Authors: Edward Abbey
Most of my wandering in the desert I’ve done alone. Not so much from choice as from necessity—I generally prefer to go into places where no one else wants to go. I find that in contemplating the natural world my pleasure is greater if there are not too many others contemplating it with me, at the same time. However, there are special hazards in traveling alone. Your chances of dying, in case of sickness
or
accident, are much improved, simply because there is no one around to go for help.
Exploring a side canyon off Havasu Canyon one day, I was unable to resist the temptation to climb up out of it onto what corresponds in that region to the Tonto Bench. Late in the afternoon I realized that I would not have enough time to get back to my camp before dark, unless I could find a much shorter route than the one by which I had come. I looked for a shortcut.
Nearby was another little side canyon which appeared to lead down into Havasu Canyon. It was a steep, shadowy, extremely narrow defile with the usual meandering course and overhanging walls; from where I stood, near its head, I could not tell if the route was feasible all the way down to the floor of the main canyon. I had no rope with me—only my walking stick. But I was hungry and thirsty, as always. I started down.
For a while everything went well. The floor of the little canyon began as a bed of dry sand, scattered with rocks. Farther down a few boulders were wedged between the walls; I climbed over and under them. Then the canyon took on the slickrock character—smooth, sheer, slippery sandstone carved by erosion into a series of scoops and potholes which got bigger as I descended. In some of these basins there was a little water left over from the last flood, warm and fetid water under an oily-looking scum, condensed by prolonged evaporation to a sort of broth, rich in dead and dying organisms. My canteen was empty and I was very thirsty but I felt that I could wait.
I came to a lip on the canyon floor which overhung by twelve feet the largest so far of these stagnant pools. On each side rose the canyon walls, roughly perpendicular. There was no way to continue except by dropping into the pool. I hesitated. Beyond this point there could hardly be any returning, yet the main canyon was still not visible below. Obviously the only sensible thing to do was to turn back. I edged over the lip of stone and dropped feet first into the water.
Deeper than I expected. The warm, thick fluid came up and closed over my head as my feet touched the muck at the bottom. I had to swim to the farther side. And here I found myself on the verge of another drop-off, with one more huge bowl of green soup below.
This drop-off was about the same height as the one before, but not overhanging. It resembled a children’s playground slide, concave
and S-curved, only steeper, wider, with a vertical pitch in the middle. It did not lead directly into the water but ended in a series of steplike ledges above the pool. Beyond the pool lay another edge, another drop-off into an unknown depth. Again I paused, and for a much longer time. But I no longer had the option of turning around and going back. I eased myself into the chute and let go of everything—except my faithful stick.
I hit rock bottom hard, but without any physical injury. I swam the stinking pond dog-paddle style, pushing the heavy scum away from my face, and crawled out on the far side to see what my fate was going to be.
Fatal. Death by starvation, slow and tedious. For I was looking straight down an overhanging cliff to a rubble pile of broken rocks eighty feet below.
After the first wave of utter panic had passed I began to try to think. First of all I was not going to die immediately, unless another flash flood came down the gorge; there was the pond of stagnant water on hand to save me from thirst and a man can live, they say, for thirty days or more without food. My sun-bleached bones, dramatically sprawled at the bottom of the chasm, would provide the diversion of the picturesque for future wanderers—if any man ever came this way again.
My second thought was to scream for help, although I knew very well there could be no other human being within miles. I even tried it but the sound of that anxious shout, cut short in the dead air within the canyon walls, was so inhuman, so detached as it seemed from myself, that it terrified me and I didn’t attempt it again.
I thought of tearing my clothes into strips and plaiting a rope. But what was I wearing?—boots, socks, a pair of old and ragged blue jeans, a flimsy T-shirt, an ancient and rotten sombrero of straw. Not a chance of weaving such a wardrobe into a rope eighty feet long, or even twenty feet long.
How about a signal fire? There was nothing to burn but my clothes; not a tree, not a shrub, not even a weed grew in this stony cul-de-sac. Even if I burned my clothing the chances of the smoke being seen by some Hualapai Indian high on the south rim were very small; and if he did see the smoke, what then? He’d shrug his
shoulders, sigh, and take another pull from his Tokay bottle. Furthermore, without clothes, the sun would soon bake me to death.
