Authors: Laure Eve
Wren folded his arms, calmer.
âWell. It doesn't matter any more. In fact, you did me a favour. You really did. So I did you a favour in turn. She was holding you back. Isn't that what you used to say to me? Don't bother with girls. Don't bother with love. It only holds you back from your purpose in life. I used to think you were such a pompous cock, saying that. But you know â you're right. I came to realise that. You are. So I did you a favour, as a thank you. She's gone now.'
White flinched, his body aching to throw itself out of the chair and into that horrible smug face.
Wren smiled, held his hands up.
âLook, it was just an assignment, at first. They asked me to come back. Check out the competition. Maybe even recruit someone, if I could. I didn't know about your, er, special regard for one of them, not at first. But when I heard about it, I thought ⦠well. What better way to pay you back a favour? What tickles me most, though, is that you didn't even know. Didn't even
know
that I was visiting her at night. And yes â it was always at night. And she's actually quite pretty with no clothes on.'
White's hand tightened on the pistol he had jammed into the seat cushions, and he pulled it free. Fumbled. Pointed it at Wren's chest.
It was a small, ancient thing that Frith had given him last year as a birthday present. He'd practised this earlier, a few times. Pointing it. He hadn't fumbled, before. But then, nothing ever turned out the way it should, when it came to the time that actually mattered.
Wren's jaw fell open, and his features spiked in fear.
âI'll Jump before you can fire,' he said.
âTry!' White screamed. âGo on and try it! We'll see!'
There was a knock on his door.
âWhite?' came a voice from outside.
Frith's voice.
Wren was shifting nervously.
âI can do it,' he said. âDon't think I can't.'
White kept silent.
If you just shoot RIGHT NOW.
RIGHT now.
NOW.
You'll get him. Do it.
The door opened, and Frith came in. And stopped.
Wren took his chance.
White's finger jerked on the trigger.
Too late. The noise made his ears shut down.
Wren had gone.
Frith stood, thunderstruck.
White threw the gun as hard as he could across the room. It smashed into the wall.
He covered his face.
He willed with everything he had that the world would fade away. Fade away and leave him alone in the dark, with only his own breath
ing for company.
That night, he wakes up in a cold, dank, stone room.
He knows it is a dream. He also knows it is unlike any dream he has ever had before. He knows that instantly.
This feels different. The inside of his mouth is tacky with sour thickness. His whole body strums with tension. He feels like he has been running flat out. His lungs struggle and heave.
He has never been to this place in his dreams before.
The room is completely bare. The walls are made of huge, thick blocks of stone, solid and real and sparkling with mica. In one corner, the corner he wakes up in, the dusty flagstone floor is covered with tangled, angry black markings, scribbled in something that might be charcoal. He looks around, then down to the markings. These are what he has come for, he knows it. He needs these. More than anything else in the world, he aches with his desperate need. But the more he stares, the more they waver and dance, senseless but lovely. They mean nothing to him, an alien language. Just a series of sharp, tilted lines.
There is a sound.
The sound makes his lungs squeeze.
He looks around again. Four smooth, unbroken walls. No door. How did he get
in
?
Something is prowling outside, shifting up and down the walls. The stone near his head hisses for a moment as the creature makes contact on the other side.
He flinches away from the wall. He knows what it is, but doesn't at the same time. It knows him, though.
It knows everything about him.
It moves in grid patterns, combing relentlessly outside the room, searching for a way in. It will find one, he is sure of it. There is nothing to do about this. The black markings cannot save him. He doesn't know the way out of the room. Even if he did, the thought of going near the thing outside makes him feel sick.
A flickering out of the corner of his eye turns him, every nerve screaming in alarm. But it is not the thing outside. It is a girl, standing in the room.
She is odd. Out of focus. Greying and blurry. Her eyes are huge, dark holes. She stares at him sightlessly. Her mouth is moving.
She looks like a ghost. He shrinks back. She raises her hands, palms outwards.
Please. No threat.
The question he wants to ask her is
where am I?
And
what the fuck is going on?
And
who the fuck are you?
And
what the FUCK is that THING OUTSIDE?
But nothing comes out as it should in dreams, and instead he asks, âWhy can't I see you properly?'
She stares at him for a moment too long, her eyes flickering over his face. Drinking him in. He begins to feel uncomfortable under her black gaze.
Then she opens her mouth and tries to talk to him. Words splutter in and out of hearing, like a badly tuned radio. Her mouth works. Syllables blare out into the room but hang, unformed. He can't make out a whole word.
âI can't hear you!'
