Authors: Tim Baker
He turned to Roselli. âSo what's it going to be?'
Hastings saw the pulse of a lie working its way up Roselli's neck. The impulse was enormous to end it right there, to slash Roselli's neck and watch his body pulsing red whorls of rotten life into the swimming pool, the clients screaming and backing away, a bellboy choking back sobs as he called the police and tried to describe the scene over the phone, the dog still worrying the horizon with its bark. âAmbush. Sniper shot, like that Sinatra movie.'
âWhere?'
âSoldier Field. Chicago. The Army-Air Force football game.'
âWhen?'
âNovember 2nd . . . ' His eyes narrowed. âYou said you were ready.'
âI am.'
âWell, fucking A, no problems then. Alderisio will be along for the ride.'
Felix âMilwaukee Phil' Alderisio was Nicoletti's cousin and the best cat burglar in the country. He was also a sick and brutal killer. A Chicago setup on home turf featuring kissing cousin sadists. He and Luchino would do the job and get clipped coming out by Nicoletti and Alderisio. The mad cousins would score a bonus and Roselli a commission on the six hundred grand and whatever advance money he could recover. Everyone would be happy, except Hastings and Luchino.
Hastings finished his drink, masking his eyes behind glass and ice. If he told Luchino, the Corsican might flip and take out Nicoletti and Alderisio, and maybe Hastings for good measure. If Hastings pulled out, Roselli would make him an example to remember. Roselli had created the perfect trap without really meaning to.
âYour plan . . . '
âWhat's wrong with it?'
âFor starters, Chicago . . . ' Hitting the President in Momo Giancana's home town was crazy. It'd be his own death warrant. Whoever had chosen Chicago must have done so because they wanted to take out two institutions for the price of one: the Presidency and the Outfit. The mob knew Momo could never withstand the heat. Momo was a talker. Momo was a turner. They'd move in fast and take him out before he could open his mouth and scream, âState's Evidence.' Roselli too. They'd dice him up and feed him to the sharks. And then they'd turn on each other. It wasn't just Chicago that was at play, it was all the Midwest, it was Kansas City and St. Louis; it was Detroit. It was Texas and the Mexican border. All that shit coming up from South America. It was LA and the whole West Coast. Most of all, it was Vegas. It'd end up a civil war: New York against Trafficante and Marcello, with Meyer Lansky sitting on the fence as usual, a carrion bird, waiting to suck the bones of the dead. Alliances would shift, betrayals would squirm through the bullet holes. The whole Five Families would be up for grabs. Then the conspirators would move in, clean up and take over. It was too big to fight. They were all dead, JFK included, unless he figured something out fast.
âWhat the fuck is wrong with Chicago?'
The idiots didn't have a clue. That's why they were criminals. Criminals were always lazy men who were also very, very stupid. âForget it . . . '
Roselli's eyes gave up trying to read his and drifted back to the swimming pool. âYou should see that Sinatra flick.' Hastings looked around. There were plenty of other middle-aged men staring at the pool, their eyes on the slim young women in bathing suits. But Roselli was gazing at the blue square; the door to the other world. The domain of ghosts.
Far away towards the hills, the dog kept barking.
J
esus Christ, she's alive!' There is a roar of revolted disbelief. Hands dig and claw their way through the earth, freeing the unconscious woman from her sepulchre of newly-turned garden loam. She has been buried almost upright, tucked inside some kind of lead casing or pipe. She is naked except for a black negligée and a high-strapped golden sandal on her left foot. I take the forgotten shoe out of my jacket pocket. Right foot. Perfect match. I press my ear to her chest. If there's a heartbeat, I can't hear it. Medics arrive from the ambulance outside the gate, handling her in brutal yet effective fashion, opening up airways with hoses and suction. There is an audible gasp of breath, and then mud gutters from her mouth. I turn away, catching sight of Mrs. Bannister disappearing into the house. I run after her, leaving a trail of footprints from the miraculous earth.
She's on the other side of a huge hallway, her face in her hands. She stands upright, mastering her expression and her voice as she watches me crossing to her.
