We climbed over the rubble and found a corridor leading deeper underground. I couldn’t tell whether it was natural or man-made, but it snaked a good forty meters through solid rock before opening into another burial chamber. This room had not been damaged by water. Everything was remarkably well preserved. Walt had brought torches [flashlights, for you Americans], and in the dim light, on stone slabs and in niches carved along the walls, gold-painted mummies glittered. There were at least a hundred in this room alone, and more corridors led off in each direction.
Walt shined his light on three mummies lying together on a central dais. Their bodies were completely wrapped in linen, so they looked rather like bowling pins. Their likenesses were painted on the linen in meticulous detail—hands crossed over their chests, jewelry adorning their necks, Egyptian kilt and sandals, and a host of protective hieroglyphs and images of the gods in a border on each side. All this was typical Egyptian art, but their faces were done in a completely different style —realistic portraits that looked cut-and-pasted onto the mummies’ heads. On the left was a man with a thin, bearded face and sad dark eyes. On the right was a beautiful woman with curly auburn hair. What really pulled at my heart, though, was the mummy in the middle. Its body was tiny—obviously a child. Its portrait showed a boy of about seven years old. He had the man’s eyes and the woman’s hair.
“A family,” Walt guessed. “Buried together.”
There was something tucked under the child’s right elbow —a small wooden horse, possibly his favorite toy. Even though this family had been dead for thousands of years, I couldn’t help getting a bit teary-eyed. It was so bloody sad.
“How did they die?” I wondered.
From the corridor directly in front of us, a voice echoed, “The wasting disease.”
My staff was instantly in my hand. Walt trained his torch on the doorway, and a ghost stepped into the room. At least I assumed he was a ghost, because he was see-through. He was a heavy older man with short-cropped white hair, bulldog jowls, and a cross expression. He wore Roman-style robes and kohl eyeliner, so he looked rather like Winston Churchill—if the old prime minister had thrown a wild toga party and gotten his face painted.
“Newly dead?” He eyed us warily. “Haven’t seen any new arrivals in a long time. Where are your bodies?”
Walt and I glanced at each other.
“Actually,” I said, “we’re wearing them.”
The ghost’s eyebrows shot up. “
Di immortales!
You’re alive?”
“So far,” Walt said.
“Then you’ve brought offerings?” The man rubbed his hands. “Oh, they
said
you would come, but we’ve waited ages! Where have you been?”
“Um…”
I didn’t want to disappoint a ghost, especially as he was beginning to glow more brightly, which in magic is often a prelude to exploding. “Perhaps we should introduce ourselves. I’m Sadie Kane. This is Walt—”
“Of course! You need my name for the spells.” The ghost cleared his throat. “I am Appius Claudius Iratus.”
I got the feeling I was supposed to be impressed. “Right. That’s not Egyptian, I gather?”
The ghost looked offended. “Roman, of course. Following those cursed Egyptian customs is how we all ended up here to begin with! Bad enough I got stationed in this god-forsaken oasis—as if Rome needs an entire legion to guard some date farms! Then I had the bad luck to fall ill. Told my wife on my deathbed: ‘Lobelia, an old-fashioned Roman burial. None of this local nonsense.’ But no! She never listened.
Had
to mummify me, so my
ba
is stuck here forever. Women! She probably moved back to Rome and died in the proper way.”
“Lobelia?” I asked, because really I hadn’t heard much after that. What sort of parents name their child Lobelia?
The ghost huffed and crossed his arms. “But you don’t want to hear me ramble on, do you? You may call me Mad Claude. That’s the translation in your tongue.”
I wondered how a Roman ghost could speak English—or if I simply understood him through some sort of telepathy. Either way, I was not relieved to find out his name was Mad Claude.
“Um…”
Walt raised his hand. “Are you mad as in angry? Or mad as in crazy?”
“Yes,” Claude said. “Now, about those offerings. I see staffs, wands, and amulets, so I assume you’re priests with the local House of Life? Good, good. Then you’ll know what to do.”
“What to do!” I agreed heartily. “Yes, quite!”
Claude’s eyes narrowed. “Oh, Jupiter. You’re novices, aren’t you? Did the temple even
explain
the problem to you?”
