Enemy of My Enemy (6 page)

Before Kendall could decide, the secretary of state spoke up. "As you said before, Turkey's an ally. I can't believe that Ankara authorized this. That means they have renegades in their military who pulled this off. People who hate the United States because of the war in Iraq. It's only fair that we give the Turkish government the opportunity to deal with this matter themselves."

Doerr's haughty manner, as he looked over those little glasses of his, annoyed Kendall. Putting him in the job of secretary of state had been a mistake. But he did have a point here. Giving Ankara a chance to deal with it wasn't a bad idea. Also it would be a way of avoiding the decision authorizing military action.

Kendall shook his head in frustration. "God, what a mess."

Joyner looked away from the table and through the window at the trees struggling to bloom. She was no longer unhappy about being a bit player in this drama. For now she was willing to wait in the wings. Her gut told her they weren't about to rescue Robert McCallister. They would need her before this was over. She wasn't burning any bridges.

Meanwhile, the president closed his eyes, pondering the decision he had to make. If anyone thought that being the governor of a state prepared a person for this job, they were kidding themselves. It was Kendall's first foreign-policy crisis. No matter which way he went, the press would second-guess him. No one made a sound. The tension was heavy. Finally, Kendall opened his eyes and pointed to his secretary of state. "I want you to summon the Turkish foreign minister to your office as soon as you leave this room. Chip should be at that meeting. Tell the ambassador that we now have irrefutable evidence that the Turkish military shot down the plane, and provide it to him. His government has twenty-four hours to return our pilot, or we intend to take appropriate action.... Don't tell him any more than that. Do you understand?"

Doerr and Chip nodded.

Kendall turned to General Childress. "If we don't have Lieutenant McCallister back in twenty-four hours, give the order for Major Davis to mount the rescue effort."

 

 

 

Chapter 4

 

Standing on the center of the stage, in front of the orchestra, Gil Shaham moved the bow across the strings of his violin with confidence and intensity. The glorious music of Bach's Violin Concerto in A Minor that emerged testified to the young man's genius. No other sound was heard in the Mann Auditorium in Tel Aviv other than Gil's playing until the Israeli Philharmonic picked up and joined him, meshing perfectly. In the sold-out, richly wood-paneled auditorium, everyone in the audience sat spellbound, entranced by the music. Well, almost everyone.

In row K of the center section, Jack Cole wasn't hearing a sound. Unable to shake off Sam's visit, his mind had taken him thousands of miles and years away to the north side of Chicago, to a block of simple middle-class homes, the Coles on the corner, and the Goodmans, Sarah's family, next door. To his hardworking father, Joe, who covered the metro beat, which usually meant crime and corruption stories for the
Trib.
To his mother, Miriam, raised in a Zionist family, who never tired of working for Jewish charities. To Friday-night dinners, the only night that his father would come home for dinner on time, no matter what crisis was breaking over at city hall. Sometimes relatives joined them, but usually it was just the four of them, Joe at one end of the table, Miriam at the other. On the sides, sitting across from each other, Jack and the little guy, Sam, the miracle child who was born years after doctors told Miriam there was no chance. Sam was the brother Jack desperately wanted during all those years he had been an only child. All his friends had siblings. He had given up hope by the time his mother became pregnant. From the minute they brought Sam home, Jack had loved the little guy so much.

Now Joe and Miriam were gone. Other relatives had perished in Europe in the Holocaust or were scattered throughout the American West. Jack had never seen or heard from any of them since his mother's funeral. It was just Jack and Sam now. Jack and the little guy.

"Damn you, Sam," he muttered under his breath. "How could you have put me in this position?"

There was a pause in the music before the orchestra began the last movement of the Bach, the final piece of the evening. Next to Jack sat Chava, the world-renowned opera singer, whom he had been dating for a year. Chava, tall and sensuous, with coal-black hair, was dressed in a low-cut red dress that showed off her striking décolletage. Chava whispered in Jack's ear, "Isn't Gil marvelous?"

But Jack didn't hear her. Nor did he respond when she put one hand around his back and rubbed his thigh with the other. The orchestra began playing again. Jack wasn't with them.

He was deep in thought. Anger and guilt vied to dominate. He was furious at Sam for not appreciating the raw nerve he had struck. It was unconscionable that Sam didn't accede to what Jack had asked and back off.

It wasn't merely Sam. Jack was still bitter at Sarah and Terry—even after all these years. Terry had been such a patently obvious phony, and she a ridiculous fool for not seeing it.

Despite all of that, Jack couldn't repress the guilt that he felt. Sam had pushed the right button. He kept hearing in his mind his brother's bitter rebuke:
When it comes to the family, you were a shit then; you're a shit now.

The words had stung yesterday. They stung even more this evening.
Well, you're wrong, Sam. I'm not like that at all.

The orchestra moved toward the crescendo in the last movement. Jack began to wonder whether his anger toward Sarah and Terry had pushed him to an irrational result. Ann and Robert hadn't done anything to him. He had no score to settle with them.

Thinking about Robert made Jack feel horrible. He knew what had happened to Israeli soldiers who had been captured, how cruelly nations in the Middle East treated their prisoners. He could imagine the tortures that they were inflicting on Robert. If there was anything he could do to help the young man, shouldn't he do it?

