Dress Her in Indigo (29 page)

market Monday morning and came back and told, me of an unidentified girl killed on the mountain road. I had her identification and her belongings at the house. I do not care to be involved in such things. I summoned my attorney, Alfredo Gaona, and explained the situation, and sent him to make arrangements with the police so that it could be done as quickly and quietly as possible. The body was sickeningly damaged, of course, but I knew at once from the chain she wore on her ankle and the red shoe that it was Beatrice Bowie. The police came to my home and claimed her belongings. And I did not care to stay there in the house longer. It was very depressing. So I came here the same evening. I have maintained this suite since the hotel opened."

"She was over her addiction?"

"She had been addicted intentionally to several compounds, each less powerful. It is a common method of treatment. Perhaps she could have been cured entirely. I do not know. There seemed to be in her a great need to escape herself, to blot out her known world."

Neat blanks, neatly filled.

"What day did Mr. McLeen come to you, asking about his daughter?"

"Let me think. Was Bix there? No, because he wished to question her about where Minda might have gone. I believe that it was quite late on Saturday afternoon."

"Then you must have told him to come back, because at that time you thought Bix would be back from her ride."

"Then I am mistaken, and it was late on Sunday afternoon, because I did not ask him to come back. He is a very tiresome and talkative man."

I was running out of blanks. So there was left only what I expected would be the doorslammer.

"Mrs. Vitrier, did Minda McLeen try to prevent your having an affair with Miss Bowie?"

She stared at me, so motionless I could believe she had stopped breathing. Then she gave a husky, earthy, single bark of derisive laughter.

"Do you wonder that I close the world out, Mr. McGee? There is always some kind of obscene poison, isn't there? Can you look at me and believe that?"

"Well, it isn't easy."

"I have buried four husbands, Mr. McGee. They were all elderly and extremely well off. I respond to older men. Perhaps that is a weakness. I do not know. I loved them. There was poison then, too. Each time. Snickerings about how I had seen to it that they would die in bed.

The world is nasty and cruel. Fortunately they left me with all the money I shall ever need, and nasty gossip cannot touch me."

"Maybe the gossip started because you've brought so many big, healthy, pretty maids down there with you, one at a time of course."

"Oh? Yes, I see. That could do it, couldn't it? But how grotesque! It is a kind of work I do for an
Page 131

institution in Brussels, Mr. McGee. The rehabilitation and training of disadvantaged young girls.

I give them a year of training, and when each one leaves my service, she is competent and disciplined and polite. I must confess that I select ones who are attractive to look at. I select paintings and lamps which are attractive to look at. And I try to see that they are sturdy enough to do a hard day's work. Do you understand? One cannot protect oneself against idle malice. I am a mystery. They seek answers. They will not accept the idea that there is no mystery at all. But I believe you will. You are, I think, an understanding and complex man. You look like the sort of man who is paid to strike a ball with a stick, or to fly to another star. But you have an easiness, an awareness of pleasure, no? And a life style which contents you, I think. You disconcert me.

And you intrigue me."

"Which makes us even, Mrs. Vitrier."

"More blanks?"

"If I think of any I'd like to come back and stand out here in the hall and have a nice little chat."

"Sorry. This is the only chance you will have."

"And... I've run out of blanks."

She smiled, and without another word she closed the door. I stared at it and wondered if she was looking out the little peephole at me. I walked back down the corridor. Nice going, McGee.

Handled it real swell. And besides, you've got a life style which contents you. But not very much right now. You are pure hellfire with an insurance secretary from Guadalajara, but to the pretty French lady you are as impressive as a bag boy at the A & R.

Something about her was so vivid and so directed and so strong, it was difficult to think clearly in her presence.

So I adjourned the meeting to a metal table on the wide deck outside Azulejos. One was a quorum. All right. Meeting come to order. What was wrong? Standing out in the hall. She's alone, she likes privacy, too many people could be on the make for some of that money from those four old dead boys. So she is alone, eh? Where are all the servants? All right, this is one of the great hotels of the world, and they can give you service until you drown in it, particularly if you maintain a suite like that permanently, and if you demand service, which I imagine she would. And it could be the maid's night out.

