Complete Works of Emile Zola (394 page)

‘What I do,’ he answered; ‘kneel down, suffer on your knees, and never rise until God pardons you.’

‘Are you a coward, then?’ she exclaimed, her anger roused once more, her lips curving scornfully.

He staggered, and kept silence. Agony held him by the throat; but he proved stronger than pain. He held his head erect, and a smile almost played about his trembling lips. Albine for a moment defied him with her fixed glance; then, carried away by a fresh burst of passion, she exclaimed:

‘Well, answer me. Accuse me! Say it was I who came to tempt you! That will be the climax! Speak, and say what you can for yourself. Strike me if you like. I should prefer your blows to that corpse-like stiffness you put on. Is there no blood left in your veins? Have you no spirit? Don’t you hear me calling you a coward? Yes, indeed, you are a coward. You should never have loved me, since you may not be a man. Is it that black robe of yours which holds you back? Tear it off! When you are naked, perhaps you will remember yourself again.’

The priest slowly repeated his former words:

‘I have sinned. I had no excuse for my sin. I do penitence for my sin without hope of pardon. If I tore off my cassock, I should tear away my very flesh, for I have given myself wholly to God, soul and body. I am a priest.’

‘And I! what is to become of me?’ cried Albine.

He looked unflinchingly at her.

‘May your sufferings be reckoned against me as so many crimes! May I be eternally punished for the desertion in which I am forced to leave you! That will be only just. All unworthy though I be, I pray for you each night.’

She shrugged her shoulders with an air of great discouragement. Her anger was subsiding. She almost felt inclined to pity him.

‘You are mad,’ she murmured. ‘Keep your prayers. It is you yourself that I want. But you will never understand me. There were so many things I wanted to tell you! Yet you stand there and irritate me with your chatter of another world. Come, let us try to talk sensibly. Let us wait for a moment till we are calmer. You cannot dismiss me in this way, I cannot leave you here. It is because you are here that you are so corpse-like, so cold that I dare not touch you. We won’t talk any more just now. We will wait a little.’

She ceased speaking, and took a few steps, examining the little church. The rain was still gently pattering against the windows; and the cold damp light seemed to moisten the walls. Not a sound came from outside save the monotonous plashing of the rain. The sparrows were doubtless crouching for shelter under the tiles, and the rowan-tree’s deserted branches showed but indistinctly in the veiling, drenching downpour. Five o’clock struck, grated out, stroke by stroke, from the wheezy chest of the old clock; and then the silence fell again, seeming to grow yet deeper, dimmer, and more despairing. The priest’s painting work, as yet scarcely dry, gave to the high altar and the wainscoting an appearance of gloomy cleanliness, like that of some convent chapel where the sun never shines. Grievous anguish seemed to fill the nave, splashed with the blood that flowed from the limbs of the huge Christ; while, along the walls, the fourteen scenes of the Passion displayed their awful story in red and yellow daubs, reeking with horror. It was life that was suffering the last agonies there, amidst that deathlike quiver of the atmosphere, upon those altars which resembled tombs, in that bare vault which looked like a sepulchre. The surroundings all spoke of slaughter and gloom, terror and anguish and nothingness. A faint scent of incense still lingered there, like the last expiring breath of some dead girl, who had been hurriedly stifled beneath the flagstones.

‘Ah,’ said Albine at last, ‘how sweet it used to be in the sunshine! Don’t you remember? One morning we walked past a hedge of tall rose bushes, to the left of the flower-garden. I recollect the very colour of the grass; it was almost blue, shot with green. When we reached the end of the hedge we turned and walked back again, so sweet was the perfume of the sunny air. And we did nothing else, that morning; we took just twenty paces forward and then twenty paces back. It was so sweet a spot you would not leave it. The bees buzzed all around; and there was a tomtit that never left us, but skipped along by our side from branch to branch. You whispered to me, “How delightful is life!” Ah! life! it was the green grass, the trees, the running waters, the sky, and the sun, amongst which we seemed all fair and golden.’

She mused for another moment and then continued: ‘Life ‘twas the Paradou. How vast it used to seem to us! Never were we able to find the end of it. The sea of foliage rolled freely with rustling waves as far as the eye could reach. And all that glorious blue overhead! we were free to grow, and soar, and roam, like the clouds without meeting more obstacles than they. The very air was ours!’

She stopped and pointed to the low walls of the church.

