Complete Works of Emile Zola (633 page)

This was the point from which the critics who pretended to be guided by artistic considerations attacked the book; the others entrenched themselves behind the good old earthworks of morality, and primed their rusty popguns. Now there was a time, and a very good time it must have been, when a book was judged on its literary merits; but of late years a new school of criticism has come into fashion. Its manners are very summary indeed. “Would you or would you not give that book to your sister of sixteen to read?” If you hesitate you are lost; for then the question is dismissed with a smile and you are voted out of court. It would be vain to suggest that there are other people in the world besides your sister of sixteen summers.

I do not intend putting forward any well known paradox, that art is morals, and morals are art. That there are great and eternal moral laws which must be acted up to in art as in life I am more than ready to admit; but these are very different from the wretched conventionalities which have been arbitrarily imposed upon us in England. To begin with, it must be clear to the meanest intelligence that it would never do to judge the dead by the same standard as the living. If that were done, all the dramatists of the sixteenth century would have to go; those of the Restoration would follow. To burn Swift somebody lower in the social scale than Mr. Binns would have to be found, although he might do to commit Sterne to the flames. Byron, Shelley, yes, even Landor would have to go the same way. What would happen then, it is hard to say; but it is not unfair to hint that if the burning were argued to its logical conclusion, some of the extra good people would find it difficult to show reason, if the intention of the author were not taken into account, why their most favourite reading should be saved from the general destruction.

Many writers have lately been trying to put their readers in the possession of infallible recipes for the production of good fiction; they would, to my mind, have employed their time and talents to far more purpose had they come boldly to the point and stated that the overflow of bad fiction with which we are inundated is owing to the influence of the circulating library, which, on one side, sustains a quantity of worthless writers who on their own merits would not sell a dozen copies of their books; and, on the other, deprives those who have something to say and are eager to say it of the liberty of doing so. It may be a sad fact, but it is nevertheless a fact, that literature and young girls are irreconcilable elements, and the sooner we leave off trying to reconcile them the better. ...

Though much that I would like to have said is still unsaid, the exigencies of space compel me to bring this notice to a close. However, this one thing I hope I have made clear: that it is my firm opinion that if fiction is to exist at all, the right to speak as he pleases on politics, morals, and religion must be granted to the writer, and that he on his side must take cognizance of other readers than sentimental young girls, who require to be provided with harmless occupation until something fresh turns up in the matrimonial market. Therefore the great literary battle of our day is not to be fought for either realism or romanticism, but for freedom of speech; and until that battle be gained I, for one, will continue fearlessly to hold out a hand of welcome to all comers who dare to attack the sovereignty of the circulating library.

The first of these is “Piping Hot!” and, I think, the pungent odour of life it exhales, as well as its scorching satire on the middle-classes, will be relished by all who prefer the fortifying brutalities of truth to the soft platitudes of lies. As a satire “Piping Hot!” must be read; and as a satire it will rank with Juvenal, Voltaire, Pope, and Swift.

George Moore

CHAPTER I

In the Rue Neuve-Saint-Augustin, a block of vehicles arrested the cab which was bringing Octave Mouret and his three trunks from the Lyons railway station. The young man lowered one of the windows, in spite of the already intense cold of that dull November afternoon. He was surprised at the abrupt approach of twilight in this neighbourhood of narrow streets, all swarming with a busy crowd. The oaths of the drivers as they lashed their snorting horses, the endless jostlings on the foot-pavements, the serried line of shops swarming with attendants and customers, bewildered him; for, though he had dreamed of a cleaner Paris than the one he beheld, he had never hoped to find it so eager for trade, and he felt that it was publicly open to the appetites of energetic young fellows. The driver leant towards him. “It’s the Passage Choiseul you want, isn’t it?” — “No, the Rue de Choiseul. A new house, I think.” And the cab only had to turn the corner. The house was the second one in the street: a big house four storeys high, the stonework of which was scarcely discoloured, in the midst of the dirty stucco of the adjoining old frontages. Octave, who had alighted on to the pavement, measured it and studied it with a mechanical glance, from the silk warehouse on the ground floor to the projecting windows on the fourth floor opening on to a narrow terrace. On the first floor, carved female heads supported a highly elaborate cast-iron balcony. The windows were surrounded with complicated frames, roughly chiselled in the soft stone; and, lower down, above the tall doorway, two cupids were unrolling a scroll bearing the number, which at night-time was lighted up by a jet of gas from the inside.

