Complete Works of Emile Zola (620 page)

Nana, however, did not seem to insist. She did not open her eyes again, and, seeing her so pale, he grew frightened and made her inhale a little ether. She gave a sigh and without mentioning Daguenet asked him some questions.

“When is the marriage?”

“We sign the contract on Tuesday, in five days’ time,” he replied.

Then still keeping her eyelids closed, as though she were speaking from the darkness and silence of her brain:

“Well then, pet, see to what you’ve got to do. As far as I’m concerned, I want everybody to be happy and comfortable.”

He took her hand and soothed her. Yes, he would see about it; the important thing now was for her to rest. And the revolt within him ceased, for this warm and slumberous sickroom, with its all-pervading scent of ether, had ended by lulling him into a mere longing for happiness and peace. All his manhood, erewhile maddened by wrong, had departed out of him in the neighborhood of that warm bed and that suffering woman, whom he was nursing under the influence of her feverish heat and of remembered delights. He leaned over her and pressed her in a close embrace, while despite her unmoved features her lips wore a delicate, victorious smile. But Dr Boutarel made his appearance.

“Well, and how’s this dear child?” he said familiarly to Muffat, whom he treated as her husband. “The deuce, but we’ve made her talk!”

The doctor was a good-looking man and still young. He had a superb practice among the gay world, and being very merry by nature and ready to laugh and joke in the friendliest way with the demimonde ladies with whom, however, he never went farther, he charged very high fees and got them paid with the greatest punctuality. Moreover, he would put himself out to visit them on the most trivial occasions, and Nana, who was always trembling at the fear of death, would send and fetch him two or three times a week and would anxiously confide to him little infantile ills which he would cure to an accompaniment of amusing gossip and harebrained anecdotes. The ladies all adored him. But this time the little ill was serious.

Muffat withdrew, deeply moved. Seeing his poor Nana so very weak, his sole feeling was now one of tenderness. As he was leaving the room she motioned him back and gave him her forehead to kiss. In a low voice and with a playfully threatening look she said:

“You know what I’ve allowed you to do. Go back to your wife, or it’s all over and I shall grow angry!”

The Countess Sabine had been anxious that her daughter’s wedding contract should be signed on a Tuesday in order that the renovated house, where the paint was still scarcely dry, might be reopened with a grand entertainment. Five hundred invitations had been issued to people in all kinds of sets. On the morning of the great day the upholsterers were still nailing up hangings, and toward nine at night, just when the lusters were going to be lit, the architect, accompanied by the eager and interested countess, was given his final orders.

It was one of those spring festivities which have a delicate charm of their own. Owing to the warmth of the June nights, it had become possible to open the two doors of the great drawing room and to extend the dancing floor to the sanded paths of the garden. When the first guests arrived and were welcomed at the door by the count and the countess they were positively dazzled. One had only to recall to mind the drawing room of the past, through which flitted the icy, ghostly presence of the Countess Muffat, that antique room full of an atmosphere of religious austerity with its massive First Empire mahogany furniture, its yellow velvet hangings, its moldy ceiling through which the damp had soaked. Now from the very threshold of the entrance hall mosaics set off with gold were glittering under the lights of lofty candelabras, while the marble staircase unfurled, as it were, a delicately chiseled balustrade. Then, too, the drawing room looked splendid; it was hung with Genoa velvet, and a huge decorative design by Boucher covered the ceiling, a design for which the architect had paid a hundred thousand francs at the sale of the Chateau de Dampierre. The lusters and the crystal ornaments lit up a luxurious display of mirrors and precious furniture. It seemed as though Sabine’s long chair, that solitary red silk chair, whose soft contours were so marked in the old days, had grown and spread till it filled the whole great house with voluptuous idleness and a sense of tense enjoyment not less fierce and hot than a fire which has been long in burning up.

