The gods and goddesses are real. A many-headed pantheon—a tangle of divine hierarchies—once kept the world at arm’s length, warring with one another for mankind’s belief and devotion. It was a grim and bloody balance, but a balance just the same. When one god triumphed, driving all other gods out of Heaven, it was back to the bad old days: cults and sycophants, and the terrible retribution the gods visit on those who spite them.
None of which is going to stop Cason from getting back what’s his...
‘If you’re looking for a sassy, hard-boiled thriller with a paranormal slant, Wendig has established himself as the go-to man.’
The Guardian
‘Exactly the kind of spin I was looking for. Bad asses, psychotic cannibals, religious fundamentalists, zombies and insane clowns... Wendig has created a zombie-infested world that you will enjoy spending time in.’
Graeme’s Fantasy Book Review
on
Double Dead
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Louie “Fitz” Fitzsimmons is getting out of the drugs business. It was never what you might call a career, anyway; he’s got problems – strange, violent, vivid hallucinations that have plagued him since he was a kid – and what with one thing and another, this is where he’s ended up. So he’s been cooking Hollywood gangster Blake Kaplan’s books, and putting a little aside for a rainy day – fifteen million, give or take – and he figures it’s time to cut and run. Until a vision hits at the worst possible moment, and now he’s in hospital and looking at a stretch in County on a possession charge.
Then a Lithuanian goddess of the hunt murders her way into the hospital, and Fitz ends up on the run from a pissed-off angel, and there’s new gods – gods of business and the internet – hunting him down, and what started as a bad day gets a whole lot worse. Because Fitz is a Chronicler, a prophet – a modern Moses or Hesiod – with the power to make, or break, the gods themselves...
‘A head-shakingly perfect blend of deadpan wit, startling profanity, desperate improvisation and inventive brilliance’
Kirkus Reviews
on
City of the Lost
‘Blackmoore is taking urban fantasy in all new directions and setting fire to its cherished tropes’
SF Revu
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