“Um—”
He stormed over to the family of mummies we’d been looking at. “This is Lucius, Flavia, and little Purpens. They died of the wasting plague. I’ve been here so long, I could tell you practically
everyone’s
story!”
“They talk to you?” I stepped away from the mummy family. Suddenly little Purpens didn’t seem so cute.
Mad Claude waved his hand impatiently. “Sometimes, yes. Not as much as in the old days. Their spirits sleep most of the time, now. The point is, no matter how bad a death these people had, their fate
after
death has been worse! All of us —all these Romans living in Egypt—got an Egyptian burial. Local customs, local priests, mummify the bodies for the next life, et cetera. We thought we were covering our bases—two religions, twice the insurance. Problem was, you foolish Egyptian priests didn’t know what you were doing anymore! By the time we Romans came along, most of your magic knowledge was lost. But did you tell us that? No! You were happy to take our coins and do a shoddy job.”
“Ah.” I backed away a bit more from Mad Claude, who was now glowing quite dangerously. “Well, I’m sure the House of Life has a customer service number for that—”
“You can’t go halfway with these Egyptian rituals,” he grumbled. “We ended up with mummified bodies and eternal souls tethered to them, and no one followed up! No one said the prayers to help us move to the next life. No one made offerings to nourish our
bas.
Do you know how hungry I am?”
“We’ve got some beef jerky,” Walt offered.
“We couldn’t go to Pluto’s realm like good Romans,” Mad Claude went on, “because our bodies had been prepared for a different afterlife. We couldn’t go to the Duat, because we weren’t given the proper Egyptian rituals. Our souls were stuck here, attached to these bodies. Do you have any idea how
boring
it is down here?”
“So, if you’re a
ba,”
I asked, “why don’t you have a bird’s body?”
“I told you! We’re all mixed up, not pure Roman ghost, not proper
ba.
If I had wings, believe me, I’d fly out of here! By the way, what year is it? Who’s the emperor now?”
“Oh, his name is—” Walt coughed, then rushed on: “You know, Claude, I’m sure we can help you.”
“We can?” I said. “Oh, right! We can!”
Walt nodded encouragingly. “The thing is, we have to find something first.”
“A scroll,” I put in. “Part of the Book of Ra.”
Claude scratched his considerable jowls. “And this will help you send our souls to the next life?”
“Well…” I said.
“Yes,” Walt said.
“Possibly,” I said. “We don’t really know until we find it. It’s supposed to wake Ra, you see, which will help the Egyptian gods. I’d think that would improve your chances at getting into the afterlife. Besides, I’m on good terms with the Egyptian gods. They pop over for tea from time to time. If you helped us, I could put in a word.”
Honestly, I’d just been making up things to say. I’m sure this will surprise you, but I sometimes ramble when I get nervous.
[Oh, stop laughing, Carter.]
At any rate, Mad Claude’s expression became shrewder. He studied us as if assessing our bank accounts. I wondered if the Roman Empire had used chariot salesmen, and if Mad Claude had been one. I imagined him on a Roman commercial in a cheap plaid toga:
I must be crazy to be giving away chariots at these prices!
“On good terms with the Egyptian gods,” he mused. “Put in a word, you say.”
Then he turned to Walt. Claude’s expression was so calculating, so
eager,
it made my skin crawl. “If the scroll you seek is ancient, it would be in the oldest section of the catacombs. Some natives were buried there, you know, long before we Romans came along. Their
bas
have all moved on now. No trouble getting into the Duat for
them.
But their burial sites are still intact, lots of relics and so on.”
“You’d be willing to show us?” Walt asked, with much more excitement than I could’ve managed.
“Oh, yes.” Mad Claude gave us his best “used chariot salesman” smile. “And later, we’ll talk about an appropriate fee, eh? Come along, my friends. It’s not far.”
Note to self: When a ghost offers to guide you deeper into a burial site and his name includes the word
Mad,
it’s best to say no.
As we passed through tunnels and chambers, Mad Claude gave us a running commentary on the various mummies. Caligula the date merchant: “Horrible name! But once you’re named for an emperor, even a psychotic one, you can’t do much about it. He died betting someone he could kiss a scorpion.” Varens the slaver: “Disgusting man. Tried to go into the gladiator business. If you give a slave a sword, well…you can guess how he died!” Octavia the legion commander’s wife: “Went completely native! Had her cat mummified. She even believed she had the blood of the pharaohs and tried to channel the spirit of Isis. Her death, needless to say, was painful.”
