Complete Works of Emile Zola (587 page)

“Do come here,” shouted Fauchery, who had vanished some moments ago. “You’re being asked for.”

At the end of the corridor was the dressing room belonging to Clarisse and Simonne. It was a long, ill-built room under the roof with a garret ceiling and sloping walls. The light penetrated to it from two deep-set openings high up in the wall, but at that hour of the night the dressing room was lit by flaring gas. It was papered with a paper at seven sous a roll with a pattern of roses twining over green trelliswork. Two boards, placed near one another and covered with oilcloth, did duty for dressing tables. They were black with spilled water, and underneath them was a fine medley of dinted zinc jugs, slop pails and coarse yellow earthenware crocks. There was an array of fancy articles in the room — a battered, soiled and well-worn array of chipped basins, of toothless combs, of all those manifold untidy trifles which, in their hurry and carelessness, two women will leave scattered about when they undress and wash together amid purely temporary surroundings, the dirty aspect of which has ceased to concern them.

“Do come here,” Fauchery repeated with the good-humored familiarity which men adopt among their fallen sisters. “Clarisse is wanting to kiss you.”

Muffat entered the room at last. But what was his surprise when he found the Marquis de Chouard snugly enscounced on a chair between the two dressing tables! The marquis had withdrawn thither some time ago. He was spreading his feet apart because a pail was leaking and letting a whitish flood spread over the floor. He was visibly much at his ease, as became a man who knew all the snug corners, and had grown quite merry in the close dressing room, where people might have been bathing, and amid those quietly immodest feminine surroundings which the uncleanness of the little place rendered at once natural and poignant.

“D’you go with the old boy?” Simonne asked Clarisse in a whisper.

“Rather!” replied the latter aloud.

The dresser, a very ugly and extremely familiar young girl, who was helping Simonne into her coat, positively writhed with laughter. The three pushed each other and babbled little phrases which redoubled their merriment.

“Come, Clarisse, kiss the gentleman,” said Fauchery. “You know, he’s got the rhino.”

And turning to the count:

“You’ll see, she’s very nice! She’s going to kiss you!”

But Clarisse was disgusted by the men. She spoke in violent terms of the dirty lot waiting at the porter’s lodge down below. Besides, she was in a hurry to go downstairs again; they were making her miss her last scene. Then as Fauchery blocked up the doorway, she gave Muffat a couple of kisses on the whiskers, remarking as she did so:

“It’s not for you, at any rate! It’s for that nuisance Fauchery!”

And with that she darted off, and the count remained much embarrassed in his father-in-law’s presence. The blood had rushed to his face. In Nana’s dressing room, amid all the luxury of hangings and mirrors, he had not experienced the sharp physical sensation which the shameful wretchedness of that sorry garret excited within him, redolent as it was of these two girls’ self-abandonment. Meanwhile the marquis had hurried in the rear of Simonne, who was making off at the top of her pace, and he kept whispering in her ear while she shook her head in token of refusal. Fauchery followed them, laughing. And with that the count found himself alone with the dresser, who was washing out the basins. Accordingly he took his departure, too, his legs almost failing under him. Once more he put up flights of half-dressed women and caused doors to bang as he advanced. But amid the disorderly, disbanded troops of girls to be found on each of the four stories, he was only distinctly aware of a cat, a great tortoise-shell cat, which went gliding upstairs through the ovenlike place where the air was poisoned with musk, rubbing its back against the banisters and keeping its tail exceedingly erect.

“Yes, to be sure!” said a woman hoarsely. “I thought they’d keep us back tonight! What a nuisance they are with their calls!”

The end had come; the curtain had just fallen. There was a veritable stampede on the staircase — its walls rang with exclamations, and everyone was in a savage hurry to dress and be off. As Count Muffat came down the last step or two he saw Nana and the prince passing slowly along the passage. The young woman halted and lowered her voice as she said with a smile:

“All right then — by and by!”