There was only one thing I could do. I had a tiny notebook in my hip pocket and a stub of pencil. When these dried out I could at least record my final thoughts. I would have plenty of time to write not only my epitaph but my own elegy.
But not yet.
There were a few loose stones scattered about the edge of the pool. Taking the biggest first, I swam with it back to the foot of the slickrock chute and placed it there. One by one I brought the others and made a shaky little pile about two feet high leaning against the chute. Hopeless, of course, but there was nothing else to do. I stood on the top of the pile and stretched upward, straining my arms to their utmost limit and groped with fingers and fingernails for a hold on something firm. There was nothing. I crept back down. I began to cry. It was easy. All alone, I didn’t have to be brave.
Through the tears I noticed my old walking stick lying nearby. I took it and stood it on the most solid stone in the pile, behind the two topmost stones. I took off my boots, tied them together and hung them around my neck, on my back. I got up on the little pile again and lifted one leg and set my big toe on the top of the stick. This could never work. Slowly and painfully, leaning as much of my weight as I could against the sandstone slide, I applied more and more pressure to the stick, pushing my body upward until I was again stretched out full length above it. Again I felt about for a fingerhold. There was none. The chute was smooth as polished marble.
No, not quite that smooth. This was sandstone, soft and porous, not marble, and between it and my wet body and wet clothing a certain friction was created. In addition, the stick had enabled me to reach a higher section of the S-curved chute, where the angle was more favorable. I discovered that I could move upward, inch by inch, through adhesion and with the help of the leveling tendency of the curve. I gave an extra little push with my big toe—the stones collapsed below, the stick clattered down—and crawled rather like a snail or slug, oozing slime, up over the rounded summit of the slide.
The next obstacle, the overhanging spout twelve feet above a deep plunge pool, looked impossible. It
was
impossible, but with the blind faith of despair I slogged into the water and swam underneath the drop-off and floundered around for a while, scrabbling at the slippery rock until my nerves and tiring muscles convinced my numbed brain that
this was not the way
. I swam back to solid ground and lay down to rest and die in comfort.
Far above I could see the sky, an irregular strip of blue between the dark, hard-edged canyon walls that seemed to lean toward each other as they towered above me. Across that narrow opening a small white cloud was passing, so lovely and precious and delicate and forever inaccessible that it broke the heart and made me weep like a woman, like a child. In all my life I had never seen anything so beautiful.
The walls that rose on either side of the drop-off were literally perpendicular. Eroded by weathering, however, and not by the corrasion of rushing floodwater, they had a rough surface, chipped, broken, cracked. Where the walls joined the face of the overhang they formed almost a square corner, with a number of minute crevices and inch-wide shelves on either side. It might, after all, be possible. What did I have to lose?
When I had regained some measure of nerve and steadiness I got up off my back and tried the wall beside the pond, clinging to the rock with bare toes and fingertips and inching my way crab-wise toward the corner. The watersoaked, heavy boots dangling from my neck, swinging back and forth with my every movement, threw me off balance and I fell into the pool. I swam out to the bank, unslung the boots and threw them up over the drop-off, out of sight. They’d be there if I ever needed them again. Once more I attached myself to the wall, tenderly, sensitively, like a limpet, and very slowly, very cautiously, worked my way into the corner. Here I was able to climb upward, a few centimeters at a time, by bracing myself against the opposite sides and finding sufficient niches for fingers and toes. As I neared the top and the overhang became noticeable I prepared for a slip, planning to push myself away from the rock so as to fall into the center of the pool where the water was deepest. But it wasn’t necessary. Somehow, with a skill and tenacity I could never have found in myself under ordinary circumstances, I managed to creep straight up that gloomy cliff
and over the brink of the drop-off and into the flower of safety. My boots were floating under the surface of the little puddle above. As I poured the stinking water out of them and pulled them on and laced them up I discovered myself bawling again for the third time in three hours, the hot delicious tears of victory. And up above the clouds replied—thunder.
