Complete Works of Emile Zola (1535 page)

Seraphine had begun to laugh, showing her white wolfish teeth between her blood-red lips, when she noticed the horrified expression which had appeared on Mathieu’s face since Gaude had been spoken of. “Ah!” said she; “there’s a man, now, who in nowise resembles your squeamish Dr. Boutan, who is always prattling about the birth-rate. I can’t understand why Constance keeps to that old-fashioned booby, holding the views she does. She is quite right, you know, in her opinions. I fully share them.”

Morange laughed complaisantly. He wished to show her that his opinions were the same. However, as Valerie did not return with Reine, he grew impatient, and asked permission to go and see what they were about. Perhaps he himself might be able to help in getting the child ready.

As soon as Seraphine was alone with Mathieu she turned her big, ardent, gold-flecked eyes upon him. She no longer laughed with the same laugh as a moment previously; an expression of voluptuous irony appeared on her bold bad face. After a spell of silence she inquired, “And is my good cousin Marianne quite well?”

“Quite well,” replied Mathieu.

“And the children are still growing?”

“Yes, still growing.”

“So you are happy, like a good paterfamilias, in your little nook?”

“Perfectly happy.”

Again she lapsed into silence, but she did not cease to look at him, more provoking, more radiant than ever, with the charm of a young sorceress whose eyes burn and poison men’s hearts. And at last she slowly resumed: “And so it is all over between us?”

He made a gesture in token of assent. There had long since been a passing fancy between them. He had been nineteen at the time, and she two-and-twenty. He had then but just entered life, and she was already married. But a few months later he had fallen in love with Marianne, and had then entirely freed himself from her.

“All over — really?” she again inquired, smiling but aggressive.

She was looking very beautiful and bold, seeking to tempt him and carry him off from that silly little cousin of hers, whose tears would simply have made her laugh. And as Mathieu did not this time give her any answer, even by a wave of the hand, she went on: “I prefer that: don’t reply: don’t say that it is all over. You might make a mistake, you know.”

For a moment Mathieu’s eyes flashed, then he closed them in order that he might no longer see Seraphine, who was leaning towards him. It seemed as if all the past were coming back. She almost pressed her lips to his as she whispered that she still loved him; and when he drew back, full of mingled emotion and annoyance, she raised her little hand to his mouth as if she feared that he was again going to say no.

“Be quiet,” said she; “they are coming.”

The Moranges were now indeed returning with Reine, whose hair had been curled. The child looked quite delicious in her frock of rose silk decked with white lace, and her large hat trimmed with some of the dress material. Her gay round face showed with flowery delicacy under the rose silk.

“Oh, what a love!” exclaimed Seraphine by way of pleasing the parents. “Somebody will be stealing her from me, you know.”

Then it occurred to her to kiss the child in passionate fashion, feigning the emotion of a woman who regrets that she is childless. “Yes; indeed one regrets it very much when one sees such a treasure as this sweet girl of yours. Ah! if one could only be sure that God would give one such a charming child — well, at all events, I shall steal her from you; you need not expect me to bring her back again.”

The enraptured Moranges laughed delightedly. And Mathieu, who knew her well, listened in stupefaction. How many times during their short and passionate attachment had she not inveighed against children! In her estimation maternity poisoned love, aged woman, and made a horror of her in the eyes of man.

The Moranges accompanied her and Reine to the landing. And they could not find words warm enough to express their happiness at seeing such coveted wealth and luxury come to seek their daughter. When the door of the flat was closed Valerie darted on to the balcony, exclaiming, “Let us see them drive off.”

Morange, who no longer gave a thought to the office, took up a position near her, and called Mathieu and compelled him likewise to lean over and look down. A well-appointed victoria was waiting below with a superb-looking coachman motionless on the box-seat. This sight put a finishing touch to the excitement of the Moranges. When Seraphine had installed the little girl beside her, they laughed aloud.

“How pretty she looks! How happy she must feel!”