The prince returned to the stage, where Bordenave was awaiting him. And left alone with Nana, Muffat gave way to an impulse of anger and desire. He ran up behind her and, as she was on the point of entering her dressing room, imprinted a rough kiss on her neck among little golden hairs curling low down between her shoulders. It was as though he had returned the kiss that had been given him upstairs. Nana was in a fury; she lifted her hand, but when she recognized the count she smiled.

“Oh, you frightened me,” she said simply.

And her smile was adorable in its embarrassment and submissiveness, as though she had despaired of this kiss and were happy to have received it. But she could do nothing for him either that evening or the day after. It was a case of waiting. Nay, even if it had been in her power she would still have let herself be desired. Her glance said as much. At length she continued:

“I’m a landowner, you know. Yes, I’m buying a country house near Orleans, in a part of the world to which you sometimes betake yourself. Baby told me you did — little Georges Hugon, I mean. You know him? So come and see me down there.”

The count was a shy man, and the thought of his roughness had frightened him; he was ashamed of what he had done and he bowed ceremoniously, promising at the same time to take advantage of her invitation. Then he walked off as one who dreams.

He was rejoining the prince when, passing in front of the foyer, he heard Satin screaming out:

“Oh, the dirty old thing! Just you bloody well leave me alone!”

It was the Marquis de Chouard who was tumbling down over Satin. The girl had decidedly had enough of the fashionable world! Nana had certainly introduced her to Bordenave, but the necessity of standing with sealed lips for fear of allowing some awkward phrase to escape her had been too much for her feelings, and now she was anxious to regain her freedom, the more so as she had run against an old flame of hers in the wings. This was the super, to whom the task of impersonating Pluto had been entrusted, a pastry cook, who had already treated her to a whole week of love and flagellation. She was waiting for him, much irritated at the things the marquis was saying to her, as though she were one of those theatrical ladies! And so at last she assumed a highly respectable expression and jerked out this phrase:

“My husband’s coming! You’ll see.”

Meanwhile the worn-looking artistes were dropping off one after the other in their outdoor coats. Groups of men and women were coming down the little winding staircase, and the outlines of battered hats and worn-out shawls were visible in the shadows. They looked colorless and unlovely, as became poor play actors who have got rid of their paint. On the stage, where the side lights and battens were being extinguished, the prince was listening to an anecdote Bordenave was telling him. He was waiting for Nana, and when at length she made her appearance the stage was dark, and the fireman on duty was finishing his round, lantern in hand. Bordenave, in order to save His Highness going about by the Passage des Panoramas, had made them open the corridor which led from the porter’s lodge to the entrance hall of the theater. Along this narrow alley little women were racing pell-mell, for they were delighted to escape from the men who were waiting for them in the other passage. They went jostling and elbowing along, casting apprehensive glances behind them and only breathing freely when they got outside. Fontan, Bosc and Prulliere, on the other hand, retired at a leisurely pace, joking at the figure cut by the serious, paying admirers who were striding up and down the Galerie des Varietes at a time when the little dears were escaping along the boulevard with the men of their hearts. But Clarisse was especially sly. She had her suspicions about La Faloise, and, as a matter of fact, he was still in his place in the lodge among the gentlemen obstinately waiting on Mme Bron’s chairs. They all stretched forward, and with that she passed brazenly by in the wake of a friend. The gentlemen were blinking in bewilderment over the wild whirl of petticoats eddying at the foot of the narrow stairs. It made them desperate to think they had waited so long, only to see them all flying away like this without being able to recognize a single one. The litter of little black cats were sleeping on the oilcloth, nestled against their mother’s belly, and the latter was stretching her paws out in a state of beatitude while the big tortoise-shell cat sat at the other end of the table, her tail stretched out behind her and her yellow eyes solemnly following the flight of the women.

“If His Highness will be good enough to come this way,” said Bordenave at the bottom of the stairs, and he pointed to the passage.

Some chorus girls were still crowding along it. The prince began following Nana while Muffat and the marquis walked behind.

