Epic Historial Collection (310 page)

Merthin wanted to say it was not possible, that Ralph would not do such a thing—but he knew otherwise.

“I have to decide what to do,” said Philippa.

“I don't think you should try to end the pregnancy with potions—it's too dangerous.”

“I won't do that.”

“So you'll have the baby.”

“Yes. But then what?”

“Suppose you stayed in the nunnery, and kept the baby secret? The place is full of children orphaned by the plague.”

“But what couldn't be kept secret is a mother's love. Everyone would know that the child was my particular care. And then Ralph would find out.”

“You're right.”

“I could go away—vanish. London, York, Paris, Avignon. Not tell anyone where I was going, so that Ralph could never come after me.”

“And I could go with you.”

“But then you wouldn't finish your tower.”

“And you would miss Odila.”

Philippa's daughter had been married to Earl David for six months. Merthin could imagine how hard it would be for Philippa to leave her. And the truth was that he would find it agony to abandon his tower. All his adult life he had wanted to build the tallest building in England. Now that he had at last begun, it would break his heart to abandon the project.

Thinking of the tower brought Caris to mind. He knew, intuitively, that she would be devastated by this news. He had not seen her for weeks: she had been ill in bed after suffering a blow on the head at the Fleece Fair, and now, though she was completely recovered, she rarely emerged from the priory. He guessed that she had lost some kind of power struggle, for the hospital was being run by Brother Sime. Philippa's pregnancy would be another shattering blow for Caris.

Philippa added: “And Odila, too, is pregnant.”

“So soon! That's good news. But even more reason why you can't go into exile and never see her, or your grandchild.”

“I can't run, and I can't hide. But, if I do nothing, Ralph will kill me.”

“There must be a way out of this,” Merthin said.

“I can think of only one answer.”

He looked at her. She had thought this out already, he realized. She had not told him about the problem until she had the solution. But she had been careful to show him that all the obvious answers were wrong. That meant he was not going to like the plan she had settled on.

“Tell me,” he said.

“We have to make Ralph think the baby is his.”

“But then you'd have to…”

“Yes.”

“I see.”

The thought of Philippa sleeping with Ralph was loathsome to Merthin. This was not so much jealousy, though that was a factor. What weighed most with him was how terrible she would feel about it. She had a physical and emotional revulsion toward Ralph. Merthin understood the revulsion, though he did not share it. He had lived with Ralph's brutishness all his life, and the brute was his brother, and somehow that fact remained no matter what Ralph did. All the same, it made him sick to think that Philippa would have to force herself to have sex with the man she hated most in the world.

“I wish I could think of a better way,” he said.

“So do I.”

He looked hard at her. “You've already decided.”

“Yes.”

“I'm very sorry.”

“So am I.”

“But will it even work? Can you…seduce him?”

“I don't know,” she said. “I'll just have to try.”

 

The cathedral was symmetrical. The mason's loft was at the west end in the low north tower, overlooking the north porch. In the matching southwest tower was a room of similar size and shape that looked over the cloisters. It was used to store items of small value that were used only rarely. All the costumes and symbolic objects employed in the mystery plays were there, together with an assortment of not-quite-useless things: wooden candlesticks, rusty chains, cracked pots, and a book whose vellum pages had rotted with age so that the words penned so painstakingly were no longer legible.

Merthin went there to check how upright the wall was, by dangling a lead pointer on a long string from the window; and while there he made a discovery.

There were cracks in the wall. Cracks were not necessarily a sign of weakness: their meaning had to be interpreted by an experienced eye. All buildings moved, and cracks might simply show how a structure was adjusting to accommodate change. Merthin judged that most of the cracks in the wall of this storeroom were benign. But there was one that puzzled him by its shape. It did not look normal. A second glance told him that someone had taken advantage of a natural crack to loosen a small stone. He removed the stone.

He realized immediately that he had found someone's secret hiding place. The space behind the stone was a thief's stash. He took the objects out one by one. There was a woman's brooch with a large green stone; a silver buckle; a silk shawl; and a scroll with a psalm written on it. Right at the back he found the object that gave him the clue to the identity of the thief. It was the only thing in the hole that had no monetary value. A simple piece of polished wood, it had letters carved into its surface that read: “M:Phmn:AMAT.”

M was just an initial.
Amat
was the Latin for “loves.” And Phmnn was surely Philemon.

Someone whose name began with M, boy or girl, had once loved Philemon and given him this; and he had hidden it with his stolen treasures.

Since childhood Philemon had been rumored to be light-fingered. Around him, things went missing. It seemed that this was where he hid them. Merthin imagined him coming up here alone, perhaps at night, to pull out the stone and gloat over his loot. No doubt it was a kind of sickness.

There had never been any rumors about Philemon having lovers. Like his mentor Godwyn, he seemed to be one of that small minority of men in whom the need for sexual love was weak. But someone had fallen for him, at some time, and he cherished the memory.

Merthin replaced the objects, putting them back exactly the way he had found them—he had a good memory for that sort of thing. He replaced the loose stone. Then, thoughtfully, he left the room and went back down the spiral staircase.

 

Ralph was surprised when Philippa came home.

It was a rare fine day in a wet summer, and he would have liked to be out hawking, but to his anger he was not able to go. The harvest was about to begin, and most of the twenty or thirty stewards, bailiffs, and reeves in the earldom needed to see him urgently. They all had the same problem: crops ripening in the fields and insufficient men and woman to harvest them.

