Four Past Midnight (118 page)

“Kevin, why? What do you want? He could be upstairs, just not answering—”

“I'll tell you when we get there, Dad. Come
on.”
And almost dragged his father out of the littered backyard and into the narrow alleyway.

“Kevin, do you want to take my arm off, or what?” Mr. Delevan asked when they got back to the sidewalk.

“He was back there,” Kevin said. “Hiding. Waiting for us to go. I felt him.”

“He was—” Mr. Delevan stopped, then started again. “Well ... let's say he was. Just for argument, let's say he was. Shouldn't we go back there and collar him?” And, belatedly:
“Where
was he?”

“On the other side of the fence,” Kevin said. His eyes seemed to be floating. Mr. Delevan liked this less all the time. “He's already been. He's already got what he needs. We'll have to hurry.”

Kevin was already starting for the edge of the sidewalk, meaning to cut across the town square to LaVerdiere's. Mr. Delevan reached out and grabbed him like a conductor grabbing a fellow he's caught trying to sneak aboard a train without a ticket.
“Kevin, what are you talking about?”

And then Kevin actually said it: looked at him and said it. “It's coming, Dad. Please. It's my life.” He looked at his father, pleading with his pallid face and his fey, floating eyes. “The dog is coming. It won't do any good to just break in and take the camera. It's gone way past that now. Please don't stop me. Please don't wake me up. It's my
life.”

Mr. Delevan made one last great effort not to give in to this creeping craziness ... and then succumbed.

“Come on,” he said, hooking his hand around his son's elbow and almost dragging him into the square. “Whatever it is, let's get it done.” He paused. “Do we have enough time?”

“I'm not sure,” Kevin said, and then, reluctantly: “I don't think so.”

Pop waited behind the board fence, looking at the Delevans through a knothole. He had put his tobacco in his back pocket so that his hands would be free to clench and unclench, clench and unclench.

You're on my property,
his mind whispered at them, and if his mind had had the power to kill, he would have reached out with it and struck them both dead.
You're on my property, goddammit, you're on my property!

What he ought to do was go get old John Law and bring him down on their fancy Castle View heads. That was what he ought to do. And he would have done it, too, right then, if they hadn't been standing over the wreckage of the camera the boy himself had supposedly destroyed with Pop's blessing two weeks ago. He thought maybe he would have tried to bullshit his way through anyway, but he knew how they felt about him in this town. Pangborn, Keeton, all the rest of them. Trash. That's what they thought of him. Trash.

Until they got their asses in a crack and needed a fast loan and the sun was down, that was.

Clench, unclench. Clench, unclench.

They were talking, but Pop didn't bother listening to what they were saying. His mind was a fuming forge. Now the litany had become:
They're on my goddam property and I can't do a thing about it! They're on my goddam property and I can't do a thing about it! Goddam them! Goddam them!

At last they left. When he heard the rusty screech of the gate in the alley, Pop used his key on the one in the board fence. He slipped through and ran across the yard to his back door—ran with an unsettling fleetness for a man of seventy, with one hand clapped firmly against his upper right leg, as if, fleet or not, he was fighting a bad rheumatism pain there. In fact, Pop was feeling no pain at all. He didn't want either his keys or the change in his purse jingling, that was all. In case the Delevans were still there, lurking just beyond where he could see. Pop wouldn't have been surprised if they were doing just that. When you were dealing with skunks, you expected them to get up to stinking didos.

He slipped his keys out of his pocket.
Now
they rattled, and although the sound was muted, it seemed very loud to him. He cut his eyes to the left for a moment, sure he would see the brat's staring sheep's face. Pop's mouth was set in a hard, strained grin of fear. There was no one there.

Yet, anyway.

He found the right key, slipped it into the lock, and went in. He was careful not to open the door to the shed too wide, because the hinges picked up a squeal when you exercised them too much.

Inside, he turned the thumb-bolt with a savage twist and then went into the Emporium Galorium. He was more than at home in these shadows. He could have negotiated the narrow, junk-lined corridors in his sleep ...
had,
in fact, although that, like a good many other things, had slipped his mind for the time being.

There was a dirty little side window near the front of the store that looked out upon the narrow alleyway the Delevans had used to trespass their way into his backyard. It also gave a sharply angled view on the sidewalk and part of the town common.

Pop slipped up to this window between piles of useless, valueless magazines that breathed their dusty yellow museum scent into the dark air. He looked out into the alley and saw it was empty. He looked to the right and saw the Delevans, wavery as fish in an aquarium through this dirty, flawed glass, crossing the common just below the bandstand. He didn't watch them out of sight in this window or go to the front windows to get a better angle on them. He guessed they were going over to LaVerdiere's, and since they had already been here, they would be asking about him. What could the little counter-slut tell them? That he had been and gone. Anything else?

Only that he had bought two pouches of tobacco.

Pop smiled.

That
wasn't likely to hang him.

 

 

He found a brown bag, went out back, started for the chopping block, considered, then went to the gate in the alleyway instead. Careless once didn't mean a body had to be careless again.

After the gate was locked, he took his bag to the chopping block and picked up the pieces of shattered Polaroid camera. He worked as fast as he could, but he took time to be thorough.