Besides, it was his brother, Sam, who was begging him for help. Not Sarah or Terry. He wouldn't be doing it for the McCallisters. Whatever he did would be for Sam. Only for his brother, whose happiness was now tied up with the fate of Robert McCallister.

The music reached its final pitch. As it did, Jack stripped away the emotional baggage he carried with him. Seen in that light, the issue looked much different. He had to do whatever he could to help the little guy.

The concert was over. The audience rose to its feet, applauding. That brought Jack back to reality. He put an arm around Chava's shoulder and said to her, "Incredible. Absolutely incredible."

As they made their way out of the hall, people came up to Chava and greeted her. "I saw you in December in London. Your Dona Elvira in
Don Giovanni
was fabulous... your Golda in
Rigoletto
last month in Tel Aviv was the best ever...."

Jack loved being with her, and the admiration she received. She was fun and the sex was great, although with her career, their relationship wasn't going anywhere. He knew that when he was in the country, she viewed him as someone enjoyable to be with on her intervals at home in Israel between demanding performances on the road. That was enough for Jack.

On the concrete plaza outside of the concert hall, with Chava on Jack's arm, a photographer for the popular newspaper,
Yediot Aharonat,
took their picture. Jack smiled broadly.

When they reached his car, he said, "It's a beautiful evening. Let's drive over to Yafo and eat outside."

"Actually, I had something different in mind." She winked at him. He knew what that meant.

"I asked Alexandra to leave us a cold supper at my place. I've got an early plane to New York tomorrow to start rehearsals at the Met. Besides, I'd like to get out of these clothes and into something more comfortable."

She rubbed a hand on the back of his neck, lest he had any doubt about what she had in mind. But Jack didn't. He knew her.

"You seemed so preoccupied at the concert," she said.

Unwilling to share his concerns with her, he tried to brush them off. "Just business. Same old crap. A Frenchman cheated me, so I'll have to cover an order for an American."

"Ah, the French. Why do they hate us so much?"

Jack laughed. "This wasn't politics. Just business."

"With them it's always politics. I haven't had a role in the Paris Opera in years. You tell me why?"

Jack was silent. The nature of their relationship was such that he didn't share his personal thoughts with her.

Once they reached her apartment, Chava said, "Why don't you see what wine I've got chilled? I'll put on that little Dior number you brought for me from Paris. The sheer pink one."

"Sounds great," Jack said, feeling himself become aroused as he imagined what she'd look like in it.

In the refrigerator, he found a bottle of Corton Charlemagne by Latour he had given her, and opened it.

The phone rang. "My agent in New York," she called. "I'll just be a minute, honey."

Waiting for her, Jack thought about Sam again. His conclusion at the concert had been right. He owed it to his brother to do what he could. Now determined, Jack yanked the cell phone out of his jacket pocket. From memory, he dialed Moshe's home telephone number in Jerusalem.

* * *

The director of the Mossad sat at the desk in his study in the old stone house he had occupied in the Rehavia section of Jerusalem since 1943. Inside it was a time warp. His wife, Leah, had furnished it in the early fifties. That was the way it still looked.

He moved his pen swiftly across the pad, preparing his statement for the cabinet meeting tomorrow morning at eight. The prime minister would be grilling him about Robert McCallister. Moshe knew that the Israeli leadership was split. Some were hoping that the Americans responded militarily. Others were afraid of creating further instability in the already tumultuous region.

Though Moshe had slept little since Leah had died last year, he didn't intend to spend too much time tonight worrying about this matter. For Moshe, the issue was simple after his conversation yesterday with Joyner. He scribbled,
The Americans don't want our help. Joyner has made that crystal-clear. They will do what they want to do, and we'll have to live with the consequences as best we can because this is our neighborhood. It's their pilot. It's their decision. We should stay out of it.

Moshe expected a stormy debate, but in the end he was confident that the prime minister and the cabinet would accept his recommendation. The fate of Robert McCallister was an American problem. Israel would be willing to help, if that was what Washington wanted, but Joyner had told him Kendall was adamant about going it alone. Right or wrong, that was Kendall's decision. Moshe was convinced the Israelis should respect it.

He closed up the pen and stood at his desk. Then the telephone rang. "Who's calling, please?" Moshe asked.

"It's Jack Cole. I have a matter I want to talk to you about. It involves—"

Moshe cut him off. He had no idea how secure Jack's phone was.

"Where are you, my boy?" Moshe asked.

"Tel Aviv."

"We should talk in person. You can come here tonight, unless it can wait until tomorrow."

Jack thought about Chava in that pink negligee and decided it wasn't even a question. "Tomorrow will be good."

The cabinet meeting was scheduled for two hours. "My office at eleven in the morning," Moshe said.

"I'll be there."

As Moshe hung up the phone, he wondered what in the world this mysterious call was about. Though Moshe liked Jack and the work he did for the agency, Jack had never called Moshe at home unless they were in the middle of an operation. He hoped that there weren't repercussions from the Khalifa assassination. The last thing Moshe needed right now was a new crisis with France.

 

 

 

Chapter 5

 

A smartly dressed middle-aged secretary with large tortoise-shell glasses ushered Jack into Moshe's office. She handed them each a cup of Turkish coffee and rapidly departed.