39
Dial fell asleep, curled up in bed, alone with her hammer and her molting pillow and the mosquito net pulled like a veil across her bare carpenter’s knees. The boy was miles away when she awoke. She had no clue, having slept until that hour of the afternoon when the hot sun fell directly on the corrugated iron, heating it until it pulled angrily against its hippie fastenings. Bang—the roof exploded. Who would have known that bloodless things could cry like this.
Her eyes opened to see Trevor Dobbs standing silently beside the bed. She thought—He has come to tell me the boy is going to live with him. She watched his smile, thinking he had no idea how cruel he was, or what he had destroyed. He seemed dry and cool in all this unrelenting heat, an English apple, mottled but healthy.
A fly had found its way inside the net. When it crawled along her neck, she killed it.
She thought, He has come to collect the boy’s clothes.
They want to talk to you, he said.
FBI, she thought. She had been waiting for this.
Trevor pulled aside the mosquito net and she let him take her hand as if she were an invalid. Her mouth was dry as chalk.
They’re your neighbors, he said. You’ve got to talk to them. They can invalidate your sale. He said
in-vwelidate,
softly.
This caused some considerable confusion as Dial began questioning the legal reach of the FBI.
Your
neighbors.
Jeez. Who did you think?
So she agreed to meet with the neighbors, but like a prisoner with her hands clasped behind her back, following the weirdly graceful feral in falling white pajama pants. They went through the long grass, across the road, down to the shaded creek and then beside the shallow runs where Trevor jumped lightly from rock to rock ahead of her. Children had made dams, lines of rocks, memorials that caused her to catch her breath.
The stream was just thirty yards from her hut but she had never walked here before. She never showed this to the boy before she lost him to Trevor Dobbs. There were corners of the mossy damp that made her sad. Of course it was her papa. He would have loved this, a damp, green dappled part. He was from Samos, an island with a green half and a dry half. Peaches on one side, priests on the other. In New England he had found a mossy-smelling home, running through leafy tunnels with his beagles and his gun. They had hunted cottontails together.
Remus Creek was a paradise with ferns of all varieties, palms, creepers with the skin of baby elephants, its water shallow but perfectly clear so that the small pebbles shone red and yellow in among the rippling gray. Poor Papa.
They arrived at a stand of flooded gums, tall thin eucalypts with shiny white-green bark and there in front of them were the foundations for the rotting buckled floor and when she followed Trevor up the wide wooden steps she thought of platforms in the jungle, Aztec, Mayan, sites of sacrifice.
The mumbo jumbos were waiting for her in a semicircle and Trevor went to sit at one end next to Rebecca leaving Dial alone, squinting into the sun.
Rebecca said, We have a rule, and in those four words Dial felt the bilious bitter taste of her dislike.
Dial did not answer but she saw that not even pretty Roger would catch her eye. The girl with the starving chest was playing with her toes.
Rebecca said, You know what I’m talking about, Dial. She looked sideways at Trevor as she spoke. Again Dial thought, She’s sleeping with him.
Yes, said Dial, you said you had a rule.
About cats.
Yes, you said that before.
Yes, and you said there was a lawyer who told you not to worry, but he was wrong, Dial. He admits he was wrong, said Rebecca. She held out a letter.
Dial nodded at the letter but went no closer to accepting it. She was thinking, I cannot take this shit. I will not. She was also thinking about the boy who had chosen to live up the hill with Trevor. His clothes would be removed as if he’d died, nothing left behind, not even a plastic toy to break her heart. She thought, I do have to take this. Then she thought, not for the first or last time either—This is where I’ve ended up.
So what do you want me to do? She tried to smile.
Get rid of the cat.
I take it none of you want him?
Ha-ha, said Rebecca.
No one else spoke, but Rebecca stood and walked off the platform with her great fat ass wobbling inside her cotton pants. In a moment a car door slammed and when Rebecca returned Dial could hear Buck. He arrived up on the platform, a prisoner in a metal cage.
Rebecca held out the cage and Dial took it.
Buck was meowing piteously.