I emerged from that treacherous little canyon at sundown, with an enormous fire in the western sky and lightning overhead. Through sweet twilight and the sudden dazzling flare of lightning I hiked back along the Tonto Bench, bellowing the
Ode to Joy
. Long before I reached the place where I could descend safely to the main canyon and my camp, however, darkness set in, the clouds opened their bays and the rain poured down. I took shelter under a ledge in a shallow cave about three feet high—hardly room to sit up in. Others had been here before: the dusty floor of the little hole was littered with the droppings of birds, rats, jackrabbits and coyotes. There were also a few long gray pieces of scat with a curious twist at one tip—cougar? I didn’t care. I had some matches with me, sealed in paraffin (the prudent explorer); I scraped together the handiest twigs and animal droppings and built a little fire and waited for the rain to stop.
It didn’t stop. The rain came down for hours in alternate waves of storm and drizzle and I very soon had burnt up all the fuel within reach. No matter. I stretched out in the coyote den, pillowed my head on my arm and suffered through the long long night, wet, cold, aching, hungry, wretched, dreaming claustrophobic nightmares. It was one of the happiest nights of my life.
Somnolence—a heaviness in the air, a chill in the sunlight, an oppressive stillness in the atmosphere that hints of much but says nothing. The Balanced Rock and the pinnacles stand in petrified silence—waiting. The wildlife has withdrawn to the night, the flies and gnats have disappeared, a few birds sing, and the last of the flowers of summer—the globemallow—have died. What is it that’s haunting me? At times I hear voices up the road, familiar voices… I look; and no one is there.
Even the tourists that creep in and creep out in their lumbering,
dust-covered automobiles reveal a certain weariness with desert travel, a certain longing to be elsewhere, to be where it’s high, cool, breezy, fresh—mountain or seashore. And they should. Why anyone with any sense would volunteer to spend August in the furnace of the desert is a mystery to me; they must be mad, these brave tourists, as I am mad.
Each day begins clean and promising in the sweet cool clear green light of dawn. And then the sun appears, its hydrogen cauldrons brimming—so to speak—with plasmic fires, and the tyranny of its day begins.
By noon the clouds are forming around the horizon and in the afternoon, predictable as sunrise and sunset, they gather in massed formations, colliding in jags of lightning and thunderous artillery, and pile higher and higher toward the summit of the sky in vaporish mountains, dazzling under the sunlight. Afterward, perhaps, comes a little rain—that is, a violent cloudburst above some random site in the desert, flooding arroyos and washes with torrents of mud, gravel and water in equal parts, a dense mixture the color of tomato soup or blood which roars down the barren waterways to the river, leaving the land an hour later as dry as it was before. The clouds melt away, the thunder fades and the sun breaks through again, blazing with redoubled intensity upon sand and rock and scattered, introverted shrub and tree. Rainy season in the canyonlands.
These brief thundershowers are not entirely without effect: I can see these days a dull green fuzziness spreading like a mold across the distant swales of Salt Wash Valley. Near at hand are a few of the plants responsible for that coloration—the tumbleweed or Russian thistle, hairy and prickly, unpleasant both to touch and eye. At the same time the ground is being prepared for a more wholesome growth, the September resurgence of rabbitbrush, sunflower, aster, wild buckwheat and matchweed.
With evening come elaborate sunsets in every named and unnamed hue of gold, purple, crimson, green, orange and blue, spread out for fifty or a hundred miles among the floating ranks of clouds, with spokes of light radiating across the sky all the way from the western to the eastern horizon. Often the sunset is reflected not only on the mountain peaks, standing like islands in a sea of twilight, but also on ranges of clouds to the east, where the
changing colors can be seen—along with flashes of silent, sudden heat lightning—long after they have faded out completely in the west.
This is the time, in these semihumid August evenings after rain, when a few nighthawks will leave their daytime hiding places to climb and circle and dive through the air, feeding on high-flying insect life invisible from the ground. Of the genus
Chordeiles
, related to the nightjar and the goatsucker (most birds have fantastic names), the nighthawks resemble in size and conformation the swallow rather than the hawk, while in their style of flight, constantly swooping and darting, they are also like bats. Now and then a nighthawk, high in the air, will fold wings and plunge earthward; the noise of the wind rushing through its feathers when the bird extends wings and pulls out of the dive is like a distant roar, a bovine bellow. And so, among its many other names, the nighthawk
Chordeiles minor
is also called a bullbat, at least in the Southwest.