody’s face is perfectly symmetrical, not if you study them closely.”
“What’s symmet—that word you said?”
While Jenny sketched, and Fleur sat a little taller on her burgundy pillow, Mr. Harrison provided Amanda a concise, understandable explanation for symmetry, then went on and described the ways asymmetry made an image interesting.
“Have you ever drawn a crow?” Amanda asked. “Or a pitcher?”
“I’m sure I have. Crows are a challenge because they want you to think they’re black, but in the sun, they’re many colors.”
From across the room, Jenny saw her nieces consider crows in a whole new manner, not as rough-voiced avian nuisances, but as peacocks in disguise.
“So what do you do when you want to draw a crow?” Amanda’s nose was less than an inch from Mr. Harrison’s sleeve.
His pencil did not stop moving, though Fleur was beginning to fidget now that her soon-to-be-legendary eyebrows were no longer under discussion.
“I try to draw the crow as he sees himself. They’re curious fellows, flying about as if the entire world were available as their perch. I’ve seen a crow light on the back of a cow, for example, and the cow had nothing to say to it.”
Amanda grinned, a child who might like to fly through the clouds and light on the back of a cow.
“I’m curious too,” Fleur said. “I don’t want to sit on a cow. I want to sit on a pony.”
“What would you name your pony?” Mr. Harrison asked.
Jenny listened with half an ear to the earnest and protracted discussion that ensued. Naming a pony was apparently a holy undertaking in the opinion of her nieces, but then, their father was a former cavalry officer.
As Jenny’s father was. Her pencil stopped moving, as her mind started a roll call of family members who’d served in the cavalry:
His Grace; her uncle Tony; her oldest brother, Devlin St. Just; her brothers-by-marriage, Kesmore and Deene; her
late
brother, Bartholomew… Thoughts of Bart brought both grief and anger.
And, of course, guilt.
The clock chimed the quarter hour, prodding Jenny out of her reverie. Across the room, Elijah Harrison had made two conquests by virtue of simply talking with Fleur and Amanda. He’d glanced over at Jenny occasionally, his gaze amused and patient.
While she had only fourteen more minutes to give vent to years of artistic frustration.
And yet, when she looked down at the page twenty minutes later—Fleur would remain still no longer, not even with a book on her lap—Jenny had not sketched Mr. Harrison’s talented hands, or not just his hands.