The thing outside is making more noise. It scratches against the stone. Then it does something heart-failingly awful. It starts to throw its weight against the wall.
It is really, really big.
Only really, really big things can make stones shiver and deserts of brick dust puff out into the air.
That wall won't hold long.
White feels a desperate, ridiculous urge to pee.
The girl is waving her hands at him. Her black hole eyes are wider. She mouths and mouths.
âI can't hear you!' White shrieks. âI can't! What do I do?'
ââ Castle!' she says.
âWhat?!?'
ââ Castle! â It's coming!'
âI can SEE THAT. What do I DO?'
She rushes forwards and grabs his arms, desperate. Her touch is like bunches of sticks brushing against him, as wavery and insubstantial as her voice.
ââ Castle!' she says. ââ you must â because It's
coming
!'
âI can't â¦'
ââ don't open â Castle! Because â coming!'
She takes a breath. He watches her mouth. The thing outside screeches, its voice wet.
ââ kill you,' she says. âIt will kill you.'
The first stone smashes to the floor with a crash to end worlds.
ââ kill everything. It will kill
everything
.'
White stares at her. The wall is crumbling slowly, battered and battered.
âDon't open the Castle!'
She is pleading. The thing outside is squeezing itself through the hole it has made. He can hear its body making squishing sounds as it grunts and heaves. The flesh coming through is thick, thicker than him, and long, long, long. Like a giant snake it comes.
With a pure and sudden burst of knowledge, White realises that the giant snake of flesh he sees filling up the room is only part of one of its fingers.
The girl flickers; disappears.
It reaches for him.
His ears shut down, overloaded with the thing's buzzing roar.
His imagination is filled with the sound of his own bones snapping as the room crumbles around him.
He wants it to be quick.
White woke with a mangled gasp in his throat.
It took a long, long moment to understand that he was safe.
That it had been a dream, and that he wasn't there any more.
What kind of dream, he had no idea. But it couldn't have been a Talent dream. No. Not possible. The thought of that room as a real place made him want to scream, scream, scream.
As he sat up, he felt streams of sweat pour in tickling rivulets down his chest.
It wouldn't leave him.
Every shadow was something disgusting and alive, come to eat and to chew. He lit his bedside lamp. It didn't help.
Huddled against the headboard of his bed, the ghost girl's words drifted round and round in his head.
Don't open the Castle.
It will kill everything.
In a strange bed, in a strange room, in another country, Rue woke from the same dream, alone and shivering with terror.
In her dream, Rue runs.
The dream is a game in a castle, but more than a game; and if Rue loses, she will die. The humming dread that drenches the walls of this place makes her neck clench and she can taste it, like blood on her tongue.
This place is death and the game is that she has to survive.
The floor is made of cracked, uneven stone slabs that make her footfalls echo so loudly, each separate noise a cacophony that she is sure will bring every horror this place has to offer right to her, to pounce on her like a ragdoll and tear her to strips that they can gobble down.
She comes to an enormous king of a door that stretches up into the rafters. When she touches the handle, it opens easily, despite its size. The room beyond is bigger than a church, with the same dusty walls and echoing space. It is bare, its floor made up of uneven slabs that slope steadily downwards toward a hole in the centre of the room. Like a wound it gapes, coloured in blackness. The slabs disappear into it as if they are being sucked inside.
There is only the smallest ledge of slabs up against the walls that don't slope downwards. She has a feeling that if she steps on any one of the sloping slabs, she will slide helplessly towards the crevasse and disappear into it forever.
Rue knows what lives in the crevasse. She has been here before.
She steps into the room. Her feet slide and slip. She shuffles along. The sense of danger grows so fast she can imagine very strongly that whatever lives in the crevasse is skittering, climbing up the sides of its hole, coming closer to the source of that smell it can smell, the smell of her and of meat. She is halfway across the room. If she doesn't hurry, she will die. Someone enters the room behind her. Rue screams a warning over her shoulder.
Don't come in! Don't come in! Find another way around!
She knows the newcomer has put a foot on the first slab.
Don't come in!
She can see it shifting its bulk from side to side as it heaves up the sides of the crevasse. The smell of meat is stronger now. Double the strength.
She makes it to the other side and wrenches open the door. The newcomer is halfway across. Something slithers out from the blackness of the hole in the middle of the ground. Broken pieces of slab tremble and shift. It moves horribly fast, scrabbling upwards in a massive rush.
I told you not to come in!
Rue screams.
The newcomer looks up, her mouth hanging open in terror. She has long, thin dark hair which shivers wildly around her shoulders as she looks between Rue and the hole, rapidly, again and again.