‘But, here, you are in a grave. You cannot stretch out your hand without hurting it against the stones. The roof hides the sky from you and blots out the sun. It is all so small and confined that your limbs grow stiff and cramped as though you were buried alive.’

‘No,’ answered the priest. ‘The church is wide as the world.’

But she waved her hands towards the crosses, and the dying Christ, and the pictures of the Passion.

‘And you live in the very midst of death. The grass, the trees, the springs, the sun, the sky, all are in the death throes around you.’

‘No, no; all revives, all grows purified and reascends to the source of light.’

He had now drawn himself quite erect, with flashing eyes. And feeling that he was now invincible, so permeated with faith as to disdain temptation, he quitted the altar, took Albine’s hand, and led her, as though she had been his sister, to the ghastly pictures of the Stations of the Cross.

‘See,’ he said, ‘this is what God suffered! Jesus is cruelly scourged. Look! His shoulders are naked; His flesh is torn; His blood flows down His back.... And Jesus is crowned with thorns. Tears of blood trickle down His gashed brow. On His temple is a jagged wound.... Again Jesus is insulted by the soldiers. His murderers have scoffingly thrown a purple robe around His shoulders, and they spit upon His face and strike Him, and press the thorny crown deep into His flesh.’

Albine turned away her head, that she might not see the crudely painted pictures, in which the ochreous flesh of Christ had been plentifully bedaubed with carmine wounds. The purple robe round His shoulders seemed like a shred of His skin torn away.

‘Why suffer? why die?’ she said. ‘O Serge, if you would only remember!... You told me, that morning, that you were tired. But I knew that you were only pretending, for the air was quite cool and we had only been walking for a quarter of an hour. But you wanted to sit down that you might hold me in your arms. Right down in the orchard, by the edge of a stream, there was a cherry tree — you remember it, don’t you? — which you never could pass without wishing to kiss my hands. And your kisses ran all up my arms and shoulders to my lips. Cherry time was over, and so you devoured my lips.... It used to make us feel so sad to see the flowers fading, and one day, when you found a dead bird in the grass, you turned quite pale, and caught me to your breast, as if to forbid the earth to take me.’

But the priest drew her towards the other Stations of the Cross.

‘Hush! hush!’ he cried, ‘look here, and here! Bow down in grief and pity —  — Jesus falls beneath the weight of His cross. The ascent of Calvary is very tiring. He has dropped down on His knees. But He does not stay to wipe even the sweat from His brow, He rises up again and continues His journey.... And again Jesus falls beneath the weight of His cross. At each step He staggers. This time He has fallen on His side, so heavily that for a moment He lies there quite breathless. His lacerated hands have relaxed their hold upon the cross. His bruised and aching feet leave blood-stained prints behind them. Agonising weariness overwhelms Him, for He carries upon His shoulders the sins of the whole world.’

Albine gazed at the pictured Jesus, lying in a blue shirt prostrate beneath the cross, the blackness of which bedimmed the gold of His aureole. Then, with her glance wandering far away, she said:

‘Oh! those meadow-paths! Have you no memory left, Serge? Have you forgotten those soft grassy walks through the meadows, amidst very seas of greenery? On the afternoon I am telling you of, we had only meant to stay out of doors an hour; but we went wandering on and were still wandering when the stars came out above us. Ah! how velvety it was, that endless carpet, soft as finest silk! It was just like a green sea whose gentle waters lapped us round. And well we knew whither those beguiling paths that led nowhere, were taking us! They were taking us to our love, to the joy of living together, to the certainty of happiness.’

With his hands trembling with anguish, Abbe Mouret pointed to the remaining pictures.

‘Jesus,’ he stammered, ‘Jesus is nailed to the cross. The nails are hammered through His outspread hands. A single nail suffices for his feet, whose bones split asunder. He, Himself, while His flesh quivers with pain, fixes His eyes upon heaven and smiles.... Jesus is crucified between two thieves. The weight of His body terribly aggravates His wounds. From His brow, from His limbs, does a bloody sweat stream down. The two thieves insult Him, the passers-by mock at Him, the soldiers cast lots for His raiment. And the shadowy darkness grows deeper and the sun hides himself.... Jesus dies upon the cross. He utters a piercing cry and gives up the ghost. Oh! most terrible of deaths! The veil of the temple is rent in twain from top to bottom. The earth quakes, the stones are broken, and the very graves open.’