When I came to the doorslammer, why didn't she slam it instead of explain herself? What would she have to lose? Maybe she has so much pride in being 110 percent woman, she doesn't want anybody to believe she likes girls.

So why hadn't I tried to break up that act by bringing in Bruce Bundy? Because I knew she was lying anyway. And how did you know that, McGee, you subtle, clever, complex fellow? Nothing but pure instinct. Don't knock it. Meyer says it is made up of things you saw without knowing you saw them.

So what did I see that I didn't know I saw? Close the eyes. Focus on the room behind her. Whoal Scan back. Change focus. Something there. Corner of coffee table. Fancy box. Candy box. How do you know it's candy? Because, dammit, there were those things on the floor there. What things? Well, candy litter. Wadded up pieces of that kind of red tinfoil and yellow and blue they
Page 132

wrap up good candy in. And some of those little pieces of brown paper.

So she has a sweet tooth.

And throws the debris on the floor under the coffee table?

Maybe she isn't neat.

But wasn't the rest of the room, what you could see of it, so neat as to be practically sterile?

She was sitting on the couch eating chocolates. Why not?

But I'd been aware of two scents coming from that woman. One was perfume, faint and astringent, and the other was gin. Gin and candy? Ech!

So the servant eats candy.

And throws the wrappers on the floor?

Well, it was a big hotel and they would take very good care of the monied guests, and they would make a practice of not handing out information for the hell of it. But a big hotel has to have a big staff, and there are always new people who haven't learned how to keep the mouth entirely closed. And guests have room service, maid service, laundry service, dry cleaning, television repair, dog-walking service. All in Spanish, no doubt.

If you skulk you attract attention and suspicion. If you have to sneak, be loud and brash and confident about it.

My approach drew a blank with the guest service director's staff, and it drew a blank with the travel agency office, and I struck out with the switchboard girls, and then I started hitting the shops, all open at that time of the evening, on the lower level, showing my white teeth and finding out which clerk had the most English. I varied my pitch to fit the shop situation.

"You do speak English? Good. Golly, I sure hope you can help me out of an awful spot. I just had a drink up in Fiesta Suite D as a guest of Mrs. Rivereta, and she did me a real important favor. Now what I want to do, honey, is send up a couple of little gifts. But I must be losing my mind, because I've drawn a blank on any name except Mrs. Rivereta, and I thought maybe you might have sold stuff and sent it up there and know the names."

So you walk and talk, and it goes clunk, clunk clunk, and in a little silver shop it goes DING!

She was a brisk cute little thing and she had pale streaks dyed into her black, black hair, and she frowned and went thumbing through records, and asked questions of the other girl, and then finally pulled a card out.

"Yessss! I thought I remember something. But I don't know if this is a guest living there or it is something she is taking outside the hotel to a fiesta, a birthday. These things Mrs. Rivereta signed for and they are put on her hotel bill. Very nice. Let me show you one thing." She scampered off and came back with a thing that at first glance looked like a silver cigarette case, but turned out to be a purse gadget, with space for coins, notebook pencil, identification.

"Across here, inside, people like the name engraved. We can give two-day service. And here, see, on this copy is the name. Meenda McLeen. Also, many, many sets of our initials for luggage and personal things. M. M. In silver and gold, different esstyles. And also one bracelet with the initials. I can show you the kind of bracelet. Senor? Anything is wrong?"

'No. You've. been a big help to me. Yes, you've been a big help, and I certainly appreciate it more than you can know."

She was glad she had helped. Her smile was eager and pretty. I found the door without walking through the glass, and went down a corridor and came upon the coffee shop and sat at the counter and had coffee.

So it sorted out with a dismal and feral logic. Lose the first choice off a mountain road, so pick up the trail of the little brunette and cut the loss by settling for second choice. The door had stayed chained. Maybe second choice wasn't exactly a willing guest? Want to indulge in a dramatic rescue attempt, McGee? Adolescent emotions. The thing to do is talk to Minda, because she was the one who was closest to Bix, and she would know the story and be able to guess how it must have ended.