A stout fair gentleman, who was coming out of the vestibule, stopped short on catching sight of Octave.

“What! you here!” exclaimed he. “Why, I was not expecting you till tomorrow!”

“The truth is,” replied the young man, “I left Plassans a day earlier than I originally intended. Isn’t the room ready?”

“Oh, yes. I took it a fortnight ago, and I furnished it at once in the way you desired. Wait a bit, I will take you to it.”

He re-entered the house, though Octave begged he would not give himself the trouble. The driver had got the three trunks off the cab. Inside the doorkeeper’s room, a dignified-looking man with a long face, clean-shaven like a diplomatist, was standing up gravely reading the “Moniteur.” He deigned, however, to interest himself about these trunks which were being deposited in his doorway;
and, taking a few steps forward, he asked his tenant, the architect of the third floor as he called him:

“Is this the person, Monsieur Campardon?”

“Yes, Monsieur Gourd, this is Monsieur Octave Mouret, for whom I have taken the room on the fourth floor. He will sleep there and take his meals with us. Monsieur Mouret is a friend of my wife’s relations, and I beg you will show him every attention.”

Octave was examining the entrance with its panels of imitation marble and its vaulted ceiling decorated with rosettes. The courtyard at the end was paved and cemented, and had a grand air of cold cleanliness; the only occupant was a coachman engaged in polishing a bit with a chamois leather at the entrance to the stables. There were no signs of the sun ever shining there.

Meanwhile, Monsieur Gourd was inspecting the trunks. He pushed them with his foot, and, their weight filling him with respect, he talked of fetching a porter to carry them up the servants’ staircase.

“Madame Gourd, I’m going out,” cried he, just putting his head inside his room.

It was like a drawing-room, with bright looking-glasses, a red flowered Wilton carpet and violet ebony furniture; and, through a partly opened door, one caught a glimpse of the bed-chamber with a bedstead hung with garnet rep. Madame Gourd, a very fat woman with yellow ribbons in her hair, was stretched out in an easy-chair with her hands clasped, and doing nothing.

“Well! let’s go up,” said the architect.

And seeing how impressed the young man seemed to be by Monsieur Gourd’s black velvet cap and sky blue slippers, he added, as he pushed open the mahogany door of the vestibule:

“You know he was formerly the Duke de Vaugelade’s valet.”

“Ah!” simply ejaculated Octave.

“It’s as I tell you, and he married the widow of a little bailiff of Mort-la-Ville. They even own a house there. But they are waiting until they have three thousand francs a year before going there to live. Oh! they are most respectable doorkeepers!”

The decorations of the vestibule and the staircase were gaudily luxurious. At the foot of the stairs was the figure of a woman, a kind of gilded Neapolitan, supporting on her head an amphora from which issued three gas-jets protected by ground glass globes. The panels of imitation white marble with pink borders succeeded each other at regular intervals up the wall of the staircase, whilst the cast-iron balustrade with its mahogany handrail was in imitation of old silver with clusters of golden leaves. A red carpet, secured with brass rods, covered the stairs. But what especially struck Octave on entering was a green-house temperature, a warm breath which seemed to be puffed from some mouth into his face.

“Hallo!” said he, “the staircase is warmed.”

“Of course,” replied Campardon. “All landlords who have the least self-respect go to that expense now. The house is a very fine one, very fine.”

He looked about him as though he were sounding the walls with his architect’s eyes.

“My dear fellow, you will see, it is a most comfortable place, and inhabited solely by highly respectable people!”