It was a long, narrow passage lying between the theater and the house next door, a kind of contracted by-lane which had been covered with a sloping glass roof. Damp oozed from the walls, and the footfall sounded as hollow on the tiled floor as in an underground vault. It was crowded with the kind of rubbish usually found in a garret. There was a workbench on which the porter was wont to plane such parts of the scenery as required it, besides a pile of wooden barriers which at night were placed at the doors of the theater for the purpose of regulating the incoming stream of people. Nana had to pick up her dress as she passed a hydrant which, through having been carelessly turned off, was flooding the tiles underfoot. In the entrance hall the company bowed and said good-by. And when Bordenave was alone he summed up his opinion of the prince in a shrug of eminently philosophic disdain.

“He’s a bit of a duffer all the same,” he said to Fauchery without entering on further explanations, and with that Rose Mignon carried the journalist off with her husband in order to effect a reconciliation between them at home.

Muffat was left alone on the sidewalk. His Highness had handed Nana quietly into his carriage, and the marquis had slipped off after Satin and her super. In his excitement he was content to follow this vicious pair in vague hopes of some stray favor being granted him. Then with brain on fire Muffat decided to walk home. The struggle within him had wholly ceased. The ideas and beliefs of the last forty years were being drowned in a flood of new life. While he was passing along the boulevards the roll of the last carriages deafened him with the name of Nana; the gaslights set nude limbs dancing before his eyes — the nude limbs, the lithe arms, the white shoulders, of Nana. And he felt that he was hers utterly: he would have abjured everything, sold everything, to possess her for a single hour that very night. Youth, a lustful puberty of early manhood, was stirring within him at last, flaming up suddenly in the chaste heart of the Catholic and amid the dignified traditions of middle age.

CHAPTER VI

Count Muffat, accompanied by his wife and daughter, had arrived overnight at Les Fondettes, where Mme Hugon, who was staying there with only her son Georges, had invited them to come and spend a week. The house, which had been built at the end of the eighteenth century, stood in the middle of a huge square enclosure. It was perfectly unadorned, but the garden possessed magnificent shady trees and a chain of tanks fed by running spring water. It stood at the side of the road which leads from Orleans to Paris and with its rich verdure and high-embowered trees broke the monotony of that flat countryside, where fields stretched to the horizon’s verge.

At eleven o’clock, when the second lunch bell had called the whole household together, Mme Hugon, smiling in her kindly maternal way, gave Sabine two great kisses, one on each cheek, and said as she did so:

“You know it’s my custom in the country. Oh, seeing you here makes me feel twenty years younger. Did you sleep well in your old room?”

Then without waiting for her reply she turned to Estelle:

“And this little one, has she had a nap too? Give me a kiss, my child.”

They had taken their seats in the vast dining room, the windows of which looked out on the park. But they only occupied one end of the long table, where they sat somewhat crowded together for company’s sake. Sabine, in high good spirits, dwelt on various childish memories which had been stirred up within her — memories of months passed at Les Fondettes, of long walks, of a tumble into one of the tanks on a summer evening, of an old romance of chivalry discovered by her on the top of a cupboard and read during the winter before fires made of vine branches. And Georges, who had not seen the countess for some months, thought there was something curious about her. Her face seemed changed, somehow, while, on the other hand, that stick of an Estelle seemed more insignificant and dumb and awkward than ever.

While such simple fare as cutlets and boiled eggs was being discussed by the company, Mme Hugon, as became a good housekeeper, launched out into complaints. The butchers, she said, were becoming impossible. She bought everything at Orleans, and yet they never brought her the pieces she asked for. Yet, alas, if her guests had nothing worth eating it was their own fault: they had come too late in the season.

“There’s no sense in it,” she said. “I’ve been expecting you since June, and now we’re half through September. You see, it doesn’t look pretty.”

And with a movement she pointed to the trees on the grass outside, the leaves of which were beginning to turn yellow. The day was covered, and the distance was hidden by a bluish haze which was fraught with a sweet and melancholy peacefulness.

“Oh, I’m expecting company,” she continued. “We shall be gayer then! The first to come will be two gentlemen whom Georges has invited — Monsieur Fauchery and Monsieur Daguenet; you know them, do you not? Then we shall have Monsieur de Vandeuvres, who has promised me a visit these five years past. This time, perhaps, he’ll make up his mind!”