âShe lives here?'
âDon't be absurd.'
âWhy's that absurd?'
âThe divorce was bitter. She lost custody of Ronnie.'
âSo where does she live?'
âNow? I don't know.'
âWhen was the last time you saw her?'
âAt the wedding.'
âYours?'
âHers. I was a bridesmaid.'
Mrs. Bannister was becoming more interesting by the second. âYou were friends?'
âMore than that.'
Did she mean lovers? âCould you be a little more precise, Mrs. Bannister?'
âElaine is my sister, Mr. Alston.' Jesus, I hadn't seen that one coming. She smiles at my surprise. âYou didn't know? It was quite the scandal.'
âI bet it was . . . So what happened?'
âRex . . . Mr. Bannister made a pass at me. He tried to seduce me. And he would have succeeded too if Elaine hadn't walked in on us.'
âI see . . . '
âI don't believe you do. Nobody understood what happened. Nobody believed. I was innocent. I was still a . . . ' She looks away with such embarrassed modesty I could almost believe her. Oh, this one is good, she's awful good. âLet's just say I was easy prey for a powerful man of the world like Mr. Bannister. He swept me up in a passion I had never known before. I simply couldn't resist its power; even if I had wanted to.'
âI suppose your sister didn't see it that way.'
âShe should have! That's how she became the fourth Mrs. Bannister. But she would have none of my innocence. For her it was simple: in a state of inebriation, her new, rich and immensely powerful husband had been bewitched by a provocative and jealous sister. A forgivable transgression . . . For him.'
âEven at her wedding?'
âA final fling before the marriage got under way. Except . . . '
âExcept Mr. Bannister didn't want it to be so final?'
âYour perspicacity is commendable.'
âYou didn't look too shook up back there when you first saw your sister.'
âI've always tried to keep my emotions private.'
âExcept at weddings?'
âYou have no right to make such a comment.'
âHow about this for a comment: you were shown your own sister lying buried alive in your garden and you hardly blinked.'
âOur relationship was complicated.'
âCrosswords are complicated, Mrs. Bannister. This was your sister.'
âHalf-sister.'
âWhich half?'
âThe mother . . . '
âAnd the father?'
âMr. Alston, I need to rest. I've had a dreadful shock.'
âWho was your sister's father?' She looks at my hand on her arm, her eyes welling with tears, then turns away. Jesus, it suddenly hits me. My heartbeat accelerates with the perverse obviousness of the answer. âScrewing his own daughter, is that it?'
âHow could you think such a thing?'
âThen who was Elaine's father?'
âIt's a secret.'
âSecrets are for sharing.'
âI can't, not this . . . '
âTell me.'
â . . . Joseph Kennedy.' She starts to sob.
âThe banker? The ambassador? That Joe Kennedy?'
âI don't want to talk about it anymore.'
âDoes she ever see him?'
Her eyes widen with fear. âShe mustn't ever know. Not after . . . ' She struggles to regain control.
âAfter what?' She shakes her head. âYou've got to tell me, Mrs. Bannister. This may have a bearing on Ronnie'sâ'
âI don't give a damn about Ronnie! I don't give a damn about Elaine. I only care about Rex. Now find the boy and lift this burden from my husband before it kills him. That's what you're paid to do, Mr. Alston. Your job. Now do it.'
She storms away, her heels clicking fast across the oak floors. I look around the great hall with its trappings of wealth and privilege; its promise of the continuity of power. Crests, shields and arms, paintings and portraits; the severed heads of innocent animals. In other countries, in other civilizationsâin Europe and Persia and Chinaâthese tokens of intimidation and supremacy took centuries to build; countless generations to maintain; innumerable wars to destroy. But in America they just appear overnight: spilling out of the back of a stolen truck; passed under a table in an envelope; whispered over a tapped wire. Delivered at the end of an untraceable gun. They arrive on the wings of crime but flower in the name of commerce and corporation. The swift, lonely power of Today. Parents are buried. Children yet unborn. There's just you. No yesterday. No tomorrow. The fuse of Now is burning bright. The slick instant of this very moment is all that counts. It's the Bannister Way.