He could do nothing to help. He had taken every opportunity to prosecute laborers who defied the ordinance by leaving their villages in search of higher wages—but those few who could be caught just paid the fine out of their earnings and ran off again. So his bailiffs had to make do. However, they all wanted to explain their difficulties to him, and he had no choice but to listen and give his approval to their makeshift plans.

The hall was full of people: bailiffs, knights and men-at-arms, a couple of priests, and a dozen or more loitering servants. When they all went quiet, Ralph suddenly heard the rooks outside, their harsh call sounding like a warning. He looked up and saw Philippa in the doorway.

She spoke first to the servants. “Martha! This table is still dirty from dinner. Fetch hot water and scrub it, now. Dickie—I've just seen the earl's favorite courser covered with what looks like yesterday's mud, and you're here whittling a stick. Get back to the stables where you belong and clean up that horse. You, boy, put that puppy outside, it's just pissed on the floor. The only dog allowed in the hall is the earl's mastiff, you know that.” The servants were galvanized into action, even those to whom she had not spoken suddenly finding work to do.

Ralph did not mind Philippa issuing orders to the domestic servants. They got lazy without a mistress to harry them.

She came up to him and made a deep curtsy, as was only appropriate after a long absence. She did not offer to kiss him.

He said neutrally: “This is…unexpected.”

Philippa said irritably: “I shouldn't have had to make the journey at all.”

Ralph groaned inwardly. “What brings you here?” he said. Whatever it was, there would be trouble, he felt sure.

“My manor of Ingsby.”

Philippa had a small number of properties of her own, a few villages in Gloucestershire that paid tribute to her rather than to the earl. Since she had gone to live at the nunnery, the bailiffs from these villages had been visiting her at Kingsbridge Priory, Ralph knew, and accounting to her directly for their dues. But Ingsby was an awkward exception. The manor paid tribute to him and he passed it on to her—which he had forgotten to do since she left. “Damn,” he said. “It slipped my mind.”

“That's all right,” she said. “You've got a lot to think about.”

That was surprisingly conciliatory.

She went upstairs to the private chamber, and he returned to his work. Half a year of separation had improved her a little, he thought as another bailiff enumerated the fields of ripening corn and bemoaned the shortage of reapers. Still, he hoped she did not plan to stay long. Lying beside her at night was like sleeping with a dead cow.

She reappeared at suppertime. She sat next to Ralph and spoke politely to several visiting knights during the meal. She was as cool and reserved as ever—there was no affection, not even any humor—but he saw no sign of the implacable, icy hatred she had shown after their wedding. It was gone, or at least deeply hidden. When the meal was over, she retired again, leaving him to drink with the knights.

He considered the possibility that she was planning to come back permanently, but in the end he dismissed the idea. She would never love him or even like him. It was just that a long absence had blunted the edge of her resentment. The underlying feeling would probably never leave her.

He assumed she would be asleep when he went upstairs but, to his surprise, she was at the writing desk, in an ivory-colored linen nightgown, a single candle throwing a soft light over her proud features and thick dark hair. In front of her was a long letter in a girlish hand, which he guessed was from Odila, now the countess of Monmouth. Philippa was penning a reply. Like most aristocrats, she dictated business letters to a clerk, but wrote personal ones herself.

He stepped into the garderobe, then came out and took off his outer clothing. It was summer, and he normally slept in his underdrawers.

Philippa finished her letter, stood up—and knocked over the jar of ink on the desk. She jumped back, too late. Somehow it fell toward her, disfiguring her white nightdress with a broad black stain. She cursed. He was mildly amused: she was so prissily particular that it was funny to see her splashed with ink.

She hesitated for a moment, then pulled the nightdress off over her head.

He was startled. She was not normally quick to take off her clothes. She had been disconcerted by the ink, he realized. He stared at her naked body. She had put on a little weight at the nunnery: her breasts seemed larger and rounder than before, her belly had a slight but discernible bulge, and her hips had an attractive swelling curve. To his surprise, he felt aroused.

She bent down to mop the ink off the tiled floor with her bundled-up nightgown. Her breasts swayed as she rubbed the tiles. She turned, and he got a full view of her generous behind. If he had not known her better, he would have suspected her of trying to inflame him. But Philippa had never tried to inflame anyone, let alone him. She was just awkward and embarrassed. And that made it even more stimulating to stare at her exposed nakedness while she wiped the floor.

It was several weeks since he had been with a woman, and the last one had been a very unsatisfactory whore in Salisbury.

By the time Philippa stood up, he had an erection.

She saw him staring. “Don't look at me,” she said. “Go to bed.” She threw the soiled garment into the laundry hamper.

She went to the clothespress and lifted its lid. She had left most of her clothes here when she went to Kingsbridge: it was not considered seemly to dress richly when living in a nunnery, even for noble guests. She found another nightdress. Ralph raked her with his eyes as she lifted it out. He stared at her uplifted breasts, and the mound of her sex with its dark hair, and his mouth went dry.

She caught his look. “Don't you touch me,” she said.

If she had not said that, he would probably have lain down and gone to sleep. But her swift rejection stung him. “I'm the earl of Shiring and you're my wife,” he said. “I'll touch you anytime I like.”

“You wouldn't dare,” she said, and she turned away to put on the gown.

That angered him. As she lifted the garment to put it on over her head, he slapped her bottom. It was a hard slap on bare skin, and he could tell that it hurt her. She jumped and cried out. “So much for not daring,” he said. She turned to him, a protest on her lips, and on impulse he punched her in the mouth. She was knocked back and fell to the floor. Her hands flew to her mouth, and blood seeped through her fingers. But she was on her back, naked, with her legs spread, and he could see the triangle of hair at the fork of her thighs, with its cleft slightly parted in what looked like an invitation.