He picked up everything but little shards and splinters that could be seen as no more than anonymous litter. A Police Lab investigating unit would probably be able to ID some of the stuff left around; Pop had seen TV crime shows (when he wasn't watching X-rated movies on his VCR, that was) where those scientific fellows went over the scene of a crime with little brushes and vacuums and even pairs of tweezers, putting things in little plastic bags, but the Castle Rock Sheriff's Department didn't have one of those units. And Pop doubted if Sheriff Pangborn could talk the State Police into sending their crime wagon, even if Pangborn himself could be persuaded to make the effort—not for what was no more than a case of camera theft, and that was all the Delevans could accuse him of without sounding crazy. Once he had policed the area, he went back inside, unlocked his “special” drawer, and deposited the brown bag inside. He relocked the drawer and put his keys back in his pocket.
That
was all right, then. He knew all about search warrants, too. It would be a snowy day in hell before the Delevans could get Pangbom into district court to ask for one of those. Even if he was crazy enough to try, the remains of the goddamned camera would be
gone—permanently—long
before they could turn the trick. To try and dispose of the pieces for good right now would be more dangerous than leaving them in the locked drawer. The Delevans would come back and catch him right in the middle of it. Best to wait.

Because they would be back.

Pop Merrill knew that as well as he knew his own name.

Later, perhaps, after all this hooraw and foolishment died down, he would be able to go to the boy and say Yes.
That's right. Everything you think I did, I did. Now why don't we just leave her alone and go back to not knowin each other... all right? We can afford to do that. You might not think so, at least not at first, but we can. Because look—you wanted to bust it up because you thought it was dangerous, and I wanted to sell it because I thought it was valuable. Turned out you was right and I was wrong, and that's all the revenge you're ever gonna need. If you knew me better, you'd know why
—
there ain't many men in this town that have ever heard me say such a thing. It sticks in my gut, is what I mean to say, but that don't matter, when I'm wrong, I like to think I'm big enough to own up to it, no matter how bad it hurts. In the end, boy, I did what you meant to do in the first place. We all came out on the same street, is what I mean to say, and I think we ought to let bygones be bygones. I know what you think of me, and I know what I think of you, and neither of us would ever vote for the other one to be Grand Marshal in the annual Fourth of July parade, but that's all right; we can live with that, can't we? What I mean to say is just this: we're both glad that goddam camera is gone, so let's call it quits and walk away.

But that was for later, and even then it was only perhaps. It wouldn't do for right now, that was for sure. They would need time to cool down. Right now both of them would be raring to tear a chunk out of his ass, like

like ... well, never mind what they'd be like. The important thing was to be down here, business as usual and as innocent as a goddam baby when they got back.

Because they
would
be back.

But that was all right. It was all right because—

“B'cause things are under control,” Pop whispered.
“That's
what I mean to say.”

Now he did go to the front door, and switched the CLOSED sign over to OPEN (he then turned it promptly back to CLOSED again, but this Pop did not observe himself doing, nor would he remember it later). All right; that was a start. What was next? Make it look like just another normal day, no more and no less. He had to be all surprise and what-in-the-tar-nation-are-you-talking-about when they came back with steam coming out of their collars, all ready to do or die for what had already been killed just as dead as sheepdip.

So ... what was the most normal thing they could find him doing when they came back, with Sheriff Pangborn or without him?

Pop's eye fixed on the cuckoo clock hanging from the beam beside that nice bureau he'd gotten at an estate sale in Sebago a month or six weeks ago. Not a very nice cuckoo clock, probably one originally purchased with trading stamps by some soul trying to be thrifty (people who could only try to be thrifty were, in Pop's estimation, poor puzzled souls who drifted through life in a vague and constant state of disappointment). Still, if he could put it right so it would run a little, he could maybe sell it to one of the skiers who would be up in another month or two, somebody who needed a clock at their cottage or ski-lodge because the last bargain had up and died and who didn't understand yet (and probably never would) that another bargain wasn't the solution but the problem.

Pop would feel sorry for that person, and would dicker with him or her as fairly as he thought he could, but he wouldn't disappoint the buyer.
Caveet emperor
was not only what he meant to say but often did say, and he had a living to make, didn't he?

Yes. So he would just sit back there at his worktable and fuss around with that clock, see if he could get it running, and when the Delevans got back, that was what they would find him doing. Maybe there'd even be a few prospective customers browsing around by then; he could hope, although this was always a slack time of year. Customers would be icing on the cake, anyway. The important thing was how it would look: just a fellow with nothing to hide, going through the ordinary motions and ordinary rhythms of his ordinary day.

Pop went over to the beam and took the cuckoo clock down, being careful not to tangle up the counterweights. He carried it back to his worktable, humming a little. He set it down, then felt his back pocket. Fresh tobacco. That was good, too.

Pop thought he would have himself a little pipe while he worked.

“You can't know he was in here, Kevin!” Mr. Delevan was still protesting feebly as they went into LaVerdiere's.

Ignoring him, Kevin went straight to the counter where Molly Durham stood. Her urge to vomit had passed off, and she felt much better. The whole thing seemed a little silly now, like a nightmare you have and then wake up from and after the initial relief you think:
I was afraid of THAT? How could I ever have thought THAT was really happening to me, even in a dream?

But when the Delevan boy presented his drawn white face at the counter, she knew how you could be afraid, yes, oh yes, even of things as ridiculous as the things which happened in dreams, because she was tumbled back into her own waking dreamscape again.

The thing was, Kevin Delevan had almost the same look on his face: as though he were so deep inside somewhere that when his voice and his gaze finally reached her, they seemed almost expended.

“Pop Merrill was in here,” he said. “What did he buy?”

“Please excuse my son,” Mr. Delevan said. “He's not feeling w—”

Then he saw
Molly's
face and stopped. She looked like she had just seen a man lose his arm to a factory machine.

“Oh!” she said. “Oh my God!”

“Was it film?” Kevin asked her.

“What's wrong with him?” Molly asked faintly. “I knew something was the minute he walked in. What is it? Has he ... done something?”

Jesus,
John Delevan thought.
He DOES know. It's all true, then.

At that moment, Mr. Delevan made a quietly heroic decision: he gave up entirely. He gave up entirely and put himself and what he believed could and could not be true entirely in his son's hands.