Cho
, Rue says, her voice clipped and gasping.
Cho, I TOLD YOU NOT TO Câ
Rue woke, fighting.
It was too hard to breathe. The screaming had taken away her air.
It took a while to realise that wherever that place had been, she wasn't there any more; she was here where things were real, and normal, and safe. The overwhelming sense of relief she felt brought tears to her eyes.
Underneath it there was the other emotion she confessed to no one; the one that made her want to go back into the dream, nightmarish though it had been. A slick, slimy kind of fascination to the place she had visited. A desire to know more about it.
It was the second time in a week that she had dreamed of that castle, each dream in a different room; but always that sense of sick-hearted fear to it. The whole place was wrong, so why did she want to go back there? Was it a real place; a dream caused by her Talent? Or was it something she had made up? She wasn't skilled enough to tell.
That girl, Cho. She was new this time. Rue had never seen her before. She didn't know who she was, or if she was real, a long ago memory of a name and a face that she had pulled from the back drawers of her mind and slotted into the dream. Some girl.
Sometimes, being Talented was, simply put, a pain in the arse. Since she was little she could remember dreams like this, dreams of other places and other people, real places she could not possibly know of but visited nightly, through no will of her own. Being Talented meant you could travel in your dreams, spy on people and places with your mind, and without them ever knowing you were there.
And if you were freakishly Talented, it also meant you could Jump your entire body between points, stripping away everything between you and somewhere else six feet or even a thousand miles away; treating distance and physics as a second's inconvenience.
Rue couldn't Jump yet; or at least not without help. She couldn't even control where she visited in her dreams; it happened randomly and without her input. She felt helpless, but there was no denying the thrill that rippled through her as she went to bed each night. Where would her mind take her? Would she learn a great, secret truth?
She stretched, feeling her back press satisfyingly into the bed, and then realised.
Wren was not here with her.
She felt a stab of panic, then annoyance like a soothing wave. She wouldn't be a stupid, nervy mouse. She would show everyone that she wasn't afraid of being alone in a strange place. He was probably out getting food, or doing something important. He would be back.
She turned on her side and switched off the bed comforter on the third attempt. Wren had shown her how to do it but she was still nervous of getting it wrong. At least here there were no sheets to wash her buckets of sweat from. Although the bed comforter mimicked the warmth and weight of sheets, it wasn't real in the same sense.
Rue lay, thinking.
The small room around her was a dull, metallic grey. The walls were grey. The floor was a soft, fuzzy grey. The bed she lay on was grey. The ceiling was actually white â Wren had told her why it was a different colour, but she couldn't quite remember. Something about how Life worked when you looked upwards. There were a lot of the last few days that she couldn't quite remember. Strangeness upon excitement upon strangeness had taken its toll.
Rue had come to realise that a lot of her reactions to things were considered, by general people, to be odd. It had taken a while as a child, but eventually she had realised why people pulled faces when she said or did certain things. So finding out that she had a mysterious, rare ability like the Talent had failed to surprise her one bit. Of course she did. It explained everything. It explained the fascinating, frightening dreams she had, that were rich and thick as velvet and felt so real that it was like living another life while she slept. It explained her constant itch, the craving she had to be away from here, wherever here was. To be doing extraordinary things.
So being recruited to train in the Talent at Angle Tar's premiere university seemed obvious to her. Why have such a skill, if it was never to be used? She had gone willingly, leaving her old life behind, her life of routine and learning and banality, and the dull ticking of hours and days and weeks.
And everything would have been fine if she hadn't met White.
He made it easy to leave, when Wren asked her to. He made it easy because when she thought about him she felt a burst of pain, and humiliation, and a horrible, embarrassing, overwhelming desire to be near him. To have him think well of her.
Want her.
But he didn't want her. He probably, all things considered, hated her. He thought she was a rude, stupid girl. And he'd done things that made her feel savage towards him. She had pushed, and she had broken something past repair, and part of her was glad, because if there was one thing guaranteed to make her lose her mind in rage, it was being lied to. It had happened too many times in the recent past. It would not happen again.
So she had left Angle Tar, and everything she had ever known. She hadn't seen it as treason, coming with Wren to World â but now she'd had time to think, she knew that Angle Tar probably would. It was illegal for Angle Tarain citizens to travel outside the country. To keep them ignorant of how amazing it was everywhere else, she had bitterly decided. It didn't make a difference, though. She had crossed a very thick, unyielding line.
Maybe, just maybe, that meant she could never go back.
And maybe you'll never see him again, said a small, treacherous voice in her mind.
