Gone Series Complete Collection (277 page)

—ALA
Booklist

Fear

“Adding a layer of tension is the underlying feeling that judgment day is drawing near, but who will be judge and who will be jury? Fans can count on more excellent storytelling, multidimensional characters who continue to develop in unexpected ways, and some mighty fine eye-popping moments.”

—
VOYA
(starred review)

CREDITS

Cover art and design © 2014 by M-80 Design/Wes Youssi

Cover design by Joel Tippie

COPYRIGHT

Katherine Tegen Books is an imprint of HarperCollins Publishers.

LIGHT: A GONE NOVEL
. Copyright © 2013 by Michael Grant. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

www.epicreads.com

Library of Congress Cataloging-in-Publication Data

Grant, Michael, 1954–

Light : a Gone novel / Michael Grant. — First edition.

pages       cm. — (Gone)

Summary: “Answers to every mystery of the FAYZ are revealed, unexpected heroes emerge as sacrifices are made, and the Darkness is finally conquered by a force even more powerful than itself in this conclusion to the Gone series”—Provided by publisher.

ISBN 978-0-06-144920-8

EPub Edition February 2014 ISBN 9780062202895

[1. Supernatural—Fiction. 2. Good and evil—Fiction. 3. Fear—Fiction. 4. Survival—Fiction.] I. Title.

14   15   16   17   18     
LP
/
RRDH
     10   9   8   7   6   5   4   3   2   1

First paperback edition, 2014

EXCERPT FROM
MESSENGER OF FEAR

CAN’T GET ENOUGH MICHAEL GRANT?
TURN THE PAGE FOR A SNEAK PEEK AT

MESSENGER OF FEAR,

THE FIRST BOOK OF HIS NEW SERIES.

1

MY EYES OPENED.

I was on my back.

A mist pressed close, all around me, so close that it was more like a blanket than a fog. The mist was the color of yellowed teeth and it moved without a breath of breeze, moved as if it had a will.

The mist swirled slowly, sensuously, and it touched me. I don’t mean that it was merely near to me and therefore inevitably touched me; I mean that it
touched
me. It felt my face like a blind person might. It crept up the sleeves of my sweater and down the neckline. It found its insinuating way under rough denim and seeped, almost like a liquid, along bare skin. Fingerless, it touched me. Eyeless, it gazed at me. It heard the beating of my heart and swept in and out of my mouth with each quick and shallow breath.

The mist spoke to me, wordless, soundless, and yet so that I understood, and it said,
Shiver.

I shivered, and goose bumps rose on the insides of my arms and on my belly, and the mist laughed as silently as it had commanded me.

I called out, “Mom?”

But the mist would have none of that. It took my word, stopped it, flattened it, made a mockery of it, and echoed it back to me.

I felt something prickling and tickling the side of my face and turned my head to see that I was lying in grass of such a color that it could never have known spring. It was the gray-green of bread mold, the color of decayed life. I could see only the nearest stalks, those pressed closest to my face. How had I come to be here? And where was
here
?

I searched my memory. But it was a box of old photos printed on age-curled paper. Here a face. There a place. Not quite real, too faded, too fractured, too far away to be real. Pictures, snatches of conversation, distorted sounds, and sensory echoes—the soft scraping sound of paper pages turned by an unknown hand, liquid poured from a bottle, the strike of a match, the smell of sulfur, the—

I had the thought then that I was dead.

It was not a certainty to me but an uneasy possibility, a doubt, a guess whose truth I was not willing to test.

Why were my memories so far out of reach? I had a life, didn’t I? I was a person. I was a girl. I had a name. Of course I had a name.

Mara.

Yet even that seemed unsteady to me—a fact, perhaps, but a shaky fact. The word
Mara
did not carry with it some flood of emotion. It was a flat thing without depth or shape, just a word.

Mara.

Was that me? Let it be me. Let it be me because I needed a name, I needed something definite to hold on to.

I raised a hand to my face. I watched the fingers appear, swirling through that unnatural mist. I touched my face and felt tears. I touched my face and
felt.
Both finger and cheek felt and therefore I lived. I lived.

Then, as if discouraged by my discovery, the mist began to clear. It withdrew from me, sliding away from my flesh like a wave retreating into the sea.

I wanted to stand up. I did not want to lie there any longer in the dead, gray grass. I wanted to stand and see, and then run, run far from this unsettling nightmare. Running would awaken me, and all of it, all my memory, all that I was would come flooding back. It must.

I was shaking so badly that the simple act of standing erect became a challenge. My limbs did not want to cooperate with each other, and I made a mess of it, rising first onto hands and knees and then stumbling, nearly falling, before finally rising to my full unimposing height.