Reine must have been conscious that they were looking at her, for she raised her head, smiled and bowed. And Seraphine did the same, while the horse broke into a trot and turned the corner of the avenue. Then came a final explosion —

“Look at her!” repeated Valerie; “she is so candid! At twelve years old she is still as innocent as a child in her cradle. You know that I trust her to nobody. Wouldn’t one think her a little duchess who has always had a carriage of her own?”

Then Morange reverted to his dream of fortune. “Well,” said he, “I hope that she
will
have a carriage when we marry her off. Just let me get into the Credit National and you will see all your desires fulfilled.”

And turning towards Mathieu he added, “There are three of us, and, as I have said before, that is quite enough for a man to provide for, especially as money is so hard to earn.”

III

AT the works during the afternoon Mathieu, who wished to be free earlier than usual in order that, before dining in town, he might call upon his landlord, in accordance with his promise to Marianne, found himself so busy that he scarcely caught sight of Beauchene. This was a relief, for the secret which he had discovered by chance annoyed him, and he feared lest he might cause his employer embarrassment. But the latter, when they exchanged a few passing words, did not seem to remember even that there was any cause for shame on his part. He had never before shown himself more active, more devoted to business. The fatigue he had felt in the morning had passed away, and he talked and laughed like one who finds life very pleasant, and has no fear whatever of hard work.

As a rule Mathieu left at six o’clock; but that day he went into Morange’s office at half-past five to receive his month’s salary. This rightly amounted to three hundred and fifty francs; but as five hundred had been advanced to him in January, which he paid back by instalments of fifty, he now received only fifteen louis, and these he pocketed with such an air of satisfaction that the accountant commented on it.

“Well,” said the young fellow, “the money’s welcome, for I left my wife with just thirty sous this morning.”

It was already more than six o’clock when he found himself outside the superb house which the Seguin du Hordel family occupied in the Avenue d’Antin. Seguin’s grandfather had been a mere tiller of the soil at Janville. Later on, his father, as a contractor for the army, had made a considerable fortune. And he, son of a parvenu, led the life of a rich, elegant idler. He was a member of the leading clubs, and, while passionately fond of horses, affected also a taste for art and literature, going for fashion’s sake to extreme opinions. He had proudly married an almost portionless girl of a very ancient aristocratic race, the last of the Vaugelades, whose blood was poor and whose mind was narrow. Her mother, an ardent Catholic, had only succeeded in making of her one who, while following religious practices, was eager for the joys of the world. Seguin, since his marriage, had likewise practised religion, because it was fashionable to do so. His peasant grandfather had had ten children; his father, the army contractor, had been content with six; and he himself had two, a boy and a girl, and deemed even that number more than was right.

One part of Seguin’s fortune consisted of an estate of some twelve hundred acres — woods and heaths — above Janville, which his father had purchased with some of his large gains after retiring from business. The old man’s long-caressed dream had been to return in triumph to his native village, whence he had started quite poor, and he was on the point of there building himself a princely residence in the midst of a vast park when death snatched him away. Almost the whole of this estate had come to Seguin in his share of the paternal inheritance, and he had turned the shooting rights to some account by dividing them into shares of five hundred francs value, which his friends eagerly purchased. The income derived from this source was, however, but a meagre one. Apart from the woods there was only uncultivated land on the estate, marshes, patches of sand, and fields of stones; and for centuries past the opinion of the district had been that no agriculturist could ever turn the expanse to good account. The defunct army contractor alone had been able to picture there a romantic park, such as he had dreamt of creating around his regal abode. It was he, by the way, who had obtained an authorization to add to the name of Seguin that of Du Hordel — taken from a ruined tower called the Hordel which stood on the estate.