He grinned at me like this was extremely funny. I tried not to look horrified.
What struck me most was the sheer number and variety of the mummies. Some were wrapped in real gold. Their portraits were so lifelike, their eyes seemed to follow me as we passed. They sat on ornately carved marble slabs surrounded by valuables: jewelry, vases, even some
shabti.
Other mummies looked as if nursery school children had made them in art class. They were crudely wrapped, painted with shaky hieroglyphs and little stick-figure gods. Their portraits were not much better than I could’ve done—which is to say, dreadful. Their bodies were stuffed three-deep in shallow niches, or simply piled in the corners of the room.
When I asked about them, Mad Claude was dismissive. “Commoners. Wannabes. Didn’t have money for artists and funeral rites, so they tried the do-it-yourself approach.”
I looked down at the portrait of the nearest mummy, her face a crude finger-painted image. I wondered if her grieving children had made it—one last gift for their mother. Despite the bad quality, I found it rather sweet. They had no money and no artistic skill, but they’d done their best to lovingly send her to the afterlife. Next time I saw Anubis, I would ask him about this. A woman like that deserved a chance at happiness in the next world, even if she couldn’t pay. We had quite enough snobbery in this world without exporting it to the hereafter.
Walt trailed behind us, not speaking. He’d shine his light on this mummy or that, as if pondering each one’s fate. I wondered if he was thinking of King Tut, his famous ancestor, whose tomb had been in a cavern not too different from this.
After several more long tunnels and crowded mummy rooms, we arrived in a burial chamber that was clearly much older. The wall paintings had faded, but they looked more authentically Egyptian, with the sideways-walking people and hieroglyphs that actually formed words, rather than simply providing decoration. Instead of realistic facial portraits, the mummies had the generic wide-eyed, smiling faces I’d seen on most Egyptian death masks. A few had crumbled to dust. Others were encased in stone sarcophagi.
“Natives,” Mad Claude confirmed. “Egyptian nobles from before Rome took over. What you’re looking for should be somewhere in this area.”
I scanned the room. The only other doorway was blocked with boulders and debris. While Walt began searching, I remembered what Bes had said—that the first two scrolls of Ra might help me find the third. I pulled them from my bag, hoping they would point the way like a dowsing rod, but nothing happened.
From the other side of the room, Walt called, “What’s this?”
He was standing in front of some sort of shrine—a niche set into the wall, with the statue of a man wrapped like a mummy. The figure was carved from wood, decorated with jewels and precious metals. His wrappings glistened like pearl in the light of the torch. He held a golden staff with a silver
djed
symbol on top. Around his feet stood several golden rodents—rats, perhaps. The skin of his face gleamed turquoise blue.
“It’s my dad,” I guessed. “Er…I mean Osiris, isn’t it?”
Mad Claude arched his eyebrows. “Your dad?”
Fortunately, Walt saved me from explaining. “No,” he said. “Look at his beard.”
The statue’s beard was rather unusual. It was pencil thin from his sideburns around his jaw line, with a perfectly straight bit coming down for a goatee—as if someone had traced the beard with a grease pen, then stuck the pen on his chin.
“And the collar,” Walt continued. “It’s got a tassel thing hanging down in back. You don’t see that with Osiris. And those animals at his feet…are those rats? I remember some story about rats—
“I thought you were priests,” Mad Claude grumped. “Obviously, the god is Ptah.”
“Ptah?” I’d heard quite a few odd Egyptian god names, but this was a new one for me. “Ptah, son of Pitooey? Is he the god of spitting?”
Claude glared at me. “Are you always so irreverent?”
“Usually, more.”
“A novice
and
a heretic,” he said. “Just my luck. Well, girl, I shouldn’t have to teach
you
about your own gods, but as I understand it, Ptah was the god of craftsmen. We compared him to our Roman god Vulcan.”
“Then what’s he doing in a tomb?” Walt asked.
Claude scratched his nonexistent head. “I’ve never been sure, actually. You don’t see him in most Egyptian funeral rites.”
Walt pointed to the statue’s staff. When I looked more closely, I realized the
djed
symbol was combined with something else, a curved top that looked strangely familiar.