People were already dancing. The band, which had been located in the garden, in front of one of the open windows, was playing a waltz, the supple rhythm of which came softly into the house through the intervening night air. And the garden seemed to spread away and away, bathed in transparent shadow and lit by Venetian lamps, while in a purple tent pitched on the edge of a lawn a table for refreshments had been established. The waltz, which was none other than the quaint, vulgar one in the Blonde Venus, with its laughing, blackguard lilt, penetrated the old hotel with sonorous waves of sound and sent a feverish thrill along its walls. It was as though some fleshly wind had come up out of the common street and were sweeping the relics of a vanished epoch out of the proud old dwelling, bearing away the Muffats’ past, the age of honor and religious faith which had long slumbered beneath the lofty ceilings.

Meanwhile near the hearth, in their accustomed places, the old friends of the count’s mother were taking refuge. They felt out of their element — they were dazzled and they formed a little group amid the slowly invading mob. Mme du Joncquoy, unable to recognize the various rooms, had come in through the dining saloon. Mme Chantereau was gazing with a stupefied expression at the garden, which struck her as immense. Presently there was a sound of low voices, and the corner gave vent to all sorts of bitter reflections.

“I declare,” murmured Mme Chantereau, “just fancy if the countess were to return to life. Why, can you not imagine her coming in among all these crowds of people! And then there’s all this gilding and this uproar! It’s scandalous!”

“Sabine’s out of her senses,” replied Mme du Joncquoy. “Did you see her at the door? Look, you can catch sight of her here; she’s wearing all her diamonds.”

For a moment or two they stood up in order to take a distant view of the count and countess. Sabine was in a white dress trimmed with marvelous English point lace. She was triumphant in beauty; she looked young and gay, and there was a touch of intoxication in her continual smile. Beside her stood Muffat, looking aged and a little pale, but he, too, was smiling in his calm and worthy fashion.

“And just to think that he was once master,” continued Mme Chantereau, “and that not a single rout seat would have come in without his permission! Ah well, she’s changed all that; it’s her house now. D’you remember when she did not want to do her drawing room up again? She’s done up the entire house.”

But the ladies grew silent, for Mme de Chezelles was entering the room, followed by a band of young men. She was going into ecstasies and marking her approval with a succession of little exclamations.

“Oh, it’s delicious, exquisite! What taste!” And she shouted back to her followers:

“Didn’t I say so? There’s nothing equal to these old places when one takes them in hand. They become dazzling! It’s quite in the grand seventeenth-century style. Well, NOW she can receive.”

The two old ladies had again sat down and with lowered tones began talking about the marriage, which was causing astonishment to a good many people. Estelle had just passed by them. She was in a pink silk gown and was as pale, flat, silent and virginal as ever. She had accepted Daguenet very quietly and now evinced neither joy nor sadness, for she was still as cold and white as on those winter evenings when she used to put logs on the fire. This whole fete given in her honor, these lights and flowers and tunes, left her quite unmoved.

“An adventurer,” Mme du Joncquoy was saying. “For my part, I’ve never seen him.”

“Take care, here he is,” whispered Mme Chantereau.

Daguenet, who had caught sight of Mme Hugon and her sons, had eagerly offered her his arm. He laughed and was effusively affectionate toward her, as though she had had a hand in his sudden good fortune.

“Thank you,” she said, sitting down near the fireplace. “You see, it’s my old corner.”

“You know him?” queried Mme du Joncquoy, when Daguenet had gone. “Certainly I do — a charming young man. Georges is very fond of him. Oh, they’re a most respected family.”

And the good lady defended him against the mute hostility which was apparent to her. His father, held in high esteem by Louis Philippe, had been a PREFET up to the time of his death. The son had been a little dissipated, perhaps; they said he was ruined, but in any case, one of his uncles, who was a great landowner, was bound to leave him his fortune. The ladies, however, shook their heads, while Mme Hugon, herself somewhat embarrassed, kept harking back to the extreme respectability of his family. She was very much fatigued and complained of her feet. For some months she had been occupying her house in the Rue Richelieu, having, as she said, a whole lot of things on hand. A look of sorrow overshadowed her smiling, motherly face.

“Never mind,” Mme Chantereau concluded. “Estelle could have aimed at something much better.”

