Read Here I Am Online

Authors: Jonathan Safran Foer

Here I Am (51 page)

“Is it a
g
like
gun
?” he asked. “Or like
ginger
?”

“What's that?”

“The n-word. I don't know how you say it.”

“But you're never going to say it.”

“But I still want to know how.”

“Why?”

“You aren't going to go away again, are you?”

“No,” I said, because I didn't know what to say—to my child, or to myself.

HOW TO PLAY LOVE

Love is not a positive emotion. It is not a blessing, and it is not a curse. It is a blessing that is a curse, and it is also not that.
LOVE OF ONE'S CHILDREN
is not
LOVE OF CHILDREN
, is not
LOVE OF ONE'S SPOUSE
, is not
LOVE OF ONE'S PARENTS
, is not
LOVE OF ONE'S EXTENDED FAMILY
, is not
LOVE OF THE IDEA OF FAMILY. LOVE OF JUDAISM
is
not
LOVE OF JEWISHNESS
, is not
LOVE OF ISRAEL
, is not
LOVE OF GOD
.
LOVE OF WORK
is not
LOVE OF SELF
. Not even
LOVE OF SELF
is
LOVE OF SELF
. The place where
LOVE OF NATION, LOVE OF HOMELAND
, and
LOVE OF HOME
meet is nowhere.
LOVE OF DOGS
is to
LOVE OF ONE'S CHILD'S SLEEPING BODY
as
LOVE OF DOGS
is to
LOVE OF ONE'S DOG
.
LOVE OF THE PAST
has as much in common with
LOVE OF THE FUTURE
as
LOVE OF LOVE
has with
LOVE OF SADNESS
—which is to say, everything. But then,
LOVE OF SAYING EVERYTHING
makes one untrustworthy.

Without love, you die. With love, you also die. Not all deaths are equal.

HOW TO PLAY ANGER

“You are my enemy!”

HOW TO PLAY FEAR OF DEATH

“Unfair! Unfair! Unfair!”

HOW TO PLAY THE INTERSECTION OF LOVE, ANGER, AND FEAR OF DEATH

At my annual cleaning, the dentist spent an unusual amount of time looking in my mouth—not at my teeth, but deeper—his instruments of pain slowly tarnishing, untouched, on the tray. He asked if I'd been having a hard time swallowing.

“Why do you ask?”

“Just curious.”

“I suppose a bit.”

“For how long?”

“A couple of months?”

“Did you ever mention it to your doctor?”

He referred me to an oncologist at Johns Hopkins.

I was surprised by my instinct to call Julia. We hardly ever spoke anymore: she had long since remarried; the kids were masters of their own logistics, being adults; and as one gets older, there is less and less news to share, until the final piece, which is delivered by someone else. The dialogue in the show is virtually identical to what actually transpired, with
one significant exception: in life, I didn't cry. I screamed: “Unfair! Unfair! Unfair!”

JACOB

It's me.

JULIA

I recognize your voice.

JACOB

It's been a long time.

JULIA

And your number comes up on my phone.

JACOB

As Jacob?

JULIA

As opposed to what?

JACOB

Listen—

JULIA

Is everything OK?

JACOB

I was at the dentist this morning—

JULIA

But I didn't make an appointment for you.

JACOB

I've become remarkably capable.

JULIA

Necessity is the ex-wife of capability.

JACOB

He saw a lump in my throat.

Julia starts crying. Each is surprised by her reaction to nothing (yet), and it goes on for longer than either would have imagined or thought bearable
.

JULIA

You're dying?

JACOB

The
dentist
, Julia.

JULIA

You're telling me he saw a lump, and you're calling me.

JACOB

Both a lump and a phone call can be benign, you know.

JULIA

So now what?

JACOB

I have an appointment with an oncologist at Hopkins.

JULIA

Tell me everything.

JACOB

You know everything I know.

JULIA

Have you had any other symptoms? Stiffness in your neck? Difficulty swallowing?

JACOB

Did you go to med school since we last spoke?

JULIA

I'm googling while we talk.

JACOB

Yes, I've had stiffness in my neck. And yes, I've had difficulty swallowing. Now will you please give me your undivided attention?

JULIA

Is Lauren being supportive?

JACOB

You'd have to ask the man she's presently dating.

JULIA

I'm sorry to hear that.

JACOB

And you're the first person I've told.

JULIA

Do the boys know?

JACOB

I told you, you're the first—

JULIA

Right.

JACOB

I'm sorry to have laid this on you. I know I haven't been your responsibility for a long time.

JULIA

You were never my responsibility.

(beat)

And you still
are
my responsibility.

JACOB

I won't tell the kids anything until there's something real to tell them.

JULIA

Good. That's good.

(beat)

How are you holding up?

JACOB

I'm fine. He's just a dentist.

JULIA

It's OK to be scared.

JACOB

If he were so smart, he'd be a dermatologist.

JULIA

Have you cried?

JACOB

On November 18, 1985, when Lawrence Taylor ended Joe Theismann's career.

JULIA

Enough
, Jacob.

JACOB

He's just a dentist.

JULIA

You know, I don't think I've ever seen you cry. Other than tears of happiness when the boys were born. Is that possible?

JACOB

At my grandfather's funeral.

JULIA

That's true. You wailed.

JACOB

I wept.

JULIA

But remembering it as the exception proves—

JACOB

Nothing.

JULIA

All those repressed tears metastasized.

JACOB

Yes, that's exactly what the dentist thought the oncologist will think.

JULIA

Throat cancer.

JACOB

Who said anything about cancer?

JULIA

Throat malignancy.