The priest had fallen on his knees, his voice choked by sobs, his eyes fixed upon the three crosses of Calvary, where writhed the gaunt pallid bodies of the crucified. Albine placed herself in front of the paintings in order that he might no longer see them.

‘One evening,’ she said, ‘I lay through the long gloaming with my head upon your lap. It was in the forest, at the end of that great avenue of chestnut-trees, through which the setting sun shot a parting ray. Ah! what a caressing farewell He bade us! He lingered awhile by our feet with a kindly smile, as if saying “Till to-morrow.” The sky slowly grew paler. I told you merrily that it was taking off its blue gown, and donning its gold-flowered robe of black to go out for the evening. And it was not night that fell, but a soft dimness, a veil of love and mystery, reminding us of those dusky paths, where the foliage arches overhead, one of those paths in which one hides for a moment with the certainty of finding the joyousness of daylight at the other end.

‘That evening the calm clearness of the twilight gave promise of a splendid morrow. When I saw that it did not grow dark as quickly as you wished, I pretended to fall asleep. I may confess it to you now, but I was not really sleeping while you kissed me on the eyes. I felt your kisses and tried to keep from laughing. And then, when the darkness really came, it was like one long caress. The trees slept no more than I did. At night, don’t you remember, the flowers always breathed a stronger perfume.’

Then, as he still remained on his knees, while tears streamed down his face, she caught him by the wrists, and pulled him to his feet, resuming passionately:

‘Oh! if you knew you would bid me carry you off; you would fasten your arms about my neck, lest I should go away without you.... Yesterday I had a longing to see the garden once more. It seems larger, deeper, more unfathomable than ever. I discovered there new scents, so sweetly aromatic that they brought tears into my eyes. In the avenues I found a rain of sunbeams that thrilled me with desire. The roses spoke to me of you. The bullfinches were amazed at seeing me alone. All the garden broke out into sighs. Oh! come! Never has the grass spread itself out more softly. I have marked with a flower the hidden nook whither I long to take you. It is a nest of greenery in the midst of a tangle of brushwood. And there one can hear all the teeming life of the garden, of the trees and the streams and the sky. The earth’s very breathing will softly lull us to rest there. Oh! come! come! and let us love one another amidst that universal loving!’

But he pushed her from him. He had returned to the Chapel of the Dead and stood in front of the painted papier-mache Christ, big as a ten-year-old boy, that writhed in such horridly realistic agony. There were real iron nails driven into the figure’s limbs, and the wounds gaped in the torn and bleeding flesh.

‘O Jesus, Who hast died for us!’ cried the priest, ‘convince her of our nothingness! Tell her that we are but dust, rottenness, and damnation! Ah! suffer that I may hide my head in a hair-cloth and rest it against Thy feet and stay there, motionless, until I rot away in death. The earth will no longer exist for me. The sun will no longer shine. I shall see nothing more, feel nothing, hear nothing. Nought of all this wretched world will come to turn my soul from its adoration of Thee.’

He was gradually becoming more and more excited, and he stepped towards Albine with upraised hands.

‘You said rightly. It is Death that is present here; Death that is before my eyes; Death that delivers and saves one from all rottenness. Hear me! I renounce, I deny life, I wholly refuse it, I spit upon it. Those flowers of yours stink; your sun dazzles and blinds; your grass makes lepers of those that lie upon it; your garden is but a charnel-place where all rots and putrefies. The earth reeks with abomination. You lie when you talk of love and light and gladsome life in the depths of your palace of greenery. There is nought but darkness there. Those trees of yours exhale a poison which transforms men into beasts; your thickets are charged with the venom of vipers; your streams carry pestilence in their blue waters. If I could snatch away from that world of nature, which you extol, its kirtle of sunshine and its girdle of greenery, you would see it hideous like a very fury, a skeleton, rotting away with disease and vice.

‘And even if you spoke the truth, even if your hands were really filled with pleasures, even if you should carry me to a couch of roses and offer me the dreams of Paradise, I would defend myself yet the more desperately from your embraces. There is war between us; war eternal and implacable. See! the church is very small; it is poverty-stricken; it is ugly; its confessional-box and pulpit are made of common deal, its font is merely of plaster, its altars are formed of four boards which I have painted myself. But what of that? It is yet vaster than your garden, greater than the valley, greater, even, than the whole earth. It is an impregnable fortress which nothing can ever break down. The winds, the sun, the forests, the ocean, all that is, may combine to assault it; yet it will stand erect and unshaken for ever!