I know you think this is cruel, Rebecca said, but considering he’s a murderer…
Dial was reading the metal manufacturer’s label on the heavy cage.
FERAL-TRAPPA.
She set it down and opened up the wire door and inside she saw Buck’s pink complaining mouth. He stood and sat. His front paw was caught, a sort of mousetrap for a cat.
Feral, she said.
It means wild, said Rebecca. The feral cat is declared as a class two species under the Land Protection Act.
You’ve crushed his fucking leg. He’s not feral. He’s my son’s cat.
He’s not your son, said Rebecca.
Dial looked to Trevor who looked away. She set down the cage and gently lifted the sprung arm of the trap and brought Buck into the light. He cried, and raked his claw down her arm.
You’ve crushed him. You know this won’t mend.
It is a her, said Rebecca.
Dial stood on the platform under the harsh violet sky. The time-warp idiots, she thought. Why don’t you fight for something real?
You can’t look after that cat, said Rebecca. You can’t even look after the kid.
Dial could look after Buck. That was all she knew to do. If you shot a cottontail you often found him wounded, struggling. You picked him up quickly, stilled your heart, stretched his neck. And it was done.
She stood before them. She did it swiftly. In a few seconds Buck was a warm pelt in her bleeding arms.
Go watch Walt Disney, she said to Rebecca.
She turned and walked down off the Aztec platform and passed between the flooded gums, along the shadowed creek with its stones and dams. She was crying then, not loudly. She found a shovel in the garden and carried Buck down into the rain forest and there, before the abandoned hut with the stone gargoyle, she dug down into the soil, chopping through the fresh white wounded roots, laying him in the crumbling black soil and covering him.
She had no prayers, comrade. Dear Papa, that was all.
40
When the boy was four years old, and before that probably as well, Grandma Selkirk would take him to the Guggenheim Museum and order him to run down the spiral ramp which—she said so—was what was intended by the architect, Frank Lord Right. That had been the boy’s misunderstanding. Grandma used the name herself whenever possible. How perfect, she said. Frank Lord Right was not building Calvary, she said, did not mean us to trudge upward to our crucifixion. Push
UP
on the elevator button, his grandma said, then run like the wind.
Three times he got in trouble with the guards apparently—he had no memory of this but he sure recalled Grandma’s argument with the tiny black guard after she cupped her hands on the Brancusi head. The guard said, Get back, then Grandma called for someone higher up and in the end she was the only person in New York allowed to touch the head.
It is art, she told the guard, who hated her for being bohemian, she said so.
Afterward she said, That guard could not have imagined that Brancusi was my friend. History would prove this not quite true, but never mind. She touched the boy’s own head the same as she touched the Brancusi, fitting her palm around it. She loved him. He felt it there, an almost exact notion of how precious he was to her. She was a smeller too, always sniffing the salt and death in seaweed, the waters of the lake, the crush of dried lavender. Her nose was small and straight. It was her best “instrument,” she said so. He would lie with her on the sofa in the big room at Kenoza Lake and she would go to sleep and the boy would sit with his hands on his knees and will her to continue breathing, the perfume of martini in the summer night, forever and ever, world without end.
The boy knew the names of smells, but it was his “visual intelligence” that was thought to be his “gift.” This was unmasked one winter Saturday when the Guggenheim had
activities.
The boy could not escape
activities,
and was forced to obey a leaflet containing a tiny section of a Jackson Pollock painting. Grandma said he had to match the little bit of picture with one of the three whole Pollocks on the museum walls.
When he found it pretty easy she looked at him so fiercely he knew he had done something good. You have the Selkirk eye, she said.
During the week she brought back her powdery friends from the English-Speaking Union, to see if they could do the same. They could not match her grandson. Four years old.
None of this had ever helped him in any way that he could understand.