There was a flourish. A quadrille was about to begin, and the crowd flowed back to the sides of the drawing room in order to leave the floor clear. Bright dresses flitted by and mingled together amid the dark evening coats, while the intense light set jewels flashing and white plumes quivering and lilacs and roses gleaming and flowering amid the sea of many heads. It was already very warm, and a penetrating perfume was exhaled from light tulles and crumpled silks and satins, from which bare shoulders glimmered white, while the orchestra played its lively airs. Through open doors ranges of seated ladies were visible in the background of adjoining rooms; they flashed a discreet smile; their eyes glowed, and they made pretty mouths as the breath of their fans caressed their faces. And guests still kept arriving, and a footman announced their names while gentlemen advanced slowly amid the surrounding groups, striving to find places for ladies, who hung with difficulty on their arms, and stretching forward in quest of some far-off vacant armchair. The house kept filling, and crinolined skirts got jammed together with a little rustling sound. There were corners where an amalgam of laces, bunches and puffs would completely bar the way, while all the other ladies stood waiting, politely resigned and imperturbably graceful, as became people who were made to take part in these dazzling crushes. Meanwhile across the garden couples, who had been glad to escape from the close air of the great drawing room, were wandering away under the roseate gleam of the Venetian lamps, and shadowy dresses kept flitting along the edge of the lawn, as though in rhythmic time to the music of the quadrille, which sounded sweet and distant behind the trees.

Steiner had just met with Foucarmont and La Faloise, who were drinking a glass of champagne in front of the buffet.

“It’s beastly smart,” said La Faloise as he took a survey of the purple tent, which was supported by gilded lances. “You might fancy yourself at the Gingerbread Fair. That’s it — the Gingerbread Fair!”

In these days he continually affected a bantering tone, posing as the young man who has abused every mortal thing and now finds nothing worth taking seriously.

“How surprised poor Vandeuvres would be if he were to come back,” murmured Foucarmont. “You remember how he simply nearly died of boredom in front of the fire in there. Egad, it was no laughing matter.”

“Vandeuvres — oh, let him be. He’s a gone coon!” La Faloise disdainfully rejoined. “He jolly well choused himself, he did, if he thought he could make us sit up with his roast-meat story! Not a soul mentions it now. Blotted out, done for, buried — that’s what’s the matter with Vandeuvres! Here’s to the next man!”

Then as Steiner shook hands with him:

“You know Nana’s just arrived. Oh, my boys, it was a state entry. It was too brilliant for anything! First of all she kissed the countess. Then when the children came up she gave them her blessing and said to Daguenet, ‘Listen, Paul, if you go running after the girls you’ll have to answer for it to me.’ What, d’you mean to say you didn’t see that? Oh, it WAS smart. A success, if you like!”

The other two listened to him, openmouthed, and at last burst out laughing. He was enchanted and thought himself in his best vein.

“You thought it had really happened, eh? Confound it, since Nana’s made the match! Anyway, she’s one of the family.”

The young Hugons were passing, and Philippe silenced him. And with that they chatted about the marriage from the male point of view. Georges was vexed with La Faloise for telling an anecdote. Certainly Nana had fubbed off on Muffat one of her old flames as son-in-law; only it was not true that she had been to bed with Daguenet as lately as yesterday. Foucarmont made bold to shrug his shoulders. Could anyone ever tell when Nana was in bed with anyone? But Georges grew excited and answered with an “I can tell, sir!” which set them all laughing. In a word, as Steiner put it, it was all a very funny kettle of fish!

The buffet was gradually invaded by the crowd, and, still keeping together, they vacated their positions there. La Faloise stared brazenly at the women as though he believed himself to be Mabille. At the end of a garden walk the little band was surprised to find M. Venot busily conferring with Daguenet, and with that they indulged in some facile pleasantries which made them very merry. He was confessing him, giving him advice about the bridal night! Presently they returned in front of one of the drawing-room doors, within which a polka was sending the couples whirling to and fro till they seemed to leave a wake behind them among the crowd of men who remained standing about. In the slight puffs of air which came from outside the tapers flared up brilliantly, and when a dress floated by in time to the rat-tat of the measure, a little gust of wind cooled the sparkling heat which streamed down from the lusters.

“Egad, they’re not cold in there!” muttered La Faloise.