It was through Beauchene, one of the shareholders of the shooting rights, that Mathieu had made Seguin’s acquaintance, and had discovered the old hunting-box, the lonely, quiet pavilion, which had pleased him so much that he had rented it. Valentine, who good-naturedly treated Marianne as a poor friend, had even been amiable enough to visit her there, and had declared the situation of the place to be quite poetical, laughing the while over her previous ignorance of it like one who had known nothing of her property. In reality she herself would not have lived there for an hour. Her husband had launched her into the feverish life of literary, artistic, and social Paris, hurrying her to gatherings, studios, exhibitions, theatres, and other pleasure resorts — all those brasier-like places where weak heads and wavering hearts are lost. He himself, amid all his passion for show, felt bored to death everywhere, and was at ease only among his horses; and this despite his pretensions with respect to advanced literature and philosophy, his collections of curios, such as the bourgeois of to-day does not yet understand, his furniture, his pottery, his pewter-work, and particularly his bookbindings, of which he was very proud. And he was turning his wife into a copy of himself, perverting her by his extravagant opinions and his promiscuous friendships, so that the little devotee who had been confided to his keeping was now on the high road to every kind of folly. She still went to mass and partook of the holy communion; but she was each day growing more and more familiar with wrong-doing. A disaster must surely be at the end of it all, particularly as he foolishly behaved to her in a rough, jeering way, which greatly hurt her feelings, and led her to dream of being loved with gentleness.

When Mathieu entered the house, which displayed eight lofty windows on each of the stories of its ornate Renaissance facade, he laughed lightly as he thought: “These folks don’t have to wait for a monthly pittance of three hundred francs, with just thirty sous in hand.”

The hall was extremely rich, all bronze and marble. On the right hand were the dining-room and two drawing-rooms; on the left a billiard-room, a smoking-room, and a winter garden. On the first floor, in front of the broad staircase, was Seguin’s so-called “cabinet,” a vast apartment, sixteen feet high, forty feet long, and six-and-twenty feet wide, which occupied all the central part of the house; while the husband’s bed and dressing rooms were on the right, and those of the wife and children on the left hand. Up above, on the second floor, two complete suites of rooms were kept in reserve for the time when the children should have grown up.

A footman, who knew Mathieu, at once took him upstairs to the cabinet and begged him to wait there, while Monsieur finished dressing. For a moment the visitor fancied himself alone and glanced round the spacious room, feeling interested in its adornments, the lofty windows of old stained glass, the hangings of old Genoese velvet and brocaded silk, the oak bookcases showing the highly ornamented backs of the volumes they contained; the tables laden with bibelots, bronzes, marbles, goldsmith’s work, glass work, and the famous collection of modern pewter-work. Then Eastern carpets were spread out upon all sides; there were low seats and couches for every mood of idleness, and cosy nooks in which one could hide oneself behind fringes of lofty plants.

“Oh! so it’s you, Monsieur Froment,” suddenly exclaimed somebody in the direction of the table allotted to the pewter curios. And thereupon a tall young man of thirty, whom a screen had hitherto hidden from Mathieu’s view, came forward with outstretched hand.

“Ah!” said Mathieu, after a moment’s hesitation, “Monsieur Charles Santerre.”

This was but their second meeting. They had found themselves together once before in that same room. Charles Santerre, already famous as a novelist, a young master popular in Parisian drawing-rooms, had a fine brow, caressing brown eyes, and a large red mouth which his moustache and beard, cut in the Assyrian style and carefully curled, helped to conceal. He had made his way, thanks to women, whose society he sought under pretext of studying them, but whom he was resolved to use as instruments of fortune. As a matter of calculation and principle he had remained a bachelor and generally installed himself in the nests of others. In literature feminine frailty was his stock subject he had made it his specialty to depict scenes of guilty love amid elegant, refined surroundings. At first he had no illusions as to the literary value of his works; he had simply chosen, in a deliberate way, what he deemed to be a pleasant and lucrative trade. But, duped by his successes, he had allowed pride to persuade him that he was really a writer. And nowadays he posed as the painter of an expiring society, professing the greatest pessimism, and basing a new religion on the annihilation of human passion, which annihilation would insure the final happiness of the world.

“Seguin will be here in a moment,” he resumed in an amiable way. “It occurred to me to take him and his wife to dine at a restaurant this evening, before going to a certain first performance where there will probably be some fisticuffs and a rumpus to-night.”