When he saw the power lines and the cane fields and he made his way down the dry gully he had no idea that the Australian bush was crusted, creased, folded on itself, long gray ridges and bright streaky torn bits where the earth had tried to pull itself in half, or that he was like an ant making his way across a Jackson Pollock without a map. He did not know the story of the lost child or the drover’s wife and he came down the gully, jumping from broken rock to broken rock, and when he lost sight of the road ahead, he had lots of worries, mostly how he would get back to Kenoza Lake, but it did not enter his head that he might perish here.
He got a thorn in his hand and this broke off inside the flesh and he suffered a scratch on his cheek, but when he entered the lifeless pine forest at the bottom of the gully he walked without hesitation through the creepy quiet toward the dry white road.
Coming out into the sunlight, he understood that he could turn left to reach Yandina, but he turned right and so headed deeper into the bush, trudging along the lonely road which he remembered from the day after the storm. What had been slick and slimy had set hard and the ridge and rut of truck tires were now becoming clouds of dust, like dead souls rising in small whirls and skirmishes.
A little along, set back into the plantation and guarded by a chicken-wire fence, was a small house with a flower garden in the front. It was painted emerald green and the roof was a rusty red. At the beat-up front gate was a fat old woman with a floral apron and dusty-looking stockings on her creased-up legs. Her face was round and kind.
The woman said hello and asked him would he like a glass of water on account of all the dust. They had such a weird way of talking here, like Hobbits maybe.
He said he’d rather have a glass of milk.
Would you like a bicky too?
The boy didn’t know a bicky was a cookie so he said no.
He waited at the gate, watching bees crawling around inside the black part of the poppies and when the woman returned he drank the milk.
He thanked her, and said he had to go.
She watched him depart, not saying anything, and after he had walked a bit he began to think she could tell someone which way he went. He was up to no good, as his grandma would have said. So he walked back to the gate where the old woman was standing, still holding his empty glass.
Excuse me, he said, is the town this way?
You were going the wrong way, she said. I knewed it.
He said, Thank you, miss. He walked toward the town until she could not see him anymore and then he cut into the pine forest and walked back along the creepy quiet carpet floor coming around behind her house and only returning to the road when he was beyond her view. He was on his own.
He came down out of the pines at the place where the road split in two. He knew the steep scary track was called Bog Onion. At the bottom was the place with the blue plastic bag.
Leave it to Beaver, he said.
The burned-out cars and the broken-up log fires made it clear which way he had to go and he entered the bush at the exact same place where Trevor had cut his way through with a machete. The slash wounds had gone gray and dead looking, but some were now releasing baby leaves and small pink thorns as soft as the rasp of a cat’s tongue.
He pushed his way through the tangle and then into the feathery knee-high sea of fishbone ferns. He headed along the side of the saddle until he found the rough red bank of dirt, the fallen tree with pebble-crusted roots. He took off his T-shirt so he would be able to feel a bull ant’s legs upon his back and he kept his eyes down as he walked along the fallen trunk. He jumped as he had jumped before.
He walked into the soak and felt the mud ooze around his feet and he bent and made a little hole with his hands and drank the water which tasted of bark and blackberry and lantana leaf and dirt. He knew what was behind him, in the hollow of the fallen tree which jutted like a cannon from the bank—you could see a tiny, tiny bit of blue, pushed deep inside. He climbed up on the trunk and pushed his head into the dark hole in the sweet yellow rotting wood. He got his fist around the slippery bag and pulled until it popped out, lumpy and much heavier than he had thought. It landed on the soil and lost its breath.
He waited with his hands folded in front of him, his ear cocked, trying to hear what was hidden by the sighing trees. Then he dragged the bag off a ways into the woods, as if it was something he would eat in private. When he had untied the neck he reached his arm inside and took out whatever his fist closed around. These wads he placed inside his underpants. He did not rush but neither did he count, and he packed the slippery cutting bills against his waist and bottom and tried to arrange them where they would not hurt his penis no matter how far he had to walk.
He had not been there for more than four minutes before he was stuffing the blue bag back inside the tree. As he came out in the clearing by the cars, the crows were crying to one another in the spreading shade, and the kookaburras were flying from tree to tree, marking out the boundaries of their world. He walked beneath their notice.