I was in an open place. It was dark, darker than it had been in the mist, and no starlight, still less moonlight, shone down from above. But it was not complete darkness. Patterns of gray on black, and black on blacker still, emerged as I looked around me.

There was a building. Had it been there the last time I looked? No light escaped that building. Nothing about that building called to me to approach except for the fact that it was the only object in sight.

I moved one foot and another. That fact, the fact that I could put one foot in front of another, let me take a deeper breath, a less agitated breath. To move was to live, wasn’t it? To move was to choose a path, and that meant I still had some volition, some control. I felt and I moved. Hadn’t there been some lesson in class about the definition of life and hadn’t it been that . . . sensation, movement, something else . . .

Had there been a class? A school?

Of course, no doubt. So why couldn’t I see it in my mind? Why, when I asked myself that question, was the only image like a stock photo, filled with unfamiliar, too-bright, too-pretty faces?

Was I dead?

Never mind, Mara, I told myself, trying to accept that name as the truth. Never mind,
Mara
, you can feel and you can move. You can choose.
Mara.

I could go in a different direction. I could choose not to walk to that building, that outline of black against black, that shadow within shadow. My feet made sounds like sandpaper as they brushed the brittle grass.

The structure was taller than a house, narrow and long. There was a suggestion of high windows ending in pointed arches. And a suggestion, too, of a strong, heavily timbered door, and above that door, atop the building, a sort of tower.

A steeple.

It was a church. That knowledge should have reassured me, but instead it drove a spike of cold terror into my belly, for I knew one thing: this church was no place of comfort and peace. There was a sullen, silent hostility from this structure. It was not calling me into God’s presence; it was warning me to go away.

Yet at the same time I could now feel the door drawing me to it. It had a strange gravity, a force perhaps unknown to science that pulled me toward it not by magnetism but by acting on my fear, turning my fear into a vortex. I had to know what was inside that church. I had to know, though I feared the knowing.

You fear me, come to me,
the church seemed to whisper to my heart.
Your terror demands an answer. Come.

Come.

And flee.

I reached the door. There was a brass doorknob, strangely shaped, as though it was a carved figure. A head, perhaps. I touched it and my curious fingers could make nothing of the curves and ridges, though I thought I might almost make out the outlines of a face.

I turned the knob and it moved easily. I pushed open the door. An answer was close now, I felt, some piece of knowledge that I both dreaded and desired.

I stepped across the threshold and glanced up, sensing something overhead, and where I thought I would see rafters, there was the sickly mist again, a shapeless carrion feeder greedily awaiting my death.

I moved down the aisle, like a bride slow-walking between rows of family and admirers. There was no altar or cross or other symbol. There was only an oblong box set upon a low stone so that the top of the box would be just lower than my breast if I were to stand close.

It was a
coffin.

Something told me it was not empty.

I was sure that I would see a familiar face in that coffin. I was sure I would see myself. But why would I be lying in a church that was no church?

Cold fingers of horror squeezed my heart, wrung the blood from it, and left me gasping for air. Each inhalation was a sniffle, each exhalation a shudder. My fingernails pressed into my palms, and the pain of it was proof that I was alive, or something like alive, and yet I knew, I knew what I would see in that coffin.

I took another step.

Another.

And I looked down to see a face. I stared in confusion. This was not me. Could not be me. I could not bring the image of my own face to mind, yet I knew this was not me.

Maybe she had been fifteen years old, maybe a year older; it is not easy to judge the age of a dead face. My age, perhaps?

That she was dead was not in doubt.

“Her name was Samantha Early.”

A voice!

I spun around, raising my hands already formed into aching fists. Adrenaline chased away the lethargy of dread as instinct took over.

He was a boy or young man. He stood a dozen feet away and did not move toward me or flinch at my upraised fists.

He was tall and thin. His face was pale as a ghost, pale almost to translucence, and made all the whiter by the long black hair that framed it.

He wore a black coat that fell to midcalf over an iron-gray buttoned shirt. His pants were black, and his shoes seemed to be tall boots of black leather, though they were dusty. The buttons of his coat were silver but not brightly polished. Each was a tiny skull, no bigger than a hazelnut.

On his right hand was a silver ring in a shape I could only vaguely make out. It looked like a warrior, a woman, gripping a sword.

The other ring, the one on his left hand, was a face contorted in unimaginable terror. A young face, and in between nervous glances it seemed to change, as though the face was animated, alive.

I had as well the impression of tattoos at wrist and neck in the few visible patches of skin.

His eyes were the only color in that monochromatic picture. They were blue. They were a blue I had never seen before in any human eye. His eyes were the turquoise of the Mediterranean, like something from a travel poster of a Greek island.

I wanted to ask him where I was, but that would have made me seem vulnerable. It would have invited him to take some advantage of me. Better to be tough, if tough was something I could pull off. So instead I asked the question that was inevitable.