He put his hand to his head for just an instant, Irving to will some quiet into the world around him. Remarkably, after cutting loose with one last howl, the woman's voice drained away.
He turned toward her. She had curled up in a corner, lifting her feet from the floor, childlike, and tucking them beneath her. She seemed a preposterous killer, with stringy, unkempt brown hair, and a lean, skeletal figure. One eye was blackened and her thin wrist was wrapped in an elastic bandage. She was wearing a tattered pink housecoat, and the pushed-up sleeves revealed new purple-blue bruises on her arms. He made a mental note of these. He saw nicotine stains on her fingers as she lifted her hands to her face and gently patted the tears that flowed freely down her cheeks. When she looked at the moisture on her fingers, the look on her face made him think she expected to find blood.
Tanny Brown stared at the woman, letting the sudden quiet calm the air. She's old, he thought, and almost instantly corrected himself: She's younger than I am. Years had been beaten into her, aging her far more swiftly than the passing of time.
He motioned toward one of the uniformed officers hanging in the rear of the trailer, behind a kitchen partition.
'Fred,' he said quietly, 'got a cigarette for Missus Collins?'
The officer stepped forward, offering the woman his pack. She reached out while mumbling, 'I'm trying to quit.'
Brown leaned across and lit the cigarette for her. 'Now, Missus Collins, take it slowly and tell me what happened when Buck came here after the late shift.'
There came a popping sound from outside and a small explosion of light. Dammit, he thought, as he saw the woman's eyes go panicky.
'It's just a police photographer, ma'am. Now, how about a glass of water?'
'I could use something stronger,' she replied, hands shaking as she lifted the cigarette to her lips and took a long drag, which ended in a brief spasm of coughing.
'A glass of water, Fred.' As the man brought the drink, Brown heard voices outside. He rose abruptly. 'Ma'am, you just get ahold of yourself. I'll be right back.'
'You ain't gonna leave me?' She seemed abruptly terrified.
'No, just got to check on the work outside. Fred, you stay here.'
He wished Wilcox were with him as he looked down at the woman's eyes fluttering about the room, on the verge of breaking down and wailing again. His partner would know instinctively how to reassure her. Bruce had a way with the poor fringe folks that they were forever dealing with, especially the white ones. They were his people. He had grown up in a world not too far removed from this one. He knew beatings, cruelty, and the acid taste of trailer-park hopes. He could sit across from a woman like this and hold her hand and have her spilling the entire incident out within seconds. Tanny Brown sighed, feeling awkward and out of place. He did not want to be there, trapped amidst the silver bullet-like shapes of the airstreams.
He stepped from the trailer and watched as the police photographer angled about, looking for another shot of a dark shape sprawled on the thin grass and packed dirt outside the trailer. Several other policemen were measuring the location. A few others were holding back the other inhabitants of the trailer park, who craned forward with curiosity, trying to catch a glimpse of the woman's late and estranged husband. Brown walked over and stared down at the face of the man on the ground. His eyes were open, fixed in a grotesque mask that mingled surprise and death, staring at the night sky. A huge splotch of blood remained where his chest should have been. The blood had settled in a halo about his head and shoulders. On the ground, where the impact from the shotgun blast had tossed them, were a half-empty bottle of scotch and a cheap handgun. A couple of crime-scene men laughed, and he turned toward them.
'A joke?'
'Quickie divorce proceedings,' said one man, bending over and bagging the bottle of scotch. 'Better than Tijuana or Vegas.'
'Guess old Buck here figured he could wallop his woman whether they were married or not. Turns out he was wrong,' another technician whispered. There was another small burst of laughter.
'Hey,' Brown said brusquely. 'You guys got opinions, keep ' em down. At least until we clear the location.'
'Sure,' said the photographer as he popped another picture. 'Wouldn't want to hurt the guy's feelings.'
Brown bit back a smile of his own, a look which the other policemen caught. He waved at the men working the body in mock disgust, and that made them grin, as they continued to move about the scene.
He'd seen plenty of death: car wrecks, murder victims, men shot in war, heart attacks, and hunting accidents.