Then, slowly ascending, he mentioned the names of the different tenants. On each floor were two separate suites of apartments, one looking on to the street, the other on to the courtyard, and the polished mahogany doors of which faced each other. He began by saying a few words respecting Monsieur Auguste Vabre; he was the landlord’s eldest son; since the spring he had rented the silk warehouse on the ground floor, and he also occupied the whole of the “entresol” above. Then, on the first floor the landlord’s other son, Monsieur Théophile Vabre and his wife, resided in the apartment overlooking the courtyard; and in the one overlooking the street lived the landlord himself, formerly a notary at Versailles, but who was now lodging with his son-in-law, Monsieur Duveyrier, a judge at the Court of Appeal.

“A fellow who is not yet forty-five,” said Campardon, stopping short. “That’s something remarkable, is it not?”

He ascended two steps, and then suddenly turning round, he added:

“Water and gas on every floor.”

Beneath the tall window on each landing, the panes of which, bordered with fretwork, lit up the staircase with a white light, was placed a narrow velvet covered bench. The architect observed that elderly persons could sit down and rest. Then, as he passed the second floor without naming the tenants:

“And there?” asked Octave, pointing to the door of the principal suite.

“Oh! there,” said he, “persons whom one never sees, whom no one knows. The house could well do without them. Blemishes, you know, are to be found everywhere.”

He gave a little snort of contempt.

“The gentleman writes books, I believe.”

But on the third floor his smile of satisfaction reappeared. The apartments looking on to the courtyard were divided into two suites; they were occupied by Madame Juzeur, a little woman who was most unhappy, and a very distinguished gentleman who had taken a room to which he came once a week on business matters. Whilst giving these particulars, Campardon opened the door on the other side of the lauding.

“And this is where I live,” resumed he. “Wait a moment, I must get your key. We will first go up to your room; you can see my wife afterwards.”

During the two minutes he was left alone, Octave felt penetrated by the grave silence of the staircase. He leant over the balustrade, in the warm air which ascended from the vestibule;
he raised his head, listening if any noise came from above. It was the death-like peacefulness of a middle-class drawing-room, carefully shut in and not admitting a breath from outside. Behind the beautiful shining mahogany doors there seemed to be unfathomable depths of respectability.

“You will have some excellent neighbours,” said Campardon, reappearing with the key;
“
on the street side there are the Josserands, quite a family, the father who is cashier at the Saint-Joseph glass works, and also two marriageable daughters; and next to you the Pichons, the husband is a clerk; they are not rolling in wealth, but they are educated people. Everything has to be let, has it not? even in a house like this.”

From the third landing, the red carpet ceased and was replaced by a simple grey holland. Octave’s vanity was slightly ruffled. The staircase had, little by little, filled him with respect; he was deeply moved at inhabiting such a fine house as the architect termed it. As, following the latter, he turned into the passage leading to his room, he caught sight through a partly open door of a young woman standing up before a cradle. She raised her head at the noise. She was fair, with clear and vacant eyes; and all he carried away was this very distinct look, for the young woman, suddenly blushing, pushed the door to in the shame-faced way of a person taken by surprise.

Campardon turned round to repeat:

“Water and gas on every floor, my dear fellow.”

Then he pointed out a door which opened on to the servants’ staircase. Their rooms were up above. And stopping at the end of the passage, he added:

“Here we are at last.”

The room, which was square, pretty large, and hung with a grey wall-paper with blue flowers, was furnished very simply. Close to the alcove was a little dressing-closet with just room enough to wash one’s hands. Octave went straight to the window, which admitted a greenish light. Below was the courtyard looking sad and clean, with its regular pavement, and the shining brass tap of its cistern. And still not a human being, nor even a noise; nothing but the uniform windows, without a bird-cage, without a flower-pot, displaying the monotony of their white curtains. To hide the big bare wall of the house on the left hand side, which shut in the square of the courtyard, the windows had been repeated, imitation windows in paint, with shutters eternally closed, behind which the walled-in life of the neighbouring apartments appeared to continue.

“But I shall be very comfortable here!” cried Octave delighted.