Schiller raps on one of the windows. I step out into the dazzle of sunshine. âWas the kid buried in there with her?'
He shakes his big head. âWe've dug it all back. That pipe she was jammed in gives on to an old well. Deep. There's no sign of the kid, at least not with our torches.'
âYou better get a hold of a speleologist club.'
âA spelling what club?'
âCave experts. Or Army Pioneers, anyone who can climb. You need to send men down with ropes, fast. I found what could have been a well down in the basement. What if the kid is stuck down there?' I run my hand through my hair, soil coming away. âI just don't understand it . . . '
âUnderstand what?'
âThere was no opening in the bottom of the well . . . and the top's covered with soil. How the hell did she get in?'
âKnow what I think? They thought she was dead and buried her there.'
âYou're wrong.'
âGive me one reason.'
âWhy bury her in a place where they know she's going to be found?' Unless they wanted her found . . . âBesides, I found her shoe down there in the cellars, near the well . . . '
âWhat shoe?'
âThe right one, the one missing from her foot.' He shakes his head. He didn't even notice. That's the difference between a PI and a cop. One gets paid to think and one gets paid, period . . . âWhere'd they take her?'
âLinda Vista . . . '
âLinda Vista? Why not Mount Sinai? Or Cedars of Lebanon? They're both closer.'
âThe Old Man's pumped a fortune into Linda Vista.'
âA philanthropist no less . . . '
âKnock it off, Alston. Even Howard Hughes stays there, and you know what he's like.'
Even in questions of life and death, social contacts mattered for people like the Old Man. âAny word on her condition?'
âToo early to say. She looked pretty bad when they hauled her away.'
âSo would you if you'd been buried alive. You know what's funny . . . ?'
âThere ain't nothing funny about this.'
âHold your horses and listen. Just when I got here last night, I saw someone digging over where they found her.'
âWhy the hell didn't you say something?'
âI did. I asked him if he'd found anything.'
I walk over to the steps, staring at the grove, getting the angle and distance as approximate as I can. I try to summon the silhouette of the man against the glimmer of LA streetlight; listening to the sea conch of my memory. The rasp of a shovel digging; not the pad of it filling. âI'm sure of one thing; he was preparing the hole when I saw him.'
Schiller stares at me.
âMeaning she would have been put in there after I arrived. But there's another thing. Look at that terrain. If she were already lying there, I would have seen her.'
âNot if she were behind the mound of earth.'
âBut there was no mound of earthânot then. He must have just started.'
âThe nerve of the guy.'
Nerve had nothing to do with this. It wasn't just cool calculation. It was certainty. They knew they could pull this one off. Either they were preparing a grave for Elaine Bannister . . . Or else they were preparing her escape route. And then got interrupted. âWho else came through the gates apart from me?'
âNo one.'
âHow about the doctor who was here?' Schiller's eyebrows arch in acknowledgement. âAny other no ones?'
âWell, the Old Man's attorney was with him.'
âYou know him?'
âName's Adam Granston. A Texan. Not your usual kind of lawyer. Rough around the edges. A heavy drinker. His clients are mainly oilmen.'
Oilmen. Crumpled suits and soiled cowboy boots. Red, sun-hurt faces hunched in half circles, whispering to each other about money, making nasty cracks about their wives. âAnyone else?'
âLAPD. That's it. The ambulance was always outside . . . '
âThey were there all night.'
âSo . . . ?'
âDid they come inside to use the john?'
âYou don't think a medic from an ambulance . . . '
âYou're right, I don't think. But someone could have come in pretending to be a medic. Like the guy digging pretending to be part of the search.'
âHe didn't pretend, you mistook . . . '
âHe went along with it. That's pretence, okay. Now think, was there anyone else?'
This time Schiller actually stops and thinks. I can see him taking roll call inside that enormous head of his. âThat's it, except for . . . ' His voice trails away.
âFor who?'
âMrs. Bannister. She went out to look for the nanny after the Old Man finally went to sleep.'