I did some exterior surveying. I found a place where I could walk from the end of one of the buildings, parallel to it, far enough out to look up and see the night-lighted green of the fourth floor garden patios, and, above them, the narrow balconies outside the fifth floor windows of the bedrooms of the Fiesta Suites. So I got back up to the fourth floor and paced the long straight corridor, counting the strides to her door, took my count back outside and paced from the same basing-point and found that the bedrooms of Fiesta D had to open out onto the seventh and eighth balconies from the end.

Eighteen

THE ROOF areas by the tennis courts and the heliport were too popular as a place to get kissed and a place to gawk at the great humming city. The chill of nighttime at seven and a half thousand feet didn't seem to discourage either pastime.

And there was one of the hotel guard staff wandering around from time to time, on no schedule.

I spent almost an hour and a half noodling around, knowing exactly the route I had to take, but unable to make my start because people get very edgy about watching other people go over the edge of a roof.

When the crowd was down to one couple and they moved toward the stairs, I moved to my drop zone, and as I did not know how long the privacy would last, I swung over, hung by my fingertips, kicked myself away from the wall, and dropped, landed on balance, and scuttled over and stood behind a bank of floodlights waiting for somebody to start yelling.

Of course somebody could have been looking out of the window of one of the rooms and might now be phoning the desk to complain about people sneaking around at midnight. So move along, aware of the residual stiffness in the leg where Wally had popped me that good one.

Down the cornice, behind the spots and floods, over to the higher one. Jump and grab. Hear the shoulder gristle pop as I pull myself up. No lights on the roof at this level. Angle across. Look down, count the shallow balconies. Seven and eight. Pick any number from seven to eight.

Because seven is lucky, I chose eight. High ceilings in their hotel. Looked like a thirty-foot drop into the fourth-floor roof garden.

Make it fifteen down to the floor of the little balcony. Cement railing maybe four and a half feet high, so call it ten and a half down to the railing. And it was about four inches wide and had a flat top. Drop to the balcony floor and it is not going to sound exactly like a stray birdfeather floating in. And hang by the fingertips and it is going to be a blind two foot drop to the railing.

Shoes off. Tie the laces. Hang around the neck. Check the pockets for any jingle-jangle of keys or change. Take a long long look around to see who might be watching the fun. Wave and see if they wave back. Momma, momma, look at the funny man on the roofl Get it over with. And, for God's sake, McGee, in the future why don't you try to believe what people tell you? Just pray for a nice landing, drawn draperies, and an unlocked door.

I let myself down, hung, rehearsed it in my head and let go. I turned toward my left to land with feet at right angles to the balcony edge. Less chance of straddling it, which would sting like crazy. Landed, by design, leaning in, off balance. Landed on the railing, then dropped like that birdfeather to the balcony floor. Looked through a screened gap eight inches wide into a room with a brighter focus of light than I could have guessed from above. It did not illuminate the balcony because it was a recessed prism light in the bedroom ceiling. It shone straight down onto a tufted blue carpeted area. Beyond it I could see, in the dim glow, an open door and bathroom fixtures beyond. To my left I could see a low couch, a chair, a coffee table. To my right I could see the bottom corner, apparently, of a bed that was against the wall to the right, said corner perhaps six feet from the narrow opening created by opening the sliding door that far. and pulling the draperies open to the same distance.

It seemed a little bright for a night light. But maybe it would serve. More probably the room was empty. I stayed down below the railing height. Less chance of being noticed from a nearby building or from one of the other balconies.

Knelt and found the edge of the sliding screen and gave it a very gentle and cautious tug. It opened silently, a full inch. Another. Another. And somebody made a groaning sigh. Just as I was getting back into my skin, somebody said something, half mutter, half whisper, and I had to steady myself down again. Whoever you are there, talking in your sleep, why the hell did you leave the light on? One small advantage, however. Enough light, maybe, to be able to distinguish one dark head and be able to see whether it was Eva Vitrier. If so, I could then make my well-known death-defying leap across empty space to the other balcony.