JACOB

Thank you.

JULIA

Is it too soon to observe how poetic that is?

JACOB

Way
too soon. I haven't even been diagnosed, much less gone through super-fun chemo and recovery only to learn that they didn't get it all.

JULIA

You'll finally have your baldness.

JACOB

I already do.

JULIA

Right.

JACOB

No, really. I went off Propecia. I look like Mr. Clean. Ask Benjy.

JULIA

You saw him recently?

JACOB

He came by on Christmas Eve with Chinese food.

JULIA

That's sweet. How did he look?

JACOB

Enormous. And old.

JULIA

I didn't even know you were on Propecia. But I guess I wouldn't know what pills you take anymore.

JACOB

I've actually been on it for a long time.

JULIA

How long?

JACOB

Around when Max was born?

JULIA

Our
Max?

JACOB

I was embarrassed. I kept them with my cummerbund.

JULIA

That makes me so sad.

JACOB

Me, too.

JULIA

Why don't you just cry, Jacob?

JACOB

Sure thing.

JULIA

I'm serious.

JACOB

This isn't
Days of Our Lives
. This is
life
.

JULIA

You're afraid that letting anything out will leave you open to letting things in. I know you. But it's just the two of us. Just you and me on the phone.

JACOB

And God. And the NSA.

JULIA

Is this the person you want to be? Always just joking? Always concealing, distracting, hiding? Never fully yourself?

JACOB

You know, I was hunting for sympathy when I called.

JULIA

And you killed it without having to fire a shot. This is what real sympathy is.

JACOB

(after a long beat)

No.

JULIA

No what?

JACOB

No, I'm not the person I want to be.

JULIA

Well, you're in good company.

JACOB

Before I called, I found myself asking—literally asking aloud, over and over—“Who's a gentle soul? Who's a gentle soul?”

JULIA

Why?

JACOB

I guess I wanted proof.

JULIA

Of the existence of gentleness?

JACOB

Gentleness for me.

JULIA

Jacob.

JACOB

I mean it. You have Daniel. The boys have their lives. I'm the kind
of person whose neighbors will have to notice the smell for anyone to realize he's dead.

JULIA

Remember that poem? “Proof of Your existence? There is nothing but”?

JACOB

God
…I do. We bought that book at Shakespeare and Company. Read it on the bank of the Seine with a baguette and cheese and no knife. That was so happy. So long ago.

JULIA

Look around, Jacob. There is nothing but proof of how loved you are. The boys idolize you. Your friends flock to you. I bet women—

JACOB

You? What about you?

JULIA

I'm the gentle soul you called, remember?

JACOB

I'm sorry.

JULIA

For what?

JACOB

We're in the Days of Awe right now.

JULIA

I know I know what that means, but I can't remember.

JACOB

The days between Rosh Hashanah and Yom Kippur. The world is uniquely open. God's ears are, His eyes, His heart. People, too.

JULIA

You've become
some
Jew.

JACOB

I don't believe any of it, but I believe in it.

(beat)

Anyway, it's during these ten days that we're supposed to ask our loved ones to forgive us for all of the wrongs we committed—“knowingly and unknowingly.”

(beat)

Julia—

JULIA

He's just a dentist.

JACOB

I am so sincerely sorry for any times that I knowingly or unknowingly wronged you.

JULIA

You didn't
wrong
me.

JACOB

I did.

JULIA

We made mistakes, both of us.

JACOB

The Hebrew word for
sin
translates to “missing the mark.” I am sorry for the times that I sinned against you by small degrees, and I am sorry for the times that I sinned against you by running directly away from what I should have been running toward.

JULIA

There was another line in that book: “And everything that once was infinitely far and unsayable is now unsayable and right here in the room.”

The silence is so complete, neither is sure if the connection has been lost
.

JACOB

You opened the door, unknowingly. I closed it, unknowingly.

JULIA

What door?

JACOB

Sam's hand.

Julia starts to cry, quietly
.

JULIA

I forgive you, Jacob. I do. For everything. All that we hid from each other, and all that we allowed between us. The pettiness. The holding in and holding on. The measuring. None of it matters anymore.

JACOB

None of it ever mattered.

JULIA

It did. But not as much as we thought it did.

(beat)

And I hope that you will forgive me.

JACOB

I do.

(after a long beat)

I'm sure you're right. It would be good if I could let my sadness out.

JULIA

Your anger.

JACOB

I'm not angry.

JULIA

But you are.

JACOB

I'm really not.

JULIA

What are you so angry about?

JACOB

Julia, I'm—

JULIA

What happened to you?

They are silent. But it's a different silence than the kind they'd known. Not the silence of just joking, concealing, distracting. Not the silence of walls, but the silence of creating a space to fill
.

With each passing second—and the seconds are passing, two by two—more space is created. It takes the shape of the home they might have moved to had they decided to give it one more shot, to go deeply and unconditionally into the work of re-finding their happiness together. Jacob can feel the pull of the unoccupied space, the aching longing to be allowed into what is wide open to him
.

He cries
.

When was the last time he cried? When he put down Argus? When he awoke Max to tell him he hadn't gone to Israel, and Max said, “I knew you wouldn't go”? When he tried to encourage Benjy's budding interest in astronomy, and took him all the way to Marfa, where they got a tour of the observatory and held galaxies in their eyes like oceans in shells, and when that night they lay on their backs on the roof of the Airbnb cabin and Benjy asked, “Why are we whispering?” and Jacob said, “I hadn't even noticed that we were,” and Benjy said, “When people look at stars, they tend to whisper. I wonder why”?

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