Tanny Brown remembered his aged grandmother laid out in an open casket, her dark skin stretched brittle, like the crust of an overdone bird, her hands folded neatly on her chest as if in prayer. The church had seemed a great, hollow place filled with weeping. He recalled the tightness in his throat caused by the starched white collar of his new and only dress shirt. He had been no more than six and what he remembered most was the sturdy sensation of his father's hand on his shoulder, part direction, part reassurance, guiding him past the casket. Whispered words: 'Say goodbye to Granmaw, quick now, child, she's on her way to a better place and movin' fast now, so say it fast while she can still hear you.'
He smiled. For years he had thought the dead could hear you, as if they were only napping. He wondered at how powerful a father's words can be. He remembered being overseas and zipping the bodies of men he'd known equally briefly and intimately into black rubber bags. At first he would always try to say something, some words of comfort, as if to steady their trip to death. But as the numbers grew and his frustration and exhaustion spiraled, he took to simply thinking a few phrases and finally, when his own tour dwindled to weeks and days, he gave up even that, performing his job with bitter silence.
He looked down at his watch. Midnight. They're walking into the room. He pictured the nervous sweat on the lip of the warden, the ashen faces of the official witnesses, a slight hesitation, then the hurried motions of the escort party as they pulled the straps tight around Sullivan's wrists and ankles.
He waited one minute.
First jolt now, he thought.
One more minute.
Second jolt.
He imagined the doctor approaching the body. He would bend down with his stethoscope, listening for the heart. Then he would raise his head and say, 'The man is dead,' and glance down at his own watch. The warden would step forward and face the official observers and he, too, would speak by ritual. 'The judgment and sentence of the Circuit Court of the Eleventh Judicial Circuit of the State of Florida has been carried out according to law. Now God rest his soul.'
He shook his head. No rest for that soul, he thought.
And none for mine, either.
He walked back into the trailer. The woman had quieted completely.
'Now, Missus Collins, you want to tell me what happened? You want to wait for your attorney? Or you want to talk now, get this straightened out?'
The woman's voice was barely more than a whimper. He called me, you know, from that damn Sportman's Club, where he went after getting off work at the plant. Said he weren't gonna let me do this to him. Said he was gonna take care of me without no judge and divorce lawyers, no-sir.'
'Did he tell you he had a weapon?'
'Yes, sir, Mr. Brown, he did. Said he had his brother's gun and he was damn straight gonna use it this time on me.'
'This time?'
'He came over on Sunday, not so drunk that he was falling down, but plenty liquored up, and shot out the lights outside. Laughing and calling me names. Then he started to whale on me, yessir. My biggest, he's only eleven, got his arm busted trying to pull him off. I thought he'd kill us all. I was so scared; that's why I sent the kids off'n to their cuzzin's. Put all three of 'em on the bus this morning.'
The woman picked up a small fake-leather photo album from a side table. She opened it up and thrust it across at Tanny Brown. He saw three well-scrubbed faces, school pictures.
'They're good kids,' she said. 'I'm glad they weren't here for this.'
He nodded. 'Why didn't you call the police on Sunday?'
'Wouldn't do no good. I even had a judge's order telling him to stay away, but it didn't do no good. Nothing did no good when he'd been drinking. Except maybe that shotgun.'
Her upper lip started to quiver and tears began to well up again in the corners of her eyes.
'Oh, Jesus, sweet Jesus,' she whimpered.
'The shotgun? Where'd you get the shotgun?'
I went over to Pensacola, to the Sears there, after they fixed me up at the clinic. I still got Buck's Sears card, so I charged it. I was so scared, Mr. Brown. And when I heard that old pickup of his pull up, I knew he meant to do me, I knew it.'
The woman started to cry again.
'Did you see the gun in his hand before you shot?'
I don't know. It was dark and I was so scared.
Tanny Brown spoke quietly but firmly. He kept the photo album with the children's pictures in his hands.
'Now think hard, Missus Collins. What did you see…?' The police lieutenant looked over at the uniformed officer, who nodded his head in comprehension. 'Now, you wouldn't have shot unless you saw him' raise that gun right at you, right?'