She tried desperately not to let it feel so final. She tried to leave it open and vague. Surely they might make an exception for her. Surely Frith would allow it. He knew people in government â he practically was the government.
Frith would help her, if the time ever came. She was sure of it.
Right now, though, there was no space in her head for dwelling on the past, waking up to that chest ache every morning as the memories of what had happened took hold of her again. She had to put it all away, grow up, and deal with where she was now.
When she had come out of the Jump from Angle Tar with Wren that first night, head spinning, the thing that caught her attention was the light.
She leaned against him and he held her, until the nausea passed and she could stand up straight. They stood on what was clearly a street, though it was starker and cleaner than any in Angle Tar. The buildings were flat and strangely angular, with smooth, colourless surfaces. The street itself was so wide, an airy stretch of space. Nothing like the tiny, penned cobbled mazes of Capital City.
And all the while she looked around for a source of light; but there were no street lamps to be seen. When she glanced up into the sky, she couldn't see the moon, despite the fact that there were no discernable clouds. But she could still
see
. It was dark, like it should be at night; but then it wasn't, somehow.
Wren was smiling. âIt's strange,' he said. âI know it. But you're not seeing World how everyone else sees World. This is just the platform for World.'
âThe what?'
âThe platform, the basic “real” version. When you jack in to Life, you'll see it very differently. You'll see a sky filled with stars, and a moon. Over there, those long stretches of ground with nothing on them? In Life they're covered in trees. The buildings here, look. To you they're just blank, right? Well in Life, that one is covered in a ten-foot-high mural. And that one, there; it has an advert for Lost in Time, it's a Life game. It's got a train exploding on it. I mean, the train is actually exploding, right now.'
He threw his hands wide, and Rue looked around, fascinated. There were no trees anywhere. And there was nothing on those buildings. Nothing at all. But she could almost believe there was, if she watched him.
âI'll be honest with you. Out of Life, it's pretty dull,' said Wren. âThey whine about the sociological problems Life causes, but then they offer us the platform as an alternative. So our choice is trees and beauty and colour and amazing,
amazing
things. Or this grey nothing of the real. It's astonishing that they think that's actually a choice.'
An uneasy frustration crept over her. She couldn't see what he saw. She couldn't understand this place yet. She needed to know how it worked, and what it felt.
âCome, Rue mine,' he said, putting his arm about her shoulders. âWe'll take you home.'
She felt immense relief, and sank into his side as they walked.
âWhere am I to stay?' she said.
âWith me, of course.'
She stopped in surprise.
âIt isn't like Angle Tar, Rue. There's no oddness involved in men and women of age living together without being married. And I live with many people; it won't just be us. You'll see.'
She had seen.
Wren's building looked just like every other building around it. It was a wonder he could pick it out. It was an enormous building, too; a little more like the tall houses in Capital City that held twenty or thirty different families inside them.
âIt smells funny, here,' said Rue, sniffing the outside air.
âNo; it doesn't smell of anything. It's a relief after all the stench of Capital, right?' said Wren.
He was right. She inhaled deeply. That was what had been confusing her. There was nothing there to smell.
Wren walked up to what was presumably the main entrance, though the door looked just like a number of any others set into the wall that faced them. He pressed his face close to a flat, black decoration at head height.
âWhat are you looking at?' said Rue.
There was a series of quick beeps, a little like the noise of droning bees, thought Rue, cut up into slices. Wren leaned back. The door opened smoothly, disappearing into the wall rather than swinging in or outward.
âIt's like a key,' Wren explained. âOnly you use your eye.'
âYou use your eye as a key!?'
âWe'll have to get you registered as quickly as we can. Until you're given citizenship, we won't be able to put your eye pattern on the door key.'
Rue didn't think much of that. Using your eye to open doors! She tried to swallow her fear of this strange culture and its magical way of living, tried instead to concentrate on the incredible things she knew it offered her.
âWhere's the box? You said you had one,' she said, as they passed through a corridor much like the one at Red House, except it was coloured a uniform grey. He had promised her another world in that box, and she had not forgotten.
âPatience, Rue,' said Wren with a grin. âWe'll get to it. It's in my room.'
His room had turned out to be quite ordinary. The box he had shown her before, or one like it, was there, on a thin side table that looked like it couldn't carry the weight of a chicken. Wren told her that it was made of one of the strongest materials in World. She'd considered testing his assurance by standing on top of it and jumping up and down, but didn't have the courage.
He had insisted she sleep for a while. Though she protested vigorously, it turned out that once she lay down, sleep overtook her almost at once. She didn't remember if he'd stayed with her or not. She hoped that he had, at least for a little while.