The woman stared at him quizzically.
'You wouldn't have shot unless you were in fear for your life, right?'
'Right, she replied slowly.
'Not unless you knew deadly force was the only available recourse left to you, right?'
A slow understanding seemed to fall on the woman's face, even though Brown knew she hadn't understood half the words he'd used in his question.
'Well,' she said softly, 'I could see he raised something right at me…'
'And you knew he had the gun and he had threatened you and shot at you before…'
'That's right, Mr. Brown. I was in fear.'
'And there was no place for you to run and hide?'
The woman gestured widely. 'Where you gonna hide in here? Got no recourse at all.'
Brown nodded his head and looked again at the children's pictures.
'Three kids? All his?'
'No, sir. Buck weren't their daddy, and he never liked ' em much. Guess they reminded him of my other husband. But they're fine kids, Mr. Brown. Fine kids.'
'Where's their real daddy?'
The woman shrugged, a movement that spoke volumes about trailer parks and bruises.
'Said he was going to Louisiana, try and get work on the oil rigs. But that's nearly seven years ago. Now, he's just gone. We weren't husband and wife official, nohow.'
Tanny Brown was about to ask another question when he heard a bellow of rage from outside. Sudden voices were raised and he heard policemen shouting to each other. The woman on the couch gasped, shrinking down to the floor. 'That's his brother. I know it. He'll kill me, Lord, I know.'
'No, he won't,' Brown said quietly. He handed the woman back the portraits of her children. She clutched the leather photo album tightly. Then he motioned for the uniformed officer to stand by the door as he returned outside.
From the doorway, he saw two other uniforms trying to restrain a large, enraged man who struggled hard against their hold. The crime-scene technicians had scattered. The man roared, tugging and jerking, pulling the officers toward the body.
'Buck, Buck! Jesus, Buck, I can't believe it! Jesus, lemme go! Lemme go! I'll kill the bitch, kill her!'
He surged forward dragging the officers. Two more policemen jumped in his path to try and slow his progress. One cop fell to the ground, cursing. The crowd of people started to catcall and yell, their voices adding to the man's fury.
'I'll kill the bitch, dammit!'
He screamed with red-streaked rage. His contorted face was caught in the flashing strobe lights of the police cruisers, illuminating his anger. He kicked at one of the policemen struggling to hold him, his foot landing on the officer's shin. The man yelped and fell aside, grabbing at his leg.
Tanny Brown stepped from the trailer's front stoop and walked toward the dead man's brother. He put himself directly in the man's vision.
'Shut up!' he shouted.
The wild man stared at him, hesitating momentarily in his push forward. Then he lurched again. I'll kill the bitch,' he screamed.
'That your brother?' Brown shouted.
The man twisted in the grasp of the policemen. 'She killed Buck, now I mean to do her. Bitch! You're dead!' he cried, directing his yell past Brown.
'Is that your brother?' Brown asked again, slightly quieter.
'You're dead, bitch! Dead!' the man snarled. 'Who's asking? Who're you, nigger?'
The racial epithet stung him, but he didn't move. He considered stepping up and feeding the man his fist, but then decided against it. The man had to be stupid to call him a name, but probably wasn't so stupid he wouldn't file a complaint. A brief vision of a stack of paperwork jumped into his sight like a mirage.
One of the officers trying to hold the man back freed his nightstick. Brown shook his head and stepped up so that his face was only a few inches away from the dead man's brother.
'I'm police Lieutenant Theodore Brown, asshole, and I'm gonna get pissed in one more second, and you don't want to have me on your case, asshole.'
The man hesitated. 'She killed him, the bitch.'
'You already said that.'
'What you gonna do about it?'
Tanny Brown ignored the question. 'That your gun?' he asked.
'Yeah, mine. He got it from me earlier.'
'Your gun? Your brother?'
'Yeah. You gonna arrest the bitch, or am I gonna have to kill her?'
The man's struggles had slowed, but his voice had gathered an angry, challenging edge.